Ennio Morricone Dead at 91

It’s a sad day for the world of cinema. Ennio Morricone, perhaps the most prolific and respected¬† composer in the world of film, has died at 91.

Morricone scored over 400 films along with many television projects and short films, and yet he went without Academy Awards wins until late in his life, finally winning for The Hateful Eight. He was nominated several times for the films Days of Heaven, The Mission, The Untouchables, Bugsy, and Malena.

I’m going to cover some of my favorite work from Morricone and then drop a selected filmography.

The Man With No Name Trilogy: Morricone essentially created the musical style of Spaghetti Westerns with his work on this trilogy, and his score is practically as iconic as Clint Eastwood’s lead character.

Exorcist II: The Heretic: Say what you will about this truly awful film, but Morricone’s score is still pretty damn good.

The Thing: John Carpenter’s classic isolation horror tale is made all the more claustrophobic by the chilling Morricone score that layers the film in a blanket of paranoia almost as thick as the snow on the ground.

Once Upon a Time in America: Keep making new longer cuts of this movie so that we can get more Ennio Morricone music in this movie. It’s extended cut is a staggering journal of life in old America and the score showcases a new side to Morricone’s skillset, and it reunited him with Sergio Leone.

The Untouchables: This feels like Morricone at his most bombastic and heroic. He enhanced the heroes and villains quite nicely and makes an iconic cop film even more unforgettable in the process.

The Hateful Eight: I love The Hateful Eight, and I love the score for The Hateful Eight. The movie could’ve flat-out failed, but Morricone’s music blended so well with Tarantino’s dialogue. It’s a truly special pairing.

Rest in Peace, Ennio Morricone.

Selected Filmography:

  • A Fistful of Dollars (1964)
  • For a Few Dollars More (1965)
  • The Battle of Algiers (1966)
  • The Bible: In the Beginning… (1966)
  • The Good, the Bad and the Ugly (1966)
  • Once Upon a Time in the West (1968)
  • The Invisible Woman (1969)
  • Investigation of a Citizen Above Suspicion (1970)
  • The Bird with the Crystal Plumage (1970)
  • The Cat o’ Nine Tails (1971)
  • The Canterbury Tales (1972)
  • Arabian Nights (1974)
  • 1900 (1976)
  • Exorcist II: The Heretic (1977)
  • Orca (1977)
  • Days of Heaven (1978)
  • The Thing (1982)
  • Once Upon a Time in America (1984)
  • Red Sonja (1985)
  • The Mission¬† (1986)
  • The Untouchables (1987)
  • Cinema Paradiso (1988)
  • Hamlet (1990)
  • Bugsy (1991)
  • In the Line of Fire (1993)
  • Wolf (1994)
  • Disclosure (1994)
  • U Turn (1997)
  • Lolita (1997)
  • Bulworth (1998)
  • The Legend of 1900 (1998)
  • The Phantom of the Opera (1998)
  • Mission to Mars (2000)
  • Ripley’s Game (2002)
  • The Hateful Eight (2015)

 

Do you have a favorite Ennio Morricone score? Let me know/Drop a comment down below!

-Kyle A. Goethe

Pirates of the Caribbean Goes Sparrow-less, Margot Robbie to Lead New Film

Jack Sparrow is out, Harley Quinn is in.

Margot Robbie, recent star of Birds of Prey and Once Upon a Time…in Hollywood, is set to lead a new take on Pirates of the Caribbean, which may or may not be a spin-off, with Birds of Prey screenwriter Christina Hodson penning the screenplay.

The Hollywood Reporter broke the story that Disney is very invested in the Pirates of the Caribbean IP and franchise, and they are also still developing a spin-off that was announced last year being worked on by Ted Elliot and Craig Mazin. The most notable absence from both of these announced projects is Johnny Depp, who became famous for Jack Sparrow, who appeared in all 5 Pirates films thus far.

So what does this mean? Right now, who knows? It seems like Disney wants to turn Pirates of the Caribbean into a cinematic universe where they can create unique and original stories set within the very-defined world of the Pirates of the Caribbean world, and I’m all for it. I only request that they actually develop the universe with the parameters that have been defined by the previous films. They don’t need to directly connect, they just need to exist in the world. I’m so sick of franchises just starting over when they run into trouble.

So there are two independent Pirates of the Caribbean films on the way, one of them starring Margot Robbie. Are you excited for Pirates of the Caribbean to continue with Margot Robbie in the lead? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

Dune Not Expected to Be Delayed?

We still have half a year until Denis Villeneuve’s epic adaptation of Dune, but in the world of COVID-19, nothing is off limits. Some films that should have been released by now won’t be seen by audiences until 2021. With all that, it seems like Dune‘s place in the holiday season of 2020 is not expected to change.

This August, Dune is expected to get some planned reshoots. Of course, reshoots are not out of the ordinary, and with that report, Dune is still expected to hit the release date. Now, this is all contingent on COVID-19 and a potential flare-up in cases, but as of now, that is the only things standing in Dune‘s way.

The film is rumored to have footage in front of the Inception anniversary screenings coming on July 17, but there’s been no real confirmation on that.

I’m so happy to hear that Dune isn’t expecting a delay. I get the feeling that every film that gets delayed will carry a stigma, completely out of its hands, and I think Dune needs as many good vibes as it can get.

Don’t get me wrong! I expect Dune to be brilliant. Everything I’ve seen from Villeneuve has been exemplary, and Dune‘s one of my most anticipated of the year (I’m planning on slaying through the novel this fall in eager anticipation), but this film already carries some baggage related to the divisive nature of the previous adaptations, a failed Alejandro Jodorowsky film, and the supposedly unfilmable nature of the novel, but in the climate of a post-Game of Thrones pop culture landscape, Dune has a real chance. It’s just the question of whether film-goers will turn up for it. Villeneuve’s last big budget sci-fi film, Blade Runner 2049, underperformed even though it is incredible.

This is a film to keep watching out for, and I cannot wait to see the first trailer.

So what do you think? Are you excited for Dune? Do you think it will hit its release date? Let me know/Drop a comment down below!

Dune is still, as of now, expected to arrive on December 18.

 

-Kyle A. Goethe

Warner Bros. Teases Major Film Announcements

There’s been a lot of projects being moved around right now as the impacts of the Coronavirus are felt throughout the industry. With all that, though, new projects are still being green-lit, or in this case, teased.

Warner Bros. has been using their social media platforms to tease announcements related to several major IPs. Specifically, their Instagram has hinted at important September announcements for The Goonies, Beetlejuice, and Sherlock Holmes (the Guy Ritchie films).

For The Goonies and Beetlejuice, several commentators online have deduced that the most likely connection is not sequels or remakes but 4k gift sets, both of which are scheduled to street date in September.

So what’s the deal with Sherlock Holmes? Will this film receive a gift set? Is one warranted? The film isn’t that old, and it doesn’t have the same following that a major WB film like The Goonies or Beetlejuice. Do these posts have anything in common or is it just coincidental and we’re reading too much into it? That seems the most likely option, but let’s dig a little deeper.

Sherlock Holmes has had a third film in development for some time, and now that Robert Downey Jr. is no longer Iron Man, this may open the door for that third film quite nicely. The last I heard, Rocketman and Eddie the Eagle director Dexter Fletcher was attached to the sequel (please give us a villainous turn from Taron Egerton) but that was some time ago and Fletcher has his name attached to several projects. Could this be a sequel finally moving forward?

If that’s the case, maybe that means that sequel announcements for all three films could be in the pipeline. Sure, it’s doubtful, even though sequels have been discussed for decades for The Goonies and Beetlejuice. Steven Spielberg, producer of The Goonies, seemed to suggest that a sequel could never live up to the original and was, therefore, not worth it. The same has been suggested by various members of the Beetlejuice cast and crew.

So many potential threads and yet so little to really go on here.

So what do you think? Are these sequels or merely 4k releases, and do these posts have anything at all to do with each other? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Edgar Wright to Direct Adaptation of The Chain

Edgar Wright has been attached to direct an adaptation of Adrian McKinty’s The Chain, with a script to be written by Jane Goldman. The plot’s been described as:

“The Chain tells the story of Rachel, who learns that her 11-year-old daughter has been kidnapped. The only way to get her back is to kidnap another child. Her daughter will be released only when that next parents kidnap another child.”

This will be the first time Wright has directed a film that he hasn’t had a hand in writing.

To me, this sounds wild and weird and twisted and just about everything that I would be interested in seeing. We’ve never seen Wright tackle a genre like this. He’s played in horror with parodies like Shaun of the Dead and more straight horror with the upcoming Last Night in Soho, but never something so straight-laced dark. It’ll be interesting to see how he works this material, and so far, he hasn’t disappointed me yet, so I’m all in on this one. Now, the question concerning casting begin…

So what do you think? Is The Chain the right choice for Edgar Wright’s next project? Let me know/Drop a comment down below!

Wright’s next film, Last Night in Soho, will release in 2021.

 

-Kyle A. Goethe

Godzilla vs Kong Moves to 2021 as More Release Dates Shuffle

We knew that more release dates would adjust as movie theaters slowly begin to awaken in the wake of COVID-19. It just hurts all the same.

Warner Bros has adjusted several release dates for the sake of saving their bottom line, and one of those casualties is Godzilla vs Kong, a film that was supposed to have already been out before its first delay some months ago.

The film, directed by Adam Wingard, was shifted from November 2020 to May 21, 2021, and will now face off during the beginning of summer movie season next year. Just recently, the film was given its rating from the MPAA, PG-13 for intense sequences of creature violence/destruction and brief language, so it would seem that the film is mostly done at this point and just awaits a solid release date to earn back its budget and perform well, something that the MonsterVerse has struggled with as of late.

This is completely understandable, and I stand behind movie theaters staying closed until they can safely reopen, and I also want these films to perform well when they finally release because I have a lot of faith in them, but it frustrates me all the same. I won’t get into my thoughts on the handling of COVID-19 by the government because this isn’t that kind of site, but I want to be in the theaters again and I want to see the next step in the MonsterVerse be a successful one for the franchise.

So what do you think? Is this the right call for Godzilla vs Kong and are you excited to see it? What’s been your favorite film in the MonsterVerse so far? Let me know/Drop a comment down below!

Godzilla vs Kong will arrive in 2021 with Millie Bobby Brown, Kyle Chandler, and Ziyi Zhang returning.

 

-Kyle A. Goethe

Keanu Reeves Returned to Matrix 4 Because of “Beautiful Script”

The details surrounding The Matrix 4 have been, at least to this film fan, very confusing. The last film, The Matrix Revolutions, ended with the deaths of Neo and Trinity, and yet Morpheus lived, but now with the production of the new film, we’ve learned that Keanu Reeves and Carrie-Anne Moss are returning to the franchise, and as of now, I’ve heard nothing of Laurence Fishburne’s return.

Regardless, The Matrix 4 is happening with Lana Wachowski directing and a screenplay from Wachowski, David Mitchell, Aleksandar Hemon. From what Reeves is saying, it’s that screenplay and the story presented by Lana that convinced him to return to the franchise. Reeves, talking to Empire, said:

“Lana Wachowski wrote a beautiful script and a wonderful story that resonated with me. That’s the only reason to do it. To work with her again is just amazing.”

Honestly, this brings so much joy and excitement to my mind. I already couldn’t wait for a new Matrix film, but knowing that the script and story brought Keanu back only adds to my interest. I’m a huge fan of Cloud Atlas, a previous work from the Wachowskis (Lana’s sister Lilly stepped away from Hollywood a few years back), which was based on David Mitchell’s novel. I love that he contributed to the screenplay, and I’m all the more excited, albeit very confused, about where the story is going.

So what do you think? Should the series have stayed dead or is now a great time to return to this universe? Let me know/Drop a comment down below.

The Matrix 4 hits theaters in 2021.

 

-Kyle A. Goethe

Ryan Reynolds to Enter the Dragon’s Lair!

Netflix has acquired the rights to Dragon’s Lair, an adaptation of the classic 1983 arcade game of the same name. Ryan Reynolds is set to star in the film, which is being scripted by Dan and Kevin Hageman.

The game was turned into an animated series in the 1980s, and word of a movie has been passed around for awhile.

I’m very excited to see a Ryan Reynolds-starring Dragon’s Lair. To me, it isn’t a property that is holier than thou. The game is cheesy and fun and I think Ryan Reynolds could infuse a lot of enjoyment into an adaptation of that game.

Not much else is known, but I’m into it. The question is: are you? Are you excited for this at all? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

The Big Push: Sony Bumps Its Summer Releases Into 2021

Well, COVID-19 has caused another studio to push a lot of properties into 2021. To my knowledge, F9: The Fast Saga, the latest in the Fast & Furious franchise, is the only film that was pushed into 2021. Now, Sony has added several more films to that list.

Sony Pictures has adjusted the release dates for Morbius, Ghostbusters: Afterlife, Uncharted, and Peter Rabbit 2: The Runaway into early 2021. The Kevin Hart film Fatherhood was moved from 2021 into October of this year in all the shuffle, and Greyhound, the Tom Hanks-scripted and starring film, was removed from its June date.

The only significant Sony film that didn’t adjust is Venom 2, the upcoming sequel to the very-successful Venom film from 2018. Let’s break this down…

Morbius, starring Jared Leto, was set to be the second film in Sony’s Spider-Man Character Universe. It was set to follow the first Venom film and it had a lot of questions surrounding it. The trailer featured posters of Spider-Man as well as a moment with Michael Keaton potentially playing Vulture again, which would be mind-blowing because many believed that Disney would not allow Sony to do that with the current deal in place. Many wondered if Morbius was firmly plant itself as MCU-adjacent, and the question therefore came to, “Will it connect to Venom as well?” Now that Morbius will come out after Venom 2, that seems to tell us that the films won’t crossover. If they did, Morbius would likely have taken Venom 2‘s spot and Venom 2 would have likely moved to 2021.

Ghostbusters: Afterlife is something I’ve been very excited for, but this film has a lot to accomplish. I was really excited to see how this film would pick up the franchise and get it going again, but the biggest hurdle of this sequel isn’t Ghostbusters II. It’s 2016’s Ghostbusters: Answer the Call. I know, they aren’t related, but not everyone will connect that. What people will connect is how they didn’t like that film. Ghostbusters: Answer the Call was very mixed in its reactions. I really enjoyed the 2016 film myself, but I know there were a lot of people that didn’t love the film, and now we have this upcoming sequel to Ghostbusters II that has a new, potentially concerning release date. Release dates are an economic science, and choosing a date can make or break your release.

Uncharted, like The New Mutants, seems cursed. This movie just cannot catch a break. This most recent push just signals that the film may never happen.

As far as Peter Rabbit 2: The Runaway goes, I couldn’t care less. The first wasn’t great but not horrible, but I don’t need to see another one.

So there you have it. A lot of changes, and a lot more waiting. You may be asking “Why? Why bump these movies so early?” It’s all for marketing. If you cannot guarantee the release date, you can’t spend millions marketing a movie.

So what do you think? Which of these adjustments hits you the hardest or do you not care about any of them? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

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