Director: Ernest Dickerson
Cast: Snoop Dogg, Pam Grier, Khalil Kain, Clifton Powell, Bianca Lawson, Michael T. Weiss
Screenplay: Adam Simon, Tim Metcalfe
96 mins. Rated R for violence/gore, language, sexuality and drugs.
I remember the VHS cover for Bones. I remember seeing it when I’d peruse my local video store. I knew nothing about it, except the guy on the front cover looked like that rapper I didn’t listen to. It was a creepy cover, but I had nothing else drawing me to it. I only recently learned that was directed by Ernest Dickerson (Juice, Blind Faith), someone I’ve been aware of for years. I figured, since the film is celebrating its 20th anniversary today, now would be the right time to check out Bones and see if it was as underrated as I’d heard.
It’s been twenty years since the death of Jimmy Bones (Snoop Dogg, Training Day, Turbo), and the brownstone building that was his home has become a relic and a tomb. Now, four friends, led by Patrick (Khalil Kain, Renaissance Man, Coming to Africa), have purchased the Bones house and update it to open a nightclub inside. This sets off a chain reaction that begins the resurrection of Bones who is out for vengeance against those who betrayed him decades ago.
Dickerson’s biggest strength as a director is his ability to play into the genre and utilize a strong filmic sensibility for practical effects. When he utilizes practical effects in the film, it’s a kickass experience. The practical effects are gorgeous and grim and wholly captivating. The problem is that Bones also uses visual effects which are completely distracting and poorly lit. So many of the visual effects have aged and ineffective.
That’s not the only area of mixed execution in the film. Snoop Dogg is utilized quite well in the film. He hadn’t done much acting as of this time period, and he’s played as more of a presence with a bit of an over-the-top flair. He also plays nicely off of Pam Grier (Jackie Brown, Ghosts of Mars), who plays his romantic interest, Pearl. Snoop and Grier had done music videos in the years leading up to Bones, and that chemistry is here as well, but remember I said that acting was mixed? Well, our group of four friends opening up the nightclub are all pretty lackluster. None of them are written all that well, nor are they performed all that well. Mostly, they are overwritten and overacted to the point of parody, and while Bones isn’t meant to be taken seriously, these four youths are seemingly in a different movie, which is disappointing.
Bones is filled with mixed bits because while certain performances and effects work, others do not. The practical effects work is lit well, but the CG is not. The production design is excellent, but the editing is a bit rough and scattered. It’s a movie of parts that work and parts that do not, though I would still give the film a mild edge because enough of it works to have fun. Bones isn’t a classic by any means, but I had enough fun with the narrative and Dickerson’s direction to enjoy myself.
-Kyle A. Goethe
- For my review of Ernest Dickerson’s Tales from the Crypt presents Demon Knight, click here.