Green Book (2018)

Director: Peter Farrelly

Cast: Viggo Mortensen, Mahershala Ali, Linda Cardellini

Screenplay: Nick Vallelonga, Brian Hayes Currie, Peter Farrelly

130 mins. Rated PG-13 for thematic content, language including racial epithets, smoking, some violence and suggestive material.

 

Peter Farrelly (There’s Something About Mary, TV’s Loudermilk) kind of came out of nowhere with Green Book. The director, known for working with his brother on low-brow comedies (some of which are quite good), really showed up to bat on his latest film, a solo venture about two men in the 1960s who couldn’t be more different on the surface. It’s quite something.

Tony Lip (Viggo Mortensen, The Lord of the Rings: The Return of the King, Captain Fantastic) is a New York bouncer without a job after his latest club shuts down. He ends up with a job he never expected, driving Dr. Don Shirley (Mahershala Ali, Spider-Man: Into the Spider-Verse, TV’s House of Cards) on a tour of the Deep South for eight weeks. Given the racial tensions of the Deep South, this proves to be a difficult job that brings these two men closer.

Green Book is one of the most interesting and enjoyable tales of friendship put to film in recent memory. It all boils down to the relationship formed between our two central characters. Tony is a smarmy low-brow guy who cares deeply for his wife, played by Linda Cardellini (Brokeback Mountain, A Simple Favor), and only seeks to do right by her. When he takes the job with Shirley, he is able to look introspectively at himself, see his flaws, and seek to better himself. The whole film, he is looking at Shirley through racially-tinted sunglasses, seeing only what his limited, and incorrect, perception of the culture is.

Mahershala’s portrayal of Dr. Shirley is a proud man, one who sees his placement in the broken American machine, and he seeks protection on his tour of the South. What he finds is the ability to find joy in moments and appreciation for who Tony is. He also has secrets that he wishes to keep and sees those secrets as faults. He is a multi-layered character and Ali is worthy of the performance.

Outside of their relationship, Green Book is pretty straightforward. Farrelly has no bells and whistles and just lets the camera focus on the two leads, and that’s a good call. It doesn’t really delve too deeply into race of the 1960s, and I will leave that open as to whether or not it was the right call, but it doesn’t injure the film’s central focus.

Green Book is a fascinating tale of friendship set against the backdrop of a difficult time in America. It’s led to two amazing performers who consistently left me smiling with their interactions. It’s a joyful film and a thought-provoking one that left me hopeful for the future.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Peter and Bobby Farrelly’s Dumb and Dumber, click here.

For my review of Peter and Bobby Farrelly’s Fever Pitch, click here.

 

For more Almighty Goatman,

Kyle’s Top Ten Films of 2018

 

Hey there everyone!

What a year 2018 has been, both personally and in the world of movies! Now, as the year draws to a close, I’m ready to take a look back and see which films made the cut of my personal Best of 2018.

Now for some stipulations and notes:

-I did not see every film to come out in 2018. I tried my best, but I was very busy this year and some films just flat out were missed. So if you don’t see something on this list, it doesn’t mean it doesn’t belong. It just means I may have missed it…or it doesn’t belong.

-This is my personal selection of films from the year. These are not predictions for Best Picture at the Oscars or anything like that. Some films may have different placings than they would if I just ordered them by score, and some of them may have been flawed, but I just enjoyed them enough to look past it.

-Lastly, this is one of the first years in a while that my list feels so fluid. Don’t take my rankings too harshly as just about any one of these films could potentially have been a #1 film. It was a good year. Not a great year…a good year.

 

Alright, without further fluff, let’s dive right in…

 

  1. First Man

-Damien Chazelle knocks it out of the park again in this biopic of Neil Armstrong and the NASA Space Program leading up to that fabled first step on the moon’s surface. It’s a long movie covering many of the trials and tribulations of the race to space, but it spends most of its time with Armstrong, played brilliantly by Ryan Gosling. It’s a subtle nuanced performance that isn’t acting larger-than-life but stays true to its subject. The film spends some time asking the questions of value and cost in this race to the moon, and everything is a lens through which to understand our lead. We get great supporting work from Claire Foy, Jason Clarke, and Corey Stoll who plays to Buzz Aldrin’s particular brand of sarcastic wit quite nicely. For those of you that missed this one in IMAX, I feel very sorry for you, because the scenes on the moon’s surface took my damn breath away.

 

  1. If Beale Street Could Talk

-I loved Moonlight when it came out. I was so swept away in the style and simplicity of the story. Director Barry Jenkins has done it again with his character drama If Beale Street Could Talk. While not as strong as his previous outing, this is still top-notch filmmaking and incredible character-driven storytelling. The love story between Fonny and Tish is so emotional, and the performances from Stephan James and newcomer Kiki Layne bring that love out in such a beautiful way. The film is filled with terrific performances from Regina King, Colman Domingo, Michael Beach, Aunjanue Ellis, and so many more. The ending left me frustrated but not with the filmmaker for he did craft an ending meant to make you talk and get the conversation going. It’s a beautiful character piece.

 

  1. Green Book

-If there’s one thing to say about Green Book, it’s that the film from Peter Farrelly is wholly enjoyable throughout. That’s not a normal way to describe the story of two men from different races touring the Deep South in the 1960s, but it works. You can call it surface-level enjoyment if you wish but I call it great character-driven storytelling. Much like If Beale Street Could Talk, the performances are where this film thrives, particularly from its lead actors, Viggo Mortensen and Mahershala Ali. They are both flawed humans with real fears and desires who come together with great chemistry to create a lasting friendship in this heartwarming tale. This is a movie that will make you think while it entertains you.

 

  1. Ready Player One

-Look, Ready Player One is perhaps more flawed than the previous films on this list, but it didn’t take away from my overall enjoyment with the film. It continues to grow on me the more I watch it and I find myself going back to it a lot in 2018. It’s a fun adventure dipped in nostalgia. This film is Steven Spielberg making a sundae and putting all the toppings on. The most important factor in the film is that it is just a damn fun time that captures the spirit of the source novel while going to some wildly different places. I enjoyed both the book and film as two sides of the same coin. Ready Player One leaves me with a big damn smile on my face every time I watch it.

 

  1. A Quiet Place

-I’m starting to see a theme in many of these films for my Top Ten. Character. Yes, there’s some high-concept in some, and A Quiet Place definitely has high-concept, but it’s all there to serve character and story. The family dynamic in A Quiet Place works so well, it would make the film watchable even if the sci-fi/horror aspects of the film did not. Thankfully, this is not the case. This is a tense film with real situations set against an impossible world, but it’s because I care about this family that A Quiet Place brings out just as many tears and shrieks. John Krasinski should be given for his terrific direction in addition to his work as male lead.

 

  1. A Star is Born

-There’s something magical to A Star is Born. We are looking at the fourth official version of this tale, and yet somehow this incarnation has connected with the audience in such a special way. Maybe it’s Bradley Cooper’s strong first outing as a director, or maybe it’s his hauntingly powerful performance as Jackson Mayne, a struggling fading star, or maybe it’s Lady Gaga’s powerhouse work as Ally, a rising star. You can give me all the crap for praising Gaga’s acting in this film, and you can say that she plays herself, but I heard a colleague point out that she gets on the stage to perform her first song and she’s absolutely terrified, something that Gaga would not be or likely hasn’t been in some time. She’s acting her ass off here, and it shows. Yes, the film finds itself in a lot of the same familiar beats we’ve seen before, but it’s been said many times that all stories have been told and what matters is how you tell it. I love how this story is told.

 

  1. Annihilation

-Alex Garland’s follow-up to Ex Machina is a sci-fi/horror masterpiece. It’s a beautiful striking moving painting filled with horrific and dazzling imagery. The story, about a group of scientists exploring a strange area called The Shimmer where biology, chemistry, and physics are unlike anything known to human understanding. This is a thinker of a movie, but it haunted me for days and I couldn’t stop telling people to see this movie. It likely isn’t for everyone, but I would encourage you to seek it out and give it a try. This is a What-The-Fuck movie experience for the ages that I haven’t seen since 2001: A Space Odyssey.

 

  1. Hereditary

-You know something? Screw anyone who says there isn’t enough great horror these days. Horror is on such an incredible ride in recent years, and there’s probably enough good horror for its own Top 10 list for 2018, and Hereditary would be at the top. Led by a career-best performance from Toni Collette, Hereditary is a shocking and disturbing story of loss, grief, and madness, all centered around a family caught in something out of their control. Beyond the shock of some of the film’s more frightening moments, there are some truly horrific moments of character development. This movie’s strengths cannot be understated and it is truly sad that Collette’s more of a long shot to the Best Actress Nomination this year because she without a doubt deserves. The only tiny complaint I have with the film is that it over-explains itself at the end, but it is merely a nitpick and actually saved a friend’s enjoyment of the film, so what do I know?

 

  1. Won’t You Be My Neighbor?

-As I’ve said before, the movies that will likely be most remembered in 2018 are the Feel-Goods, and Won’t You Be My Neighbor? is at the top of that list. This documentary about the life of Fred Rogers is stunningly heartfelt and masterfully executed. It is a viewpoint of the man’s life, his beliefs, his goals, and his dreams, and it brought me back to moments in my childhood, memories that I shared with someone through a television set. I welled up with tears at several points in the narrative and connected with the film on so many levels. What makes this film stand out from others this year is that it asks its audience to take part in it near the end, asking us how we can be more like Fred, and I think it connects us with an incredible human being on a personal level, a touching tribute to a beloved neighbor.

 

  1. BlacKkKlansman

-Spike Lee is the best he’s ever been with BlacKkKlansman. You heard me. The best he’s ever been. I loved Do the Right Thing, but this film just barely edges it out for so many reasons. It’s an incredible well-acted film, especially from John David Washington, Adam Driver, and Topher Grace. The screenplay and editing have turned this so-crazy-it’s-true story into something even more timely given the current state of the country. Lee makes it quite known what he wants his film to evoke and the finale of the film left my jaw on the floor. As soon as I left the theater, I wanted to turn back around and see it again. Spike Lee knows his craft so well that he is able to fuse lighthearted comedy into the shocking tale of a black cop infiltrating the Ku Klux Klan, and this film is his masterpiece. It’s the best movie of 2018.

 

So there you have it. These are my favorite films of the year. I’m looking forward to the #2019oscardeathrace to begin, and the list may change a bit once that happens. No one sees everything. What is your Top Ten of 2018? I’d love to hear it! Thanks again for a great 2018, and we will see you in 2019 (which is right now).

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

 

Green Book Award People’s Choice Award at Toronto Film Festival

I didn’t know much about Green Book until I saw the trailer and found myself quite invested in it. The film recently screened at the Toronto Film Festival and was awarded the prize of People’s Choice Award. The award, which has been given to five future Best Picture winners at the Oscars, was given last year to Three Billboards Outside Ebbing, Missouri, a major Oscar contender which was nominated for Best Picture.

A lot of reviews out of Toronto have been for the chemistry between its two leads, Viggo Mortensen and Mahershala Ali, and the way these two give standout performances that never take away from each other.

As I said above, I’ve been more than a little excited for this film since seeing the trailer, and learning that Peter Farrelly of the Dumb and Dumber Farrelly brothers was behind the wheel made me more and more curious. Green Book winning the People’s Choice Award only furthers that excitement. This is such a drastic departure from what Farrelly is known for.

For me, Green Book was not in the discussion as far as major awards consideration this year. Without having seen the film, I’ve heard a lot of chatter for some acting nominations, but not much more, so having this film take an award so notable for Best Picture chatter is something that elevates it for me. Now, I may just hate the film, but all signs point to good news here.

So there you have it. Green Book has just risen on my most-anticipated list. Does the news of its winning People’s Choice at the Toronto Film Festival do anything to your excitement of this film? Don’t forget to like, comment, and subscribe for more content.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

The Lord of the Rings: The Return of the King (2003)

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Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Viggo Mortensen, Liv Tyler, Seas Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Karl Urban, John Noble, Andy Serkis, Ian Holm

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson

201 mins. Rated PG-13 for epic intense battle sequences and frightening images.

  • Academy Award Winner: Best Picture
  • Academy Award Winner: Best Director
  • Academy Award Winner: Best Writing, Adapted Screenplay
  • Academy Award Winner: Best Film Editing
  • Academy Award Winner: Best Art Direction – Set Decoration
  • Academy Award Winner: Best Costume Design
  • Academy Award Winner: Best Makeup
  • Academy Award Winner: Best Music, Original Score
  • Academy Award Winner: Best Music, Original Song (“Into the West” by Fran Walsh, Howard Shore, Annie Lennox)
  • Academy Award Winner: Best Sound Mixing
  • Academy Award Winner: Best Visual Effects

 

After pouring years of his life into an ambitious project, director Peter Jackson (The Lovely Bones, King Kong) finally saw his vision receive the recognition it deserved after winning 11 Academy Awards (making it the most nominated franchise in history), tying the record. The Lord of the Rings: The Return of the King was the final chapter in the trilogy based on Tolkien’s novels, and indeed one of the greatest films ever crafted. Equal parts grandeur and tragic masterpiece, our third trip to Middle-Earth.

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Frodo (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties) and Sam (Sean Astin, TV’s Teenage Mutant Ninja Turtles, The Goonies) have gotten back on the path to Mount Doom, with Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas) in tow, though Gollum’s path is becoming increasingly more treacherous. Is he leading them down a trap?

Meanwhile, Gandalf (Ian McKellan, X-Men: Days of Future Past, The Prisoner) and Pippin (Billy Boyd, Master and Commander: The Far Side of the World, Dorothy and the Witches of Oz) are heading to Minas Tirith to warn the Steward of Gondor, Denethor (John Noble, TV’s Fringe, Superman: Unbound), of the war that is on his doorstep. The only problem, Denethor, who also happens to be father to Boromir and Faramir (David Wenham, 300, Legend of the Guardians: The Owls of Ga’Hoole), has grown insane and weary in grief over the loss of his favorite son.

This is a spectacular film achievement, visually perfect in every way. The performances are stellar. The plot interweaves and closes off all loose ends. The cinematography is sweeping, epic in scope, and perfectly crafted.  The film’s 200-minute runtime goes by smoothly, not a moment to stop and catch one’s breath. Even the visual effects have not aged in the dozen years since its release. The film even contains the largest prop ever built for a motion picture in a battle sequence containing giant creatures called oliphaunts.

The film features another wonderful battle sequence overcut with Pippin singing a song to the eating Denthor. It is beautiful and chilling and everything that this series is all at once.

As a note to casual fans at the completion of this review for The Lord of the Rings trilogy, check out the extended editions. As terrific as the theatrical cuts are, the extended films are the supreme version of the story. They feature cameos and performances not seen in the previous incarnations, such as The Mouth of Sauron, a wholly chilling character unfortunately cut from the film.

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The Lord of the Rings: The Return of the King is perhaps the greatest fantasy achievement in filmmaking that we will ever see. It excels on every level and continues the tradition of high-fantasy movies in a glorious fashion. I doubt we will see an equal for a very long time.

 

5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

The Lord of the Rings: The Two Towers (2002)

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Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Viggo Mortensen, Liv Tyler, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, Sean Bean, Andy Serkis

Screenplay: Fran Walsh, Philipps Boyens, Stephen Sinclair, Peter Jackson

179 mins. Rated PG-13 for epic battle sequences and scary images.

  • Academy Award Winner: Best Sound Editing
  • Academy Award Winner: Best Visual Effects
  • Academy Award Nominee: Best Picture
  • Academy Award Nominee: Best Art Direction – Set Decoration
  • Academy Award Nominee: Best Film Editing
  • Academy Award Nominee: Best Sound

iMDB Top 250: #16 (as of 12/7/2015)

We had to wait a whole year to find out what happened to Frodo (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties) and Sam (Sean Astin, TV’s Teenage Mutant Ninja Turtles, The Goonies). That, or just read the book.

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Let’s just focus on the film. The Lord of the Rings: The Two Towers furthers Frodo and Sam’s journey to Mordor to destroy the One Ring. The fellowship has broken, and friends Pippin (Billy Boyd, Master and Commander: The Far Side of the World, Dorothy and the Witches of Oz) and Merry (Dominic Monaghan, TV’s Lost, I Sell the Dead) have been taken by the orcs to Isengard. Aragorn (Viggo Mortensen, A History of Violence, On the Road), Gimli (John Rhys-Davies, Indiana Jones and the Raiders of the Lost Ark, Anacondas: Trail of Blood), and Legolas (Orlando Bloom, Pirates of the Caribbean: The Curse of the Black Pearl, The Three Musketeers) follow the orc pack in an attempt to free them. As Frodo gets closer to his goal, he comes across help in the form of the creature Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas), who held the ring before Bilbo found it sixty years previously, but is Gollum truly a friend or a foe?

The Lord of the Rings: The Two Towers is based on the second book in The Lord of the Rings trilogy and proved to be the most difficult in adapting. First of all, the book is split in two. The first half covers Aragorn and company on their journey. The second half focuses on Frodo, so careful planning and rearranging was taken to make the film chronological in nature. As I’ve said before, Tolkien was a great storyteller but his structure left something to be desired. Then came the difficulty of too much climax with two stories running concurrently. So some events from the second book had to be relocated to the first and third film.

The acting here is tremendous again. Newcomer Bernard Hill (Titanic, ParaNorman) joins as King Theoden of Rohan, who has a warped mind due to the hold Saruman (Christopher Lee, Star Wars – Episode II: Attack of the Clones, Dark Shadows) has over his mind. Theoden is confined to his throne and being further distorted by the slimy Grima Wormtongue (Brad Dourif, Dune, Curse of Chucky). Frodo gets to interact with Faramir (David Wenham, 300, Legend of the Guardians: The Owls of Ga’Hoole), brother of the recently slain Boromir (Sean Bean, TV’s Legends, GoldenEye).

Peter Jackson’s vision is further explored in sweeping visuals during the battle of Helm’s Deep, the film’s main set piece. The score continues to impress, giving each character its own nuance. Again, the costumes are gorgeous.

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The faults with this film are few. The pacing is difficult from the screenwriting difficulties. It is clear that the middle act of the film muddles a bit in trying to realign itself to the story. Really, that’s about it. This film has, since its release, been considered to be much better than initial reviews gave it, even though initial reviews were still damn good, and while I enjoyed it, it certainly wasn’t as good as the first and third. Still, take this journey to Middle-Earth. You won’t be disappointed.

4.5/5

-Kyle A. Goethe

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Return of the King, click here.

For my review of Peter Jackson’s Bad Taste, click here.

For my review of Peter Jackson’s The Lovely Bones, click here.

[Oscar Madness] The Lord of the Rings: The Fellowship of the Ring (2001)

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Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, Andy Serkis

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson

178 mins. Rated PG-13 for epic battle sequences and some scary images.

  • Academy Award Winner: Best Cinematography
  • Academy Award Winner: Best Makeup
  • Academy Award Winner: Best Music, Original Score
  • Academy Award Winner: Best Effects, Visual Effects
  • Academy Award Nominee: Best Picture
  • Academy Award Nominee: Best Actor in a Supporting Role (Ian McKellan)
  • Academy Award Nominee: Best Director
  • Academy Award Nominee: Best Writing, Screenplay Based on Material Previously Produced or Published
  • Academy Award Nominee: Best Art Direction – Set Direction
  • Academy Award Nominee: Best Costume Design
  • Academy Award Nominee: Best Film Editing
  • Academy Award Nominee: Best Music, Original Song (“May It Be” by Enya, Nicky Ryan, Roma Ryan)
  • Academy Award Nominee: Best Sound

 

Some projects are doomed from the very start. Imagine filming three movies at the same time, on one budget, and having creating a trilogy between them of at least 11 hours in length. Yeah, Peter Jackson did that.

Sir Ian McKellan in a scene from THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, 2001.

The Lord of the Rings: The Fellowship of the Ring follows Frodo Baggins (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties), a hobbit from Hobbiton. He lives with his uncle Bilbo (Ian Holm, Ratatouille, Renaissance) who is celebrating his eleventy-first birthday (that’s 111 to you non-hobbit folks) and has just left Frodo with his magical ring of power which he found sixty years earlier. What Frodo and wizard Gandalf (Ian McKellan, X-Men: Days of Future Past, The Prisoner) are about to discover is that this ring is the powerful One Ring of Sauron, a dark lord who used the ring to take over the land long ago. Sauron had been destroyed, but the ring of power had passed along looking for its master to reunite and bring back an age of darkness and despair. Now it is up to Frodo, his gardener Samwise (Sean Astin, TV’s Teenage Mutant Ninja Turtles, Justice League: Throne of Atlantis), and their fellowship of seven others, including elf Legolas (Orlando Bloom, Pirates of the Caribbean: The Curse of the Black Pearl, The Three Musketeers), dwarf Gimli (John Rhys-Davies, Indiana Jones and the Raiders of the Lost Ark, Anacondas: Trail of Blood), and the mysterious ranger known as Strider (Viggo Mortensen, A History of Violence, On the Road) to get the ring of power to the one place where it can be destroyed: the fiery Mount Doom in the land of Mordor. There’s just one problem: Mordor is where the Eye of Sauron is still looking for his ring with armies of orcs at his disposal.

This film is staggering in scale. It is almost too realistic for a fantasy film, it just sucks you in. The plot here is immensely entertaining due to director Jackson’s attention to detail and knowledge of J.R.R. Tolkien’s source material. The screenplay, by Jackson and fellow writing team members Fran Walsh and Philippa Boyens (with whom he also penned The Lovely Bones and King Kong), is incredibly engaging and equal parts exhilarating and fun.

This is Elijah Wood at his career best. His portrayal of Frodo, a hobbit who is only used to the good parts of life and used to only happiness, solitude, and relaxation, now thrust unto this great quest, is deeply personal. I saw in Wood’s performance a hobbit who looks up to his uncle for all the adventures he has been on, but also doesn’t really want to live them.

Viggo Mortensen here is another strength (of which the entire cast is). Strider is a character with deep levels of history and emotion, a true well of sadness. Mortensen plays it to perfection.

I also truly loved Sean Bean (GoldenEye, Mirror Mirror) as Boromir, a man entrusted to Frodo’s fellowship who has a weakness for power and believes that the ring holds the key to saving his homeland.

Peter Jackson isn’t afraid here to get down and dirty and display epic-sized battles for his audience. This movie chooses to show, not tell, and it is totally worth it.

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In fact, just about every aspect of this film could be classified as stellar. It happens to be my favorite of the six Middle-Earth films Peter Jackson has poured his soul into. The Lord of the Rings: The Fellowship of the Ring is incredible on just about every level. Take a trip to Middle-Earth with me, and enjoy yourself along the way.

 

5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

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