Kyle’s Top Ten Films of 2021

Well, last year was…a little better…right?

Hello again, everyone! We’ve reached the end of 2021 and it’s time, just like every year, to discuss the best in movies from last year. 2021 was an overall improvement of a year, and I also happened to see a lot more movies in 2021 than the year prior. In 2020, I think I saw 30 movies. 2021 was a lot closer to 90.

More than anything else, 2021 was the year I got to go back to the movies. To be honest, I wasn’t quite sure that would happen. This year, the theaters reopened (and had movies to show), and I got vaccinated. To be honest, it was tough for me to even consider going to the movies again once they reopened until I was vaccinated. That’s not me preaching to any of you; it’s more me saying that I didn’t think I could lose myself in the movie without thinking of COVID.

That means I missed seeing theater-worthy movies like Godzilla vs. Kong, but I was finally convinced it was time to return to the cinema for Spiral: From the Book of Saw was released. Saw was such an important franchise for me, I couldn’t miss it.

Yes, I finally went back to the theater in June, and I haven’t looked back. It’s been a really solid element in my mental health to be back at the cinema (I’ve stated many times that the theater has been a place of solace for me when the world becomes too much to handle). I’m not alone in this regard, as audiences flocked back to the theaters back in the 30s in the height of the Great Depression. Well, 2020 and its sequel were rather Greatly Depressing, and I used the theater as a tool. Great movies or terrible ones, it really didn’t matter.

All of that is a long way of telling you that I saw a great many movies, and I feel better talking my Top Ten Films of 2021. So let’s not waste any further time and get right into it.

Now, in order to properly begin, we have to state the obligatory forewarnings:

  • I did not see every film released in 2021. In fact, there are still a few films released very quietly in 2021 that many reviewers have not been able to see, like The Tragedy of Macbeth and Cyrano, and I am unable to include those films in my list. If you know of a film that belongs on this list but you don’t see it, it just means I didn’t see it…that, or it doesn’t belong on my list.
  • On that note, this is my subjective list, not yours, and not objective whatsoever. They are MY personal picks for best of the year. These are the films that spoke to me as a filmgoer. There are better made films that came out in 2021, and there are some films on this list that did not get Fresh on Rotten Tomatoes and quite a few that will miss the Academy’s selection process for Oscar-worthiness. They are MY picks and mine alone, so don’t be upset if a film is on your list that isn’t on mine. That’s the beauty of art and entertainment: we don’t have to love the same things to make them worthy.
  • Along with all that, I crave discussion, dissection, and (respectful) disagreements. So let me know by commenting below with your Top Ten Movies of 2021 (or just a list of favorites, especially if they aren’t on my list). I’d love to see what you loved last year.

Alright, without further adieu…

  1. The Sparks Brothers

-In less than 2 1/2 hours, Edgar Wright turned me, someone who had heard one Sparks song but couldn’t even connect it to the band, into a lifelong fan who spent his entire summer listening to the band as if he was trying to play catchup for time lost. His documentary is equal parts biography, concert film, and fever dream, and it all seems to work quite well. It’s also an incredibly watchable film, an entertaining instruction manual on first watch and a celebration of the band for those viewers who had discovered the incredibly prolific but under-appreciated musicians.

  1. Spencer

-Who would’ve guessed that the Princess Diana movie starring Kristen Stewart would end up being a horror-thriller Christmas film? Well, okay, it isn’t so exact as that, but this is a Christmas-set “biopic” that is less concerned with the details and minutiae of a life’s timeline and more set on a story that captures the character and person that Princess Diana was. Set during the last holiday season of her time involved with the royal family, the film sees Diana breaking apart at the seams while she struggles to maintain a strong face for the sake of the Crown. She’s there for her children, the one piece of her life in this world that still has good in it. I also have to credit the incredible performance of Kristen Stewart as Diana, a piece of acting prowess that captures her spirit and soul more than her mannerisms and speech patterns, but I was completely lost in her performance and never once doubted that I was seeing Diana on the screen. I would also be remiss if I did not mention the unsung actor from the film, Sean Harris as McGrady, the Royal Head Chef, and one of the best scenes of the year, in which McGrady confesses how the staff really feels about Diana, and don’t forget the single best needle-drop of the year as the film comes to a close.

  1. The Last Duel

-Ridley Scott dropped two bangers in 2021, and one of them ended up on this list. I didn’t have the highest hopes for The Last Duel because, for me, Ridley Scott can get a little divisive. Every film he makes, the film gods flip a coin. As bonkers as House of Gucci ended up, The Last Duel is an elegant and intense view at altered perspectives done in the style of Rashomon. I have minor faults with a few elements in the overall film, and I argue that “kids-on-their-phone” is so old man and silly. The reason that The Last Duel underperformed is that we are in the middle of a pandemic and many filmgoers are forced to make choices of what they want to watch. Several great films slipped between the cracks this year, and a movie that portrays a rape (not once, but twice, mind you) may not be the type of film that audiences wanted this year. That’s one of the factors why a film like Spider-Man: No Way Home did so well this year while bleaker fare like Nightmare Alley and The Last Duel struggled to find a presence. Beyond all that, though, the film is fantastic. It’s a tough sell to do a film that covers a painful and intense event from multiple viewpoints. You have to keep the film fresh while essentially telling the same story. Scott’s film teases us with the titular duel and then presents these views in a captivating way, and each retelling sought to alter the narrative in interesting ways.

  1. Dune

-I try not to hinge my thoughts on one film based upon another, but it’s nearly impossible to do so in the case of Dune, or Dune: Chapter One, or whatever it will eventually be called. We knew going into this film that it would be an adaptation of the first half of Frank Herbert’s epic science fiction novel, but we also went into it knowing that the second half of this story was uncertain. It’s a lot of baggage to carry for a single film, and that’s not even diving into the quality of the film itself. Well, Denis Villeneuve surprised us all yet again by turning the oft-believed-unfilmable novel into a science fiction masterpiece on the level of Star Wars and The Lord of the Rings. Well, potentially one day, but it’s a beautiful and elegant masterpiece of cinema nonetheless, but it needs to be stated that this is the first half, and it carries a level of understanding. Dune was not filmed back-to-back with its sequel like Back to the Future II & III or The Matrix Reloaded and Revolutions or even the previously mentioned epic production of The Lord of the Rings. Dune was also not handled like the recent 2-part It adaptation. With that film, had we not gotten It: Chapter Two, the first film would stand on its own. Dune: Chapter One hinges on that sequel more than any other two-parter that I can recall. Had that sequel not been announced, I’m not sure this film would be on this list, but it was announced, and it will (likely) happen. With all that, I can’t wait to see this story come to an end and rewatch the first film a bunch when it drops on home video.

  1. The Suicide Squad

-Okay, I trust James Gunn to make a solid and entertaining film, and I trust the recent moves of the DCEU (overall, I’ve been positive on most of the universe, but the recent stuff has been the best), but I didn’t expect nearly as entertaining a time as I got with The Suicide Squad. Early reviews were very positive, and when I finally caught the film at a press screening, I was initially worried the hype was too hyped. Nope, this is an excellent time at the movies, a mean-spirited and bonkers action film that has shades of gritty 70s action pictures. Essentially, Gunn has made a big-budget Troma film, and you can tell he’s having the time of his life with his characters. A more stacked cast than his previous Marvel films, he’s able to give each of his “Squad” a moment to shine. By shine, I’m referring to debauchery or sin, but you get what I mean. The Suicide Squad is a wild ride of entertainment that, dare I say it, is damn beautiful and makes me excited for Peacemaker later this month.

  1. Candyman

Candyman was the last new movie I saw in 2021, and I’m surprised to see it on this list. Don’t get me wrong, I liked the original film quite a bit, but I did not expect the hit on this legacy sequel just waiting for me to watch it. A little context for you: I’m big on franchises and I don’t like the idea of the legacy sequel (it feels lazy and oftentimes falls into the same pitfalls as the films it ignores), and the only reason I waited on Candyman 2021 was that I hadn’t watched Candyman: Farewell to the Flesh and Candyman: Day of the Dead, so last week, I binged the whole franchise, and I must say, this newest film is the best film in the series by a stretch. The clever screenplay, co-written by Jordan Peele, paired with the picture-perfect directing from Nia DeCosta (I can see why she was so quickly snatched up by Marvel). It’s a legacy sequel that chooses to build on the mythology in a way that doesn’t retcon anything that came before but instead decides to add and validate what came before while challenging the history of the series at large. It’s gorgeous, haunting, and thought-provoking to the very ambitious ending.

  1. Halloween Kills

-This is the part when everyone stops reading, so let me remind you that this is a subjective list, and I would be wrong not to put Halloween Kills on the list. I’ve said it before, but Halloween is my all-time favorite horror film, and I have a special place in my heart for the rest of the franchise, convoluted and deeply-flawed though they may be. For Halloween 2018, I was interested but, as stated above, I don’t like the retcon aspect. All that being said, I get why the rest of this franchise was retconned, as most audiences did not keep up with the mythology as much as I did, and trying to make sense of it all would’ve been a bit of work. Also, Laurie Strode was dead in the previous films. Well, I saw Halloween 2018, and it is easily the best-made film since the original, but I felt like it was more of a Greatest Hits album of Halloween, sending up a mashup of great scenes and references from the other non-canon entries, but really not doing a whole lot to distance itself. Well, I revisited Halloween 2018 right before Kills came out, in what amounted to a quick trilogy binge (1978/2018/Kills). Halloween Kills, while being less-polished than David Gordon Green’s previous film, is all the better for its ambition. Sure, it does tread some of the same waters and ideas, but it uses them in a wholly different way. Here, we see Haddonfield as a real town full of interesting characters (I love that many of the background characters of 2018 show up again in Kills), and it’s a town dealing with its trauma in an unhealthy way. This sequel speaks to the question of how we react to fear, and it pushes the Halloween story into delightfully bloody new directions while making its predecessor much better and more palatable as a chapter in Green’s story.

  1. The Green Knight

The Green Knight was a movie that almost seemed to not want me to watch it. It didn’t have a lengthy run at my local theater, and the weekend my wife and I had planned to see it ended up with me self-quarantining and getting tested for COVID because I was very sick. I ended up being negative but by the time I ended up feeling better, we didn’t have a free night to see it, so we missed its theatrical run. Thankfully, I ended up with a 4k copy of it, and I was actually able to watch it. Also thankfully, the movie is excellent. The way The Green Knight takes the classic fable and legend and reconfigures it to fit David Lowery’s filmmaking sensibilities and give us a Gawain who is essentially a hopeful hero without any heroic skills, a leader who only takes the killshot because he can, a man who cannot take responsibility for his actions and flees at the sight of danger. It’s also a technically stunning piece of medieval fantasy with terrific performances and a haunting visual aesthetic. If you missed it like I did, rectify that immediately.

  1. Belfast

-There’s an argument out there that Belfast is not as hard-hitting and serious as the events it is depicting require, and I can understand it. The reason the film works for me is that it’s not about those events specifically; it’s about the family at the center of it, specifically young Buddy (played by newcomer Jude Hill). Seeing these traumatic events through the eyes of a child was something very effective for me. For Buddy, everything going on in his world is strained through the filter of his family, and that’s all he wants. He wants things to go back to normal, he wants to stay in Belfast, he wants his life to go in the direction it has been up to now. That’s his reckoning in the film, and it’s a small story against a big backdrop, and it was a joyful (as joyful as it could be, given the surrounding political unrest of the time) coming-of-age story that I want to share with my family, friends, everyone.

  1. Shang-Chi and the Legend of the Ten Rings

-No, I’m not a Marvel fanboy saying it is better than everything ever made without discussion ever. The last time I had a Marvel film on my Top Ten, it was back in 2011 and it was Thor. If you look at my list, there’s a good number of acclaimed films in Oscar contention as well as some really entertaining popcorn movies. Shang-Chi is the best of both worlds, and if there were to be a superhero film in the Best Picture race, it would be Shang-Chi. The film has an important cultural touchstone, and it showcases a terrific starring turn from Simu Liu as the titular hero, but the film has so much more. It has a terrific friend/potential love interest in Awkwafina, and it has one of the MCU’s best villains in real Mandarin Xu Wenwu. The film has loads of excellently-choreographed action, nods to wuxia, and it plays off one of the MCU’s best arcs in the Mandarin, especially with how the character ties to Iron Man 3. I even find the finale to be much more than a CG mess that most superhero fare gets lost in. Shang-Chi ends with a bang, but it is character-driven all the way through. Gosh, I can’t wait for a sequel to this film. Shang-Chi and the Legend of the Ten Rings is all-around excellent, and it’s my favorite movie of 2021.

There you have it. My Top Ten Films of 2021. I’ve said my piece, now it’s time to say yours. What are your favorite movies of last year? Leave your favorites below! See you next year.

-Kyle A. Goethe

[Early Review] Shang-Chi and the Legend of the Ten Rings (2021)

Director: Destin Daniel Cretton
Cast: Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Tony Leung
Screenplay: Dave Callaham, Destin Daniel Cretton, Andrew Lanham
132 mins. Rated PG-13 for sequences of violence and action, and language.

There’s been a level of uncertainty surrounding the MCU following the finale of the Infinity Saga. As Avengers: Endgame came to rest, fans everywhere were overjoyed by this conclusion to the story, and a few of us were left wondering, “Where do we go from here?” It’s a fair question, of course. No cinematic universe has been more ambitious or successful as the MCU, but even so, how could they top that ending? As solid as Spider-Man: Far From Home was, it was seen as an epilogue to the story, instead of being a jump-start to the next film. Then, 2020 and COVID gave us the first year since 2009 without an MCU installment. Even 2021’s Black Widow was set during Phase 3 and acted more as a sendoff to a beloved character than a true starting point for what was next. We were fools, of course, not to trust Marvel, a studio that has consistently triumphed in spectacle and action and also seems to be consistently gaining speed in the general artistry of their epics. The newest installment, Shang-Chi and the Legend of the Ten Rings, feels like a breath of fresh air and a reminder that this world is far from stale, and it’s indeed the best origin story the MCU has had in years.

Shaun (Simu Liu, Women Is Losers, TV’s Kim’s Convenience) and his friend Katy (Awkwafina, Ocean’s Eight, TV’s Awkwafina is Nora From Queens) are virtually inseparable. They both work together as valets during the day and spend their evenings hanging out, living in the moment, and trying to make ends meet, and it doesn’t seem like this cycle will break anytime soon. That is, until a group of trained killers board their bus, looking for Shaun and a necklace he’s wearing. After dispatching the foes with a blend of incredible martial artistry, Shaun is forced to reveal that his real name is Shang-Chi, and he’s a trained master of martial arts and son to a criminal mastermind, Xu Wenwu (Tony Leung, In the Mood for Love, Europe Raiders), known as The Mandarin. Now, Shang-Chi and Katy are on a mission to reunite with his long-lost sister and foil his father’s dangerous plan. In doing so, Shang-Chi will be forced to confront a past he ran away from and a legacy he has tried to hide.

I’m very unfamiliar with Shang-Chi, the local bookstore where I would hunt down old comic books never had any back issues as far as I knew, but I knew just bits and pieces and hoped for the best here, and I was blown away by this film. It’s a classic action epic fantasy more so than any singular superhero tale, dealing with strange new environments, lots of mythology and mysticism, and spectacular creature design. If you removed the MCU connections, this movie could very much stand on its own and be just as entertaining, but know that Shang-Chi is stepping into a larger world only makes me more excited for where this character is headed, and all of that stems from an incredibly strong lead performance from Simu Liu. This is the first time I can recall seeing Liu perform, and I was enamored with his ability to flip between the serious emotional family drama on display and the playful Marvel tone so easily. He never stumbles, and none of the drama or comedy feels forced into the situation. When I’d heard that Marvel had cast the guy that tweeted them for the role, I was very uncertain, but Liu’s ability to hold his own against Tony Leung and Michelle Yeoh (Crouching Tiger, Hidden Dragon, Boss Level) confirms to me that he has a long career ahead of him.

Another aspect of the film that concerned me on the outset was the decision to revamp the character of the Mandarin. I am a huge fan of Iron Man 3 and I actually loved how they pulled the rug out from under viewers, revealing that the Mandarin was really Trevor Slattery, a cheesy character actor playing up to the more stereotypical aspects of the villain, and he was used as a front for Guy Pearce’s Aldrich Killian. The Mandarin is a tricky character in the comics, a very stereotyped character that plays to the offensive fairly often, so I found the Slattery reveal to be a high point of the Shane Black sequel, and when I heard that this film would retcon the Mandarin, I was pretty frustrated, but the combination of Tony Leung’s performance and the way he is incorporated into the already laid-out mythology of the MCU’s Mandarin is so classy and interesting without a hint of disrespect to what came before. In fact, they honor the previously-established mythology so well that I giggled with glee throughout most of Leung’s scenes. I’m a big fan of Leung’s work already, and I already knew he was going to knock his performance out of the park, but Xu Wenwu will likely go down as one of the stronger MCU villains, showing that the studio is again willing to learn from its villain problem and create a nuanced character antagonist. Part of that stems from the collaboration between director Destin Daniel Cretton (Short Term 12, Just Mercy) and Leung in crafting the character, with Leung given more control than most to create the villain, and he’s a sympathetic, but never weak, villain that you can understand even if his actions cannot be condoned.

It also cannot be overstated how much Awkwafina adds to this movie. Almost more egregious than their villain problem is Marvel’s way of dealing with the romantic leads in their films, and though I wouldn’t state that Katy is a romantic lead even though there’s an obvious hint at something under the surface, she’s dealt with significantly better than Thor’s Natalie Portman or Doctor Strange’s Rachel McAdams, to name a few. For starters, Katy is given way more to do in the film, and there are several sequences, particularly in the film’s third act, where she is given the spotlight and it all works just as well. Her character arc still runs alongside Shang-Chi’s, but she consistently plays a part in the narrative and is never discarded or forgotten in the story, playing an integral role in the story, as well as a healthy dose of comedic relief and some of the best chemistry of all the MCU in her scenes with Liu.

I saw Shang-Chi and the Legend of the Ten Rings after only catching the first trailer (one of the benefits of closed theaters for all of 2020 was not getting beaten over the head repeatedly with spoilery trailers), and I think it’s best to avoid ruining some of the many surprises in store for viewers, so I don’t want to give away too much, but I’ll say that the fight scenes are intense and beautifully shot, there are battle sequences that feel on par with other fantasy epics, and the creatures in the film vary from cute and cuddly to horrifying and monstrous, and I was never bored at all throughout the film. There’s always a worry when a filmmaker steps up to the blockbuster plate after being so successful at indies (while many are able to accomplish this feat, not all of them are able to), so I’m pleased that Cretton takes the independent film sensibilities he’s used all his career and applies it to a big budget studio tentpole, creating one of the most unique tones and experiences of the entire MCU. This one stands on its own two feet but leads to some interesting places for where the character and series can go from here.

I grew up watching a lot of movies that featured people that looked like me, and as I get older, I tend to find the more interesting stories tend to be the ones surrounding people who don’t look like me. Shang-Chi features a lot of amazing mythology that feels like a window into another world, and it’s also really important that the MCU, 25 films deep at this point, finally has an Asian Leading Superhero. Shang-Chi had many failed attempts to get to the screen stretching all the way back to the 1980s with an adaptation in the works that would’ve features Brandon Lee, and there was an attempt back in 2001 as well with numerous directors entering and exiting the project. It took a long time, but at least the film we’ve been waiting decades for is pretty much the best case scenario, a movie that expands on that classic Marvel storytelling formula but goes in some completely unexpected directions. I had loads of fun with this character and this world, and I’m so excited to go back to the theater when this opens to see it again. Much like DC’s The Suicide Squad, Shang-Chi and the Legend of the Ten Rings showcases a bright future for the MCU, and this film comes with my highest recommendation.

5/5
-Kyle A. Goethe

  • For my review of Joe Johnston’s Captain America: The First Avenger, click here.
  • For my review of Anna Boden and Ryan Fleck’s Captain Marvel, click here.
  • For my review of Jon Favreau’s Iron Man, click here.
  • For my review of Jon Favreau’s Iron Man 2, click here.
  • For my review of Louis Leterrier’s The Incredible Hulk, click here.
  • For my review of Leythum’s A Funny Thing Happened on the Way to Thor’s Hammer, click here.
  • For my review of Joe and Anthony Russo’s Captain America: The Winter Soldier, click here.
  • For my review of James Gunn’s Guardians of the Galaxy, click here.
  • For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.
  • For my review of Joss Whedon’s Avengers: Age of Ultron, click here.
  • For my review of Joe and Anthony Russo’s Captain America: Civil War, click here.
  • For my review of Ryan Coogler’s Black Panther, click here.
  • For my review of Jon Watts’s Spider-Man: Homecoming, click here.
  • For my review of Taika Waititi’s Thor: Ragnarok, click here.
  • For my review of Joe and Anthony Russo’s Avengers: Infinity War, click here.
  • For my review of Joe and Anthony Russo’s Avengers: Endgame, click here.
  • For my review of Jon Watts’s Spider-Man: Far From Home, click here.

[Early Review] The Suicide Squad (2021)

Director: James Gunn
Cast: Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior, Michael Rooker, Alice Braga, Pete Davidson, Nathan Fillion, Sean Gunn, Flula Borg, Mayling Ng, Sylvester Stallone, Viola Davis
Screenplay: James Gunn
132 mins. Rated R for strong violence and gore, language throughout, some sexual references, drug use and brief graphic nudity.

A follow-up to 2016’s Suicide Squad has gone through a great many permutations since the original film opened to less-than-stellar reviews and reports of serious studio meddling on the part of Warner Bros. At various times, filmmakers like David Ayer, Mel Gibson, Gavin O’Connor, and Jaume Collet-Serra, were connected to the project before James Gunn (Guardians of the Galaxy, Super) stepped on board as a writer and director. Gunn, fresh off the controversy with Disney that led to his firing, put a lot of himself into this new film, and it seems he was given carte blanche to do whatever he wanted. I was very excited to see this film, and I was able to catch a press screening of the film last week. I’m happy to say that The Suicide Squad might be the best installment of the DCEU yet.

Amanda Waller (Viola Davis, Fences, Widows) has reassembled Task Force X with some new and familiar faces in an effort to destroy Jötunheim, an experimental laboratory on Corto Maltese. As before, each of these thirteen inmates of Belle Reve have an explosive device in their skulls and, if they survive, they get time removed from their prison sentences. Under the leadership of Colonel Rick Flag (Joel Kinnaman, RoboCop, Edge of Winter), Task Force X begins their mission in bloody fashion, but they’ll soon find that Jötunheim is a much more protected stronghold than they’ve faced before, and it contains some secrets that perhaps should not be found.

There are simply too many characters in this film to spend time on each of them, and don’t assume that, because I didn’t talk about someone, they die earlier or aren’t worth it. I’m going to focus on the particular characters that stood out most to me, and I’ll just say that I enjoyed every single character in this movie. Gunn found a way to give each of them a POP that made them memorable in the film. Perhaps the film’s greatest fault is more of a strength in that I enjoyed all of these characters so much that I didn’t want them to die, but knowing this is a Suicide Squad movie, some of them need to die. Gunn reminds us throughout his screenplay that the odds are heavily stacked against Task Force X, and that makes for a more exciting movie experience because of it.

I would argue that this film doesn’t ignore the original Suicide Squad (or Birds of Prey) as much as interviews and reports have led us to believe. It doesn’t out-and-out reference these previous films, but it certainly isn’t trying to hide them away either. In fact, Gunn does a great job at incorporating some of the legacy characters of Suicide Squad. Harley Quinn (Margot Robbie, The Wolf of Wall Street, I, Tonya) is perhaps the best she’s ever been in the DCEU, and part of that comes from a mutual understanding of the character for Gunn and Robbie. Her character arc in this film sensibly builds on what she did in her first two appearances, and there’s the idea of Quinn as a catalyst of chaos, much like her former beau, that works quite well because the film isn’t resting on her shoulders. Even Rick Flag and Captain Boomerang (Jai Courtney, Terminator Genisys, Jolt) feel like natural progressions of their characters, while Amanda Waller is the same hard-ass from the previous film, but I like the added lack of emotion she feels here when members of the Squad suffer or die. She had that in the previous film, but it’s further expanded upon here.

Idris Elba (Beasts of No Nation, Concrete Cowboy) is quite spectacular here as Bloodsport, a new addition to the universe who has such a pessimism for the mission but is forced into by Waller. Having seen Elba as an action superstar in other movies, it’s nice to see him play around with the idea that he has no faith in the mission and a complete understanding of his odds. He also has great interplay with the others in the Task Force X team.

Other notable introductions here include David Dastmalchian (Prisoners, Jay and Silent Bob Strike Back) as Polka-Dot Man, a character with a memorable screen presence and an interesting ability and Sean Gunn (The Belko Experiment, Ordinary World) as Weasel, a kind-of anti-Rocket Racoon, a clumsy and disturbing humanoid creature without any truly special abilities, but if I’m being fair, it is John Cena (Bumblebee, F9: The Fast Saga) who steals the show as Peacemaker, a criminal who sees himself as a hero, a protector of peace, no matter who he has to kill to make it happen.

Therein lies James Gunn’s greatest strength as a director: his ability to pull the best performances from his actors. He made Dave Bautista a better actor through their collaboration, and here again he has found a way to further develop Cena’s talents to make Peacemaker the standout character of the entire film. I never thought I’d be saying that, but it’s impossible to deny.

Gunn has a remarkable directing style that stands out even in studio pictures, and The Suicide Squad feels like a James Gunn movie with a big-ass budget. He’s in his realm, making the kinds of movies he’s always made, but now he has the money to stand behind his vision. As a screenwriter, he’s always been able to embrace the insanity in a way many others have tried and failed. Here, he has a ragtag group of villains that we shouldn’t be rooting for as they do reprehensible things to survive an unsurvivable mission, facing off against some of the weirdest antagonists in the comic book realm, and yet, he accomplished just about everything he sets out to do here. Having seen the film already, I just cannot wait to see it again.

If I’m looking for a flaw, and there are so few, I would have to say the only frustrating part of the film is a nitpick. I really like how the film presents its title cards almost like chapter headings, but a few of them were tough to read in the style they chose. I know, it doesn’t seem like a big deal because it isn’t, but it’s truly the only problem I had with this movie. Perhaps a tightening up of a few minutes in that transition from Act II to Act III, but again, nothing that I feel is ultimately a large problem for this film.

I had loads of fun with The Suicide Squad, and while I’m not ready to call it the best film in the entire DCEU yet (I’m still torn between this one and Shazam!), I have nothing but praise for this movie and the terrific work of its cast and crew. It’s batshit crazy in all the right ways, producing one of the most unique cinema experiences I have had in a long time, especially for a film fitting within a larger cinematic framework. The Suicide Squad is the kind of movie that the DCEU, the superhero genre, and the theater needs right now, and it’s unlike anything the DCEU or the MCU have done yet. See this one as soon as you can (because there will be spoilers abound on release weekend), and if possible, go to the theater to see it, because the big screen experience matches the big bombastic movie that James Gunn has crafted here.

4.5/5
-Kyle A. Goethe


  • For my review of Patty Jenkins’s Wonder Woman, click here.
  • For my review of Zack Snyder’s Man of Steel, click here.
  • For my review of Zack Snyder’s Batman v Superman: Dawn of Justice, click here.
  • For my review of David Ayer’s Suicide Squad, click here.
  • For my review of Zack Snyder’s Justice League (Theatrical Cut), click here.
  • For my review of David F. Sandberg’s Shazam!, click here.
  • For my review of Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), click here.
  • For my review of James Gunn’s Guardians of the Galaxy, click here.
  • For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

I Can’t Believe We’re Still Talking About the Snyder Cut

In today’s edition of “Things I’d Rather Not Continue Talking About,” more DCEU actors are coming forth asking to #ReleasetheSnyderCut two whole years after Justice League released.

To clarify, yes, I would’ve liked to see Zack Snyder’s cut of Justice League instead of the bare-bones recut of the film we ended up getting. All that out of the way, it’s the same reason we didn’t see a director’s cut of Avengers: Age of Ultron when that was rumored.

But now, with Damon Lindelof teasing to his Instagram followers that he probably hadn’t seen it, but if he had, he would support releasing it. Calm down, Lindelof.

Along with that news comes tweets of support from Gal Gadot and Ben Affleck even, someone who hasn’t spoken much of his time in the DCEU, so this is gaining steam.

Okay, let’s be a realist on this one. There are two potential problems with releasing the Snyder Cut of the film at this stage. First of all, it’s been two years, and in that time, the studio has rearranged their plans for the DCEU in order to keep the franchise alive and successful into the future. Since Justice League‘s release, we’ve had Aquaman. We’ve had Shazam! We will soon have Birds of Prey and Wonder Woman 1984. Not to mention films like The Suicide Squad, The Batman, and Black Adam in the works. These films have all relied on what was created as far as mythology goes in the Justice League film. We’ve heard rumors of things like an appearance from Martian Manhunter who’s been hiding in plain sight for several movies and a completely different take on the ending, and all that stuff would change canon.

That’s right. Canon.

Canon is incredibly important to a franchise and cinematic universe. Building a canon can make or break a universe, and by releasing the Snyder Cut, you are ripping up the canon, something that WB should absolutely not do.

The other reason is simpler. Money.

That’s right. Money. More important than Canon to the studio. Why would WB release the Snyder Cut, knowing they would have to spend millions to even complete the damn movie. We know that a version of the Snyder Cut exists, but it wouldn’t have any CGI or effects completed in the film. That’s not how filmmaking works. They don’t finish the CG without at least having something edited together first. The Snyder Cut would be an absolute mess, and releasing it like that would be unacceptable and rather foolish. So they’d have to finish the movie, while doesn’t seem feasible. Who’s going to front the bill to complete post-production on a film that will not make enough money back to support the extra work. Is this a charity?

So there you have it. I don’t believe all this squabbling over a Snyder Cut is worth it, and I wish we’d all just move on. If we, as fans of the DCEU keep looking to the past, we’ll miss what’s possible in the future. So stop it.

 

-Kyle A. Goethe

The Suicide Squad Adds Peter Capaldi

Wait, Who? (Get it? Who?)

Recent Doctor Who star Peter Capaldi has been added to the cast of James Gunn’s The Suicide Squad. At this point, we should just be discussing who in Hollywood won’t be in the film, for timing.

There’s been no word from Warner Bros. on the casting, and no indication has been given for which character Capaldi would play, but the production has also been eyeing Pete Davidson of SNL fame.

I was listening to the argument made for stunt casting, and it made a lot of sense. There’s a lot of added talent for this sequel, and it would make sense that some of it is indeed stunt casting. Bring in a big talent who dies in Act I. The Suicide Squad, as a property, has an ever-evolving and changing crew, and the idea of a lot of death and destruction isn’t new, but imagine introducing tons of stars and then picking off a lot of them, or as I like to call it, the Game of Thrones treatment.

So who would Capaldi play? Who?

Who do you think Peter Capaldi will play? Will he be a member of the squad or perhaps a villain? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Suicide Squad Casting Benicio Del Toro?

Mark this one up as a rumor for now, because there’s been so strong evidence to really support it, but information coming from Forbes indicate that Benicio del Toro, recently featured in Star Wars: The Last Jedi and Big Top Pee-Wee (look it up), may be joining the upcoming The Suicide Squad from director James Gunn. It would make sense if you look at the layers. He did appear in the MCU for Guardians of the Galaxy’s The Collector, directed by Gunn. Given that we still don’t know the status of The Collector, who appeared in Avengers: Infinity War but as a vision or fabrication, his time in the MCU may be done, but his addition to The Suicide Squad would further the argument that these two comic book giants are not enemies but coexist together.

As of now, The Suicide Squad will feature the returns of Margot Robbie, Viola Davis, and Jai Courtney. Idris Elba has also recently joined the project as a new character, with many speculating him to be Bronze Tiger. All that is known for Elba is that he will not be playing Deadshot as was recently rumored. Del Toro is rumored for The General, who will be one of the film’s villains. David Dastmalchian seemingly confirmed his involvement in a recent interview, praising Polka-Dot Man, and more rumors have circulated of John Cena’s involvement and frequent Gunn collaborator Michael Rooker (though he has since denied his addition), so this installment of the DCEU is shaping up quite nicely.

To this writer, Benicio del Toro only adds an air of quality to the upcoming installment, and I certainly hope the rumors are true. Adding talent like his can only help a movie. I’ve been randomly seeing him pop up in a lot of films from the past recently, and revisiting Fear and Loathing in Las Vegas and Sin City have affirmed that he is one of the more interesting personalities currently working in the filmscape.

As far as the character of The General goes, I know very little. I read some of the Suicide Squad books a few years back, but I don’t think he was ever in any of the ones I read.

I will chock this up as good news, because in James Gunn I trust. Every film he’s directed has been solid (if you’re a horror fan and you haven’t seen Slither, you’re doing yourself a disservice), and every bit of casting news surrounding The Suicide Squad has been exciting me, so count me in.

But what do you think? Are you excited for Benicio del Toro in the DCEU? What’s your favorite performance of his? Let me know/Drop a comment below!

The Suicide Squad will be unleashed again on August 6, 2021.

 

-Kyle A. Goethe

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