[Early Review] The Nun (2018)

Director: Corin Hardy

Cast: Demian Bichir, Taissa Farmiga, Jonas Bloquet

Screenplay: Gary Dauberman

96 mins. Rated R for terror, violence, and disturbing/bloody images.

 

I’ve been a fan of The Conjuring universe since the first film, and outside of the original Annabelle film, I’ve found them to be very competently put together as individual films while also contributing nicely to a larger framework. Still, though, there’s been something rather concerning about The Nun and, looking to the future, The Crooked Man. What’s been bothering me about both films have been the narrative that’s been set up within The Conjuring 2. The Nun and The Crooked Man are both very connected to the Warrens and the specific case that they are working on within the film, The Crooked Man purposefully created as an apparition meant to frighten or horrify one particular child. I just couldn’t see how a film could be formed that respected the characters that have been built and forge a new interesting path. Last night, I saw The Nun at an early press screening, and while being a more competent film that expected, it still struggles to exist without hanging on previous films.

The Nun follows Father Burke (Demian Bichir, The Hateful Eight, Alien: Covenant), a sort-of Catholic detective, who is sent by the Vatican to investigate a horrible suicide by a nun at an abbey in Romania. He is joined by Sister Irene (Taissa Farmiga, The Final Girls, TV’s American Horror Story), a novitiate who suffers from disturbing visions, as the two attempt to unravel the mystery of the suicide and determine what horrors lie within the walls of the abbey.

Comparatively speaking, The Nun is not the worst film in this universe, but it rest on the lower side of things for several small reasons that build to a less-than-incredible experience. The way the film starts made me feel like Warner Bros. put their hands in the post-production process as the opening has a minute-long prologue featuring a montage from The Conjuring 2 all about the Nun. It felt very unneeded and very forced as if the studio-head walked out in front of the audience at the beginning and shouted, “Remember the nun from The Conjuring 2? That’s what this movie is!” You don’t need that. I think without the forced connectivity to the rest of the universe, The Nun works fine as a standalone film. I took a friend to Annabelle: Creation who had only seen the original The Conjuring. He didn’t take issue with the universe connections and enjoyed himself nonetheless. There’s some overworking of the universe connections later on that also could have been trimmed as more of an Easter egg to fans instead of a full-blown forced explanation as well.

I also wasn’t a fan of secondary character Frenchie (Jonas Bloquet, Elle, Valerian and the City of a Thousand Planets), the man who helps guide Father Burke and Sister Irene to the Abbey, and the humor he brings to the film. Bloquet is not entirely to blame here. I just found that the combination of the dialogue in Gary Dauberman’s (It, Within) script with Bloquet’s portrayal and the direction by Corin Hardy (The Hallow) combined to make some unfunny pieces of humor that didn’t fit the tone of the narrative. Nothing altogether cringeworthy, but just out of place.

Now, that’s not to say that I hated the film. Far from it. I found myself thoroughly interested in the mystery and the intrigue. I wanted more of it. I did jump quite a bit at some of the more well-planned out scares (though many of the scares are rather similar, someone getting stalked by a nun), and I mildly enjoyed the partnership between Bichir’s Burke and Farmiga’s Irene. It just wasn’t up to par with what I’ve come to expect.

All in all, The Nun is a scary enough film with a flawed screenplay and a little glaringly obvious studio assistance. It’s a nice enough film that should satisfy the audience even if it falls short of its franchise expectations.

 

3/5

-Kyle A. Goethe

 

 

Have you seen The Nun yet? What’s your favorite film in The Conjuring universe? Let me know/Drop a comment below!

 

For my review of David F. Sandberg’s Annabelle: Creation, click here.

For my review of James Wan’s The Conjuring, click here.

For my review of James Wan’s The Conjuring 2, click here.

 

For more Almighty Goatman,

[Early Review] Annabelle: Creation (2017)

Director: David F. Sandberg

Cast: Stephanie Sigman, Miranda Otto, Lulu Wilson, Talitha Bateman, Anthony LaPaglia

Screenplay: Gary Dauberman

109 mins. Rated R for horror violence and terror.

 

Hey everyone, I had the chance to catch an early screening for Annabelle: Creation, the prequel to a prequel to The Conjuring. If that sounds confusing, that’s because it is. Real quick, let’s track this franchise…

There are further planned films in The Conjuring Universe, including a third Conjuring film as well as further spin-offs for The Nun and The Crooked Man, but I’m digressing…

Annabelle: Creation is the story of a nun, Sister Charlotte (Stephanie Sigman, Spectre, Once Upon a Time in Venice), and a few orphaned girls who are taken in by the Mullins, Esther (Miranda Otto, TV’s 24: Legacy, War of the Worlds) and Samuel (Anthony LaPaglia, TV’s Without a Trace, The Assignment). Janice (Talitha Bateman, Nine Lives, The 5th Wave) immediately begins witnessing strange and unexplained events, seemingly surrounding a doll made by Mr. Mullins. Soon, Linda (Lulu Wilson, Ouija: Origin of Evil, Deliver Us from Evil), Janice’s best friend, starts to see it too, and she fears for Janice’s safety. It becomes clear that Mr. and Mrs. Mullins have a terrible secret hidden in their past that is about to break free and put the orphans in unimaginable danger.

First off, I have to say that I was very nervous about another Annabelle film. While I thought the first Annabelle film was okay, I understood that it existed within the larger framework of The Conjuring which was a truly excellent film and the difference in quality was just too wide. Then, I noticed that the prequel had the same screenwriter as the first film, Gary Dauberman (Swamp Devil, Within), and I assumed that we wouldn’t see anything too different from the original. Finally, I noticed that the film was pulled from its original release and placed in August. The studio reasoning for this was to avoid competition with Alien: Covenant, which made sense but also could’ve been a really good spin on the story.

But there was also good news bits. First, James Wan, director of The Conjuring and producer for Annabelle, explained that they had heard the reviews for Annabelle and were going to use the feedback to craft a stronger film. Then, David F. Sandberg (Lights Out) came aboard the project as a director. This is what kicked my excitement into full gear.

The finished project is a definite step up for the Annabelle series. Sandberg fills his film with frights and mood that stacks as the film progresses into an amazingly tense nail-biting finale. The performers were also very strong. We are seeing an amazing year for young female performers from films such as The Beguiled, and Bateman and Wilson are no exception. Their work, particularly in the scenes they share, is exemplary. Annabelle: Creation also holds strong with seasoned performers like Otto and LaPaglia that help to elevate the girls’ acting.

The film is not entirely without flaws, however, and Annabelle: Creation does suffer due to its somewhat simplistic storytelling. There isn’t a lot of shock to the film’s narrative and it doesn’t feel like it’s trying to engage its audience. Thankfully, Sandberg knows how to get the best that he can from his characters, but there are moments when Annabelle: Creation falls back on its tropes. There is just enough in the film that works that it didn’t ruin my enjoyment when the plot sauntered into cliché.

I also felt like the ending didn’t stand on its own but relied rather heavily on the audience’s awareness of the franchise. I don’t really want to get into it but the film doesn’t feel like it has an ending.

Overall, Annabelle: Creation is not likely to disappoint fans of the horror genre. There are genuinely creepy moments especially in the finale that work really well. For Sandberg, this isn’t a better outing than Lights Out but it proves that the director is capable of stepping into someone else’s sandbox and playing nice with it. Annabelle: Creation both excites me for Sandberg’s next project (Shazam for DC) as well as the further widening of The Conjuring Universe. I would advise horror fans to give the one a try.

 

3.5/5

-Kyle A. Goethe

 

 

Have you seen Annabelle: Creation? What did you think of it? And what spin-off from The Conjuring are you most excited for? The Nun? The Crooked Man? A possible Annabelle 3? Let me know! Drop a comment below!

 

For my review of James Wan’s The Conjuring, click here.

For my review of James Wan’s The Conjuring 2, click here.

 

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