[#2020oscardeathrace] Pain and Glory (2019)

Director: Pedro Almodovar

Cast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, Penelope Cruz

Screenplay: Pedro Almodovar

113 mins. Rated R for drug use, some graphic nudity and language.

  • Academy Award Nominee: Best Actor [Antonio Banderas] [PENDING]
  • Academy Award Nominee: Best International Feature Film [PENDING]

 

Someone posed an interesting question to me the other day: Are there any famous filmmakers that you have never seen a film of theirs? I would’ve put Pedro Almodovar (Talk to Her, Julieta) on that list, but I had just seen Pain and Glory. So I cannot give my list of the best Almodovar films because I’ve only seen one. Perhaps the best follow-up question is: After seeing Pain and Glory, would you want to see another Almodovar film? The answer, quite simply, is yes.

Salvador (Antonio Banderas, The Mask of Zorro, Life Itself) is an aging film director who has thought very little about returning to the public eye until elements and memories of his past begin to resurface in the form of old broken connections. Now, he has begun the difficult mental and emotional journey through the choices that have brought him here in order to, perhaps, move forward.

Much like Judy, this movie’s gravitational pull surrounds another incredible turn from Banderas, a performer who, I believe, we tend to forget even though he has consistently put his all into his work. His role here as Salvador is another subtle and nuanced one that holds the heart out ready and willing to be seen. This is such an introspective character, one that isn’t flashy but intimate, as if her were sitting in a kitchen with the viewer and having a conversation. It’s the film’s biggest win.

Almodovar has an interesting style here, one that is flashier than I would have expected, but one that is used to accept the mental state of his lead character. All the rest of the elements in the film are in servitude to Banderas. It’s all meant to make him and his character the star, which works well enough. For me, though, it was tough to reconcile some of the flashbacks with Salvador’s mother with where his present-day self. I would rather have taken some avenues to discover more about his previous romantic relationships, something I felt was presented in such a beautiful manner and then left untouched for the rest of the film.

I really enjoyed elements of Pain and Glory, and while the film as a whole was not as strong, to me, as the lead performance by Banderas, I still found it to be a beautiful and emotional experience, one that I will not forget very soon.

 

3.5/5

-Kyle A. Goethe

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