Director: Joe Chappelle
Cast: Donald Pleasence, Paul Rudd, Marianne Hagan, Mitchell Ryan
Screenplay: Daniel Farrands
87 mins. Rated R for strong horror violence, and some sexuality.
Well, it’s the end of October, and we find ourselves at the end of 31 Days of Horror. I’ve enjoyed it very much, and I hope you have as well. Like any October ending, we find ourselves at Halloween, and today we’ll be talking about The Curse of Michael Myers, the sixth and arguably most controversial in the series. Let’s get started.
It’s been six years since Jamie Lloyd, Michael Myers, and the Man in Black disappeared from Haddonfield, and Dr. Loomis (Donald Pleasence, The Great Escape, Fatal Frames) has very much retired, but his old friend from Smith’s Grove, Dr. Wynn (Mitchell Ryan, Gross Pointe Blank, TV’s Dharma & Greg), informs him that he has suggested Loomis as a replacement, and now the body of Jamie Lloyd has been found, and Tommy Doyle (Paul Rudd, Ant-Man, Between Two Ferns: The Movie), survivor of Michael’s killings from back in 1978, has discovered that Jamie had been pregnant and given birth, and MIchael’s after the baby, being the last-known family he has. Loomis, Tommy, and the baby must now contend with the dangerous Michael and the insidious Man in Black who both want the baby.
If you read that synopsis and you’re asking yourself, “Wait! Isn’t this supposed to be a Halloween movie?” then don’t worry. You are in the right place. Much like Jason Goes to Hell, Halloween: The Curse of Michael Myers was made to expand the mythology of Michael Myers by connecting all the previous films (minus Season of the Witch) and answer the questions that the previous film asked while forging a path for future sequels. Well, that’s a tall order, and it’s the most likely reason why this movie turned into such a bonkers disaster.
The screenplay, Frankensteined together but credited to just one writer, Daniel Farrands (The Amityville Murders, The Haunting of Sharon Tate), tried to give a good answer to the mysterious ending to Halloween 5, one that the writers of that film weren’t even sure of, and so the Cult of Thorn was established, a wacko group that protects Michael and helps him accomplish his task of murdering his family members. That’s probably the least-strange new element to the film. The mystery of the Man in Black is given here too, but you probably won’t care about the answer, and then there’s the whole maybe-possible-incest thing in the script that’s not just strange and gross but also really stupid, but hey, in the age of Game of Thrones, maybe this subplot works. Probably not.
Donald Pleasence does solid Loomis work again on his last film appearance as the character, and Paul Rudd’s debut performance is weird enough to fit the crazy plotline of this entry (though he’s still a bit much), but there isn’t much of what I’d call acting in the film. I can’t say I blame a lot of the actors, though, because they signed on for one movie and ended up making another, using a script that was referred to as incomprehensible.
There is a Producer’s Cut of the film that fixes some of the narrative problems but not all, compiled from footage that was shot and cut after a bad test screening, and it’s not a better version, just a different one. It also introduces more subplots that aren’t ever tied up. Safe to say that, no matter which version you see, it’s a mess of a film.
I cannot defend Halloween: The Curse of Michael Myers. As a child, it actually scared the hell out of me. It’s a more cruel version of Michael Myers, and for that, it affected me a lot as a kid, so I will say that part of me prefers this one to the fifth film, but they are both among the bottom of the barrel of the Halloween franchise. It’s sequels like this one that make that whole retcon thing that Halloween 2018 did make sense.
-Kyle A. Goethe
For more 31 Days of Horror, click here.
For my review of John Carpenter’s Halloween, click here.
For my review of Rick Rosenthal’s Halloween II, click here.
For my review of Tommy Lee Wallace’s Halloween III: Season of the Witch, click here.
For my review of Dwight H. Little’s Halloween 4: The Return of Michael Myers, click here.
For my review of Dominique Othenin-Girard’s Halloween 5: The Revenge of Michael Myers, click here.