Director: Kyle Newacheck
Cast: Adam Sandler, Jennifer Aniston, Gemma Arterton, Luke Evans, John Kani, Olafur Darri Olafsson, Terence Stamp
Screenplay: James Vanderbilt
97 mins. Rated PG-13 for violence/bloody images, crude sexual content, and language.
I haven’t been big on Adam Sandler (The Waterboy, Hotel Transylvania 3: Summer Vacation) since Funny People. I was such a huge advocate for Funny People, I told everyone I talked to about it and how great and introspective it was. I still think it’s Judd Apatow’s best movie. The point is, Adam Sandler, to me, has been making movies only to hang out with his friends and make a lot of money. He hasn’t been interested in being good since Funny People. Well, I caught an early screening for his newest film, Murder Mystery, and I can report that it’s probably the best movie he’s made since then. It just still isn’t very good.
Nick (Sandler) and Audrey Spitz (Jennifer Aniston, Dumplin’, TV’s Friends) have been married for fifteen years, but they still haven’t gone on the honeymoon that Nick promised Audrey. Since then, Nick’s been struggling to become a detective, but he keeps failing the exam, so now he’s lying to Audrey about passing. He also lied about taking her to Europe on the honeymoon they never had, and on the plane, Audrey meets Charles Cavendish (Luke Evans, Dracula Untold, Ma), a rich and suave gentleman who invites them onto his uncle’s yacht for the weekend. The yacht is full of interesting characters that are all seemingly out of the murder mystery stories that Audrey likes to read, and when Charles’s uncle, the rich and successful Malcolm Quince (Terence Stamp, The Adventures of Priscilla, Queen of the Desert, Viking Destiny), is murdered aboard the yacht, Nick and Audrey find that their fake background in detective work will have to help them solve this murder and find the killer before they become just another couple victims.
The screenplay, by James Vanderbilt (Independence Day: Resurgence, Truth), gets a lot of homage and story from Clue, and it’s not a horrible screenplay, but there are elements of logic that come into play and seemingly make the characters less likable and, at times, extremely dumb. The police on the tail of Nick and Audrey throughout the film are really clueless. The Spitz’s are not world-class detectives nor are they world-class villains, and yet they are able to elude police for a large chunk of the film with ease. There’s also the sense that Nick and Audrey are not concerned at all with the fact that they have become the prime suspect in the murder of Malcolm Quince. They have a huge cliché romantic comedy argument in the middle of the film outside near the flashing lights of the police. I don’t think I would behave with that level of disregard over being in a foreign country and being the prime suspect in a murder investigation.
Both Sandler and Aniston have some pretty funny moments in the movie when they aren’t arguing and nitpicking at each other. They are a frustrating duo because both performers are capable of comedy gold and they have terrific chemistry, but they have moments throughout the film where they become unbearably annoying. There are some moments I would consider to be really funny dialogue and physical comedy, but it is packed with some leads that don’t want us to like them.
The rest of the cast is rather fun in the sense that they are all essentially archetypes. They are cliché dime-store murder novel characters, but that’s kind of the idea. We are presented with two people who are interested in mystery and detectives, and they find themselves in a mystery that they may be able to solve, so in that way, I didn’t mind that they were clichés. As I said earlier, this movie borrows a lot from Clue, which had the very same kind of conceit.
Murder Mystery is funny enough for a movie on Netflix. I wouldn’t tell people to go out, spend money, and hit it up at the theater, but my screening was filled with people enjoying the movie. I enjoyed it myself for the most part, but my mind kept getting caught up on the inconsistencies, the plot holes, the annoyances of some of the characters. I really want Sandler to care about comedy again, and he just doesn’t show it here. It’s his best movie in years, but it still isn’t the Adam Sandler we remember.
-Kyle A. Goethe