Director: Luca Guadagnino
Cast: Armie Hammer, Timothee Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois
Screenplay: James Ivory
132 mins. Rated R for sexual content, nudity and some language.
Call Me By Your Name has been one of the most-talked about films of the year as far as festival favorites go. I only very recently was lucky enough to catch a screening of the film. So does this awards-season heavy-hitter stack up?
Elio (Timothee Chalamet, Interstellar, Lady Bird) is a 17-year-old living in Italy. He is introduced to his father’s new assistant from America, Oliver (Armie Hammer, The Social Network, Cars 3). At first, Elio finds Oliver to be rather strange and a little off-putting, but as the two form a closer bond, Elio and Oliver’s friendship grows into a passionate love affair, one that both men are not expecting and one they must keep secret.
I found myself liking a lot of aspects of Call Me by Your Name, the most impressive being the cinematography from Sayombhu Mukdeeprom. This is a gorgeously shot film, and relies very heavily on the excellent visual aesthetic of the Italian locations where the film was shot.
The performances were strong, particularly the two leads, but I feel as though not enough love has been given to Michael Stuhlbarg (A Serious Man, The Shape of Water) for his subtle and nuanced performance as Elio’s father. There is a scene, and you will know which one I mean when you see it, where Stuhlbarg bares his soul on the camera and it is one of the most beautiful monologues I’ve ever seen.
The issues that ended up taking me out of the film happened around Elio’s journey in the film. I found myself not connecting and following along with his decisions as he progressed through the story. I would have liked to have seen the internal conflict he is faced with, but I didn’t connect with him as a character until the latter half of the film. I’ve been called crazy for this, but it’s just how I felt as a viewer.
Call Me by Your Name is a beautiful love story filled with terrific performances all around. The faults with the film, to me, lie with the characterization of Elio and a narrative that needs tightening. Overall, I still rather enjoyed the film, but I don’t personally see it as a Best Picture kind of experience.
-Kyle A. Goethe
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