Director: John Carpenter
Cast: Donald Pleasance, Jamie Lee Curtis, P.J. Soles, Nancy Loomis
Screenplay: John Carpenter, Debra Hill
91 mins. Rated R.
Well, here it is. I promised you would make it to Halloween with me, and you did. Congrats!
I think I knew that this would be the movie for today. I didn’t plan for it until I got down to the last couple days. It just so happens that John Carpenter’s Halloween is my favorite horror film, and I am excited to share it with you today. Enjoy and then go have some tricks and treats, whatever they may be, and thank you for a great month.
Halloween opens with an absolutely amazing shot (okay, it looks like a single shot but is actually three, I think) of Halloween night some years ago. Young Michael Myers is supposed to be watched by his older sister Judith but instead she chooses to have her boyfriend over and she ignores Michael as her and her fella proceed to have sex upstairs before he leaves for the night. Michael, in a seemingly unbelievable act, grabs a kitchen knife and his clown costume, goes upstairs and kills his older sister in a gruesome and merciless way. He then goes downstairs to greet his parents as they come home and discover his grisly act. Flash forward several years to modern day 1978 Haddonfield. Michael Myers has escaped from Smith’s Grove Penitentiary and made his way home, now stalking several teenagers on Halloween night.
The film might seem very simple for younger audiences, but it was one of the very first slasher films of its time, and certainly the odd that created all the elements that would later be overused into mediocrity. The plot, though, isn’t about the normal stalker chasing down woman. This isn’t just Michael Myers we are talking about. The credits perhaps say it best, calling him The Shape. He is being pursued by the incredible versatile Donald Pleasance (The Great Escape, Escape from New York) as Dr. Sam Loomis (see the Psycho reference?). Pleasance is at the top of his game here, and it equally matched by the commanding performance of then-newcomer Jamie Lee Curtis (True Lies, Veronica Mars) as Laurie Strode, a normal girl who just wants to finish her babysitting gig and get home alone, a task not always as simple as she would assume. Laurie is a girl plagued by real-world big problems like the question of whether or not Ben Tramer like-likes her. Her fellow friends Lynda (P.J. Soles, Carrie, The Devil’s Rejects) and Annie (Nancy Loomis, The Fog, Assault on Precinct 13) are also on The Shape’s radar tonight, and both are ably performed characters that do nothing special but also do not deter us from our fears.
It is difficult to talk about the cinematography of a low-budget horror film. Many contain nothing of merit. Halloween is not one of these regulars. John Carpenter (Escape from L.A., The Ward) has always been known for his handling of the camera. His shots are sweeping and focused and always purposeful. When the camera doesn’t move, it haunts. From there, the film is perfectly plotted and edited into a tight package of fear.
There are times when I try to come up with something bad about this movie as a fun little game, and I usually lose. I find John Carpenter’s Halloween to be a perfect film in every way. There isn’t a single thing I would change about it. I have been watching it since I was four years old and I will keep watching it multiple times throughout the October holiday. If you haven’t seen this movie yet, I advise it. Not only is it a working film school of guerilla movie-making, but it is still scary today. Enjoy it. It is Halloween after all, and everyone is entitled to one good scare.
-Kyle A. Goethe
For the rest of the 31 Days of Horror, click here.