Ridley Scott’s Gladiator Sequel to be Set Over Two Decades Later

The big story hidden here is that, somehow, there are still plans for a Gladiator 2. Dialing this one back, original reports pretty close to the original film’s release stated that Ridley Scott wanted a Gladiator 2 that would be about Maximus in the afterlife and possibly coming back to life. I would’ve thought talk like that would just about kill the sequel, but somehow, it’s still there.

In a 2018 report, which has yet to be confirmed as far as I know, the film would follow an adult version of Lucius, originally played by Spencer Treat Clark. His character was the nephew of Joaquin Phoenix’s Commodus and the son of Lucilla, played by Connie Neilsen.

Now, it appears that the untitled Gladiator sequel is trucking right along, and according to some close to development, will begin production very soon.

I’m not sure I need a Gladiator sequel, and Ridley Scott has been returning to the well a bit too much recently to varying degrees of success.

So what do you think? Do you want a grown-up Lucius in a Gladiator sequel? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Bradley Cooper Takes a Stroll Down del Toro’s Nightmare Alley

So it appears that Bradley Cooper is in heavy talks to join Guillermo del Toro’s next project, Nightmare Alley. Originally, it was reported that Leonardo DiCaprio was set to lead, but a deal was not reached and he ultimately left the project.

Del Toro will direct from a script co-written by himself and Kim Morgan, which is itself based on William Lindsay Gresham novel.

Not much else is known, and a get from Cooper would be a significant win for the auteur director who most recently directed The Shape of Water, which of course won Best Picture at the Oscars.

Cooper, coming off a rather big win himself for A Star is Born, is looking to star in and direct the Leonard Bernstein biopic Bernstein, but he could easily make room for Nightmare Alley while that project develops.

So what do you think? Is Bradley Cooper the right fit for Guillermo del Toro’s next project, Nightmare Alley? Let me know/Drop a comment below!

 

-Kyle A. Goethe

The World Shines for Doctor Sleep Official Teaser

I’ve been very curious about the upcoming adaptation of Stephen King’s Doctor Sleep. It’s based on his novel, of course, which was a sequel to The Shining. I was curious how they were going to tackle The Shining, a film that King notoriously hated and one that made some changes to King’s book that would indeed affect Doctor Sleep.

Well, I have a bit more of my answer, as the Official Teaser Trailer for Doctor Sleep has arrived, and it’s pretty excellent. The film, directed by Mike Flanagan of The Haunting of Hill House fame, is set decades after The Shining with a now adult Danny Torrance (played by Ewan McGregor) protecting another child with the Shining from a cult called The True Knot.

It starts with a very notable reference to The Shining, featuring Redrum on the wall and Danny connecting with his past. We get some cool interactions between Danny and the younger kid with the gift, and it’s very reminiscent of Dick Halloran’s discussions with the child Danny.

We get some cool shots of The True Knot, although I’m not sure as much about what’s going on with that. My goal is to read the Doctor Sleep book before the film actually comes out, but what I saw was pretty damn excellent. It’s great to see more Rebecca Ferguson. The shot of her greeting the little girl made me think of Frankenstein’s monster throwing the little girl in the lake.

What I’m most astounded by, though, is the way they recreated Kubrick’s version of The Shining for the film, which leads me to the obvious that while the Doctor Sleep book is a sequel to King’s book, this film version will be a sequel to Kubrick’s film and an adaptation of King’s book, so it will be interesting to see how they play the differences between the two mediums.

With the references to The Shining, Flanagan has seemingly (again, this is only a teaser) found a way to meld his style, which has refined over the past several films, and Kubrick’s visual palette for The Shining into one, and it looks amazing!

This trailer just about blew me out of the water! I cannot wait to read the book and see the film when it opens on November 8th.

So what do you think? Did you see the trailer and what did you think about it? Have you read the Doctor Sleep book? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Candyman Reboot Inspired by Toxic Fandom

Jordan Peele is an incredibly exciting filmmaker and storyteller who has hit the ground running with horror films Get Out and Us, and up next, he seems to have his heart set on producing the reboot to Candyman, a fantastic horror character made famous by Tony Todd in the 90s. With his production company Monkeypaw, Peels has also bring forth series like the new incarnation of The Twilight Zone and the coming-soon Lovecraft Country. Monkeypaw’s Creative Director Ian Cooper recently spoke of the concept for the new Candyman being centered on toxic fandom.

If you haven’t heard the term, it’s one that has been a hot topic of conversation among the film community as of late, with trolls attacking films like The Last Jedi or shows like Game of Thrones for not giving the audience exactly what they want.

Cooper was quoted as saying:

“I think what we’re trying to do with ‘Candyman’ is both be mischievous in how we address the relationship to the first film but also be very satisfying.”

This quote came from an interesting discussion on fandom and the problem of toxicity, so it will be interesting to see exactly where the new Candyman goes.

What’s great about this property is that it is perfect for the reboot treatment. While the characters and franchise are regarded quite well among horror fans, the term classic hasn’t been really applied to them. It feels like a franchise you wouldn’t have to be afraid to play around with and try something new, and it seems from both Peele’s previous comments and Cooper’s new ones that there is a complex take on where to go with this new installment, one that has been cloaked in mystery and some confusion. I’m ecstatic to see that Peele and Cooper seem to know exactly what they want to do with this property.

So what do you think? Have you experienced toxic fandom? Are you excited to see this new take on the Candyman franchise and mythos? Let me know/Drop a comment below!

Candyman returns on June 12, 2020.

 

-Kyle A. Goethe

Netflix Nabs Film Adaption of Ubisoft’s The Division

We’ve been hearing murmurs of a film adaption of the Tom Clancy video game The Division for a little while now, and it appears the film has found a distributor in Netflix.

The film will star Jake Gyllenhaal and Jessica Chastain and is set to be helmed by Deadpool 2 director David Leitch.

It’s exciting to see Netflix making another big play in acquiring a video game adaptation. Properties like The Division feel like an easier transition from video game to film, and I personally think that hardcore gamers who see The Division pop up on their Netflix queue would have no reason not to give it a try.

But it also has that Tom Clancy name on it, a property title all its own. Film adaptations of Clancy’s books have been profitable, so it will be interesting to see if this one can corner markets of viewers from multiple streams of entertainment. I think it’s a power play that is set to do well.

The game tells the story of a pandemic moving through New York City in which the city turns to chaos and riot. It is not known what character Chastain would be playing but Gyllenhaal will be an agent within the Strategic Homeland Division who will be working to quell the chaos and outbreak.

So what do you think? Did you play The Division? Will you be tuning in for the film on Netflix? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[Box Office Report] Secret Life of Pets and Dark Phoenix Win the Weekend in Underwhelming Openings

The new releases of this past weekend failed to make a large impression at the domestic box office. The Secret Life of Pets 2 opened to $47.1 million. To compare, the first film knocked it out of the park with a $104.3 million opening weekend, a record-breaker for original animated properties. So I didn’t expect the second film to hit that, but it is surprising how not-close it got, especially after opening on 4,561 locations, second highest theater count ever to Avengers: Endgame. I found the first film’s marketing to be much better on an underwhelming film experience. I expected the original film to be about the secret lives our pets have when we aren’t around, much as the titles suggests. Instead, it was a cheaper less-interesting version of Toy Story.

Fox’s last outing with this iteration of the X-Men, Dark Phoenix, opened to a disappointingly low $33 million, making it the lowest-opening of all the X-Men films and an absolute disaster set to perhaps even lose money, close to half the $65.7 million for X-Men: Apocalypse. News and rumors of the production nightmares as well as the reshoots and release date changes spelled potential doom for this film long ago, but I don’t think I expected it to fail on opening weekend. I had assumed that on its second weekend, we would see a higher drop-off, but this was a surprising turn of events. I checked out Dark Phoenix on Thursday night, and while I felt it was far from the worst in the franchise, it was still in the lower half of rankings, with a disappointingly soulless reinterpretation of the Dark Phoenix Saga.

Disney’s live-action Aladdin claimed third place this weekend with $24.5 million on its third weekend of release. The newest of Disney’s live-action interpretations of their famous properties, Aladdin stumbles in a few places but overall is a fun nostalgic ride that aims to try something new with the story, and I really enjoyed it. Globally, it sits at $604 million, which is currently the fourth highest-grossing film of the year behind Avengers: Endgame, Captain Marvel, and China Film Group’s The Wandering Earth.

Fourth place this weekend is Godzilla: King of the Monsters, the third film in the MonsterVerse behind Godzilla and Kong: Skull Island, with $24.5 million. King of the Monsters has struggled in its release even though I felt like it was a major step up from the 2014 Godzilla, including all that kaiju which I love so much. The film has issues with its human characters but I liked them more than the blander humans of the 2014 film. It’s doing just fine globally, but its domestic run has been a rough one.

Rocketman nabbed fifth place this weekend, the musical biopic of Elton John claiming $14 million. I caught the film yesterday, and I absolutely adored it, and I hope it holds onto the Top Five for a bit longer.

Late Night opened in limited release with $249 thousand in four theaters. I quite enjoyed Late Night, and it should see some recognition for Emma Thompson’s incredible performance as an aging late-night talk-show host.

Next weekend should be an interesting one as Men in Black International drops alongside the newest Shaft sequel and Jim Jarmusch’s zombie film The Dead Don’t Die. Late Night will also open in wide-release.

So what did you see this weekend? Let me know/Drop a comment below!

 

-Kyle A. Goethe

More Trouble for Bond 25 as Explosion Damages Set and Injures Crew Member

Bond 25 has been having a hell of a time. Last month, star Daniel Craig had to step away from filming to have surgery on his ankle due to an injury that took place while shooting the film in Jamaica. Production was able to continue without him after some creative reshuffling, but on Tuesday, the official James Bond Twitter account reported a “controlled explosion” on the set that injured a crew member and damaged part of the shooting set. The crew member’s injury was said to be “minor” in nature, but no other injuries were reported.

Bond 25 is still untitled, but will likely be Craig’s final outing as the secret agent, where he will be facing a new villain played by recent Oscar-winner Rami Malek under the direction of True Detective veteran Cary Joji Fukunaga. The upcoming installment will also feature regulars Ralph Fiennes, Ben Whishaw, Naomie Harris, Rory Kinnear, and Jeffrey Wright.

I’m glad to hear there were no serious injuries in filming and hopefully the crew member who was injured has a speedy recovery.

Bond 25 hits theaters April 8, 2020.

 

-Kyle A. Goethe

Suicide Squad Casting Benicio Del Toro?

Mark this one up as a rumor for now, because there’s been so strong evidence to really support it, but information coming from Forbes indicate that Benicio del Toro, recently featured in Star Wars: The Last Jedi and Big Top Pee-Wee (look it up), may be joining the upcoming The Suicide Squad from director James Gunn. It would make sense if you look at the layers. He did appear in the MCU for Guardians of the Galaxy’s The Collector, directed by Gunn. Given that we still don’t know the status of The Collector, who appeared in Avengers: Infinity War but as a vision or fabrication, his time in the MCU may be done, but his addition to The Suicide Squad would further the argument that these two comic book giants are not enemies but coexist together.

As of now, The Suicide Squad will feature the returns of Margot Robbie, Viola Davis, and Jai Courtney. Idris Elba has also recently joined the project as a new character, with many speculating him to be Bronze Tiger. All that is known for Elba is that he will not be playing Deadshot as was recently rumored. Del Toro is rumored for The General, who will be one of the film’s villains. David Dastmalchian seemingly confirmed his involvement in a recent interview, praising Polka-Dot Man, and more rumors have circulated of John Cena’s involvement and frequent Gunn collaborator Michael Rooker (though he has since denied his addition), so this installment of the DCEU is shaping up quite nicely.

To this writer, Benicio del Toro only adds an air of quality to the upcoming installment, and I certainly hope the rumors are true. Adding talent like his can only help a movie. I’ve been randomly seeing him pop up in a lot of films from the past recently, and revisiting Fear and Loathing in Las Vegas and Sin City have affirmed that he is one of the more interesting personalities currently working in the filmscape.

As far as the character of The General goes, I know very little. I read some of the Suicide Squad books a few years back, but I don’t think he was ever in any of the ones I read.

I will chock this up as good news, because in James Gunn I trust. Every film he’s directed has been solid (if you’re a horror fan and you haven’t seen Slither, you’re doing yourself a disservice), and every bit of casting news surrounding The Suicide Squad has been exciting me, so count me in.

But what do you think? Are you excited for Benicio del Toro in the DCEU? What’s your favorite performance of his? Let me know/Drop a comment below!

The Suicide Squad will be unleashed again on August 6, 2021.

 

-Kyle A. Goethe

[Box Office Report] Aladdin Grants a Memorial Day Wish for Earnings

Memorial Day weekend just ended here in the United States, and the four-day box office earnings have come out, and it looks like Disney’s newest live-action redo Aladdin has unsurprisingly taken the top spot with $112.7 million, but what is surprising is how much it made this weekend, even with trailer criticism and rumors of problems on set surfaced for months leading up to its release. The film initially garnered good reviews from critics which have somewhat middled-out since its premiere. The $112.7 was not enough to unseat Disney’s own Memorial Day weekend record of $139 million with Pirates of the Caribbean: At World’s End. It looks like people are willing to give Disney a chance on Aladdin. I personally thought the trailers looked fun, and I wasn’t going to give into trolls and critics on Will Smith’s take on the Genie because it is unfair to compare him to the late great Robin Williams and his classic vocal performance.

John Wick: Chapter 3 – Parabellum held onto #2 this weekend with $31 million. The dropoff wasn’t terrible for the Keanu Reeves action film which is celebrating its best box office run in the series still. John Wick 4 has already been officially greenlit and will open in theaters in 2021, so don’t be too concerned for the John Wick franchise. This newest installment boasts some of the most intense and gripping action ever put to film, even if the story isn’t as strong as the original’s.

Avengers: Endgame took third place this weekend with $22.3 million. The long-awaited end to the Infinity Saga edges ever closer to Avatar’s worldwide record gross, but I doubt it will have the legs to make it past the James Cameron-directed sci-fi epic. The only factor still at play for the MCU’s latest is a possible bump when Spider-Man: Far From Home drops, but will it be enough?

In fourth this weekend is Pokemon: Detective Pikachu with $17 million. I was still hoping that the first live-action Pokemon film would have performed better, but give the hesitancy to see video game movies and the juggernaut of Endgame, I think the studio should still be proud of Detective Pikachu’s run. You also have to remember that Detective Pikachu was a popular game in Japan, but I’m pretty sure it didn’t even hit stateside until 2018.

The horror-film take on the superhero myth, Brightburn, opened in fifth place this weekend with $9.5 million, below forecast. Both this film and Booksmart took in less-than-stellar hauls, but I think timing on release was a problematic factor. There’s just too much out there right now and people made decisions with their dollars.

This weekend, I didn’t get a chance to nab any of the new releases mentioned here. I was only able to catch the somewhat wider release for the Ralph Fiennes-directed The White Crow. What did you see this weekend? Did you pick with your dollars? Let me know/Drop a comment below!

 

-Kyle A. Goethe

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