[31 Days of Horror 3] Day 4 – Friday the 13th: The Final Chapter (1984)

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Director: Joseph Zito

Cast: Erich Anderson, Judie Aronson, Peter Barton, Kimberly Beck, Corey Feldman, Crispin Glover, Alan Hayes, Barbara Howard, Laurence Monoson, Joan Freeman, Camila More, Carey More

Screenplay: Barney Cohen

91 mins. Rated R.

 

Ah, The Final Chapter. Never what it truly means. Hell, Jason Voorhees had two film touted as the Final Something. You just can’t keep a slasher down.

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In Friday the 13th: The Final Chapter, the bloodbath from the previous installment has ended, and as Jason Voorhees’ body is dropped off at the morgue, the staff quickly discovers that the killer has not yet died. Now, Jason is up and going, determined to seek further vengeance over the death of his mother. His reign of terror has been going on for days (technically this movie takes place from Sunday the 15th to Tuesday the 17th, but hey, who’s counting), and the body count continues to rise as Jason makes his way back home to Camp Crystal Lake.

This fourth entry is the Friday the 13th franchise is where the series hits its comfortable stride. The producers know the formula, and they aren’t ready to change it. Friday the 13th Part III was supposed to end the franchise, but fans clamored for more and so Friday the 13th: The Final Chapter was created to be a true finale. Tom Savini was even brought in to kill the franchise he helped create. Paramount also wanted a finale as they felt the series tarnished their good name. Director Joseph Zito (Missing in Action, The Prowler) was brought in to helm the Final Chapter.

This is also the film that started to really show the insanity behind the scenes. Actress Judie Aronson (Weird Science, Kiss Kiss Bang Bang) was supposed to have a long scene in the cold water, and as Zito kept demanding takes, it was clear she was developing hypothermia. Ted White, who played Jason, actually had to threaten to quit before Zito came to his senses. Then there’s Crispin Glover (Back to the Future, Alice in Wonderland). Damn, this dude is insane. He hadn’t quite gone off the rails at this point in his career but legends from the set arose about his unhinged mental state. That being said, his portrayal of Jimmy is one of the more interesting characters from a Friday the 13th entry. Laurence Monoson (The Last American Virgin, Starship Troopers 2: Hero of the Federation), who plays Jimmy’s asshole friend Ted, had a scene smoking pot, but as Monoson had never done so, he thought the night of his big scene would be the perfect time to partake. Lots of insanity from the Friday the 13th set helped to mold an interesting if messy entry.

But about the film itself, Friday the 13th: The Final Chapter is indeed messy. It doesn’t have the same kind of tone that the previous entries had, which would be fine if the film actually had a tone to begin with. It feels like Zito is collecting a check because that’s all he’s doing here. This film just feels like a whole lot of ideas crammed into a movie. For one thing, the character Rob (Erich Anderson, Unfaithful, I Married Who?) is supposed to have been Sandra’s brother from Friday the 13th Part 2. You may remember her as the girl who gets kabob-ed by Jason while with her boyfriend Jeff. Well, Rob is there to exact revenge or find his sister, I’m not entirely sure of his full motivation. But Part 2 took place two days prior. He’s made a lot of ground and learned a lot in two days. Rob shouldn’t be as capable as he is. This is just one of the many problems with the film. I feel like there were good intentions all around, but The Final Chapter is just really weird.

The best thing to come out of this film, though: Tommy Jarvis (Corey Feldman, Stand By Me, Lost Boys: The Thirst). Tommy Jarvis is an accidentally successful character played nicely by Feldman. The fact that he kept coming back to face Jason is one of the most enjoyable elements of the franchise.

This screenshot was taken from http://www.tepg.se owned by Krister Nielsen (info@wonderworks.se)

As I said before, I really enjoy watching Friday the 13th: The Final Chapter. It’s a lot of fun. The formula works and there’s no reason to change it. It just isn’t anything new. Even slapping the tag The Final Chapter on it doesn’t really do anything, and the franchise wouldn’t even skip a beat in order to drop the next film, Friday the 13th V: A New Beginning, the next year. If your a fan of Jason, you’ll find a lot to love here. If not, this probably won’t convince you.

 

2.5/5

-Kyle A. Goethe

 

 

For my review of Sean S. Cunningham’s Friday the 13th, click here.

For my review of Wes Craven’s A Nightmare on Elm Street, click here.

For my review of Steve Miner’s Friday the 13th Part 2, click here.

For my review of Steve Miner’s Friday the 13th Part III, click here.

Man of Steel (2013)

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Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayalet Zurer, Christopher Meloni, Russell Crowe

Screenplay: David S. Goyer

143 mins. Rated PG-13 for intense sequences of sci-fi violence, action and destruction, and for some language.

 

So what happens when the king of green-screen takes on the most famous superhero in history. Why, you get Man of Steel. My review is here.

On the far-off planet of Krypton, science officer Jor-El (Russell Crowe, Gladiator, Noah) tries to convince his dying planet that they do not have any time left and must abandon all hope to the stars. As he quells a coup from military leader General Zod (Michael Shannon, TV’s Boardwalk Empire, Take Shelter), Jor-El realizes that all hope for saving his race are gone except for a miracle which has resulted in the first natural birth in years. His son Kal-El is born. Jor-El does one of the most insane things in comic book history by launching his infant son off into space in hopes of saving the Kryptonian species.

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Years later, an adult Kal-El (Henry Cavill, Immortals, The Cold Light of Day), now under the guise of Clark Kent, tries to keep his superpowers under wraps as he lives a normal life raised to Jonathan Kent (Kevin Costner, Dances with Wolves, Draft Day) and his wife, Martha (Diane Lane, Unfaithful, Secretariat).That is, until General Zod comes to Earth in search of taking the planet and terraforming it for his own. Now, with the help of Lois Lane (Amy Adams, American Hustle, Her), Superman must stop Zod and save the human race from extinction.

I wanted to like this movie. I am a major fan of the Superman mythos. I love director Christopher Nolan and his work with The Dark Knight series, so when I saw his name on the producer credits for Man of Steel, I was overjoyed. I even like somewhat likable director Zack Snyder, and find him to be a slightly more skilled director than Michael Bay, so I was excited. Then I saw it.

It felt like the team behind the film didn’t know anything about Superman or why his character is so important. We see virtually none of Clark Kent. He reveals himself to Lois Lane way way too early for there to be an actual romance to develop. I like General Zod, but he isn’t nearly as strong as previous incarnations have made the character. He comes off as a lost little leader looking for someone to blame as opposed to the cold and calculated military beast he should be. His flunkies are not anything more than flat uninspired flunkies.

The film has some strong performances from minor characters due to great work by Costner, Lane, and Crowe as well Laurence Fishburne (TV’s Black-ish, The Matrix) as Daily Planet bigwig Perry White and Christopher Meloni (TV’s Law & Order: Special Victims Unit, Sin City: A Dame to Kill For) as Colonel Nathan Hardy, but unfortunately, when you cast an unknown, you might get a dud. Henry Cavill is a dud.

Then there is Zack Snyder (300, Sucker Punch), who definitely brings the spectacle, and a lot of it, but he doesn’t give us any heart. This film is all spectacle, no substance. We don’t get any Daily Planet or Jimmy Olsen. We don’t get any Lex Luthor (though I can get waiting on the sequel for him). We don’t get what an origin story needs. Here’s some advice. Don’t do an origin story if the previous incarnation did it so well. Richard Donner’s Superman: The Movie did the origin so well, so why try to top it. Do what The Incredible Hulk and just skip past it while referencing little moments. This film was too much like The Amazing Spider-Man and not enough like a reboot should be.

And if I might have a moment to speak to David S. Goyer. Sir, please take a break from superheroes. It’s becoming a little weird.

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Sadly, Man of Steel was not the movie I was looking for. The character of Superman has a little camp, and that’s fine, at least Marvel took on the camp with their version of Captain America: The First Avenger and embrace it a little. Have a little fun. Isn’t that what superheroes usually are about (with the exception of a select few). Hopefully this team can pick up the pieces with Batfleck and fix it for Batman vs. Superman: Dawn of Justice. I said hopefully.

 

2/5

-Kyle A. Goethe

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