[Early Review] Angel Has Fallen (2019)

or “Someone Please Help Mr. Boreanaz Up”

Director: Ric Roman Waugh

Cast: Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Lance Reddick, Tim Blake Nelson Piper Perabo, Nick Nolte, Danny Huston

Screenplay: Matt Cook, Robert Mark Kamen, Ric Roman Waugh

120 mins. Rated R for violence and language throughout.

 

Wow, someone worked really hard to get the title of this film into the dialogue, and it doesn’t work at all.

Since the events of London Has Fallen, Allan Trumbull (Morgan Freeman, Se7en, Alpha) has become the new President of the United States, and Mike Banning (Gerard Butler, The Phantom of the Opera, Den of Thieves) is still a member of the Secret Service. When a drone attack seriously injures the President and seemingly implicates Banning, though, Mike is forced off the grid and on the run as a fugitive with FBI agents hot on his tail. He must work quickly to ascertain exactly who set him up and why before Vice President Kirby (Tim Blake Nelson, O Brother, Where Are Thou?, The Ballad of Buster Scruggs) uses intel about the assassination attempt to start a war with Russia.

I recently watched the first two installments of this franchise for the first time, and I was very vocal that the second film was a big step down in quality, and it seems that trajectory is continued in Angel Has Fallen. Gerard Butler was very hands-on with the story of this one, stating that it will be similar to Logan, a darker, grittier, and more character-driven film. I cannot disagree with that statement more. First of all, dark and gritty do not a Logan film make. To add to that, stop trying to copy Logan and just make a good film. Finally, the note that this is a more character-driven film is rather laughable. The only characters with any real development in this is Mike and his father Clay (Nick Nolte, Warrior, A Walk in the Woods), and their arcs feel like such a complete divergence from where Mike is in the first two films that it doesn’t even really feel like a sequel to the franchise. In fact, many of the theatergoers at my screening didn’t even know this was a sequel.

The screenplay is pretty predictable. I joked to myself, not more than five minutes into the film, that I knew who set up Mike, and I was right. It’s cliché to the point of self-parody. This is a trilogy capper that feels so much like Tak3n down to the simplistic frame-the-hero plot and the FBI team that can’t see the answer right in front of them for most of the film.

The only true winner for this film is the addition of Nick Nolte as Clay, the father. Yes, his character seems out of place here, but working with what I’m given, it’s nice to see some semblance of where Mike gets his thought processes. His dad is a guy who is always thinking several steps ahead and planning for the worst-case scenario, and I kind of get where Mike, as a character, comes from. That being said, there’s no set-up for his character and he just kind of appears. Much of the dialogue from his first few scenes attempts to build a lot of exposition in not a lot of time. Each line is overflowing with information that nobody would ever actually feel the need to say.

Angel Has Fallen is the weakest film in the trilogy. I feel like no one is really here to play in this installment. The plot is clunky and thin, the dialogue isn’t very strong, and no character outside of Nolte is really engaging to watch. It’s unfortunate to say that this franchise may have fallen…for the last time.

 

2/5

-Kyle A. Goethe

 

 

For my review of Antoine Fuqua’s Olympus Has Fallen, click here.

For my review of Babak Najafi’s London Has Fallen, click here.

London Has Fallen (2016)

or “I’ve Fallen, and I Can’t Get Up: The Movie”

Director: Babak Najafi

Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Alon Moni Aboutboul, Angela Bassett, Robert Forster, Melissa Leo, Radha Mitchell, Jackie Earle Haley, Sean O’Bryan, Waleed Zuaiter

Screenplay: Creighton Rothenberger, Katrin Benedikt, Christian Gudegast, Chad St. John

99 mins. Rated R for strong violence and language throughout.

 

Someone should always be keeping an eye on Aaron Eckhart (The Dark Knight, Bleed for This). Dude keeps getting attacked or kidnapped.

It’s been six years since the attack on the White House, and Mike Banning (Gerard Butler, The Phantom of the Opera, Den of Thieves) is still in the Secret Service, keeping a protective eye on President Benjamin Asher (Eckhart). Soon, though, Mike is going to be a father, and he’s thinking about giving the job up. But when a funeral for the UK Prime Minister turns into a series of coordinated attack intended to assassinate the Western leaders, Mike is forced to ensure the safety of the President once again as they are pursued through the streets of London, being hunted by a terrorist out for revenge.

Just about everything in this sequel is a step down in quality from the previous film. The visual effects are very hit-or-miss, with some of them being passable while still others, especially the sequence with the helicopter from the trailer, being downright atrocious. The writing is choppier, the dialogue somehow even cheesier and goofier than the original, and the direction is mostly simplistic.

The action is a lot more kinetic this time around as we aren’t forced into the confines of a singular setting. London is the playground here and it’s fun to see Eckhart’s character as he gets a lot more to do this time around. His bro-chemistry is pretty strong with Butler. Again, many of the performances work passably enough within the confines of this B-action thriller, but many of our returning characters have nothing to do in this sequel. You’d be forgiven if you didn’t remember Robert Forster (Jackie Brown, Bigger) returning as General Clegg.

Sadly, though, for all the action set pieces within the film, most of the action is quickly forgettable save for the terrific assault shootout near the end of the film with Banning and a team of Delta Force/SAS squad moving through the streets of London toward the terrorist hideout. It’s exciting, flashy, and an all-around stellar set piece.

I feel like the one thing this sequel does better than the original is the pacing. Most of the film keeps swiftly moving with the shorter run time and a more intensive mission for Banning and the President. The scenes with Morgan Freeman (Se7en, Alpha) and the rest of the intelligence staff don’t have the same intensity, but the film isn’t really focused on them.

London Has Fallen is a significantly weaker film than its predecessor, taking a familiar and straightforward action film over something with a stronger premise. It’s fine for the most part, but it’s also largely forgettable and loses a lot of the intensity of the first film save for one phenomenal sequence. Butler’s Banning is still kick-ass, but he’s given a thicker layer of cheese due to some really shabby writing. For the most part, if you really enjoyed the first film, I think you can like this one just fine, but this will do nothing to attract newer audiences.

 

2.5/5

-Kyle A. Goethe

 

 

For my review of Antoine Fuqua’s Olympus Has Fallen, click here.

Olympus Has Fallen (2013)

or “Someone call John McClane! He’ll know what to do!”

Director: Antoine Fuqua

Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Robert Forster, Cole Hauser, Finley Jacobsen, Ashley Judd, Melissa Leo, Dylan McDermott, Radha Mitchell, Rick Yune

Screenplay: Creighton Rothenberger, Katrin Benedikt

119 mins. Rated R for strong violence and language throughout.

 

I’m finally getting around to watching the Fallen trilogy (that’s what I’m calling it, deal with it) now with the third film hitting theaters. When Olympus Has Fallen and White House Down both released in the same year, I felt like the friend of a couple breaking up who had to choose sides, and I chose neither, so now here I am, years later, finally catching this one.

When terrorists capture the White House and take President Benjamin Asher (Aaron Eckhart, The Dark Knight, Bleed for This) hostage along with several high-ranking members of his cabinet, it becomes up to former Secret Service lead Mike Banning (Gerard Butler, The Phantom of the Opera, Den of Thieves) to rescue them before terrorist leader Kang (Rick Yune, Die Another Day, Alita: Battle Angel) dispatches them and gets the codes to a dangerous protocol labeled Cerberus. Banning teams up with Speaker of the House Trumbull (Morgan Freeman, Se7en, Alpha) who is acting President during the attack in order to safely rescue the cabinet members and Asher, but their allies might not all be on the same side.

Olympus Has Fallen is an action film which harkens back to a specific time period in the genre with Gerard Butler as the classic action hero a la Stallone and Schwarzenegger. He’ll never hit that level, but there’s a 80s/90s somewhat cheesy attitude about the film, but director Antoine Fuqua (The Equalizer, American Dream/American Nightmare) mostly sticks the landing in this Die Hard-style thriller.

Butler is not winning any awards with his performance as Banning, nor is anyone else in the film, but there’s the sense that all performers, from Eckhard to Freeman to Angela Bassett (Strange Days, TV’s 9-1-1), who plays Secret Service Director Lynne Jacobs, know exactly what film they are in and playing to the action and cheese instead of shying away from it.

The screenplay, from Creighton Rothenberger and Katrin Benedikt (The Expendables 3) isn’t very layered, and some of the dialogue is overtly stupid, as if it was only written for a tagline or a trailer moment, but it’s successful enough under the capable direction of Fuqua, who, like his performers, understands what movie he is making.

There’s a lot of action and a considerable amount of CG, and very little of the CG has aged all that well. Some of the special effects are downright cringe-inducing in the film, and maybe that helps play up the B-action quality of the film. It’s just not very good use of special effects throughout, and some more practical effects work would have saved some of the silliness in the final product.

Olympus Has Fallen created an action superstar in Mike Banning. I’m not surprised the film sparked a franchise, and for all its cheese and stupidity, it was a rather enjoyable political siege thriller. Aided by top-notch performers having fun with the material, I was rather enthralled with the twists and turns of the film. It’s a good film. Not amazing, but sometimes good is enough.

 

3/5

-Kyle A. Goethe

 

 

For my review of Antoine Fuqua’s The Equalizer, click here.

Iron Man 2 (2010)

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Director: Jon Favreau

Cast: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Mickey Rourke, Sam Rockwell, Samuel L. Jackson

Screenplay: Justin Theroux

124 mins. Rated PG-13 for sequences of intense sci-fi action and violence, and some language.

  • Academy Award Nominee: Best Achievement in Visual Effects

 

Remember way back when the MCU just had a few films and we were shocked to find that there was already a sequel? Oh wait, we were still shocked that there was a cinematic universe…

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Iron Man 2 picks up six months after the first film (running somewhat concurrently to The Incredible Hulk) as Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef) opens the Stark Expo to continue his father’s legacy to create new technology to change the world, but he is facing an internal problem: the palladium core in Tony’s arc reactor is slowly killing him. As Stark places Pepper Potts (Gwyneth Paltrow, Se7en, Mortdecai) in the role of CEO for Stark Industries, he is also faced with vengeance from a new villain: Ivan Vanko (Mickey Rourke, The Wrestler, Sin City: A Dame to Kill For), the son of a man wronged by Howard Stark, who has taken on the moniker Whiplash, to punish Tony for the sins of his father. To put it short, Tony Stark is having a rough time.

Iron Man 2 gets a lot of flack for being a lesser film than its predecessor, but I prefer it. Tony Stark is faced with a lot of conflicts in the film and it gives him the opportunity to be a good person, something he wasn’t given the ability to do in Iron Man. I enjoyed the villains in the film (again, something that others didn’t care for), and I really liked how it set up the rest of Phase 1 of the MCU. It’s strange, that same tactic was unimpressive in Avengers: Age of Ultron, but here it really worked for me.

Iron Man 2 adds so much to the mythology with new heroes Rhodey (Don Cheadle, TV’s House of Lies, Crash) becoming War Machine and Scarlett Johansson (Lost in Translation, Hail, Caesar!) showing up as Natalie Rushman. There’s the building up of SHIELD and the references to upcoming installments Thor and Captain America: The First Avenger.

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Iron Man 2 has detractors (the film hasn’t aged well), but overall its a pretty damn fun time, and while it was mostly a transitional film for the MCU as it found its footing. I liked it a lot, but I can kind of see what others don’t like.

 

4/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of Jon Favreau’s Chef, click here.

 

[Happy 15th Birthday!] Shaft (2000)

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Director: John Singleton

Cast: Samuel L. Jackson, Vanessa Williams, Christian Bale, Jeffrey Wright, Richard Roundtree

Screenplay: Richard Price, John Singleton, Shane Salerno

99 mins. Rated R for strong violence and language.

 

Apparently, Shaft is one bad motha-“Shut Your Mouth!”

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John Shaft (Samuel L. Jackson, Pulp Fiction, Avengers: Age of Ultron) has carried on the family crest from his uncle John (Richard Roundtree, Se7en, Speed Racer). When he responds to a racial attack and has millionaire rich-kid Walter Wade, Jr (Christian Bale, The Dark Knight, Knight of Cups) arrested in the death of a black youth. Now, with the help of Narcotics specialist Carmen Vasquez (Vanessa Williams, Eraser, Temptations: Confessions of a Marriage Counselor), Shaft must defend the woman who witnessed the attack from Wade who has now teamed up with drug lord Peoples Hernandez (Jeffrey Wright, Casino Royale, The Hunger Games: Mockingjay – Part 1).

Shaft is surprisingly not terrible, though it seems to have forgotten a lot of what made the original so cheese-good.

The greatest idea put forth here was to make this incarnation of Shaft a sequel to the previous trilogy. We even get to see the Richard Roundtree as the uncle, also known as John Shaft. I love the idea of continuing the story. Too many films just go the remake route but this works so well.

Sam Jackson does a great job here, but he gets bogged down by the truly disappointing work from Wright and Bale.

I also felt this to be the tamest of the Shaft series. Literally, he doesn’t have any of the sensuality of the original character. Now, granted, as I said before, these are different characters, but I feel like it was a big miss from the film.

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Shaft is good, but I can see why the franchise never continued. Singleton’s directing works in short spurts but this film didn’t really go anywhere. The film had several plotlines that didn’t go anywhere, for example the thread involving Dan Hedaya and that other guy becoming crooked cops. I just didn’t care. There were just a lot of chopping to be done to this film and a lot of elements missing here.

 

2.5/5

-Kyle A. Goethe

 

For my review of John Singleton’s 2 Fast 2 Furious, click here.

 

[Oscar Madness] Iron Man (2008)

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Director: Jon Favreau

Cast: Robert Downey Jr., Terrence Howard, Jeff Bridges, Shaun Toub, Gwyneth Paltrow

Screenplay: Mark Fergus, Hawk Ostby, Art Marcum, Matt Holiday

126 mins. Rated PG-13 for some intense sequences of sci-fi action and adventure, and brief suggestive content.

  • Academy Award Nominee: Best Achievement in Sound Editing
  • Academy Award Nominee: Best Achievement in Visual Effects

So, let’s talk Iron Man, Marvel Studios’ first, and arguably biggest, gamble.

IRON MAN

Tony Stark (Robert Downey Jr., Sherlock Holmes, The Judge) is a billionaire genius, a more asshole-ish version of Bruce Wayne. He is the ultimate playboy, in charge of his father’s company, Stark Industries, maker of weapons of all sorts. But when a routine weapon demonstration in Afghanistan leads to Tony’s being taken captive, Tony must use all his cunning and a little bit of luck to escape. He builds a suit of metal to make this escape, and in the process, Tony Stark becomes Iron Man.

Was there ever a doubt in my mind that Robert Downey Jr was the right man to play Tony Stark. He is the perfect embodiment of this character and just understands it to the extreme. His relationship with Pepper Potts (Gwyneth Paltrow, Se7en,  Mortdecai) is one of general endearment, complete sweetness. Jeff Bridges (The Big Lebowski, Seventh Son) gives a slightly over-the-top yet wholly understandable performance as Obadiah Stane, mentor and friend to Tony, a man who is out to protect Stark Industries from all threats.

Then there’s Terrence Howard (TV’s Empire, Prisoners). I don’t think Terrence Howard understands this movie, or in fact, this role. I just don’t think he gets that this is a good time at the movies. He’s far too serious at all the wrong time.

Jon Favreau (Chef, Cowboys & Aliens) directs this film with some perfect flair. Were I the heads at Marvel Studious (I’m looking at you Kevin Feige), I wouldn’t have trusted someone like Favreau to make or break my company with this picture, but that’s why I’m not making the big bucks. Jon Favreau gives this film a big style, everything here is crazily over-the-top, and the funny thing is how much it works.

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Now, the film does run on a bit, and Tony Stark is rather annoying for a bulk of the film, but this is still one of the funnest (that’s right, I said it) times at the movies. It isn’t my favorite of the Iron Man films, but the first in Marvel’s Cinematic Universe is a great place to start.

4/5

-Kyle A. Goethe

For my review of Louis Letterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here

For my review of Jon Favreau’s Chef, click here.

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