Money Monster (2016)

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Director: Jodie Foster

Cast: George Clooney, Julia Roberts, Jack O’Connell, Dominic West, Caitrona Balfe, Giancarlo Esposito

Screenplay: Jamie Linden, Alan DiFiore, Jim Kouf

98 mins. Rated R for language throughout, some sexuality and brief violence.

 

I actually thought Jodie Foster (The Beaver, Home for the Holidays) had directed more films. Just putting that out there.

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Money Monster, a popular finance and investment TV show, is currently airing their latest episode, starring financial expert Lee Gates (George Clooney, Gravity, Hail, Caesar!). As the show is airing, a deliveryman arrives and holds the building hostage, aiming his gun right at Lee. The man who holds Gates hostage is Kyle Budwell (Jack O’Connell, Unbroken, ’71), who lost every penny he had from his mother’s inheritance by investing in IBIS after it was endorsed on Money Monster. As the building becomes a media circus, Lee has to use the aid of longtime director and colleague Patty Fenn (Julia Roberts, Notting Hill, Mother’s Day) to talk Kyle down and keep himself out of the grave.

Money Monster is an interesting idea in itself, an angry investor takes a financial expert hostage on his own show, but the fire quickly burns out on this premise. As Lee and Patty work to keep Kyle from pushing a detonator, I slowly found myself uninterested in any of the characters, a shocking notion given the chemistry between Clooney and Roberts. Then, about halfway through the film, the implausibility meters breaks off on a strange tangent that seemingly makes no sense. That’s right, the ending of this film goes right off the rails and becomes rather silly.

Director Jodie Foster builds tension at the beginning of the film, but Lee Gates isn’t likable enough a character to inspire sympathy, nor really is Patty Fenn. Kyle is a rather stupid individual as well, and I don’t find myself on his side either. Really, I had a lot of difficulty deciding if who I’m supposed to root for.

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All in all, Money Monster really falls flat very quickly on its intriguing premise and the movie never really gets back up. This was downright disappointing in every way.

 

2/5

-Kyle A. Goethe

Unbroken (2014)

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Director: Angelina Jolie

Cast: Jack O’Connell, Takamasa Ishihara, Domhnall Gleeson, Garrett Hedlund, Finn Wittrock

Screenplay: Joel Coen, Ethan Coen, Richard LaGravenese, William Nicholson

137 mins. Rated PG-13 for war violence including intense sequences of brutality, and for brief language.

  • Academy Award Nominee: Best Achievement in Cinematography
  • Academy Award Nominee: Best Achievement in Sound Mixing
  • Academy Award Nominee: Best Achievement in Sound Editing

 

In Unbroken, based on the true story, Olympic athlete and World War II airman Louis Zamperini (Jack O’Connell, Starred Up, 300: Rise of an Empire) is captured behind enemy lines after his plane is shot down. The film, from director Angelina Jolie (In the Land of Blood and Honey), chronicles Zamperini’s time after the crash leading up to and including his time at a POW camp and his altercations with the Japanese soldier Watanabe (Takamasa Ishihara).

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I found myself checking the time several times throughout Unbroken. It seemed to meander far too long on events that should have been more exciting and climactic than they ended up feeling. It also looks too glossy, and it doesn’t end up feeling real, but more like a Lifetime presentation of the Zamperini story.

Now, I won’t bash the entire film. I liked Jack O’Connell’s performance, as well as supporting work from newcomer method Ishihara. Even the smaller roles played by Domnhall Gleeson (About Time, Ex Machina), Garrett Hedlund (Tron: Legacy, Inside Llewyn Davis) and Finn Wittrock (TV’s American Horror Story, Noah) were all spot-on.

So what makes the film so underwhelming? Is it the screenplay from the Coen brothers, Richard LaGravenese, and William Nicholson? No, not at all. Then what? I think Angelina Jolie had a lot of great elements to use, but they just weren’t put together the right way. As I said before, the cinematography was great, but the sets and costumes captured felt fake. They just didn’t have the look they needed. The pacing is off as well. It’s disappointing from my initial hopes of the film.

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Unbroken is broken in several ways. Like a puzzle with too few edge pieces, it just has a lot of trouble fitting together. Angelina Jolie has proven before she can handle the directorial duties, but this film isn’t a great representation of that handle. For my money, there are better war films…American Sniper, anyone?

 

2/5

-Kyle A. Goethe

 

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