The Lion King (2019)

or “One Step Closer to a Live-Action Aristocats”

Director: Jon Favreau

Cast: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyonce Knowles-Carter, James Earl Jones

Screenplay: Jeff Nathanson

118 mins. Rated PG for sequences of violence and peril, and some thematic elements.

 

Well, it’s finally here, everyone! The Lion King is finally in theaters! Wait, I should preface that The Lion King hit theaters in 1994. This Lion King is the remake! The live-action remake! Wait, I should also preface that it’s not a live-action film.

But, damn, it does look like it.

You know the story, but I’ll refresh you. Simba (Donald Glover, Solo: A Star Wars Story, Guava Island) is destined to inherit Pride Rock when his father Mufasa (James Earl Jones, The Hunt for Red October, Coming to America) passes. When the king  is murdered, though, and Simba feels responsible, his uncle Scar (Chiwetel Ejiofor, 12 Years a Slave, The Boy Who Harnessed the Wind) convinces him to run away and never come back. The young lion prince flees his kingdom, embarking on a journey to discover the responsibility that lie before him.

There’s very little change in the story of The Lion King, and this remake is pretty close to a shot-for-shot translation of the original film, something I do not agree with. With all the technology being thrown at the film, I feel it would benefit the finished film to take some story risks and changes to set itself apart from what is considered by many to be the greatest animated film of all time, or at least in the conversation. I just think that by making it so similar to the original film, you are inviting comparison, and that’s not a good idea when the film you are comparing to is the considered one of the Greatest of anything.

That all being said, wow, the animation is incredible here. It looks so real, so intense, and so breathtaking. Just like with The Jungle Book, I’m shocked to find that so much of this film was done in a computer, even down to all the backgrounds (I believe only one shot in the whole film is real footage, and I don’t even know what it is). It’s gorgeously animated. My one problem with the realism is that there is a slight disconnect in some of the voice work. I think some actual motion-capture would have helped in the animating process to keep some of the facial expressions more effective, if only for behind-the-scenes video of these performers crawling around on all-fours.

The voicework is quite strong in the film, specifically from Donald Glover, Seth Rogen (This is the End, Long Shot) as Pumbaa, and Billy Eichener (The Angry Birds Movie, TV’s Friends From College) as Timon. The only voice work I would have thought differently about was Beyonce Knowles-Carter (Dreamgirls, Epic), who kind of missed the mark. I know the reason for casting her was to get a new song in the movie, but I just think she missed it.

Overall, The Lion King is a perfectly fine movie, a breathtaking visual achievement, but also a little unneeded. I would venture the question of who is picking this film off their Bluray shelf in a year to watch it if they already have the original film. That is its problem, that it cannot hold a candle to the original. Any other Disney live-action film would avoid that problem by adding something new to the film, but The Lion King doesn’t really do that.

 

3/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Jon Favreau’s Chef, click here.

Long Shot (2019)

Director: Jonathan Levine

Cast: Seth Rogen, Charlize Theron, June Diane Raphael, O’Shea Jackson Jr., Andy Serkis, Bob Odenkirk, Alexander Skarsgard

Screenplay: Dan Sterling, Liz Hannah

125 mins. Rated R for strong sexual content, language throughout and some drug use.

 

Long Shot kind of came out of nowhere. I don’t think anyone expected to be such a crowd-pleaser but reviews have been pretty solid for the film. I finally got a chance to catch it in the theater, and while I don’t it is ground-breaking comedy, it was still quite a chuckler.

Secretary of State Charlotte Field (Charlize Theron, Monster, Atomic Blonde) is planning on running for President when currently-seated President Chambers (Bob Odenkirk, Incredibles 2, TV’s Better Call Saul) decides not to attempt a second-term run. Charlotte’s biggest opportunity heading into the race is that she is considered cold and the public doesn’t connect with her, so when she comes across someone she knew from her youth, recently-out-of-a-job journalist Fred Flarsky (Seth, Rogen, This is the End, Like Father), she takes him on as her speech-writer to help connect her to voters. Then, as they work more and more closely together, they find that they each bring out the best of each other, but is Flarsky a liability for Charlotte’s White House run?

The term I would use to describe the central relationship of Long Shot is cute. I genuinely believed the chemistry between Theron and Rogen, and their scenes together were cute. I think director Jonathan Levine (50/50, Snatched) mined the relationship and the screenplay from Dan Sterling and Liz Hannah for some pretty solid comedy gold. This is a surprisingly good role for Charlize Theron, considering we haven’t seen much from her in a romantic comedy aspect. Yes, there have been films like Young Adult and Tully, but those roles have been much more tied into her dramatic performance than the guffaw-style laughs she goes for here.

Don’t get me wrong, there is a level of drama to Long Shot, but it is clear that the film is not taking itself as seriously as the films I have previously mentioned. It’s taking shots at our current political climate, lampooning and laughing at the current administration with its President Chambers, and Alexander Skarsgard (The Aftermath, TV’s True Blood) is rather silly and playful as the Prime Minister of Canada. Not everything works in the film, and some of the comedy dries up near the end as the film somewhat struggles to find its ending, but the last ten minutes were a fantastic finale that plays into its romantic comedy elements while also remaining somewhat unexpected.

The film also features a scene-stealing performance from the enigmatic and often-unrecognizable Andy Serkis (War for the Planet of the Apes, The Adventures of Tintin) as Peter Wembley, a media mogul who bought the paper that Fred previously worked for and also wants Charlotte on his team, politically-speaking. He doesn’t have a lot of scenes but every time he popped up, I lost it laughing. His performance is the best of the film, and some of the things he does are slimy as can be.

Long Shot limps a bit in its second act. It struggles to find its footing in order to get to a reasonably-satisfying conclusion, but thankfully it finds a great ending to land on, saving a fun romantic comedy that strives to be about more than just romance and comedy. I’ll leave it up to you to decide how successful it is in that respect, but I found it quite funny. I would temper your expectations for all the people saying it’s the best romantic comedy in years, but it works quite well all the same.

 

3.5/5

-Kyle A. Goethe

[#2018oscardeathrace] The Disaster Artist (2017)

Director: James Franco

Cast: James Franco, Dave Franco, Seth Rogen, Alison Brie, Ari Graynor, Josh Hutcherson, Jacki Weaver

Screenplay: Scott Neustadter, Michael H. Weber

104 mins. Rated R for language throughout and some sexuality/nudity.

  • Academy Award Nominee: Best Adapted Screenplay [Pending]

 

No one would have believed that a film based on a book about the making of the worst movie ever made would ever happen, nor did anyone guess that the film would be acclaimed critically. From watching the trailers, I knew I had to see this.

Greg (Dave Franco, Neighbors, The LEGO Ninjago Movie) is a struggling actor who can’t get a break when he meets Tommy (James Franco, The Institute, In Dubious Battle), a horrible over-acting hack with aspirations for stardom and a unique outlook on his lot in life. Tommy convinces Greg to move to LA with him in search of fame. When that isn’t working out for Tommy, he decides to write his own movie: The Room. The mysterious Tommy seems to have the means to finance the film by himself, hiring script supervisor Sandy (Seth Rogen, This is the End, Kung Fu Panda 3) and lead actress Juliette Daniels (Ari Graynor, Nick & Norah’s Infinite Playlist, TV’s I’m Dying Up Here) to star opposite Tommy and Greg. But when mounting tensions on set and Tommy’s ego create chaos during production, a rift starts forming between the two best friends, leaving the film’s trouble production in jeopardy.

This is such a spectacular film about films, friendship, and passion. The feeling it gave me leaving the theater was one of such excitement and pure joy that I wanted to watch it again immediately. The tone is so fun and inspiring. The recreation of scenes from The Room were done so painstakingly that it’s easy to see the care that director/star James Franco put into the work. The plot meanders a bit on its way to the finale, but it’s hard to say that any of the film should have been cut.

Franco’s performance is something of merit as well. He was so convincingly real playing a larger-than-life character, not an easy feat for anyone to accomplish, but Franco does it with graceful measure. He should have received a nomination for his acting at the Oscars. Yes, I understand the political landscape involving Franco, but he still deserves the nomination.

The Disaster Artist is a beautiful love letter to The Room. The film is a true-ish recreation of the events involving the creation of one of the worst films of all time, and it also features some of the best cameos of any film ever, as well as the best use of “Rhythm of the Night” in existence. You think I’m joking. I’m not. The Disaster Artist is one of the more inspirational films I’ve ever seen. I highly advise you to check it out, even if you haven’t seen The Room (but see The Room, c’mon).

 

4.5/5

-Kyle A. Goethe

 

 

For more Almighty Goatman,

[31 Days of Horror 3] Day 1 – This is the End (2013)

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Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson, Michael Cera, Emma Watson

Screenplay: Seth Rogen, Evan Goldberg

107 mins. Rated R for crude and sexual content throughout, brief graphic nudity, pervasive language, drug use and some violence.

 

Here we are yet again. Another year has gone by and we arrive at my favorite month: October. I love celebrating my favorite genre with you all and I’m so excited to continue the tradition. This year, I thought we’d start off a with a lighter fare and take a look at the horror-comedy This is the End.

L-r, James Franco, Danny McBride, Craig Robinson, Jay Baruchel and Seth Rogen in Columbia Pictures' "This Is The End," also starring Jonah Hill.

In this film from directors Seth Rogen and Evan Goldberg (The Interview), each actor portrays a fictionalized version of himself, so know that going in.

Seth Rogen is very excited to see his best friend, Jay Baruchel (TV’s Man Seeking Woman, Million Dollar Baby), who has just flown in for the weekend. As the two trade stories, get high, and play video games, Seth suggests a party over at James Franco’s (TV’s 11.22.63, 127 Hours) house. There they meet up with Seth’s other acting partners Jonah Hill (21 Jump Street, How to Train Your Dragon 2), Danny McBride (Your Highness, Aloha), Craig Robinson (Pineapple Express, Hot Tub Time Machine 2), and Michael Cera (TV’s Childrens Hospital, Scott Pilgrim vs. the World). As they party away inside, outside a cataclysmic event begins as the world ends all around them and they are forced to survive in the house as demons and death surround them, attempting to kill them all.

What a strange setup for a film, and surprisingly enough, it works better than most comedies that dip their toes into the supernatural. The film playfully uses elements and staples of a film like this such as possession, cannibalism, sin, forgiveness, insanity, paranoia, and death so carelessly (in a good way) that I can see why this offensively hilarious look at the end of days doesn’t garner as much love as other films from this cast.

I love that the cast here is able to poke fun at themselves, either playing against type (Jonah Hill and Michael Cera) or playing exaggerations of themselves (Danny McBride and James Franco). The most important part is that they respect the conceit and the material and embrace it for the comedy.

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Directors Rogen and Goldberg take some big risks in the film and it pays off gloriously. It isn’t a slight on the these kinds of movies but an homage to them and a critique of fame in today’s society. And it’s really freaking funny. The cameos alone make this film a worthy comedic gem, but the way the movie is structured give it something wholly unique: a style like no other. See this movie before the apocalypse actually happens.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Seth Rogen and Evan Goldberg’s The Interview, click here.

Kung Fu Panda (2008)

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Director: Mark Osborne, John Stevenson

Cast: Jack Black, Ian McShane, Angelina Jolie Pitt, Dustin Hoffman, Seth Rogen, Lucy Liu, David Cross, Randall Duk Kim, James Hong, Jackie Chan

Screenplay: Jonathan Aibel, Glenn Berger

92 mins. Rated PG for sequences of martial arts action.

  • Academy Award Nominee: Best Animated Feature Film of the Year

 

Pixar has pretty high standards. Viewers go into a Pixar film expecting something brilliant, a film with blinding visuals and a heartwarming tale that captures the human spirit.

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Dreamworks Animation…not so much. As big of an advocate as I am for films like Monsters vs. Aliens and the Shrek series, Dreamworks has difficulty hitting it out of the park. People continue to flock to the Kung Fu Panda franchise, though. Even though I didn’t care much for the original film when it came out eight years ago (I was on a date with my now fiancé and we mildly enjoyed ourselves, but the resounding feeling the film gave me was “meh”), I felt the need to return to this franchise after hearing such love from fans about the second and third installments. So here we are. How did I feel the second time around?

Po (Jack Black, King Kong, Goosebumps) is a panda who dreams of a life protecting others, a life of martial arts, a life he cannot have. Po’s father finds him to be most-well-suited in the family business: noodles. But, a dangerous evil, Tai Lung (Ian McShane, Pirates of the Caribbean: On Stranger Tides, Bilal: A New Breed of Hero), has escaped from his incarceration intent on revenge, and the legendary Oogway (Randall Duk Kim, The Matrix Reloaded, John Wick) must select a new Dragon Warrior. His selection? Po. Hijinks, get ready to ensue.

On my second viewing of Kung Fu Panda, I found some elements that I really loved. My favorite sequence was Tai Lung’s prison break scene. There’s also some really unique melding of 2D and 3D animation in homage to Japanese Anime. I even found myself loving the training sequences that Po goes through learning from Shifu (Dustin Hoffman, Kramer vs. Kramer, Chef) and the rest of the legendary warriors.

Some good should also be said of the voicework from those I’ve already mentioned and also Angelina Jolie Pitt (Maleficent, By the Sea), Seth Rogen (This is the End, Neighbors 2: Sorority Rising) and Jackie Chan (Rush Hour, Dragon Blade).

Now, the cons? It isn’t really funny throughout, and it isn’t really action-packed throughout. When this film hits it, it hits it very well, but it just doesn’t hit the mark enough.

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Kung Fu Panda is uneven, though it has a lot of potential as a franchise starter. After my revisiting of the original film, I see now that this movie had the ability to do well, and it deserved to get another installment.

 

3/5

-Kyle A. Goethe

 

 

For my review of Mark Osborne and Stephen Hillenburg’s The Spongebob Squarepants Movie, click here.

[Alright Alright Alright Movies] Pineapple Express (2008)

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Director: David Gordon Green

Cast: Seth Rogen, James Franco, Gary Cole, Rosie Perez, Danny McBride

Screenplay: Seth Rogen, Evan Goldberg

111 mins. Rated R for pervasive language, drug use, sexual references and violence.

 

I thought we’d have some fun today with the movie selection and inject a little stoner movie into the mix with 2008’s Pineapple Express.

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Dale Denton (Seth Rogen, This is the End, Sausage Party) is a process server with one favorite past time. He loves getting high. But when he witnesses a murder committed by drug lord Ted Jones (TV’s Veep, Office Space) and drops a roach at the scene of the crime, Dale surmises that Ted Jones can link him and his dealer Saul (James Franco, TV’s 11.22.63, 127 Hours) to the weed, known as Pineapple Express. Now, with Jones and crooked cop Carol (Rosie Perez, The Road to El Dorado, Pitch Perfect 2) hot on their trail, the two stoners must outrun danger and find out who can be trusted and how to escape death.

I have to say, I absolutely love this movie. I love the stoner straight man persona that Seth Rogen perfectly embodies here. I love the loose tonal combination of action and comedy that Pineapple Express functions with. James Franco is an excellent Saul and is joined by the untrustworthy dickweed named Red (Danny McBride, Your Highness, Rock the Kasbah) who is the middleman between Saul and Ted. The movie is hilariously written by Rogen and writing partner Evan Goldberg.

There are a number of great sequences in the film, from the cold open of the film exposing the government tests conducted on marijuana to the action-packed finale. I personally enjoyed the car chases and the fight at Red’s house, but you can’t fault the film for its strange surreal look at living on the lam and the forced friendships that we create out of sheer need for survival. It is a terrific package deal for a film.

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I can completely understand this not being everyone else’s cup of tea, but Pineapple Express deserves a chance as it made some solid money but doesn’t really garner the kind of praise it earned. Spend this 4/20 by enjoying a fantastic stoner comedy that continues to make me giggle almost eight years after its initial release.

 

4.5/5

-Kyle A. Goethe

 

For my review of David Gordon Green’s Your Highness, click here.

[Happy 5th Birthday!] Your Highness (2011)

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Director: David Gordon Green

Cast: Danny McBride, James Franco, Natalie Portman, Zooey Deschanel

Screenplay: Danny McBride, Ben Best

102 mins. Rated R for strong crude and sexual content, pervasive language, nudity, violence and some drug use.

 

Some movies are divisive, with praise and derision in equal measure. Your Highness isn’t even one of those. But I’m still going to watch it for you.

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Your Highness is the story of two brothers and a quest to end all others. One of them, Fabious (James Franco, TV’s 11.22.63, 127 Hours) is a rugged and valiant prince on his way to rescue his beloved Belladonna (Zooey Deschanel, TV’s New Girl, Elf) from a frightening and perverse warlock. The other brother is Thadeous (Danny McBride, This is the End, Sausage Party), a fat loathsome slob of a prince only interested in getting laid, a task not so easy for the failure of a son. The two set out to complete Thadeous’ first quest and gain his father’s respect. Along the way, they meet Isabel (Natalie Portman, V for Vendetta, Jane Got a Gun), who also has reasons to defeat the wicked warlock.

The premise is rather simple and rather stupid. According to director David Gordon Green (Pineapple Express, Our Brand is Crisis), the concept came from a game between him and McBride about coming up with hilarious titles and then making up a movie premise about them. Apparently, this was the best one. McBride then proceeded to write a draft, and then most of that was thrown out in favor of improv. How this movie even got made is a shock, and how it managed to bring on multiple Oscar nominees also confounds.

McBride cannot carry a movie, funny as he is. Franco (who did sword training and flew back and forth between set and his classes across the country) and Portman (who only signed on to get Black Swan financed) do capably enough to keep this flimsy story going.

All this is important as it creates a movie that doesn’t really want an audience. That being said…

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I laughed my ass off at a lot of this movie, and I have to applaud them for trying to craft a unique mixture of fantasy and raunchy comedy. Still not a great movie, but it isn’t the worst viewing experience I’ve ever had.

 

2.5/5

-Kyle A. Goethe

Hot Tub Time Machine 2 (2015)

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Director: Steve Pink

Cast: Rob Corddry, Craig Robinson, Clark Duke, Adam Scott, Chevy Chase

Screenplay: Josh Heald

93 mins. Rated R for crude sexual content and language throughout, graphic nudity, drug use and some violence.

 

After being pushed back each year, 2015 finally saw the release of the anticipated sequel Hot Tub Time Machine 2. Was it worth it?

Left to right: Clark Duke is Jacob, Rob Corddry is Lou, and Craig Robinson is Nick in HOT TUB TIME MACHINE 2, from Paramount Pictures and Metro-Goldwyn-Mayer Pictures. 

After changing the future by fixing the past, Lou (TV’s Children Hospital, Sex Tape), Nick (Craig Robinson, This is the End, Get on Up), and Jacob (Clark Duke, TV’s Greek, A Merry Friggin’ Christmas) have been living the good life. That is, until Lou is attacked at a party and his friends are forced to travel through time to save him. The plot only gets more convoluted as it goes.

Hot Tub Time Machine is one of my all-time favorite comedies. I was absolutely shocked by how enjoyable the film ended up being. Hot Tub Time Machine 2 didn’t give the same reaction. This film took everything great from the first film and inverted it into something upsetting. First of all, the loss of John Cusack, who would’ve cost more money but would’ve been worth it. The way he was written out is all the more upsetting as they just sort of don’t know where he is but there are all clues that point him out as a possible villain. It just doesn’t make sense in the context of the story. John Cusack does return in a two-second cameo in the unrated version but it doesn’t help.

Without Cusack, we end up with a story led by Rob Corddry’s Lou, a wholly unlikable character. The only reason he works in the first film is that Cusack’s Adam is the more likable lead. Even Craig Robinson comes off as a less-likable person, which I thought was impossible.

As far as new characters go, Adam Jr. (Adam Scott, TV’s Parks and Recreation, The Secret Life of Walter Mitty) is the underutilized son of John Cusack’s character that we meet in the future. The timeline is confusingly placed here and only furthers the unlikable way we view Adam Sr. The normally comedic Adam Scott in the role is wasted as his character comes off as too stupid to be funny. He doesn’t get the opportunity to flex his acting chops.

It’s hard to blame these actors because of the horribly confusing and ever-increasingly-convoluted screenplay. This is some bad writing put forth into a bad movie. Director Steve Pink (Accepted, About Last Night) seems to have lost what little good ability he had since the original film.

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Hot Tub Time Machine 2 has a few moments that feel like they are about to redeem the film, but each time it happens, the film falls back into the minutiae of regrettable choices that serve to demean the film and leave one with a horrible taste in the mouth. Do with that what you will.

 

2/5

-Kyle A. Goethe

 

For my review of Steve Pink’s Hot Tub Time Machine, click here.

 

The Interview (2014)

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Director: Evan Goldberg, Seth Rogen

Cast: Seth Rogen, James Franco

Screenplay: Dan Sterling

112 mins. Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence.

 

Last year, a film was made, one that almost never saw the light of day thanks to terrorism. In the course of a few days, buzz around The Interview skyrocketed after a threats were made to Sony concerning its release. Theaters around the country pulled the film and refused to show it. It was a sad day to be an artist in America. It didn’t matter what kind of art was pulled, the fact that we were afraid to express ourselves showed more weakness than I could have imagined.

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But then, Sony came to the rescue. They released the film on online platforms. You can’t bomb online platforms (well, the danger was still there). Youtube released it. Netflix released it. Then, stores put it on shelves and we proved to the evils of the world that we are not going to stand for it (cue the inspirational battle hymn). Well, anyway, that happened, and it helped cement The Interview in the annals of American film history, but there was still one unanswered question: was the film any good?

In The Interview, the new comedy from directors Evan Goldberg and Seth Rogen (This is the End), we follow Rogen as Aaron Rapaport, producer for the talk show Skylark Tonight, featuring his friend Dave Skylark (James Franco, 127 Hours, True Story). The show is a fledgling one, more of a witch hunt show searching for shock and awe rather than inspirational or interesting television. That is, until they get an interview with Kim Jong-Un after finding that the dictator is a fan of the show. The two are then enlisted by the US government to assassinate the world leader during the interview and save countless lives (that’s right, it does bleed controversy).

The performances by the two leads are goofy and a little stupid, the cinematography looks cheap and a little stupid, and the pacing is way off. It’s a little stupid. With all that, the film does have its charms, but I do struggle to remember a moment where I laughed out loud. There were a few “that’s funny” moments but no guffaws. I wanted some damn guffaws.

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All in all, does The Interview deserve to be remembered the way it will be? Probably not. I found it to be a goofy somewhat comedic romp with little true substance outside its controversy.

 

2/5

-Kyle A. Goethe

Hot Tube Time Machine (2010)

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Director: Steve Pink

Cast: John Cusack, Rob Corddry, Craig Robinson, Clark Duke, Crispin Glover, Lizzy Caplan, Chevy Chase

Screenplay: Josh Heald, Sean Anders, John Morris

101 mins. Rated R for strong crude and sexual content, nudity, drug use and pervasive language.

 

Okay, so John Cusack (Being John Malkovitch, Drive Hard) signed on to this film immediately after hearing the title, but then again, wouldn’t you?

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Hot Tub Time Machine tells the story of three friends who have grown apart. Adam (Cusack) has just become single and alone…again, Nick (Craig Robinson, This is the End, Get on Up) works at his dead-end job and dreams of being a famous musician, and Lou (Rob Corddry, TV’s Childrens Hospital, Muppets Most Wanted) is a drunk loser…still. But after a near-fatal accident, the three friends decide to relive their glory days at Kodiak Valley, they, along with Adam’s nephew Jacob (TV’s Greek, A Merry Friggin’ Christmas), come across a malfunctioning hot tub that sends them back in time to the 1980s where they have the chance to right their wrongs, or mess their entire future up.

First of all, the opening credits. This is how you open a film. It sets the tone with a goofy montage of people partying in hot tubs. Simple, yet perfect. The entire opening sets the stage for this film perfectly. You know exactly what you are getting into.

John Cusack is the perfect guy to carry this film. A staple of 80s pop culture himself, Cusack’s helpless romantic Adam thinks he can fix his broken relationship to his Great White Buffalo (long-lost love), but he can’t see his own strengths.

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Really, this film is nearly flawless as a piece of comedy gold. There are two jokes that fall flat at the beginning, but this film’s references to masterpieces  like Better Off Dead…, Back to the Future, and The Karate Kid come off great and feature a group of actors not fighting for themselves but servicing the group and the film, a hilarious screenplay from Josh Heald, Sean Anders, and John Morris added to the well-stylized direction of Steve Pink (Accepted, About Last Night) are what makes Hot Tub Time Machine near-perfection. If you haven’t seen it, see it. This just might be the Great White Buffalo you’ve been waiting for.

 

5/5

-Kyle A. Goethe

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