Director: John Guillermin
Cast: Jeff Bridges, Charles Grodin, Jessica Lange, John Randolph
Screenplay: Lorenzo Semple Jr.
134 mins. Rated PG.
- Academy Award Winner: Special Achievement Award for Visual Effects
- Academy Award Nominee: Best Cinematography
- Academy Award Nominee: Best Sound
Some people say nothing is off limits for a remake if you do it right. That’s true, but it doesn’t do anything to save me the pain from the remakes that are less-than-right. 1976’s King Kong is a remake that did some great things, but it also did some bad things. Today, we will dissect King Kong in all its cheese.
King Kong follows a similar plot to its predecessor. A ship and its crew, on the search for petrol, comes across an uncharted island and a great ape who presides over it. Fred Wilson (Charles Grodin, Beethoven, The Ex) sees opportunity for capital gain, while stowaway hippie-man Jack Prescott (Jeff Bridges, The Big Lebowski, Seventh Son) wishes to protect the island and its inhabitants from the dangerous hands of man, while the beast known as Kong has his eyes set on the beautiful and exotic actress named Dwan (Jessica Lange, TV’s American Horror Story, Big Fish).
I find that the root of all the problems with the film stem from a flimsy and cheese-induced screenplay from Lorenzo Semple Jr. (Papillon, Flash Gordon), who has a shaky reputation for greatness. His screenplay has a lot of set-ups that flop and very few payoffs earned. For starters, the character Dwan, played by Lange, is awful. She is written to be annoying and unlikable, with no help from first-time actress Lange. It would seem that Kong’s entire infatuation with her is similar to the audiences: not a bad gal to gawk at. That’s about it.
I enjoyed Jeff Bridges and Charles Grodin, who seem to understand the camp of the film they are a part of, though I still don’t think the tone of the film works at all. And then there is Bridges’ mane of hair, which comes off looking like 70s Teen Wolf mixed with The Lion King’s Simba. Seriously, did no one see him and giggle a bit, perhaps enough to realize that his look just was not working?
Now, as far as the ape goes, I like it. It mostly works well. I like the animatronics utilized here. I think the realism of the beast works enough, but the special effects of placing him in scenes get the size all over the place. Some shots he looks practically normal-sized while other sequences completely overload his presence. I still don’t really know the size that they wanted.
King Kong is probably the third best King Kong movie. That being said, it helped further the world of animatronics and for that it should be thanked. Just not very loudly.
PS: If anyone out there uses editing software, can you create a video of Jeff Bridges as Jack Prescott performing The Lion King soundtrack. Just a thought.
-Kyle A. Goethe