Director: Phillip Noyce
Cast: Jeff Bridges, Meryl Streep, Brenton Thwaites, Cameron Monaghan, Odeya Rush, Alexander Skarsgard, Katie Holmes, Taylor Swift
Screenplay: Michael Mitnick, Robert B. Weide
97 mins. Rated PG-13 for a mature thematic image and some sci-fi action/violence.
The hotly anticipated adaptation of the dystopian novel The Giver has arrived and initial response has not been great. What did I think? Well, wouldn’t you like to know?
The Giver is the story of Jonas (Brenton Thwaites, Oculus, Maleficent), who lives in a normalized version of reality set some time in the future. His world is one of plainness, of emotionless life filled with routine followed by more routine. It exists without color and without free thought. Life is good. Jonas is about to go through a life-changing ceremony along with friends Asher (Cameron Monaghan, TV’s Shameless, Click) and Fiona (Odeya Rush, The Odd Life of Timothy Green, We Are What We Are). This ceremony grants each of them jobs in their society, and Jonas has just been granted the most important role of all as Receiver of Memory, a role of passing down information from a man known only as The Giver (Jeff Bridges, The Big Lebowski, R.I.P.D.), who has some very valuable information for Jonas.
The Giver isn’t a bad movie as much as it is a rough one. I get the sense that this movie wasn’t fully completed. I also feel as though the book, through fantastic, was not made to be adapted. There is just too much that feels like it would work until you actually see it.
Jeff Bridges is wonderful in the titular role, and he should be, as he has been trying to get the film out of development hell for almost two decades. He even previously filmed a version using family members in the roles to prove that the film was doable.
We also get some great, though very underutilized work from Meryl Streep (The Devil Wears Prada, Into the Woods) as the Chief Elder, a woman who has her own secrets and doesn’t really trust that Jonas will stick to the guidelines of his role, just like ten years previously when a young girl named Rosemary (Taylor Swift, Valentine’s Day, The Lorax) failed as the Receiver of Memory.
Brenton Thwaites is passable, though very underwhelming at times. The saving grace is Odeya Rush as Fiona, a girl who helps inspire emotion with ease.
As for the parental units, Father (Alexander Skarsgard, TV’s True Blood, The East) is pretty good while Mother (Katie Holmes, Batman Begins, Jack and Jill) poses too many questions, the most important being, “How does Katie Holmes keep getting work?” Seriously, I haven’t seen a passable performance since…wait, give me a minute.
As for Taylor Swift, come on. Not good. Not horrible, but definitely not good.
This adaptation was trouble from the start. The entire civilization is without emotion so much so that watching it would be kind of boring. Then again, add any noticeable emotion and people will claim that it breaks its own rules.
I personally enjoyed myself over all, but the film is not without its problems. That much I can promise you. I just keep thinking. It could have been so much more.
-Kyle A. Goethe