Director: Barry Jenkins
Cast: Mahershala Ali, Duan Sanderson, Trevante Rhodes, Andre Holland, Janelle Monae, Ashton Sanders, Jharrel Jerome, Naomie Harris
Screenplay: Barry Jenkins
111 mins. Rated R for sexuality, drug use, brief violence, and language throughout.
- Academy Award Winner: Best Motion Picture of the Year
- Academy Award Winner: Best Performance by an Actor in a Supporting Role (Mahershala Ali)
- Academy Award Winner: Best Adapted Screenplay
- Academy Award Nominee: Best Performance by an Actress in a Supporting Role (Naomie Harris)
- Academy Award Nominee: Best Achievement in Directing
- Academy Award Nominee: Best Achievement in Cinematography
- Academy Award Nominee: Best Acheivement in Film Editing
- Academy Award Nominee: Best Achievment in Music Written for Motion Pictures, Original Score
Don’t get upset. Moonlight won Best Picture and La La Land did not. Don’t be angry. I foresaw the win (but not the controversy) but needed to see the film before making my own judgment call. I needed to see for myself what the hubbub was all about. I’ve now seen Moonlight several times, and it’s one of the best and most important films you will ever see.
Moonlight’s storytelling technique is a little complex, so I’ll explain. Moonlight is in three pieces, each showcasing a different period in the life of Chiron. In each of the three key pieces, Chiron is played by a different actor of course. There is Little (Alex Hibbert), Chiron (Ashton Sanders, Straight Outta Compton, The Retrieval) and Black (Trevante Rhodes, The Night is Young, Open Windows). The narrative explores Chiron’s upbringing, his relationship with drug dealer Juan (Mahershala Ali, TV’s House of Cards, Free State of Jones) and his mother Paula (Naomie Harris, Skyfall, Collateral Beauty), and the themes of sexuality and identity that run through Chiron’s blood. It is an elegant and powerful tale.
The strength of Moonlight comes from the incredible ensemble both in front and behind the camera. The performances from Ali and Harris first spring to mind, but all three actors playing Chiron are just incredible.
Director Barry Jenkins (Medicine for Melancholy) put together a great team from a technical standpoint, bathing each stage of Chiron’s life in a different color tone. The film is gorgeously shot and expertly edited into a tight runtime that leaves little out of place. In fact, each piece of the story has its own musical cues and moments to play with. It almost feels like you could watch any one part of the story as a short film and be quite satisfied, but in the grander scheme, Chiron’s life comes into full view.
Moonlight is damn impressive, and very deserving of the Best Picture Oscar it took back from La La Land. I love both films, but I think Moonlight is exactly what it sets out to be and narrowly edges out La La Land. This is impressive filmmaking at its core, and I highly recommend you see it immediately.
-Kyle A. Goethe