Director: Mick Garris
Cast: Rebecca De Mornay, Steven Weber, Wil Horneff, Melvin Van Peebles, Courtland Mead
Screenplay: Stephen King
273 mins. Not Rated.
Yep, it’s Stephen King’s birthday again, and today we are going to talk about The Shining. No, that Stanley Kubrick’s The Shining. No, the other one. Yes, there was another one, this time directed by King regular Mick Garris (Critters 2, Bag of Bones).
Jack Torrance (Steven Weber, Batman vs Two-Face, TV’s Wings) has just been given the job of caretaker at The Overlook Hotel during its winter hiatus. He is planning on spending the winter the famous hotel, keeping it safe and secure until the snow melts. Joining him for the season is wife Wendy (Rebecca De Mornay, The Hand That Rocks the Cradle, I Am Wrath) and son Danny (Courtland Mead, Little Rascals, Recess: All Growed Down). When the snow starts in, Jack begins to unravel the mystery of The Overlook’s past, from murders to mafia ties, and as he does so, he begins to be tormented by his alcoholic past as he himself unravels. Son Danny begins to see horrors of his own due to a special gift that he shares with the head cook of The Overlook, Dick Halloran (Melvin Van Peebles, Sweet Sweetback’s Baadasssss Song, Peeples). Halloran tells Danny to ignore these visions, that none of them can hurt him, but Danny begins to learn that there are things at The Overlook very capable of hurting him and his family.
The Shining is by no means a perfect film. Some of the pacing is off, the visual effects are often laughably bad (even though the practical effects work well enough), and there’s a cheapness to the film that permeates the sets. De Mornay and Weber are quite good in their roles, but the young Courtland Mead just cannot do justice to the Danny Torrance character from the book. Van Peebles is also horribly miscast and just doesn’t fit the Dick Halloran character at all.
On the other side of that coin, The Shining is an incredible adaptation of Stephen King’s source novel. I hate to compare this to the other adaptation from Stanley Kubrick, but this film captures King’s novel, while Kubrick’s film is a terrible adaptation that makes for a terrific movie, and in that way, I like them both for what they offer, but being such a fan of King’s book, I find myself pulled more to this version of the story, purely for what it offers me. I’m definitely in the minority here, but I prefer the 1997 miniseries, even if I acknowledge it as a lesser film in many ways.
Overall, 1997 version of King’s tale is heavily flawed from a technical standpoint, but it is truer to the King novel. I love this version but I can understand why it has disappeared from the memory of many others due to its comparison to the 1980 film.
-Kyle A. Goethe
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