or “Not a Great Remake of The Dead Zone”
Director: Roxann Dawson
Cast: Chrissy Metz, Josh Lucas, Topher Grace, Mike Colter, Marcel Ruiz, Dennis Haysbert, Sam Trammell
Screenplay: Grant Nieporte
116 mins. Rated PG for thematic content including peril.
Breakthrough holds the historical distinction of being the first 20th Century Fox film released under Disney’s ownership. Fun factoid for you.
Breakthrough is based on the true story of John Smith (Marcel Ruiz, TV’s One Day at a Time), a teenager who fell through the icy lake and was without oxygen for an extended period of time. After being brought to the hospital, he was pronounced dead. His mother, Joyce (Chrissy Metz, Sierra Burgess is a Loser, TV’s This is Us) prays to God to help bring back her son, and miraculously, her son’s heart starts beating again, but John is still fighting for his life, and as the community rallies around Joyce and her family, prayer and hope become a fighting force.
I have gotten a lot of flak for my reviews of faith-based films in the past. I go into every film hoping for it to be a winner and I tend to put myself in the mindset of the film, asking “What does this film intend to accomplish?” For horror films, it’s usually to scare the pants off the audience. For comedies, it’s often to brighten someone’s day. It’s important to know a film’s intention before going in. When I see a faith-based film, I expect to have something inspirational or uplifting or at least something that challenges my beliefs to strengthen them. Most of the time, I don’t get that, and a lot of the time, it’s because the film doesn’t pull me in.
Breakthrough is one of the stronger faith-based films in recent years. It didn’t feel, to me, like the first feature film for a director, but it is. Director Roxann Dawson, a veteran of television directing for many years, tackles the subject material rather nicely.
The film’s biggest blunders come from its screenplay from Grant Nieporte (Seven Pounds). The script has some of the cringiest dialogue of the year, but there’s such a well-rounded cast performing that it isn’t as noticeable as often. That being said, there’s only so much that can be done with Chrissy Metz’s dialogue. She often has to deliver some really cheesy work and it falls flat at times and pulls you right out of the film.
The screenplay’s structure works pretty well in that it establishes our emotional conflicts in the film early on and plays with the relationships of the various characters as they maneuver in and out of the film. I respected the fact that Joyce doesn’t get along well with the new Pastor in town, played by Topher Grace (Spider-Man 3, TV’s The Hot Zone). Their conflict is a little goofier than I would have liked, but I still see the attempt. I also liked that the story attempts to tackle the idea that some people are saved by faith while others are not. It doesn’t wholly accomplish this, but again, it’s an area these films tend not to tread.
Perhaps the area where the film struggles in its overall narrative is placing Joyce at the center. I was much more engaged with her husband Brian (Josh Lucas, Sweet Home Alabama, Mark Felt: The Man Who Brought Down the White House) and his struggle to accept that his son is fighting for his life. I would have liked to see his journey to faith be reclaimed). I also liked Tommy (Mike Colter, Men in Black 3, Extinction), the firefighter who saves John because he hears a voice telling him to keep looking. His problem is that he thinks God was talking to him, but he doesn’t believe in God. Either of these characters would have been stronger to place the load of the film on because they both have journeys to go on. We never see Joyce truly struggle in a realistic way and that makes her less of a dynamic character who is believable. Her struggle is not identifiable.
Breakthrough is altogether not a great film, but as far as films of this type go, I think this one is worth catching if you need a pick-me-up. It’s rather glossy and the dialogue needed a miracle at times, but it also made me feel good at times and inspired me in little doses. Breakthrough is not for everyone, but it will satisfy its core audience.
-Kyle A. Goethe