Director: J.C. Chandor
Cast: Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, Pedro Pascal, Adria Arjona
Screenplay: Mark Boal, J.C. Chandor
125 mins. Rated R for violence and language throughout.
Triple Frontier seemed like a movie that was never going to get made. Cursed, almost. Over the past few years, I’d heard reports of all sorts of actors from Johnny Depp to Tom Hanks board the project and then back out. Some actors, like star Ben Affleck (Argo, Justice League) joined the film only to back out over scheduling conflict and then come back and join the cast once again later on. Kathryn Bigelow was set to direct but then left to direct Detroit. It seemed to wallow away in development hell until finally J.C. Chandor (A Most Violent Year, All is Lost) put all the pieces together, with a script from Mark Boal and Chandor, and delivered Triple Frontier, and it turned out to be an intense thought-provoking thrill ride.
Santiago (Oscar Isaac, Ex Machina, Star Wars: The Last Jedi) assembles a crew of his friends and ex-Special Forces members to steal from and assassinate a dangerous drug king in South America. When the heist takes a surprising turn and the escape plan changes, their loyalties to the mission and to each other are tested. They are forced to decide between risking their greed or their survival as obstacles mount all around them.
Triple Frontier’s tense screenplay works with the Hero’s Journey really nice, and Isaac’s Santiago, for better or worse, works his way toward a goal, and his decisions have consequences. Affleck’s Tom is a man who needs the money but knows what this kind of mission can do to him. The two play opposite sides of the coin and as their moralities change between them, they play great foils to one another.
Charlie Hunnam (A Million Little Pieces, TV’s Sons of Anarchy) plays William, a public speaker struggling with his mental state after what he’s witnessed. He takes on the job once he knows Tom is involved because he knows Tom’s clear head will prevail. His is a character of habits and little comforts who plays by the book.
Pedro Pascal (Kingsman: The Golden Circle, If Beale Street Could Talk) is Francisco, a hell of a pilot with a little drug problem. He wants to get in the air again and feel a sense of purpose. These four characters are written as people who don’t break the rules, but the circumstances of the plot and narrative fundamentally change their thought processes, and with that comes mistakes and a sense of moral ambiguity.
That being said, I felt like Garrett Hedlund (Mudbound, Burden) was wasted in this film. His character, William’s brother Ben, doesn’t have all that much to do. He isn’t given a compelling narrative and seemingly fills out the cast.
Triple Frontier has a vivid and gorgeous cinematic look to it. The cinematography is clean and colorful, the editing quick and tight, and the production design realistic. There’s some issues with the sound design in the film, though, and the music choices sometimes feel like a checklist for drug cartel movies, but the film’s most impressive aspect is its use of tension. There are a great many scenes where the wills and resilience of the crew are tested, and thanks to Chandor’s decision to stretch the tension from an already tense script work wonders here. I was pulling my hair wondering just how they were going to escape from several situations.
Triple Frontier hits Netflix screens on March 13th, but you can catch it in theaters before that, and I would suggest it. This is a tense morality play with some intense action, solid character development, and some genuinely shocking moments. I recommend seeing it immediately.
-Kyle A. Goethe