Director: James Franco
Cast: James Franco, Dave Franco, Seth Rogen, Alison Brie, Ari Graynor, Josh Hutcherson, Jacki Weaver
Screenplay: Scott Neustadter, Michael H. Weber
104 mins. Rated R for language throughout and some sexuality/nudity.
- Academy Award Nominee: Best Adapted Screenplay [Pending]
No one would have believed that a film based on a book about the making of the worst movie ever made would ever happen, nor did anyone guess that the film would be acclaimed critically. From watching the trailers, I knew I had to see this.
Greg (Dave Franco, Neighbors, The LEGO Ninjago Movie) is a struggling actor who can’t get a break when he meets Tommy (James Franco, The Institute, In Dubious Battle), a horrible over-acting hack with aspirations for stardom and a unique outlook on his lot in life. Tommy convinces Greg to move to LA with him in search of fame. When that isn’t working out for Tommy, he decides to write his own movie: The Room. The mysterious Tommy seems to have the means to finance the film by himself, hiring script supervisor Sandy (Seth Rogen, This is the End, Kung Fu Panda 3) and lead actress Juliette Daniels (Ari Graynor, Nick & Norah’s Infinite Playlist, TV’s I’m Dying Up Here) to star opposite Tommy and Greg. But when mounting tensions on set and Tommy’s ego create chaos during production, a rift starts forming between the two best friends, leaving the film’s trouble production in jeopardy.
This is such a spectacular film about films, friendship, and passion. The feeling it gave me leaving the theater was one of such excitement and pure joy that I wanted to watch it again immediately. The tone is so fun and inspiring. The recreation of scenes from The Room were done so painstakingly that it’s easy to see the care that director/star James Franco put into the work. The plot meanders a bit on its way to the finale, but it’s hard to say that any of the film should have been cut.
Franco’s performance is something of merit as well. He was so convincingly real playing a larger-than-life character, not an easy feat for anyone to accomplish, but Franco does it with graceful measure. He should have received a nomination for his acting at the Oscars. Yes, I understand the political landscape involving Franco, but he still deserves the nomination.
The Disaster Artist is a beautiful love letter to The Room. The film is a true-ish recreation of the events involving the creation of one of the worst films of all time, and it also features some of the best cameos of any film ever, as well as the best use of “Rhythm of the Night” in existence. You think I’m joking. I’m not. The Disaster Artist is one of the more inspirational films I’ve ever seen. I highly advise you to check it out, even if you haven’t seen The Room (but see The Room, c’mon).
-Kyle A. Goethe
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