Director: David Leitch
Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy
Screenplay: Rhett Reese, Paul Wernick, Ryan Reynolds
119 mins. Rated R for strong violence and language throughout, sexual references and brief drug material.
When Deadpool hit cinemas back in 2016, it was something of a surprise juggernaut, claiming a ton of box office and terrific critical reviews in the process, something that I think shocked just about everyone from the cast, crew and studio as well as fans and filmgoers everywhere. That’s not to say that they didn’t work hard to get the film as right as possible, but the original Deadpool ends up on many lists of Best Superhero Films of all Time just two years after coming out. People loved it.
So Deadpool 2 had a lot to live up to. With the loss of original director Tim Miller, David Leitch (Atomic Blonde) stepped in and took over. With all that, how did the movie end up?
Rest assured that Deadpool 2, despite horrific deplorable violence and naughty words, is a family movie. Kind of. Wade Wilson (Ryan Reynolds, Buried, The Hitman’s Bodyguard) has been busy taking out the baddies every day and spending his nights with the love of his life, Vanessa (Morena Baccarin, Serenity, TV’s Gotham). But when Wade’s life drastically changes, he is forced to search for meaning. A time-traveling soldier named Cable (Josh Brolin, No Country for Old Men, Avengers: Infinity War) comes back from the future to kill a kid who calls himself Firefist (Julian Dennison, Hunt for the Wilderpeople, Paper Planes), Wade assembles a team of heroes, the X-Force, to stop him.
There’s so much happening in Deadpool 2 that its pacing slows down at times and not every sequence works, but the biggest problem of the film comes from its inciting incident. There’s a lot of time in the original Deadpool devoted to Wade’s driving force and motivation. In fact, it’s one of the areas where the original film even avoids lampooning itself. There’s some events early on in Deadpool 2 that essentially throw the whole first film out in some ways, cheapening it. Now, without getting spoilery, it’s tough to dive too much in. What I will say is that these issues lessen on multiple viewings, especially so in the Super-Duper Cut of the film, but on initial viewing, it’s a little rockier of a film.
The new additions to the cast, especially Brolin’s Cable and Zazie Beetz (Geostorm, Slice) as the lucky mutant Domino, steal a lot of scenes. Cable gets to drive the mythology really well, and I was someone who wasn’t really for Brolin in the role. Don’t get me wrong, I thought he’d be fine, but he wasn’t my first choice. I’m happy to say that I was wrong and Brolin was perfect for both the role and the chemistry he has with the others in the film.
Domino is another character that I didn’t really know would work until I saw the film. From the moment she appears, though, Beetz’s portrayal as an almost sisterly ball-breaking of Wade is phenomenal. Her action sequences are so much fun to watch as well, way better than I had anticipated.
We should talk about the X-Force stuff. I went into this movie knowing that the next adventure for Deadpool (not counting Once Upon a Deadpool) would be X-Force, and there was probably going to be some buildup in this film for it, but the way X-Force is used is amazing and unexpected. Wade even hires a normal man named Peter who has no special powers but he does have a damned good LinkedIn page (which actually exists, by the way) is really funny.
The style of the film is a little less-restrained than the original (if the first film could be called restrained) but the usage of little bits like bringing in Celine Dion to sing the theme song “Ashes” and treating the opening of the film like a James Bond film is really special and memorable. The most important aspect of the Deadpool films has been the laughter and comedy and these are areas where Leitch and Reynolds pull the most out of the screenplay.
I think Deadpool 2 has more flaws than the first film. There’s some story choices and some tonal choices that don’t work as well as I would have liked. The ending is a little underwhelming and predictable. That’s true, but the rest of the film is exemplary. The way it subverts expectations is a lot of fun, and the chemistry between Reynolds, Brolin, and Beetz is the central win of the film. If you missed Deadpool 2 earlier this year, give it a go. It’s a worthy sequel.
-Kyle A. Goethe
For my review of Gavin Hood’s X-Men Origins: Wolverine, click here.
For my review of Matthew Vaughn’s X-Men: First Class, click here.
For my review of Bryan Singer’s X-Men, click here.
For my review of Bryan Singer’s X2: X-Men United, click here.
For my review of Brett Ratner’s X-Men: The Last Stand, click here.
For my review of James Mangold’s The Wolverine, click here.
For my review of Bryan Singer’s X-Men: Days of Future Past, click here.
For my review of Bryan Singer’s X-Men: Apocalypse, click here.
For my review of Tim Miller’s Deadpool, click here.
For my review of James Mangold’s Logan, click here.
For my review of David Leitch’s Atomic Blonde, click here.
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