Long Shot (2019)

Director: Jonathan Levine

Cast: Seth Rogen, Charlize Theron, June Diane Raphael, O’Shea Jackson Jr., Andy Serkis, Bob Odenkirk, Alexander Skarsgard

Screenplay: Dan Sterling, Liz Hannah

125 mins. Rated R for strong sexual content, language throughout and some drug use.

 

Long Shot kind of came out of nowhere. I don’t think anyone expected to be such a crowd-pleaser but reviews have been pretty solid for the film. I finally got a chance to catch it in the theater, and while I don’t it is ground-breaking comedy, it was still quite a chuckler.

Secretary of State Charlotte Field (Charlize Theron, Monster, Atomic Blonde) is planning on running for President when currently-seated President Chambers (Bob Odenkirk, Incredibles 2, TV’s Better Call Saul) decides not to attempt a second-term run. Charlotte’s biggest opportunity heading into the race is that she is considered cold and the public doesn’t connect with her, so when she comes across someone she knew from her youth, recently-out-of-a-job journalist Fred Flarsky (Seth, Rogen, This is the End, Like Father), she takes him on as her speech-writer to help connect her to voters. Then, as they work more and more closely together, they find that they each bring out the best of each other, but is Flarsky a liability for Charlotte’s White House run?

The term I would use to describe the central relationship of Long Shot is cute. I genuinely believed the chemistry between Theron and Rogen, and their scenes together were cute. I think director Jonathan Levine (50/50, Snatched) mined the relationship and the screenplay from Dan Sterling and Liz Hannah for some pretty solid comedy gold. This is a surprisingly good role for Charlize Theron, considering we haven’t seen much from her in a romantic comedy aspect. Yes, there have been films like Young Adult and Tully, but those roles have been much more tied into her dramatic performance than the guffaw-style laughs she goes for here.

Don’t get me wrong, there is a level of drama to Long Shot, but it is clear that the film is not taking itself as seriously as the films I have previously mentioned. It’s taking shots at our current political climate, lampooning and laughing at the current administration with its President Chambers, and Alexander Skarsgard (The Aftermath, TV’s True Blood) is rather silly and playful as the Prime Minister of Canada. Not everything works in the film, and some of the comedy dries up near the end as the film somewhat struggles to find its ending, but the last ten minutes were a fantastic finale that plays into its romantic comedy elements while also remaining somewhat unexpected.

The film also features a scene-stealing performance from the enigmatic and often-unrecognizable Andy Serkis (War for the Planet of the Apes, The Adventures of Tintin) as Peter Wembley, a media mogul who bought the paper that Fred previously worked for and also wants Charlotte on his team, politically-speaking. He doesn’t have a lot of scenes but every time he popped up, I lost it laughing. His performance is the best of the film, and some of the things he does are slimy as can be.

Long Shot limps a bit in its second act. It struggles to find its footing in order to get to a reasonably-satisfying conclusion, but thankfully it finds a great ending to land on, saving a fun romantic comedy that strives to be about more than just romance and comedy. I’ll leave it up to you to decide how successful it is in that respect, but I found it quite funny. I would temper your expectations for all the people saying it’s the best romantic comedy in years, but it works quite well all the same.

 

3.5/5

-Kyle A. Goethe

[Early Review] The Front Runner (2018)

Director: Jason Reitman

Cast: Hugh Jackman, Vera Farmiga, J.K. Simmons, Alfred Molina, Molly Ephraim, Kaitlyn Dever

Screenplay: Matt Bai, Jay Carson, Jason Reitman

113 mins. Rated R for language including some sexual references.

 

If you’re planning on making a political drama, ensure that it helps to shine a light on our current political system. The Front Runner does just that.

After a failed 1984 attempt at making the ballot, Gary Hart (Hugh Jackman, Les Miserables, The Greatest Showman) is making waves in 1988 as the front runner to the presidency. Everything seems to be falling perfectly in place for Hart, until reporters from The Miami Herald unveil an affair between Hart and a young woman who isn’t his wife. Now, Hart needs to save his political future without destroying his marriage to wife Lee (Vera Farmiga, The Departed, The Commuter). His campaign manager Bill Dixon (J.K. Simmons, Whiplash, Father Figures) truly believes that Hart is the savior our government needs, but he finds that he faces a mountain of problems in righting the ship for Hart, who struggles with the notion that his free time and life outside of the office is nobody’s business but his own.

There are several award-worthy performances in The Front Runner, most notably Jackman’s. It becomes difficult at times to even think of Jackman in the role. His work as Hart is so strong and well-built as he plays the flawed potential-President. His exchanges with Farmiga are incredible, and she is wonderful as Lee Hart, a wife who understands the toll of being married to one of the most talked about men in America. Her only ask? That he not embarrass her. She gets more than she bargained for. Lastly, J.K. Simmons is a revelation as Dixon, a man who knows the state of the game and is aware of it changing right in front of him.

The Front Runner has some gorgeous visuals and it convinced me that I was in 1988 experiencing all of this for the first time. Director Jason Reitman (Up in the Air, Tully) has such an incredible color palette on the screen for his audience, and it makes all the drama unfolding onscreen really POP.

The biggest flaws with the narrative is the bloated nature and some of the extra fat on the story. I didn’t need the subplot with Donna Rice and Irene Kelly (Molly Ephraim, Parked, TV’s Last Man Standing). It’s important information for its own story, but I didn’t feel like it mattered to Gary’s journey. There’s also a lot of time spent with Lee and daughter Andrea (Kaitlyn Dever, Detroit, TV’s Justified) at the house holed up hiding from reporters. Again, it doesn’t do much to Gary’s journey. Interesting though it may be, I was following Jackman’s character. Trim some of the excess from the film and it will streamline the pacing so much more.

The Front Runner is quite fascinating in the current political climate. If Hart had run today, would he have won? If he hadn’t been caught, how would the world be different? It raises a lot of questions, and director Reitman puts all the pieces in play and lets them dance around. Exactly what the statement he’s trying to make is somewhat muddled, but performances and visual flair can say quite a lot. The Front Runner will likely be snubbed for a lot of potential Oscar wins as the season goes on, but it’s worth your time when it opens on Election Day. Just make sure to vote first.

 

3.5/5

-Kyle A. Goethe

New Trailer for Tully Reunites Jason Reitman, Charlize Theron, and Diablo Cody

I love Jason Reitman. I think he is an incredibly underrated talent. I enjoyed Juno, which he directed based on a screenplay from Diablo Cody. I also enjoyed, although to a lesser extent, Young Adult, a difficult dark comedy that brought in Charlize Theron, and I’m more than a little intrigued by his newest film Tully. A teaser trailer dropped today.

The film is marketing itself as a story about motherhood in 2018, and it seems like an interesting combination of drama and dark wit, something both Reitman and Cody excel at, and while I didn’t laugh at all during the trailer, that isn’t to say that the movie won’t be funny. I just think I need more than a teaser to completely sway me. In fact, Tully, the titular night nanny, isn’t even introduced until the end of the teaser, so all things considered, I need more to go one here.

Am I excited? Moderately. I wasn’t entirely aware of this film’s existence until today, but knowing these three are back again, and that we will hopefully see another comedic turn from the wonderful Ron Livingston is always cause for excitement.

Tully is coming April 20th.

Are you excited for Tully? What did you think of the teaser trailer? Let me know/Drop a comment below.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

Blog at WordPress.com.

Up ↑