Director: Vincenzo Natali
Cast: Patrick Wilson, Harrison Gilbertson, Rachel Wilson, Laysla De Oliveira, Avery Whitted
Screenplay: Vincenzo Natali
101 mins. Rated TV-MA.
Stephen King is having a hell of a year. Between It: Chapter Two, Doctor Sleep, Pet Sematary, Castle Rock, Mr. Mercedes, and the upcoming Lisey’s Story, The Stand, The Outsider, and probably more than that, he’s having a damn good year, and now, the novella he cro-wrote with son Joe Hill has been adapted into the new Netflix Original Film In the Tall Grass.
Becky (Laysla De Oliveira, Acquainted, One by One) and her brother Cal (Avery Whitted, The Vanishing of Sidney Hall) are on their way to San Diego when they, upon stopping to rest near an old church, hear the voice of a child coming from the tall grass near them. The voice claims to be lost and scared, and Becky and Cal go in to find the young boy, but upon entering the grass, they discover that it is far more difficult to find an exit, and there is something sinister buried deep within the grass.
Writer/director Vincenzo Natali (Cube, ABCs of Death 2) does the most that he can possibly do to make a boring background like standing in grass. Seriously, there are so many impressive shots in the film that elevate a simple setting into an elaborate one. The difficult in a film like In the Tall Grass is that you have limited characters and limited settings and you have to create a dynamic film where it actually feels like the characters are going somewhere. It doesn’t always work in the film, but when it does, it works very well.
The cast is fine, but Patrick Wilson (The Phantom of the Opera, Annabelle Comes Home) steals every scene he’s in as Ross Humboldt, a man who went into the tall grass with his wife and son and thinks he knows a way out. There are sequences in the film that feel like they will just be sequences of people yelling for help and yet Patrick Wilson’s Ross is such a unique and interesting fella to throw into the mix.
In the Tall Grass gets really weird and wild as he film goes on, and it becomes a lot more crazy near the end, but I was all in for it. There’s a lot more happening in this film than just a bunch of people lost in a field, but I won’t get into it here. This is a Netflix Original well worth your time. It’s fun and eerie and weird and confusing. I had a lot of fun even though the film is about 10 minutes too long. Still, In the Tall Grass is a lot of fun this Halloween season.
-Kyle A. Goethe
For more 31 Days of Horror, click here.
For my review of the anthology film ABCs of Death 2, click here.