Director: Kenneth Branagh
Cast: Lily James, Cate Blanchett, Richard Madden, Stellan Skarsgard, Holliday Grainger, Derek Jacobi, Helena Bonham Carter
Screenplay: Chris Weitz
105 mins. Rated PG for mild thematic elements.
- Academy Award Nominee: Best Achievement in Costume Design
Disney has always been hit-or-miss on their live-action adaptations of their animated classics. I was less-than-enthused about 2014’s Maleficent, but with Cinderella, and a solid director in Shakespearian artist Kenneth Branagh (Frankenstein, Jack Ryan: Shadow Recruit), it seemed like they had a real chance.
The new iteration of the classic tale presents more backstory on Ella (Lily James, Wrath of the Titans, Burnt), her wicked Stepmother (Cate Blanchett, The Curious Case of Benjamin Button, Carol), and the Prince (Richard Madden, TV’s Game of Thrones, A Promise) she falls for. With the help of her Fairy Godmother (Helena Bonham Carter, Fight Club, Suffragette), Ella becomes a beautiful princess for a night of magic and dancing with the Prince in his kingdom. When the night ends, the Prince must do anything to find the mysterious beauty he has fallen for.
From a storytelling perspective, the film reminded me a lot of the Halloween remake from some years back (I know, strange comparison), which chose to flesh out backstory to bulk up the characters and story. Both films do succeed in this dangerous endeavor, though Cinderella definitely doesn’t need all the build-up. Screenwriter Chris Weitz (About a Boy, The Golden Compass) elected to grab from other versions of the tale to add new layers to the film, and it works.
Lily James and Cate Blanchett absolutely own their performances here, fitting right into the narrative nicely, and they are aided by Madden and thespians like Stellan Skarsgard (Good Will Hunting, Avengers: Age of Ultron) and Derek Jacobi (Gladiator, Anonymous).
Often, Branagh uses his superior storytelling tactics from his time studying the plays of William Shakespeare to influence his filmmaking style. It worked well in Thor, and it continues to elevate his craft here.
I must point out the masterful costume design, though likely not to win the Oscar this year, still looks astounding, especially in the ball sequence. The set design aids it well.
Cinderella is one of the better Disney live-action adaptations, and while the film’s pacing comes into question more than once (too much exposition boggs down the film quite a bit), it succeeds in a lot of other ways and is worthy of a viewing.
-Kyle A. Goethe
For my review of Kenneth Branagh’s Frankenstein, click here.
For my review of Kenneth Branagh’s Jack Ryan: Shadow Recruit, click here.