Director: Peter Jackson
Cast: Mark Wahlberg, Rachel Weisz, Susan Sarandon, Stanley Tucci, Michael Imperioli, Saoirse Ronan
Screenplay: Fran Walsh, Philippa Bowen, Peter Jackson
135 mins. Rated PG-13 for mature thematic material involving disturbing violent content and images, and some language.
- Academy Award Nominee: Best Performance by an Actor in a Supporting Role (Stanley Tucci)
Certain directors get going and when they do, they just can’t stop. Peter Jackson (The Lord of the Rings: The Fellowship of the Ring, King Kong) is one of those directors. The last film he made that truly disappointed me was the splatter-fest Dead Alive, a gore-lovers delight from some twenty years ago. Then came cult classics like The Frighteners and major wins like The Lord of the Rings Trilogy and King Kong. And like I said before, he just couldn’t stop. In 2009, he gave filmgoers something that they hadn’t seen from Jackson yet. His adaptation of Alice Sebold’s The Lovely Bones was much awaited and polarized many who saw it, but it’s Jackson’s most personal work in years. It dives to the core of human emotion and digs until it hurts.
Susie Salmon (Saoirse Ronan, Atonement, The Grand Budapest Hotel) is a pretty smart young girl living in the 1970s with parents Jack (Mark Wahlberg, Boogie Nights, Transformers: Age of Extinction) and Abigail (Rachel Weisz, The Mummy, Oz the Great and Powerful). She has a bright and shining future ahead as her most important growth period of her life looms ahead, but sadly, her light is cut short all too soon when an encounter with the strange George Harvey (Stanley Tucci, The Hunger Games, Muppets Most Wanted) leads her to an early grave. As her family struggles to grieve, Susie enters an ethereal plane of existence and must overcome her need for revenge before it tears her family to pieces.
This movie is equal parts visual candy and horrifying family tragedy. I love that its struggle in tone is much like that of its lead characters. The film goes to extremes treating little pieces of genre with the intensity of a mood swing. I find this, whether intentional or not, to be so jarring that it works. Jackson’s visual style is here and it looks gorgeous.
Now let’s talk performances. Wahlberg’s is terrible, this is easily one of the most disappointing areas of this film. He can’t handle the tragedy that Jack Salmon is supposed to experience. Rachel Weisz’s is passable but he really isn’t a fully-realized character. Susan Sarandon (Thelma & Louise, Tammy) is Susie’s Grandma Lynn, who jumps in as prime caretaker when Susie’s parents fail to care for the siblings. Michael Imperioli (TV’s The Sopranos, Oldboy) also does passable work as Len Fenerman, the detective charged with finding Susie’s killer.
And then you get George Harvey, played perfectly by Stanley Tucci. Tucci’s performance is so painful and disgusting to watch that every scene with him becomes a living car wreck, one that is so terrifying that you can’t look away. George Harvey is perhaps Tucci’s best work to date and remains a truly chilling piece of work.
The script-work by Fran Walsh, Philippa Bowen, and Jackson, the same writing team Jackson has used on much of his previous work, does a great job here with the source material. They helped to piss me off as the film’s events meandered through life in the 70s. That’s what this movie does best, it pushes one through the stages of grief while equally pissing me off. I hated this movie, and that’s what I loved so much about it.
When I look back on Peter Jackson’s The Lovely Bones, I remember my anger. I also remember the film’s beauty and the search for a passable moment of happiness in a sea of sadness. If you have yet to see this strange odyssey of death, please do so, and let it anger you, but also, let it take hold of you and show you something you haven’t seen before.
-Kyle A. Goethe
For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.