[31 Days of Horror Part V: A New Beginning] Day 24 – The Fly II (1989)

Director: Chris Walas

Cast: Eric Stoltz, Daphne Zuniga, Lee Richardson, Frank Turner, John Getz, Harley Cross

Screenplay: Mick Garris, Jim Wheat, Ken Wheat, Frank Darabont

105 mins. Rated R.

 

As some of you are aware, David Cronenberg’s The Fly is one of my all-time favorite horror films. The sequel, The Fly II, has a steep ladder to climb, an impossible feat. But the question is whether or not The Fly II can be capable enough to stand on its own, and I think that, as a sequel, it actual is passable enough.

When Veronica Quaife dies giving birth to her child with Seth Brundle, the child, a victim of his father’s experiment, is taken in by Anton Bartok (Lee Richardson, Network, Prizzi’s Honor) and his company. The boy grows at an accelerated rated. and celebrating his fifth birthday, Martin Brundle (Eric Stoltz, Pulp Fiction, Class Rank) is a fully-grown man with extreme intelligence and a need to learn. Martin searches for a cure to his mutation. At the same time, Bartok is searching for the missing piece in Seth Brundle’s telepod experiment. When Martin discovers that Bartok is not interested in helping him, he must venture for his answers with only the help of fellow Bartok employee Beth Logan (Daphne Zuniga, Spaceballs, Those Left Behind).

The Fly II is nowhere near as strong a film as its predecessor. First-time director Chris Walas (The Vagrant), who worked on the creature effects for the original film, stepped behind the camera this time around. For a first film, The Fly II could have been so much worse. The faults here come with pacing, performance, and the ending.

The Fly II has some real pacing issues. It feels like a three-hour movie at times. I feel like the lack of a throughline direction from Walas is a big reason why this sequel suffers. It feels very unfocused at times, meandering about in search of meaning.

The performances from Stoltz and Zuniga are very underwhelming. Stoltz seems childlike, as he is still, but he is just uninteresting. Zuniga, though, is just dull. Richardson’s Bartok isn’t an interesting villain, but he is evil enough to suffice. I just missed the characters from the first. I feel like having more of a presence of Seth and Ronnie, or hell, even Stathis (John Getz, The Social Network, Trumbo), who appears in the sequel in a cameo.

The ending is pretty amazing, except that it half-sucks. There’s an ending for our main characters that is extremely underwhelming, Then, there’s a super-dark stinger before the credits that I loved. The entire third act goes insane, a larger-scale version of the original, and I liked where it was heading, but it just didn’t go far enough.

But there are some really cool moments of the film. The Fly II is at its best when it forges a new path rather than retreading its far superior parent. Walas kills it again with the incredible makeup effects. The attempts made at adding to the mythology are mostly successful, and I have to say, I did enjoy most of the film.

The Fly II is an inferior sequel, but it gets about as good as it was ever going to get after losing Cronenberg. It’s a fun 1980s camp horror sequel that does try to reach the stars even if it misses often enough.

 

2.5/5

-Kyle A. Goethe

 

 

For my review of David Cronenberg’s The Fly, click here.

[31 Days of Horror 3] Day 5 – Psycho Beach Party (2000)

psychobeachparty2000a

Director: Robert Lee King

Cast: Lauren Ambrose, Nicholas Brendon, Thomas Gibson, Amy Adams, Matt Keeslar

Screenplay: Charles Busch

95 mins. Not Rated.

 

So, I let my fiancé pick the movie today. I’m not sure I’ll let that happen again.

psychobeachparty2000c

Psycho Beach Party is a satire of Beach Movies and Slasher Films. Florence Forrest (Lauren Ambrose, TV’s Six Feet Under, Wanderlust) is a young beach bum who wants to learn to surf. When Florence starts showing signs of multiple personalities, she begins to look like the prime suspect in a series of slayings all happening in her small town. Surfing legend Kanaka (Thomas Gibson, TV’s Criminal Minds, Son of Batman), college drop-out Starcat (Nicholas Brendon, TV’s Buffy the Vampire Slayer, Coherence), and his girlfriend Marvel Ann (Amy Adams, Man of Steel, Big Eyes), and others must unite to discover the identity of the real killer in his not-so-hilarious send-up of the genre.

Damn, this movie is boring. My fiancé had last seen it when it released back in 2000, and she suggested it from fond memories. Those memories disappeared for her soon after starting the film. This movie was boring, cliché (even from a satirical perspective), convoluted, and unfunny. Even performers like Ambrose and Adams are wasted in this truly disappointing spoof.

The principal issue with this film is one that plagues most spoof/satire films in recent memory. I remember reading a Mel Brooks interview where he was asked how George Lucas felt about his film Spaceballs. Brooks said something about how in order to satire something, first you have to love it, and you have to make it the best you can, and that Lucas could see that. Mel Brooks loves the films he’s satirizing, and he doesn’t make bad movies. This movie thinks in order to make a cheesy movie that you have to aim for cheesy. It isn’t like that. In order to make a B-Movie, you have to make it like it’s an Oscar-Winner. The satire will reveal itself. Psycho Beach Party aims for so-bad-it’s-good but instead finds so-bad-it’s-worse.

psychobeachparty2000b

Psycho Beach Party has a lot to like. Wait, no, I said that wrong. Psycho Beach Party is awful. There, that’s better. It’s on Hulu right now, but I wouldn’t suggest subjecting yourself to it. I just saved you two long boring hours. These are some of the services I offer.

 

1/5

-Kyle A. Goethe

 

 

[Happy 35th Birthday!] Heavy Metal (1981)

heavymetal1981a

Director: Gerald Potterton

Cast: Harvey Atkin, Jackie Burroughs, John Candy, Eugene Levy, Marilyn Lightstone, Harold Ramis, Richard Romanus, Alice Playten, Roger Bumpass, Joe Flaherty

Screenplay: Daniel Goldberg, Len Blum

86 mins. Rated R.

 

Well, folks, 35 years ago today, a little animated film came out. No, it wasn’t a Disney film. Not even a little. No, I’m talking about 1981’s Heavy Metal.

heavymetal1981c

Heavy Metal is a collection of stories based on those from the original source comic book. Each of these stories is connected through a mystical object, a green glowing orb called the Loc-Nar. There is the story of Harry Canyon (Richard Romanus, Mean Streets, Point of No Return), a taxi driver in 2031 New York who gets in too deep with a beautiful woman on the hunt from the gangster Rudnick. The story of Den (John Candy, TV’s SCTV, Spaceballs), a nerdy teen who is transported by the Loc-Nar to Neverwhere and becomes muscled hero bent on defeating a villainous cult. On an orbiting space station, Captain Lincoln F. Sternn (Eugene Levy, Best in Show, Finding Dory) is on trial when the Loc-Nar intervenes. The stories are each interesting in their own and contribute to an overall mythos by which the film is centered. To go in depth would ruin the fun of watching.

The film starts with a Loc-Nar monologue and immediately jumps into Soft Landing, a hell of a way to open a movie and further proof that opening titles work when done right.

The movie is crass and misogynistic and gory and erotic, and through all that, I love it. Heavy Metal has eye-popping imagery and gorgeous visuals (however dated) combined with a kick-ass soundtrack featuring hard rock music from the era. It is a time capsule of teenage boys in the 1980s, and it is epic.

I would have liked to have seen more connections between the different stories. It felt like they were shoehorned together some (and I know full well that this was the case as the Loc-Nar didn’t appear in most of the comic book stories depicted).

heavymetal1981b

I love Heavy Metal (the sequel, Heavy Metal 2000, not so much) and I hope for the long-awaited third film to show up one day down the road. This is a film like no other, only barely similar in tone to some of Ralph Bakshi’s work, but don’t let its uniqueness take you out of it. This is a tremendous feat in filmmaking that has been all but forgotten.

 

4.5/5

-Kyle A. Goethe

Joan Rivers Passes Away at 81

joan_rivers

Sad news for star-gazers today…we lost Joan Rivers.

According to reports, Rivers passed away during an operation after going into cardiac arrest. She was admitted to Mt. Sinai Hospital earlier this week leading up to her death today at 1:17 PM.

While I didn’t always agree with Rivers and oftentimes I didn’t pay much attention to her doings, Joan Rivers was absolutely important in influencing in the world of women’s comedy. She brought us to a completely different area from a comedy standpoint, a fashion standpoint, just all around important to our culture.

I’ll say it right now, the most important thing I will remember her for is the portrayal of Dot Matrix in Mel Brooks’ Spaceballs. What a great film.

Joan Rivers, you will be missed.

Blog at WordPress.com.

Up ↑