I Can’t Believe We’re Still Talking About the Snyder Cut

In today’s edition of “Things I’d Rather Not Continue Talking About,” more DCEU actors are coming forth asking to #ReleasetheSnyderCut two whole years after Justice League released.

To clarify, yes, I would’ve liked to see Zack Snyder’s cut of Justice League instead of the bare-bones recut of the film we ended up getting. All that out of the way, it’s the same reason we didn’t see a director’s cut of Avengers: Age of Ultron when that was rumored.

But now, with Damon Lindelof teasing to his Instagram followers that he probably hadn’t seen it, but if he had, he would support releasing it. Calm down, Lindelof.

Along with that news comes tweets of support from Gal Gadot and Ben Affleck even, someone who hasn’t spoken much of his time in the DCEU, so this is gaining steam.

Okay, let’s be a realist on this one. There are two potential problems with releasing the Snyder Cut of the film at this stage. First of all, it’s been two years, and in that time, the studio has rearranged their plans for the DCEU in order to keep the franchise alive and successful into the future. Since Justice League‘s release, we’ve had Aquaman. We’ve had Shazam! We will soon have Birds of Prey and Wonder Woman 1984. Not to mention films like The Suicide Squad, The Batman, and Black Adam in the works. These films have all relied on what was created as far as mythology goes in the Justice League film. We’ve heard rumors of things like an appearance from Martian Manhunter who’s been hiding in plain sight for several movies and a completely different take on the ending, and all that stuff would change canon.

That’s right. Canon.

Canon is incredibly important to a franchise and cinematic universe. Building a canon can make or break a universe, and by releasing the Snyder Cut, you are ripping up the canon, something that WB should absolutely not do.

The other reason is simpler. Money.

That’s right. Money. More important than Canon to the studio. Why would WB release the Snyder Cut, knowing they would have to spend millions to even complete the damn movie. We know that a version of the Snyder Cut exists, but it wouldn’t have any CGI or effects completed in the film. That’s not how filmmaking works. They don’t finish the CG without at least having something edited together first. The Snyder Cut would be an absolute mess, and releasing it like that would be unacceptable and rather foolish. So they’d have to finish the movie, while doesn’t seem feasible. Who’s going to front the bill to complete post-production on a film that will not make enough money back to support the extra work. Is this a charity?

So there you have it. I don’t believe all this squabbling over a Snyder Cut is worth it, and I wish we’d all just move on. If we, as fans of the DCEU keep looking to the past, we’ll miss what’s possible in the future. So stop it.

 

-Kyle A. Goethe

We May Have an Alfred! Andy Serkis in Talks for The Batman

There’s been a lot of info coming out concerning The Batman casting over the past few days, and I’m not sure I can keep up with all of it. First, I’m hearing that Matthew McConaughey is set to play Harvey Dent (I’ve seen only rumors on this one so far). Then there’s news that Colin Farrell is in talks for The Penguin. Finally, and what should be the smallest of these castings, Andy Serkis is entering talks to play Alfred Pennyworth, Bruce Wayne’s butler and surrogate father-figure.

I just want to unpack the interesting bit here about Serkis. Andy Serkis is an incredible actor, both in Motion-Capture and also in real world performing. People don’t talk about Serkis as a non-CG performer, but he’s great at both. I loved his work in The Prestige, Black Panther, and the cook in King Kong. So hearing him playing Alfred seems so inspired and something I hadn’t thought about. I had been hearing rumors of him as The Penguin, and again, my mind went to CG, and I was very excited. He has previously worked with director Matt Reeves on Dawn of the Planet of the Apes and its sequel, so again, I wasn’t surprised by his inclusion in the DC Batman world, but its only that I hadn’t for a single second thought about him playing Alfred Pennyworth.

But now, I can’t believe the thought never occurred to me. It’s such a brilliant translation for the Alfred character after seeing what the DCEU had done with him as a guy-in-the-chair sidekick-like assistant to Bruce when he dons the cowl. It’s so perfect.

So I’m completely on board with Andy Serkis playing any damn role in The Batman, and if that happens to be Alfred, then I’m perfectly happy.

What do you think? Is Andy Serkis right for Alfred Pennyworth or is there a better fit? Let me know/Drop a comment below.

 

-Kyle A. Goethe

Vanessa Kirby to Play Catwoman?

So more news out of the rumor mill, and as this pertains directly to DC movie casting, slap a big Rumor sign on this one!

Vanessa Kirby, soon to be featured in the new Fast & Furious spin-off Hobbs & Shaw, is reportedly being eyed to play Selina Kyle/Catwoman in The Batman.

This is interesting news, but I know very little of Kirby’s work so there isn’t much to go on. Speaking to her look, I think she has a Michelle Pfeiffer-y look to her, so there’s that. I could believe her to look the part of Selina Kyle, but I just don’t have much to go on for acting chops, and that, more than any visual look, is what will make or break the role.

As I’ve said before, in Matt Reeves I trust, so I will let him make his movie and look more forward to Hobbs & Shaw to get a glimpse of Kirby’s acting level.

What do you think? Is Vanessa Kirby right for Selina Kyle/Catwoman? Let me know/Drop a comment below!

 

-Kyle A. Goethe

The New Batman is Here, and He is Sparkly

Okay, okay, okay…

So we finally have an announcement as to who is taking up the mantle for the next entry in the Batman series, currently titled The Batman. The film, to be written and directed by Matt Reeves, is scheduled to begin production later this year for a September 2021 release.

The new Batman is Robert Pattinson.

The internet took it pretty well actually. No wait, I didn’t say that right. Let me correct…The internet lost its collective shit because the internet hates everything, and as I said about Game of Thrones recently, no one hates Batman casting picks as much as Batman fans do.

Early reports claimed that Reeves was searching for a younger Batman, and upon reading everything I’ve read about the film, I still believe it will be tangentially related to the larger DCEU, set some time before Batman looked like Ben Affleck. There will likely not be any reference to the larger DCEU, but that would be a smarter thing than forcing it in or confusing the general movie-going audience by adding another separate Batman franchise next to the standalone Joker movie and the DCEU proper. It’s just messy.

As far as Battinson (see what I did there?) goes, I’m rather excited. No, he wasn’t a very good sparkly vampire, but his work in the Twilight franchise was a decade ago, and he was working from a not-great screenplay and source material. Compare the Twilight books to the larger Batman comic books. If you agree that Batman’s source material is better, then you have to assume that a better screenplay and director at the helm can only help.

If you’ve seen Battinson in films like The Rover or Good Time, then you’ve seen a range that will separate him from his Twilight days quite effectively. Hell, he wasn’t half-bad in Harry Potter and the Goblet of Fire.

To put it simply, and to paraphrase Spongebob Squarepants’s thoughts on Krabby Patties, the only people who don’t like Battinson have never tried him.

I think I’ve made my point.

 

UPDATE: Just as this was set to be published, as with all news stories from DC, it appears there is more to this than previously thought. It would seem that Nicholas Hoult, known for his work as Beast in the X-Men films and also playing J.R.R. Tolkien in the new biopic, is also in the mix for Bruce Wayne/Batman. Now, I don’t have any funny nicknames for Hoult as with Battinson, so that’s one strike.

On the other hand, though, Hoult has proven himself time after time to be an excellent actor with a wide range similar to that of a Michael Keaton. Keaton was a controversial choice back in the 80s to play the Caped Crusader, but with turns from Beetlejuice to things like Mr. Mom, he proved he had the right mixture of professional acting and insanity, something I would argue Hoult also has. Don’t believe me? Check Mad Max: Fury Road to see that level of Let’s-Get-Nuts that a Keaton would have. There are indeed similarities.

So what it boils down to is that both of these choices would be inspired, and in Matt Reeves I trust, so whatever he decides, I’m down for the ride.

So what do you think? Who should play Bruce Wayne/Batman? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Kyle’s Top Ten Films of 2017

 

Hey folks, another year has come and gone and here we sit, at the end of it, looking back on what was. 2017 had some truly great films and I’m going to count down my top ten today.

Just a couple notes before we get into all this:

  • These are my personal top ten films of the year from the many I have seen. I judge the films from my list in their success as a film in what they are trying to accomplish.
  • I haven’t seen all the movies released in 2017. If you read this list and find that something is missing, let me know, drop a comment, and start the conversation. Everyone loves a good recommendation.
  • Due to some of the heavy-hitters of Oscar season still on the way, this is a tentative list and it will change as more limited release films open up.

There, with all that out of the way, my Top Ten Films of 2017.

 

  1. Wind River

-I was not entirely excited about Wind River. That’s not to say anything wrong about the marketing, but I didn’t know anything about it and, living in an area with intense cold several months of the year, I wasn’t all that interested to see it in the summer. Thankfully, my other plans fell through and I ended up at the theater. Wind River is the powerful tale of a murder on an Native American Reservation and the unlikely duo who team up to solve the mystery. It’s been said a lot but this is Jeremy Renner’s best performance of his entire career. Screenwriter Taylor Sheridan (Hell or High Water, Sicario) jumps into the director’s chair this time around and crafts a tightly-paced and shocking look at these characters and their world. It’s emotional, exciting and thought-provoking in every stroke.

 

  1. Star Wars: The Last Jedi

The Last Jedi is an incredible new addition to the Star Wars lore for the simple fact that it surprised me. I haven’t been genuinely surprised in a Star Wars film since The Empire Strikes Back. Writer/Director Rian Johnson created a follow-up that subverts expectations while simultaneously honoring what has come before and driving forward on a new path. Not everyone loved it (someone once said that the people who hate Star Wars the most are the fans) but I enjoyed it for all the reasons that others didn’t love it. It’s exciting, emotional, and funny, and I cannot wait to see it again.

 

  1. Thor: Ragnarok

-With Thor: Ragnarok, Director Taika Waititi and Marvel Studios have given the public the closest thing to a new Flash Gordon that we are likely to get. A rollicking 80s road-trip style space movie with everyone’s favorite god of thunder and his pal the Incredible Hulk,  Ragnarok embodies the best of what the MCU has to offer, an incredibly fun and riveting blast of a film that stands on its own while contributing to a larger narrative. In Hela, we get an interesting villain with ties to Thor, and new characters like The Grandmaster, the Valkyrie, and Korg keep the thrills light and fluffy.

 

  1. Okja

Okja is one of the best films that Netflix has ever released. It is a strange tale, a unique tale, a funny-at-times tale, and a heartfelt tale. It’s the story of a girl and her superpig Okja. The company that created Okja , Mirando, has invested a lot of money in crafting a creature that is environmentally conscious with a minimal carbon footprint that tastes great, and now they plan on harvesting Okja to make billions for themselves, but Mija is not about to let the company take her friend. The film is one of the weirdest I’ve seen in a long time, but thanks to top-notch directing from Writer/Director Bong Joon-Ho from a great screenplay by him and Jon Ronson, Okja is a powerful ride from beginning to end.

 

  1. Dunkirk

Dunkirk is a film made for the theater experience. I was lucky that a colleague of mine got tickets to the 70mm/IMAX presentation and I was floored by the majesty of it all. The scenes in the air were breathtaking. The sequences on the beach were thrilling. The scenes on the boat were emotional. The whole film experience was astounding. Then, I watched it again when it hit home video. The film is still exhilarating. Even with the loss of the massive screen, this is a tightly-packed narrative that has so much going on but still feels so focused.

 

  1. Blade Runner 2049

-Who would’ve guessed that a sequel to a cult classic sci-fi thriller would be good? Blade Runner 2049 is even better than the original! How the hell did that happen? Director Denis Villeneuve (Arrival, Sicario) takes what works about the original film and crafts a companion piece that stands on its own and connects really nicely to the original film. Blade Runner and its sequel become two sides of the same coin, a breathtaking double-feature that is well worth the lengthy runtime. Harrison Ford returns as Deckard and joins Ryan Gosling’s Agent K, providing some of the best work in either of their careers.

 

  1. Lady Bird

-Greta Gerwig directs Lady Bird with such realism that it brought me back to a time in my youth when I was very much like Saoirse Ronan’s Christine. This incredible coming-of-age story feels like it’s the first of its kind in a world where dozens of similar films are released each year. The terrific chemistry between Christine and her mother is palpable and real. The film wanders through Lady Bird’s life as she encounters situations that many of us have been through in this interesting semi-autobiographical look at adolescence from a fantastic up-and-coming director.  I can’t wait to see what she does next.

 

  1. War for the Planet of the Apes

-How the hell did Planet of the Apes craft one of the best trilogies of all time? How does that happen? Matt Reeves takes on his second film in this franchise following Dawn of the Planet of the Apes, and after having seen a few times, I can honestly say that War tops it. Andy Serkis is an actor who deserves performance credit for his role as the immensely complex Caesar, and he is matched on the battlefield by the chameleon that is Woody Harrelson, a man that can be joyful in one instant and terrifying in the next. Matt Reeves should be considered one of the hottest acts in Hollywood right now for his recent track record, and I look forward to his take on The Batman (if it ever does happen).

 

  1. The Big Sick

The Big Sick has been a critical darling since it was released in early 2017. The story, based on true events, is a dramedy based on the relationship of Kumail Nanjiani and his wife Emily. The movie mixes emotion and comedy to present one of the best and truest representations of love I’ve ever seen. The performances in it are all fantastic, especially Holly Hunter and Ray Romano as Emily’s parents. The Big Sick has a lot of award consideration and I’d be more than happy to see it take away some Oscars when the time comes as it hasn’t had a wide viewing outside of the general film community, and a few statues may help with that.

 

  1. The Shape of Water

-I hadn’t even heard of The Shape of Water at the beginning of 2017. In fact, it was only during an interview for The Bye Bye Man that Doug Jones even dropped he was working on a fish romance film with Guillermo del Toro that I even knew of the film’s existence but little else. Thankfully, late last year I was able to catch a screening for the film, and I just fell in love with it. I had always said that Pan’s Labyrinth would likely be del Toro’s masterpiece, but The Shape of Water is just so personal and lovely and strange and beautiful that I couldn’t get it out of my mind long after my initial viewing. Doug Jones, like Andy Serkis, won’t garner awards recognition for his work here and that’s a shame. Thankfully, Sally Hawkins, Richard Jenkins, and Michael Shannon turn in career-topping work here and the film is getting a lot of talk now. See this movie. It’s the best film of 2017.

 

Well, there you have it. These are my favorite films of the year. I look forward to #2018oscardeathrace to begin, and I may see a few favorites get knocked off as I continue catching up on what I missed in 2017, but overall, it was another great year for films. We’ll see you in 2018 (which is like, right now).

 

-Kyle A. Goethe

 

 

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Zack Snyder Wants Ben Affleck Behind the Camera in Solo Batman Film, Is All of Us

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So, not really news, but something mildly interesting today. Zack Snyder, director of Batman v Superman: Dawn of Justice and Man of Steel, recently spoke on who should direct the solo Batman film should it ever become officially greenlit (the film is not on the DCEU release schedule and has been tentatively titled The Batman).

Snyder discussed Affleck’s busy production schedule on the close-to-filming Justice League: Part 1, and stated that he hopes the Batman performer will be able to work on the script after filming is complete.

Personally, I don’t feel like he’s saying anything shocking. The internet has been buzzing on the possibility that the Oscar-winning screenwriter who also directed Best Picture winner Argo would be leading the charge on a solo adventure for Bruce Wayne. I’d be happy to see Batfleck get a shot at the director’s chair, as long as Snyder takes a step back.

More than anything, I believe that the DCEU is banking too much on Snyder, who has created some genuinely fantastic films like the Dawn of the Dead remake and the adaptation of Watchmen but who has recently been unable to really hit his mark.

So what do you think out there? Should Affleck helm The Batman? Should Snyder continue with the DCEU? Let me know!

 

-Kyle A. Goethe

[Comic-Con] Trevorrow moves from Jurassic World to a Galaxy Far Far Away? Rumors Circulating the Convention Floor

 colin trevorrow

Colin Trevorrow gained wide acclaim for capturing Jurassic World so well for the 2015 sequel to the mega-franchise started in 1993. It seems that the fates may be aligned to move him to another even bigger franchise as rumors have been circulating his helming of Star Wars: Episode IX. We already have J.J. Abrams on Episode VII, Gareth Edwards on Rogue One, Rian Johnston on Episode VIII, Phil Lord and Chris Miller on the as-yet untitled Han Solo Anthology film, so adding Trevorrow to the mix seems like an exciting endeavor. With the recent news of Ben Affleck directing the standalone The Batman film, this has been a crazy week for projects on the convention floor at Comic-Con.

I’m excited by the possible inclusion of Trevorrow to the Star Wars Team. What worries me is that his Jurassic World was tonally very different than Jurassic Park, so I worry he may not be able to connect tonally to Episode IX. It’s a small worry, however, because I trust Kathleen Kennedy’s judgment thus far, so I’m interested to see the final announcement. It is nice to see Star Wars taking the same creative route that the Marvel Cinematic Universe was so successful with. The formula seems to be working well for them, so I can’t wait to see this franchise kickstarted this December.

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What do you think of Colin Trevorrow’s possible helming of Star Wars: Episode IX – TBD? Who else would make a great addition to the Star Wars director’s guild? Let me know!

 

-Kyle A. Goethe

 

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