Captain America: The First Avenger (2011)

Director: Joe Johnston

Cast: Chris Evans, Tommy Lee Jones, Hugo Weaving, Dominic Cooper, Neal McDonough, Derek Luke, Stanley Tucci, Samuel L. Jackson, Hayley Atwell, Sebastian Stan

Screenplay: Christopher Markus, Stephen McFeely

124 mins. Rated PG-13 for intense sequences of sci-fi violence and action.

 

I personally felt like the biggest risk of the early days of the MCU was Captain America (Chris Evans, Gifted, Playing It Cool). As a character, he ran the risk of being the goody boy with too many morals and stances to be an interesting or layered character. I wasn’t concerned with Iron Man or The Incredible Hulk. I even thought Thor has a better chance of success. It was Captain America, especially with Evans leading as the character. I’d seen him do good work, but I didn’t see him as Cap. I’m glad I was wrong.

In 1942, the villainous Johann Schmidt (Hugo Weaving, The Lord of the Rings: The Return of the King, Mortal Engines) has just acquired the Tesseract, a weapon of the gods. With it he plans to turn the tide of the war and change the world forever. In America, Dr. Abraham Erskine (Stanley Tucci, Big Night, Nomis) plans to do the same with a weapon of his own: a Super-Soldier serum. He selects Steve Rogers (Evans), a physical weakling with a big heart and mind and an interest to help people. Now, Rogers is ready to end the war and take down Schmidt before he masters the Tesseract and unleashes its unlimited power.

Captain America: The First Avenger is a sign that the MCU is making films that have a similar flavor but make conscious tonal decisions. The previous film, Thor, was made as a Shakespearean superhero film, complete with Kenneth Branagh as a director. The First Avenger is a period serial film in the vein of The Rocketeer or The Phantom, an adventure film with a noted director, Joe Johnston (October Sky, The Nutcracker and the Four Realms) at the lead.

Chris Evans does great work as Captain America. He completely surprised me. With the aid of CGI, he performs quite well as pre-Cap Steve Rogers. He is somehow able to convey dialogue that could appear cheesy do-gooder lines with purpose and meaning. He is dedicated. As Captain America, it is his stance that drives the story forward. It is his convictions to best friend Bucky Barnes (Sebastian Stan, Destroyer, We Have Always Lived in the Castle) and to his country.

Hayley Atwell (The Duchess, Christopher Robin) is also quite good as Peggy Carter, who assists with the Super-Soldier program and develops a strong connection to Rogers. Their chemistry is sizzling and it holds the whole film together. She played the character with a physical toughness matching the Cap’s and conveyed strength. She isn’t a damsel in distress but an equal.

Marvel struggled with villains a lot but their focus on hero development was so strong, many seemed to forgive. Unfortunately, Red Skull was just not very compelling here. He could have twirled his own mustache if he had one. With an actor of Hugo Weaving’s caliber, a compelling villain should have been easier, and Red Skull is serviceable in moving the plot and arc of the MCU in this film, but that’s about it.

Joe Johnston created a 1940s Marvel movie and it works pretty damn well, even as the weakest in the Captain America trilogy. Chris Evans gets a great start in his tenure as Steve Rogers, and his relationship with Peggy Carter ties the film to something real and tangible. The action is fun and eye-popping and the wide array of supporting players are fun. It struggles with a villain but not with its musical score, very American muster type of music. Overall, this risk paid off quite well.

 

4/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Letterier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

For my review of Anthony and Joe Russo’s Avengers: Infinity War, click here.

Lizzie Borden Took an Ax (2014)

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Director: Nick Gomez

Cast: Christina Ricci, Clea Duvall, Billy Campbell

Screenplay: Stephen Kay

91 mins. Not Rated by the MPAA.

 

Do you want to know the story of Lizzie Borden? Good, because this is practically a documentary. Lizzie Borden Took an Ax is the story of, well, Lizzie Borden (Christina Ricci, Sleepy Hollow, The Smurfs 2) and when she, well, takes an ax…to her parents.¬† Clea Duvall (Argo, Conviction) is Emma, the sister. Billy Campbell (The Rocketeer, Killing Lincoln) is the family’s law representative. The plot is nothing of great merit. Lizzie Borden finds her parents murdered in the upstairs of her home, she goes for help, and then people start believing that she may have been the culprit.¬†Everything about this movie is predictable, down to the title being a major giveaway (granted, I understand that the film is based on true events and most people already know the story enough to put the pieces together. This film is very simplistic, the plotline runs very television movie-ish, which makes sense because it is a Lifetime television movie. The performances are so-so, really nothing special.

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All of this film is meh. There is no cinematography. The camera is more nailed down than the sets. The film’s editing allows for commercial breaks, which I have always found to be very meh as well. Really, the reason this film gets a extra point is for detail to the actual events. I looked up actual information after seeing the film, and it was pretty spot on. So, for that, I give Lizzie Borden Took an Ax 2/5.

 

2/5

-Kyle A. Goethe

 

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