Director: Alejandro Gonzalez Inarritu
Cast: Michael Keaton, Zack Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts
Screenplay: Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo
119 mins. Rated R for language throughout, some sexual content and brief violence.
Academy Award Nominee: Best Picture (Awards Not Yet Announced)
Academy Award Nominee: Best Director (Awards Not Yet Announced)
Academy Award Nominee: Best Actor (Michael Keaton) (Awards Not Yet Announced)
Academy Award Nominee: Best Supporting Actor (Edward Norton) (Awards Not Yet Announced)
Academy Award Nominee: Best Supporting Actress (Emma Stone) (Awards Not Yet Announced)
Academy Award Nominee: Best Original Screenplay (Awards Not Yet Announced)
Academy Award Nominee: Best Sound Editing (Awards Not Yet Announced)
Academy Award Nominee: Best Sound Mixing (Awards Not Yet Announced)
Academy Award Nominee: Best Cinematography (Awards Not Yet Announced)
Wow. Birdman, like Interstellar, is a movie you just kind of have to let it settle in to get something out. This movie actually kept me in silent thought for hours after leaving the theater, but what an incredible journey.
Riggan (Michael Keaton, Batman, Need for Speed) is an aging former star, known for his Birdman franchise of superhero films from some time ago. Now, he wants to reignite the flame of his career by writing, directing, and starring in a Broadway adaptation of Raymond Carver’s “What We Talk About When We Talk About Love” with the help of friend and lawyer Jake (Zach Galifianakis, The Hangover, Muppets Most Wanted). He has just fixed a casting problem by hiring wild card performer Mike (Edward Norton, Fight Club, The Grand Budapest Hotel) who has complicated production right before preview nights start. Now, Riggan’s entire world is crumbling around him as his career rides the line, his complex relationship with daughter and assistant Sam (Emma Stone, The Help, The Amazing Spider-Man 2) melts away, and his cracked relationship with actress Laura (Andrea Riseborough, Oblivion, Welcome to the Punch) takes on startling new weight, all while being egged on by his ego in the latest film from visionary storyteller Alejandro Gonzalez Inarritu (Babel, Biutiful).
This movie just melts the mind with its constant onslaught of problems for Riggan and his production. I love the cinematography here, playing out as if the entire film is one long sequential shot. It doesn’t let you pause for a moment, and that’s just the way I like it. As Riggan runs out of time to stop, so too do the audience as Inarritu throws issues at the screen. I loved being inside Riggan’s head and what Michael Keaton was able to do with this character who I’m sure he connected with in a big way as the fictional Birdman franchise becomes a critique of the entire superhero genre (of which Keaton should be very familiar with) as well as the entire canon of pop culture franchises that are spewing out of Hollywood right now.
The screenplay, a tongue-in-cheek masterpiece of its own, presents a warped view of fame and personal acceptance (or lack thereof) and sends up a lot of current filmmaking trends while skewering itself for the very same problems. This film has more levels than an onion and I loved the smell it reeked of as I peeled each layer away.
Michael Keaton’s work here is stunningly off-putting. He is a broken man who just wants the world to see him as he does. His interactions with fellow performers Lesley (Naomi Watts, King Kong, St. Vincent) and Laura present the feeling of walking on thousands of eggshells while his confrontations with the complexly inept Mike makes one shudder.
Even the visual effects, though few, add to its own narcissism. I love what this movie says about movies and the entire performing arts as a whole. This is the best parts of Cabin in the Woods and Black Swan rolled up.
I can’t say enough about this movie but I can say that it sends out a rhythm of sadness and absurdity that I didn’t know Inarritu was capable of. See this movie, even if you don’t believe me. You will soon enough.
5/5
-Kyle A. Goethe
GOAT Film Reviews 