Director: Robin Wright
Cast: Robin Wright, Demián Bichir
Screenplay: Jesse Chatham, Erin Dignam
89 mins. Rated PG-13.
The story behind Robin Wright’s directing of Land, her feature directorial debut, came about by a mere scheduling conflict. Wright, who had previously helmed several episodes of House of Cards as well as the short film The Dark of Night, was asked to direct the film when all the pieces had come into play but there was no director, and the film had to be completed with production in 29 days. The entirety of Land was shot in those 29 days with Wright, who appears in every scene, behind the camera as well as in front.
Land is the story of Edee (Wright), a grieving woman who has purchased a plot of land deep in the Wyoming forest. She doesn’t seem particularly skilled at living off the grid, minus a phone and any technology, and when she nearly dies in a snowstorm, she is luckily rescued and brought back to health by Miguel (Demián Bichir, The Hateful Eight, Chaos Walking), who also lives in the wilderness nearby and has passed her house several times. Edee would much rather be alone, but she’s in no condition to push Miguel away. Miguel instead offers to teach her to successfully hunt, fish, and care for herself in the wild. Edee takes him up on his offer, and she begins to see all the ways that they are more similar than she expected.
Land is a solid debut for Robin Wright as a feature director, but it is not without its faults. The pacing of the narrative holds mostly well for 89 minutes, but this is a case where even 89 minutes feels a little too long. I don’t think the extended periods of Wright all alone on screen consistently maintained my interest. I held this criticism for the Robert Redford film All is Lost, another movie with even less dialogue than Land, but both struggled to keep my focus on the narrative with the lack of visual action onscreen. I never had flat-out signs of boredom, but I found myself checking the time more than once.
The film’s cinematography makes up a lot of ground, though, thanks to some truly striking imagery of the beauty in Wyoming (well, the film was shot in Canada, but we are meant to see Wyoming). The shot composition did a lot to position me in the world with Edee. I felt cold watching the snowy environment and I could almost smell the morning dew on the blades of grass. It’s a wholly arresting bit of scenery that evokes every sense.
I also found Wright’s performance to be quite strong as Edee. I would have liked to peel back the layers of her character earlier on in the narrative. We get a big emotional information dump at the end of the film that would have been more interesting had it shown up earlier than the final ten minutes. We get bits and pieces of her backstory as the film moves along, but we never really get the ability to reconcile with her past and her pain because the movie ends as soon as we get the story that Edee’s been struggling to bury at the very end and therefore the reckoning that we’ve been waiting on never really occurs, though we are meant to believe it has.
Wright plays off of Bichir very well. In fact, so often, Demián Bichir is the secret weapon of any film, as he can do so much with so little. He’s easily the best part of the underwhelming The Grudge from last year, and he even stand out among The Hateful Eight with limited dialogue and screen time. Bichir and Wright have such solid chemistry and they each come at their roles differently, Wright with stoic sadness and Bichir with a limited sense of hope and happiness. The scenes with the two of them onscreen are electrifying.
The only element of the film that flat-out doesn’t work is the invasive and, dare I say, annoying score that invades every scene like an unwelcome intruder. It grates on the ear drums and, though I can sense what it’s trying to do, it never seems to add anything to the film but irritation.
Land has more strengths than weaknesses, and the strong acting from Wright and Bichir as well as an arresting bit of visual delight save an otherwise more forgettable movie. There’s just a lot here that has been done before, and better, but I wouldn’t say that Wright’s feature directorial debut is a bust. It’s a solid little movie for an afternoon matinee, and I would still give it a slight recommendation, if you can handle the score.
-Kyle A. Goethe