Director: David Leitch
Cast: Charlize Theron, James McAvoy, John Goodman
Screenplay: Kurt Johnstad
115 mins. Rated R for sequences of strong violence, language throughout, and some sexuality/nudity.
I saw Atomic Blonde the other night, and I was heavily intrigued walking into the theater. After all, David Leitch has proven he knows action and the trailers had a lot of bite, so how was the film?
Lorraine Broughton (Charlize Theron, Mad Max: Fury Road, The Fate of the Furious) is sent to Germany in 1989 right before the collapse of the Berlin Wall to retrieve The List, an important piece of intel containing information about all current operating spies. Lorraine is ordered to work with David Percival (James McAvoy, X-Men: First Class, Split), a Berlin station chief who has gone native, in order to retrieve The List and take down a powerful group of spies in the process.
Atomic Blonde has some of the best action sequences of any film in the past few years. Charlize Theron proves herself yet again capable of playing a strong kick-ass female protagonist, and her scenes where she is whooping her adversaries are incredibly strong. The rest of the film, however, falls flat rather quickly. We are introduced to interesting characters like Til Schweiger’s Watchmaker and Bill Skarsgard’s Merkel and then instead are subjected to poor villains (and far too many) that are underdeveloped. It’s as if somebody said, “Yeah, there are Russians and Germans and it’s set in the Cold War,” and somehow that was enough. But it wasn’t. I actually would have liked to see more inclusion from Broughton’s allies, including Toby Jones as Eric Gray, her handler, and John Goodman (Monsters, Inc., Bunyan and Babe) as Emmett Kurzfeld, a CIA agent. Sadly, these two great supporting players are relegated to a small role that amounts to little more than a framing device.
The plot is overly convoluted with twists and turns for the sake of having twists and turns, and every time that the bullets stopped flying, I lost interest. This is especially apparent near the end of the film when everything Shyamalans pretty hardcore. By the time the ending hit, I was mostly out of it.
That’s not to say it’s the worst film ever. I liked some of the more stylistic flairs like the titles displayed as spray painted Berlin Wall-esque touches, and the soundtrack is exceptional and worth listening to, but there just wasn’t enough outside the fight scenes to cling to, and Atomic Blonde suffers from it.
Overall, Atomic Blonde is mindless action, but its major detractors are its plot, and no film should have that noted. Charlize Theron does better than I expected again, and she is surrounded by capable players that have nothing to do. The film quickly finds itself out of excitement and it isn’t something I see myself wanting to watch again.
-Kyle A. Goethe
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