Director: Jay Roach
Cast: Bryan Cranston, Anthony Mackie, Melissa Leo, Frank Langella, Stephen Root
Screenplay: Robert Schenkkan
132 mins. Rated TV-14.
In the newest film from HBO, Bryan Cranston (TV’s Breaking Bad, Get a Job) takes his award-winning performance from the stage to the screen. But does the play become a movie? Let’s find out.
All the Way, from director Jay Roach (Meet the Parents, Trumbo), covers the role that Lyndon B. Johnson (Cranston) played as President after the assassination of John F. Kennedy. Events from Johnson’s work with Martin Luther King Jr (Anthony Mackie, The Hurt Locker, Captain America: Civil War) are shown as well as Johnson’s bid for reelection during the following campaign.
All the Way has so many great performances. In fact, it’s what holds the entire film together. Led by the powerhouse work from Bryan Cranston and the incredible makeup work done to bring the President to life is stunning. He is nearly matched by Melissa Leo (TV’s Wayward Pines, The Fighter) as Lady Bird Johnson. I also liked Frank Langella (TV’s The Americans, Frost/Nixon) as Senator Richard Russell and Stephen Root (TV’s King of the Hill, Mike and Dave Need Wedding Dates) as J. Edgar Hoover.
For flaws, All the Way suffers one of the most common issues of translating a play to the screen. It loses a lot of momentum as it moves. Jay Roach, an extremely capable director, struggles to keep the pacing up and moving throughout, and it shows near the final act of the film.
Overall, All the Way is a perfect showcase for its cast (I’d be remiss if I didn’t at least mention Bradley Whitford’s work as well), but it just can’t stand on its own legs as a true film. Not enough was done to properly adapt the work as Robert Schenkkan (TV’s The Andromeda Strain, The Quiet American) adapted his own work. Thankfully, the performances keep the film strong and evocative for most of the film. Still worthy of viewing? Most definite.
-Kyle A. Goethe