[#2019oscardeathrace] Kyle’s Oscar Predictions

Hello everyone and Happy Oscar Day! This one came up quickly but I’m so happy it is here. Today, I thought I would share my Oscar Predictions with you. It’s something I haven’t done in a while but I will try again tonight. Below I will put what I think should win and what I think will win for each award. Feel free to share your thoughts as well in the comments below! Let’s get started…

 

Best Visual Effects

What Should Win: First Man

What Will Win: Avengers: Infinity War

 

Best Film Editing

What Should Win: Vice

What Will Win: Vice

 

Best Costume Design

What Should Win: Black Panther

What Will Win: Black Panther

Best Makeup & Hairstyling

What Should Win: Vice

What Will Win: Vice

 

Best Cinematography

What Should Win: Roma

What Will Win: Roma

 

Best Production Design

What Should Win: First Man

What Will Win: The Favourite

Best Sound Editing

What Should Win: A Quiet Place

What Will Win: A Quiet Place

 

Best Sound Mixing

What Should Win: Bohemian Rhapsody

What Will Win: Bohemian Rhapsody

 

Best Original Score

What Should Win: If Beale Street Could Talk

What Will Win: If Beale Street Could Talk

Best Original Song

What Should Win: “Shallows” from A Star is Born

What Will Win: “Shallows” from A Star is Born

 

Best Animated Feature Film

What Should Win: Spider-Man: Into the Spider-Verse

What Will Win: Spider-Man: Into the Spider-Verse

 

Best Foreign Language Film

What Should Win: Cold War

What Will Win: Roma

Best Documentary Feature

What Should Win: Free Solo

What Will Win: Free Solo

 

Best Documentary Short

What Should Win: A Night at the Garden

What Will Win: Black Sheep

 

Best Live Action Short Film

What Should Win: Fauve

What Will Win: Marguerite

Best Animated Short Film

What Should Win: One Small Step

What Will Win: Bao

 

Best Original Screenplay

What Should Win: Vice

What Will Win: The Favourite

 

Best Adapted Screenplay

What Should Win: BlacKkKlansman

What Will Win: BlacKkKlansman

Best Supporting Actress

What Should Win: Regina King, If Beale Street Could Talk

What Will Win: Regina King, If Beale Street Could Talk

 

Best Supporting Actor

What Should Win: Mahershala Ali, Green Book

What Will Win: Mahershala Ali, Green Book

 

Best Actress

What Should Win: Melissa McCarthy, Can You Ever Forgive Me?

What Will Win: Glenn Close, The Wife

Best Actor

What Should Win: Christian Bale, Vice

What Will Win: Rami Malek, Bohemian Rhapsody

 

Best Director

What Should Win: Spike Lee, BlacKkKlansman

What Will Win: Alfonso Cuaron, Roma

 

Best Picture

What Should Win: BlacKkKlansman

What Will Win: Green Book

 

So there you have it. My picks for the Oscars and my predictions for what will take home the statue. This year I find myself in agreement with my predictions more than most years, but I’m curious where your picks end up. What do you think will win tonight and what do you think should win tonight? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[#2019oscardeathrace] Free Solo (2018)

Director: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cast: Alex Honnold, Tommy Caldwell, Jimmy Chin, Sanni McCandless

100 mins. Rated PG-13 for brief strong language.

  • Academy Award Nominee: Best Documentary Feature [Pending]

 

I’ll be honest. I had no idea what the term Free Solo meant before I saw this movie.

Free Solo is the documentary covering Alex Honnold’s unprecedented climb of El Capitan Wall in Yosemite. The climb, over 3,000 feet high, was completed without ropes or any safety gear at all, hence the term Free Solo. That means is Alex were to slip or fall, he’s a dead man. A documentary crew followed him on this incredible trek, a dangerous idea adding more stress to the climb.

I’ll put it as simply as I can: Free Solo is one of the most intense and exhilarating experiences I have had in the theater in quite some time. Everything leading up to the big event is shown with such gorgeously captivating cinematography. There were times I felt a little light-headed because you feel like you are up there with Alex. That’s the magic of this cinematic experience. Directors Jimmy Chin and Elizabeth Chai Vasarhelyi (Meru) depict this insane sport and the toll it has on those around the climbers. They took me on the climb with them. I felt like a fly on the wall.

I really liked what time they spent diving into Alex’s childhood leading to his decision to become a climber and, eventually, a free solo climber, but I do wish we got some more of that in the film. It’s my one nitpick because I really wanted to study the mind of these daredevils and what makes them do what they do. The surface is merely scratched in the film, and I would have liked more.

The most centralized relationship in the film is between Alex and girlfriend Sanni, and it’s really nicely detailed. I felt for her as she tried to reach him and make him understand what this sport was doing to her, and it’s a great emotional argument of the film.

Free Solo’s striking visuals and its intense personal story is a powerful combination, making it one of the strongest documentary features of the year. I feel bad for you if you missed this one in IMAX, but seek it out when you can and experience this incredible feat for yourself.

 

4.5/5

-Kyle A. Goethe

[#2019oscardeathrace] The Wife (2017)

Director: Bjorn Runge

Cast: Glenn Close, Jonathan Pryce, Christian Slater, Max Irons, Harry Lloyd, Annie Starke, Elizabeth McGovern

Screenplay: Jane Anderson

99 mins. Rated R for language and some sexual content.

  • Academy Award Nominee: Best Performance by an Actress in a Leading Role [Glenn Close] [Pending]

 

The Wife is a movie that has slipped by unnoticed by the public and, if not for the nomination of Glenn Close (Fatal Attraction, Father Figures), it may have disappeared entirely. I was well-aware of the love that has been thrown her way for this performance, so I hunted down a copy of the film knowing very little about it. The question being lobbed around by film pundits and critics is whether or not Close was nominated for her performance in the film or her career.

Joe Castleman (Jonathan Pryce, Tomorrow Never Dies, The Man Who Killed Don Quixote) has just been informed that he is to receive the Nobel Prize for Literature. His wife, Joan (Close) is overjoyed for her husband, and the two depart for Stockholm. As the ceremony draws closer, Joan confronts her choices in her life that led her to this point as she is pursued by a frustrated biographer, Nathanial Bone (Christian Slater, True Romance, TV’s Mr. Robot), searching for the couple’s secret.

The question of whether or not Close’s performance is worthy is a simple one: it is. Now, I wouldn’t say she gives the best performance of the year, but hers is a role filled with emotion and visual flair. She acts with her eyes in a sometimes muted performance that flows with regret and frustration in what could be called a late mid-life crisis as the secrets of her past come forth. It’s an incredibly moving story marred by historical and cultural shifts. I felt myself emotionally broken watching Joan as she discovers what she’s been missing with her own life. I won’t get into specifically spoilery territory but it is something to watch her bare her soul.

Merit should also be given to Pryce and Slater for their terrific turns. Slater is engaging and secretive, always holding his cards close. His performance is similar to the small bit he played in Interview with the Vampire. Pryce, though, is multi-layered, a man with regrets of his own who has seemingly lost touch with himself and doesn’t see the world through a realistic lens. His isn’t a likable character for the most part, but his is definitely an understandable character. What’s fascinating about the duality between Pryce’s Joe and Close’s Joan is just how close they are to each other while being two sides of the same coin. There are shades of both husband and wife in each of us.

Outside of the production design and sets, there isn’t a whole lot of technical flair to the film. Director Bjorn Runge (Daybreak, Happy End) tends to let his focus stick to the characters. The screenplay from Jane Anderson (Olive Kitteridge, Packed in a Trunk: The Lost Art of Edith Lake Wilkinson) is elegant and slowly burns to an intense and emotional finale, one that stayed with me long after leaving the theater.

The Wife isn’t flashy or visually evocative in the way that so many films are. It is beautiful and nuanced and the type of film that most people aren’t likely to see. That shouldn’t take away from the story and the characters which are well-performed and heartbreakingly realistic. This is a film I would implore you to see as soon as you can.

 

4/5

-Kyle A. Goethe

The Nominees for the 91st Academy Awards

Hey everyone! We officially have our nominees for the 91st Annual Academy Awards. Over the next few weeks, I’ll be going through as many of the nominations as I can, so join me on this journey using #2019oscardeathrace and share your count on our way to 52!

The nominees are:

Best Picture:

 

Best Director:

  • Spike Lee – BlacKkKlansman
  • Pawel Pawlikowski – Cold War
  • Yorgos Lanthimos – The Favourite
  • Alfonso Cuaron – Roma
  • Adam McKay – Vice

 

Best Actor:

 

Best Actress:

 

Best Supporting Actor:

 

Best Supporting Actress:

 

Best Original Screenplay:

 

Best Adapted Screenplay:

 

Best Animated Feature Film:

 

Best Foreign Language Film:

  • Capernaum
  • Cold War
  • Never Look Away
  • Roma
  • Shoplifters

 

Best Documentary Feature:

  • Free Solo
  • Hale County This Morning, This Evening
  • Minding the Gap
  • Of Fathers and Sons
  • RBG

 

Best Documentary Short:

  • Black Sheep
  • End Game
  • Lifeboat
  • A Night at the Garden
  • Period. End of Sentence

 

Best Live Action Short:

  • Detainment
  • Fauve
  • Marguerite
  • Mother
  • Skin

 

Best Animated Short Film:

  • Animal Behaviour
  • Bao
  • Late Afternoon
  • One Small Step
  • Weekends

 

Best Original Score:

 

Best Original Song:

  • “All the Stars” – Black Panther
  • “I’ll Fight” – RBG
  • “The Place Where Lost Things Go” – Mary Poppins Returns
  • “Shallow” – A Star is Born
  • “When a Cowboy Trades His Spurs for Wings” – The Ballad of Buster Scruggs

 

Best Sound Editing:

 

Best Sound Mixing:

 

Best Production Design:

 

Best Cinematography:

 

Best Makeup and Hairstyling:

  • Border
  • Mary Queen of Scots
  • Vice

 

Best Costume Design:

  • The Ballad of Buster Scruggs
  • Black Panther
  • The Favourite
  • Mary Poppins Returns
  • Mary Queen of Scots

 

Best Film Editing:

 

Best Visual Effects:

 

So there you have it. It’s going to be a hell of a month and I’m looking forward to it. Be sure to join me on this adventure and share your thoughts on these nominees.

#2019oscardeathrace

 

-Kyle A. Goethe

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