Director: Dario Argento
Cast: Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bose, Alida Valli, Joan Bennett, Barbara Magnolfi, Dario Argento
Screenplay: Dario Argento, Daria Nicolodi
92 mins. Rated R.
As you go through life, you always hear about the different films you need to see. For me, Suspiria is definitely one of those films. Everyone who knows me knows about my love of horror, and yet, famed director Dario Argento (Phenomena, Dracula 3D) always slipped by me. Until Now. This year, I decided it was time to discover Argento. So I picked his most famous film.
Suzy Bannion (Jessica Harper, TV’s It’s Garry Shandling’s Show, Minority Report) a ballet student from America, has arrived in Germany to develop her talents at the famous Tanz Dance Academy. But just as Suzy shows, another student, Pat, is fleeing for her life. Pat escapes to a friend’s home, explaining that something horrible is going on at Tanz before a mystical force preys on her. Suzy too begins to discover that there is indeed something very strange going on, and as she succumbs to fainting spells and horrific visions, it is clear that something evil is after her.
The most powerful element of Suspiria is its beauty, and I’m not just referring to its lead. This is an elegant film with stunning use of primary colors, giving the movie a unreal and nightmarish feel, like a child’s bad dream. The dreamlike quality is furthered by the childish dialogue of its main characters.
I can’t say that the visuals are the only great element at play here. There is a terrific score from progressive rock band Goblin. This is music that is often imitated but rarely equaled in a horror film.
Jessica Harper leads the cast fine, though the practice of dubbing in Italian horror back in the 70s causes a bit of difficulty in really conveying emotion throughout. She is matched by Joan Bennett (TV’s Dark Shadows, Father’s Little Dividend) and Alida Valli (The Third Man, Eyes Without a Face) as Madame Blanc and her instructor Miss Tanner, respectively.
Suspiria is well-acted, beautifully shot, and viscerally audible. The film, based on a lie by Dario’s lady-friend and co-screenwriter Daria Nicolodi, has aged very well. The first film in what Argento refers to as his “Three Mothers” Trilogy, it was followed by Inferno and The Mother of Tears, and I can’t wait to get to more from this legendary filmmaker.
-Kyle A. Goethe