Bombshell (2019)

Director: Jay Roach

Cast: Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow, Kate McKinnon, Connie Britton, Malcolm McDowell, Allison Janney

Screenplay: Charles Randolph

109 mins. Rated R for sexual material and language throughout.

 

Bombshell is a movie I was very excited to see as soon as I caught the trailer. First of all, I didn’t realize it was Charlize Theron (Monster, Atomic Blonde) under all that makeup, and that shocked and excited me. Also, I was a big fan of Vice, which follows people I don’t much like doing bad things, and I felt like Bombshell had a lot in common with Vice tonally, so that made me all the more excited.

It’s 2016, and Fox News anchor Megyn Kelly (Theron) has made an enemy of Donald Trump by asking him about his comments toward women. Meanwhile, Gretchen Carlson (Nicole Kidman, Moulin Rouge!, TV’s Big Little Lies) has been removed from her place on Fox & Friends, and she is contemplating a lawsuit. At the same time, Kayla Pospisil (Margot Robbie, Suicide Squad, Peter Rabbit) has just been hired and she wants to get to the top. When she reaches out to the Head of Fox News, Roger Ailes (John Lithgow, Late Night, TV’s 3rd Rock from the Sun), she is put into an inappropriate situation by Ailes. Soon after, Gretchen begins a firestorm when she comes forward with sexual harassment claims against Ailes, and Fox News begins to implode in the process.

This movie was painful to watch, and that’s kind of the point. The film’s trailers presented a very chic and stylized film, and while the style is definitely there, the story made me really uncomfortable, and in that way, I really found it to be an effective drama. It’s hard to really explain the techniques, but I think mostly it came from the tremendous acting work across the board and the sharp writing from Charles Randolph (The Big Short, Exposed). Director Jay Roach (Trumbo, All the Way) also elected to focus his camerawork on the performances and the story, which I really respect. The film’s overall effect on me was powerful.

Our three female leads are all incredible, each one owning their screen time quite well. The fact that Margot Robbie is able to hold her own against Charlize Theron and Nicole Kidman is astounding considering the latter two actresses have been around for awhile and are playing real-life humans, whereas Robbie is an amalgam of other people. Their interactions are fiery and full of so much humanity. It’s astoundingly-performed.

John Lithgow is a disturbing presence as Roger Ailes. I never would have placed him in the role, but he is incredibly slimy and full of so much villainy. His makeup as well as that for Theron and Kidman is incredible, and their strong performances work all the better for the makeup. Having seen recent films like The Grudge, I can say that a poor makeup prosthetic can ruin a good performance and a good one can elevate it.

I also have to throw some love to Connie Britton (American Ultra, TV’s Dirty John) because she won’t get the attention she deserves for her work as Beth Ailes, Roger’s adoring wife. She doesn’t have a lot of scenes in the film, but with that time, she disappears in this role and showcases a woman who believes with all her heart that her husband couldn’t have done anything wrong (that, or she willing ignores it), and it’s shocking how long she is able to keep up with the scandal. In a lot of ways, we like to believe that our loved ones could never do anything to hurt us, and Britton exemplifies that.

Outside of the writing and acting work, there’s nothing too flashy in the film other than the strong production design, which recreates an environment like Fox News, and I think it creates a sense of realism in the film. Director Jay Roach also capably creates connections with people that I don’t really know and makes them realistic.

Bombshell is a strong performance-laden film with some shockingly-good acting work from pretty much the entire team, and its screenplay is incredibly well-constructed to connect with its audience on a cerebral level. It’s not an easy viewing experience but it is well worth it. Outside of those elements, there isn’t a lot of notable wins here, but I highly recommend the film to anyone, whether or not you like the people being portrayed.

 

4/5

-Kyle A. Goethe

 

 

For my review of Jay Roach’s All the Way, click here.

[31 Days of Horror Part VI: Jason Lives] Day 22 – [Happy 15th Birthday!] The Grudge (2004)

Director: Takashi Shimizu

Cast: Sarah Michelle Gellar, Jason Behr, KaDee Strickland, Clea DuVall, Bill Pullman

Screenplay: Stephen Susco

91 mins. Rated PG-13 for mature thematic material, disturbing images/terror/violence, and some sensuality.

 

The Grudge is 15 today! Not the original one. The English one. Is that a problem?

Karen (Sarah Michelle Gellar, Cruel Intentions, TV’s Buffy the Vampire Slayer) is living in Tokyo with her boyfriend Doug (Jason Behr, Dragon Wars: D-War, TV’s Roswell) and working as a care worker. When one of her coworkers doesn’t show up, she is assigned to care for Emma Williams, an older woman suffering from lethargy and dementia. While attending to Emma, Karen discovers something strange happening in the house. She hears noises and is seeing people that aren’t supposed to be there. She begins to unravel a strange mystery involving death, pain, grief, and a grudge upon the house, one that will not leave her alone.

I didn’t like The Grudge the first several times I elected to view it, but, being that it was coming up on the 15th anniversary and the upcoming sequel, I figured it was only right to try it one more time. So what’s changed this time, if anything? Well, I will say this: the first few times I watched the film, I didn’t find a whole lot to like, but this time, I actually found the mystery and story of the film quite engaging, but all that being said, it’s still not scary whatsoever. I still find the ghosts to be almost laughable and the sound design, while being important to the story, doesn’t work. The ASMR mouth sounds and the cat sounds being uttered by the ghosts is really not scary in the slightest.

Sarah Michelle Gellar is not doing anything special, and I really wish I’d gotten to see something better from her. I’m far more interested in the police officer character who gets involved in the story, but none of the main cast is given a lot to do. Jason Behr gives a mostly monotone reading of his dialogue. Truly, just about any part of the nonlinear story structure is better than Karen’s.

The Grudge may be fine for some, but I still didn’t think it provided enough of the thrills and excitement I was hoping for. I really want to like it, and I think that the story, the mystery, and especially the mythology is very strong in the film. The problem is that I’m just not feeling the central character arc of the film. I have to judge the film for what it is and what it wants to be. It’s just not scary, even with the same director as the original film. Go watch the original.

 

2/5

-Kyle A. Goethe

 

 

For more 31 Days of Horror, click here.

November 2014 Preview

We’ve been to this part before. I have not seen any of the films we are going to discuss today. I merely feel as though you should be aware of what will be coming to theaters this month. I am pretty good at assessing possible wins and likely failures in the film business. So here we go. Hold onto something.

 

 

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Interstellar

I love Christopher Nolan. Apart from Insomnia, I have found each of his works to be utterly powerful pieces of film. His genres usually stick to the darkness and the fantastic, and perhaps just as much in his new film Interstellar. It is about a team of explorers who go through a wormhole looking for a suitable planet to replace Earth. Now, the basic idea here sees simplistic, but it offers up a lot of avenues to move the plot along. The sci-fi community has been freaking out about this movie and I have to agree with them. I’m already hearing some early Oscar buzz for this one.

 

 

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Big Hero 6

Big Hero 6 might not sound like a big property (to be honest, I hadn’t heard of it until I saw it on Disney’s upcoming slate and decided to look into it. It is actually based on a Marvel property recently acquired by Disney’s banner in their major merger. It will not be part of the Marvel Cinematic Universe but instead will be an animated adventure from the creators of Wreck-It Ralph and Frozen. I know the plot involves a future city known as San Fransokyo and a young robotic wiz named Hiro and his robot friend Baymax (this year’s Olaf) fighting crime with a group of inexperienced heroes. It sounds like a lot of fun, a more family friendly version of The Avengers with undertones of Disney animation tropes that made Frozen so much fun last year.

 

 

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Jessabelle

Jessie is a woman who just lost her husband in a car accident and now she has gone home to Lousiana, where a spirit waits who wants her dead. I like Kevin Greutert, the film’s director. I liked what he did with Saw VI and as an editor on previous horror films. That being said, he hasn’t had a whole lot of wing-spreading and I fear that he hasn’t proven himself. This film looks good in trailers and poster work, but I’m feeling a vibe akin to The Grudge a little too much here and that doesn’t bode well.

 

 

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Beyond the Lights

Movies like Beyond the Lights, about a woman who has become a singing sensation falling for a cop who wants a spot in political office and can help her get her voice back, all sound the same, and oftentimes, they are. I will say little more on this except that your girlfriend may drag you to this, and if she does, go. Don’t expect this movie to be good, though. Dream of better films in the next theater and maybe sneak away to one of them when you “go for more popcorn.”

 

 

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Dumb and Dumber To

Man, I really want to like this movie. I loved the original Dumb and Dumber as I’m sure you do. I happen to think that 1994 was the greatest year in motion picture history, and I think Jim Carrey and Jeff Daniels have tremendous chemistry together. The first trailer didn’t give me much hope except that I’m hoping the best parts are not in it. That would be refreshing. Here’s my advice: See the movie because it is going to be a big release. Do not expect it to be better than Dumb and Dumber. Do not expect it to be as good as Dumb and Dumber even. Just be happy it won’t be the shit-storm Dumb and Dumberer was. See, there is a silver lining.

 

 

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The Hunger Games: Mockingjay – Part 1

So, we are at the third Hunger Games movie. I really liked the first installment and I absolutely adored the second film. Returning director Francis Lawrence doesn’t always pick the right properties (Jonah Hex) but when he does, he can do some magical work. He did it with Catching Fire and I think that trend will continue in Mockingjay, where Katniss Everdeen brings her war with President Snow to the forefront after destroying his Games forever. I liked the third book (a lot of fans did not) so I expect that is where the dividing line will be drawn here.

 

 

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Horrible Bosses 2

Comedy sequels are not easy. Far too often we get a Hangover Part II when we deserve an Anchorman II. What I like about Horrible Bosses 2 is that, from the information I have gleaned, it appears that this film will respect the storyline of the first but depart in a whole different way with new interesting characters played by great new actors. I won’t be seeing this film in theaters because I don’t trust comedies there, but I think it will be some solid fun.

 

 

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Penguins of Madagascar

Nope. Nope. No. Not gonna happen. The Madagascar movies were getting stale right around the time the first one came out. Now we get a spin-off already ruined by truly disappointing cartoon series that has tread this territory before and not lightly. Skip it. Worth a rent, sometimes these spin-off can work magic, but not often.

 

 

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Paddington

It is interesting when a film like Paddington gets behind-the-scenes  troubles, like original voice Colin Firth dropping out unexpectedly just months before the film’s release. A bear from Peru gets taken in by the Brown family from London and discovers that life isn’t what he thought it would be. Simple enough, it looks cute and I suspect a winner, but I’m not guaranteeing anything.

 

So there it is. Here’s a tally:

 

Best Bets: Interstellar, Big Hero 6, The Hunger Games: Mockingjay – Part 1

Likely Misses: Beyond the Lights, Penguins of Madagascar

On the Bubble: Jessabelle, Dumb and Dumber To, Horrible Bosses 2, Paddington

 

As before, these are but tools. Use them at your own will. Let me know your thoughts as well, and what November 2014 film are you most looking forward to?

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