[31 Days of Horror Part VI: Jason Lives] Day 14 – House (1986)

Director: Steve Miner

Cast: William Katt, George Wendt, Richard Moll, Kay Lenz

Screenplay: Ethan Wiley

93 mins. Rated R.

 

I caught House on the Sci-Fi channel as a child and was swept up in it. I taped it and watched it again and again and again. I figured that, today, I would take a look back at this movie to see if it’s worth my love or if it’s just a guilty pleasure. Both are fine with me.

Roger Cobb (The Man from Earth, The Other Side of the Wind) has just inherited his aunt’s house after her passing, and he’s taken the opportunity to move in and work on his next book. He has bad memories of the house; his son went missing several before and the house was the last place Roger saw him. The resulting marital problems left him divorced from wife Sandy (Kay Lenz, Breezy, The Secret Lives of Dorks). He’s also suffering from PTSD from his time in Vietnam. Roger has a lot of demons, and he’s about to discover that the house isn’t a normal one. It’s a conduit of evil, and Roger’s about to face his worst fears within its walls.

I might have given myself up too quick on this one at the beginning, but I fucking love House. It’s easily in my top ten favorite horror films of all time. There are faults to the film that are more apparent watching it as an adult, but I don’t even care because all the great parts of House outweigh the bad ten times over.

Let’s start with the incredible William Katt, an actor who never got the full-on recognition he deserves. He’s been steadily working for decades, but he kills it as Roger Cobb. I may be harboring a man-crush for Katt because I grew up watching him in Carrie and Greatest American Hero, but I just find him to be such a charismatic neighborly presence onscreen and his portrayal of Cobb as a sympathetic tortured but sweet individual is really strong.

The supporting cast is small but mighty. Though Kay Lenz doesn’t get much to do, George Wendt (Grand-Daddy Day Care, TV’s Cheers) gets a lot of the heavy lifting as new neighbor Harold. Wendt provides the straight-man comic relief to the many horrors of the house, and he really hits that perfect level of smarmy but friendly and truly caring about his neighbor. He’s not always the most-loyal, but I was taken by the realism that a standard comic relief character was able to be conveyed.

The real stars of the film, though, are the creatures. House contains some of the coolest and creepiest creature designs I’ve ever seen, and it’s all for the sake of twisting and turning Roger’s life upside-down. I don’t even want to pick a favorite one because they’re all so great. Hell, there’s even a bunch of sentient tools from the work shed that come to life and try to kill Roger, and it somehow works for the exact tone that director Steve Miner (Warlock, Day of the Dead) is going for.

House is an absolute blast that can be repeat-viewed over and over again. It’s a shame that this franchise never really kept to the quality of the original because I love the idea of the house being something different to each of its occupants. William Katt kicks ass as the lead and the film boasts some truly spectacular creature effects. Seek this one out immediately!

 

4.5/5

-Kyle A. Goethe

 

 

For more 31 Days of Horror, click here.

For my review of Steve Miner’s Friday the 13th Part 2, click here.

For my review of Steve Miner’s Friday the 13th Part III, click here.

Greatest American Hero will fly again! Classic Series Reboot on the way!

greatest-american-hero

I grew up watching old reruns of Greatest American Hero which told the story of Ralph Hinkley, played by William Katt, a teacher who gets a suit that bestows superpowers. The show was camp, but it was also a lot of fun and full of kookiness. It sounds like we will be seeing the suit making a return to the small screen courtesy of Phil Lord and Christopher Miller, directors of this year’s 22 Jump Street and The Lego Movie.

Personally, I think that, if anyone can get this project off the ground, it is these two. I have been a fan of their work, which pleases all kinds of fans. 21 and 22 Jump Street should not have been good. Neither should The Lego Movie have been. But they were.

The two were also behind the immensely popular Cloudy with a Chance of Meatballs.

As much as I believe that this show should return, I would like to see it as a reboot, with ties to the original, much like the new Dallas. I think the best way to show respect to a previous installment is not to ignore it, but that’s just me.

So, goat herd, what do you think of Greatest American Hero returning, walking on air, and all that? Let me know.

For now, though, enjoy these…

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