Avengers: Endgame (2019)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Josh Brolin, Benedict Wong, Jon Favreau, Gwyneth Paltrow

Screenplay: Christopher Markus, Stephen McFeely

181 mins. Rated PG-13 for sequences of sci-fi violence and action, and some language.

 

Well, here it is. I’m going to try not to use the word culmination like everyone else has, but I cannot make any promises. This is the end of The Infinity Saga, the twenty-second film in the Marvel Cinematic Universe. The culmination-dammit…

Tony Stark (Robert Downey Jr., Sherlock Holmes, Chef) is drifting through space with Nebula (Karen Gillan, Jumanji: Welcome to the Jungle, TV’s Selfie). On Earth, what’s left of the Avengers have collected at the compound, unsure of what to do next. Thanos (Josh Brolin, No Country for Old Men, Deadpool 2) succeeded in his plan, obliterating half of the universe in a single snap of his fingers. As they each come to terms with the enormous loss that they and the universe have incurred, an old ally appears with an idea, a crazy crackpot idea that has no chance of working. Well, almost no chance. The Avengers, or what’s left of them, assemble on one final attempt to fix everything, and if they fail, they’ll do that together.

I’M TRYING TO AVOID AS MANY SPOILERS AS I CAN, BUT BE WARNED THAT  A REVIEW LIKE THIS WILL ALWAYS HAVE SOME SPOILERS. SEE THE FILM FIRST IF IT CONCERNS YOU.

THIS IS YOUR SPOILER WARNING.

Avengers: Infinity War set up an almost impossible task. Let’s give the villain his own movie and test out characters like they’ve never been tested before. I think that’s the importance of the Avengers franchise of the MCU. Much like any team-up movie, I think it’s important to have the team tested in a unique way, and they should almost always come out of the film with more people on the team or less, because that’s one of the only ways to change the story trajectory. Well, Infinity War had tested the Avengers, and they certainly came out of the film with less characters, but it was also an even bigger test for Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) as well as the writing team of Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain), who now had to bring in the fourth Avengers film on a solid landing and end the story. We knew that they had to do something to save some of the dusted Avengers. Hell, there was a Spider-Man trailer out weeks before the film’s release, and even though we joked about it possibly set before Endgame, everyone knew that Sony would not let Marvel kill their most popular character. Certainly, Black Panther’s story would not end after one solo film, but how was this all going to happen, and what’s the cost?

So let’s start with that impossible task. Knowing all the things that had to happen in the follow-up, it’s incredible how the Russos and the writing team actually pulled it off and made it captivating, exciting, and heartbreaking. From the shocking opening of the film to the final act, a dauntingly epic ending that takes up a large chunk of the film’s three-hour runtime, Avengers: Endgame just cruises on by. In a lot of ways, it’s the flipside of Infinity War’s coin, and it’s a good thing that they changed the titles from Infinity War Part 1 and 2 because as much as they rely on each other, Endgame is a completely different film, and that’s why it works so well. Infinity War was a film that gave each of its characters at least one moment to shine, and Endgame does that too, but Endgame even gives each film before it time to shine. There’s references to Iron Man 3 in this film and Thor: The Dark World, two films that don’t even end up in the upper 80% of most MCU fan rankings of the franchise (full disclosure, though, I love Iron Man 3). It’s a love letter to the 11 years of this franchise and the fans that stuck with it for so long.

The performances from the entire cast are solid, but I want to discuss the ones that I think deserve to be discussed, good or bad. Let’s start with Robert Downey Jr. His performance here is a series best (quite a feat for the actor that has not beaten Hugh Jackman for most appearances as a superhero in a franchise), even better than Tony Stark struggling with PTSD in Iron Man 3 (see, I love that one). There, he’s dealing with the knowledge he obtained in The Avengers that Earth is not alone in the universe, and now, he’s dealing with the failure in saving billions or trillions of lives. He becomes weak, and he cannot hold blame. He keeps going back to wanting to put a suit of armor around the world with Ultron. He’s beaten and broken and still hasn’t forgiven Steve Rogers (Chris Evans, Gifted, Before We Go) for abandoning him even though he is just as responsible. He’s also dealing with the loss of Peter Parker on Titan. Tony needs some hard truth at this point on his journey, and he gets it in Endgame.

Steve Rogers watched many of his friends die right in front of him. He’s a man who fell out of time into a confusing one and did the best he could, but he comes to realize that his failure to stop Thanos has hit him just as hard as Tony, but in a different way. He’s running a group that helps people to cope with the loss, and he’s going just as much for himself as anyone else. Chris Evans consistently does the impossible with Steve Rogers/Captain America; he makes this superhero a human. He makes the goody-goody Rogers an actual human being, with plenty of flaws and pain. This is the story that tests him and his need for hope, and there’s no one I’ve seen outside of Christopher Reeves playing Superman that embodies that struggle for hope so well.

Natasha Romanoff (Scarlett Johansson, Her, Sing) has taken control of the remaining Avengers, and she’s stopped taking care of herself. She’s dealing with the loss by diving into work, hunting down a rogue Avenger who needs her help, but she’s sputtering on exhausted wheels. She’s just looking to make right on a career filled with wrongs. All the bad things she has done before finding her home with the Avengers have led her here, and she couldn’t do anything about it.

This is a film that gives Mark Ruffalo (The Kids Are All Right, Now You See Me 2) so much to do with the Hulk character, probably the most unique shift for the character in the MCU, and he does a spectacular job with it. It isn’t what I would have done, but I admire the character arc he takes.

One character that doesn’t get much to do is Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong). This is a man who lost his father still very recently, his brother died in front of him, and half of his people are slaughtered after losing their home. He’s another hero dealing with failure. He should have aimed for the head. He came so close to saving everyone and then he didn’t. He should be dealing with the most pain of anyone in the story. Instead, he is used more so for comic relief than anything else. I get it, Chris Hemsworth is really funny, but I know he can play to drama as well. He just doesn’t get the emotional beats that I wanted him to have. It’s similar to what is done with him in Infinity War, where he just doesn’t get the time to develop his trauma. His alcoholism in Endgame could have some serious consequences and bearing on him, but it just doesn’t.

Lastly, I want to talk about Karen Gillan’s performance as Nebula. I’ve never been a big fan of the character, either the way she’s written or the performance. Nebula always reminded me of a fly that comes in the window in the middle of the night when you’re trying to sleep. You swat and swat and just can’t get rid of her. In Endgame, though, her character is expanded upon so much more because of how we see her and the presentation of how far she has come as a character since we saw her in Guardians of the Galaxy vol. 2. People forget that vol. 2 takes place just a few months after the first one, so it’s been a long time since we’ve really seen Nebula in the MCU, and Gillan’s subtle broken performance is terrific.

From behind the lens, the Russos directed the hell out of this thing, and there’s a lot to be said about the strength of their storytelling as it has evolved over the years. Their cinematography is so clean, especially when it needs to be, in some of the heavier action set pieces. It’s safe to say that there’s a lot going on in this film; there has to be, but the way the Russos keep the focus on where it needs to be to progress the story is great, and the way they handle the set pieces are very focused and strongly laid out. There’s a heavy possibility, especially in the third act, to lose sight of what’s going on and where we’re at from a narrative perspective, but they never let the film lose sight of its goal, a tremendous feat.

With that visual storytelling comes the editing, which is very strong. The film never feels long. It’s the enjoyment factor, no doubt, but clocking in at just over three hours, the film almost should feel long, but it doesn’t. Not once. After seeing it twice, I can say with certainty that there’s only one scene I would cut earlier in the film to tighten it more, and it probably would only save 30 seconds or so.

No offense to Danny Elfman, but I’m really happy to hear Alan Silvestri’s score here after being absent from Age of Ultron. Silvestri’s score takes notes from The Avengers and especially from the ending of Infinity War, but it dives deeper into the depression, loss, and hope that permeates the film, and his score has a note of finality to it. If this is indeed the last time we’ll see some of our favorite heroes, Silvestri sends them out on a high note.

Avengers: Endgame accomplishes the most difficult task assigned to it. It has an ending. This is the end of a big part of this franchise without feeling the need to really set anything else up. For the most part, there isn’t an MCU film that hasn’t had the need to at least set up something in the end credits, but not Endgame, and that’s a strong and restrained decision because the film should speak for itself and everything that comes before it, and boy does it have a lot to speak on. This is an absolute cinematic achievement, and barring a few small hiccups, it comes off without a hitch. The ending raises some questions that we won’t really have answered until Spider-Man: Far From Home (the true last film in Phase 3), but beyond all that, I loved watching this movie and cannot wait to see it again, if only to catch some more of the blink-and-you’ll-miss-it moments. If you haven’t yet, then seriously, why not?

#ThanosDemandsYourSilence #Don’tSpoilTheEndgame

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Joe Johnston’s Captain America: The First Avenger, click here.

For my review of Anna Boden and Ryan Fleck’s Captain Marvel, click here.

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Leythum’s A Funny Thing Happened on the Way to Thor’s Hammer, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

For my review of Anthony and Joe Russo’s Avengers: Infinity War, click here.

Avengers: Infinity War (2018)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwich Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Screenplay: Christopher Markus, Stephen McFeely

149 mins. Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

IMDb Top 250: #37 (as of 9/1/2018)

 

Well, it happened. I almost cannot believe it, but it happened. After 10 years and numerous storylines, everything in the Marvel Cinematic Universe has culminated in this.

Let me say that word again: culminated. I like that word.

So a lot has happened. I’ll try to sum it up as quick as I can.

Thanos (Josh Brolin, No Country for Old Men, Sicario: Day of the Soldado) has one goal driving his very being: to collect all six Infinity Stones. He already has one, but to get the others, he will have to go through the Avengers, Earth’s Mightiest Heroes. The Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) and Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong) are quickly dispatched, Thanos sends his minions, The Black Order, to Earth to search for the remaining Earthbound stones while he finds himself facing off with his daughter Gamora (Zoe Saldana, Avatar, My Little Pony: The Movie). Now, it’s a fight to protect the stones from the increasingly more dangerous Thanos as the Avengers team up with the Guardians of the Galaxy, Doctor Strange (Benedict Cumberbatch, The Imitation Game, The Child in Time), Spider-Man (Tom Holland, The Impossible, Pilgrimage), Black Panther (Chadwick Boseman, 42, Marshall), and others, but do they even stand a chance?

Avengers: Infinity War almost needs to be looked at differently than other films. My goal here and in all my reviews is to look at each within the context that it exists. When I watch a horror film, I look to be scared, thrilled, or shocked. When I watch a comedy, I look to laugh or smile. When I watch a Uwe Boll film, I look to hate myself at the end. Context.

So Avengers: Infinity War needs to be looked at on its own terms as well as how the film changes and shapes the characters in this universe. It’s a season finale of sorts, and it does an incredible job of juggling so many character arcs and stories that have existed within the confines of ten years of storytelling.

Let’s start with the most important arc in the film: Thanos’s. Josh Brolin does the performance capture justice in his work as the Mad Titan. We spend more time with Brolin’s character than anyone else in the film, and for that reason, this is very much Thanos’s film. He’s the protagonist. He is the one with the goal who initiates the action, and our heroes are only trying to stop that mission. He is a believably insane tyrant who moves from planet to planet wiping half of the population out in order to restore order. It’s a crazy idea but he believes it wholeheartedly which makes him all the more frightening. He’s well-written, thoughtful and menacing. There are of course a few similarities to Kurtz from Apocalypse Now or its source novel Heart of Darkness. It’s mostly surface level but it also works pretty well and helped me to understand how his mental faculties would lead him to such a sinister mission.

The rest of the cast get mixed amounts of time, most of them only about 10 minutes onscreen with the biggest characters getting closer to 30 minutes. Thor has one of the better arcs, especially following the opening of the film. He has vengeance in his heart and a plan to stop Thanos. He joins up with Rocket Racoon and Groot to accomplish his mission and it’s an enjoyable and important set of sequences. I would have liked to see a bit more emotion from Hemsworth as the film goes on but he kind of falls back to comedy as a backup.

Mark Ruffalo also gets a lot of time with his journey, especially considering that he spends a lot of the film not being the Hulk. We see a side of both of them that I’m not sure we’ve seen before, and it’s the first time in a while that we see Banner having to deal with not turning into the Hulk.

It’s also nice to give some more time to Gamora, who has gotten some development in the Guardians of the Galaxy films but always as a companion to the others. Now, she has a really interesting relationship with father Thanos. I just wish more time would have been given to further develop the two.

Directors Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) and screenwriters Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain) developed what was later termed as strange alchemy, the forcing together of characters that don’t usually spend any time together. This idea works really well and is a large portion of what makes The Avengers films so fun and so anticipated. It’s what I’m looking forward to more than anything else for next year’s Avengers: Endgame.

The Russos did a tremendous job of weaving all of these story threads together while never once sacrificing the flavor that comes with each film. I love that they devoted time to ensure their film would not be ruined for viewers who were not there on opening night. Each of the separated groups further the problem that this team works best together but now they are caught up in different parts just trying to plug a leak, essentially, and these directors and screenwriters never let the story dry up or get stale.

Avengers: Infinity War is not a perfect movie. The ending, upon a second viewing, doesn’t really feel like it has stakes (though that may change next year), and some more character development would be much appreciated, but overall it accomplishes its goals and in context of what the film is trying to be, it succeeds in almost every way. This is an event film if there ever was one, and it is endlessly re-watchable. If you haven’t seen the film yet (and don’t kid yourself, yes you have), then what are you doing? Go. Now. Watch it.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russos’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

 

For more Almighty Goatman,

Spider-Man: Homecoming (2017)

Director: Jon Watts

Cast: Tom Holland, Michael Keaton, Robert Downey Jr., Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei

Screenplay: Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna, Erik Sommers

133 mins. Rated PG-13 for sci-fi action violence, some language and brief suggestive content.

 

Spider-Man is back. For the third time. In 15 years. Good lord, I hope this one works out.

The MCU proudly welcomes Spider-Man to their slate of Phase 3 with Spider-Man: Homecoming, featuring a teenage Peter Parker (Tom Holland, The Impossible, Edge of Winter) trying to prove to de facto mentor Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef) that he has what it takes to be an Avenger. Peter also the task of balancing his heroics with a failing social life and his schoolwork. Meanwhile, Adrian Toomes (Michael Keaton, Birdman, American Assassin) has been acquiring alien tech with the help of his villainous crew and a mechanical winged suit. Peter thinks he has what it takes to unmask the Vulture and defeat him, but Tony knows better. But as Peter makes foolish mistakes that risk his own safety as well as the safety of his aunt May (Marisa Tomei, The Wrestler, Spare Parts), he finds himself coming closer to the Vulture…and closer to losing it all.

Spider-Man: Homecoming proves that as a franchise continues, it doesn’t necessarily have to get bigger. The Vulture is a real villain (with unreal tech) who only wants to provide for his family. There is a heart to his mission even if it is a villainous one. He’s relatable, except that he flies around in a Vulture suit.

The tone of the film is nicely executed by director Jon Watts (Cop Car, Clown) and gives off John Hughes vibes which was the goal of the film. Spider-Man: Homecoming never gets bogged down by heavy exposition or darkness. It always stays light and fluffy and fun.

And did anybody miss the origin? I didn’t, and the film is better for not being an origin story. Spider-Man fans and non-fans all know the origin, and if they don’t know it, they can just watch one of the other Spider-Man films. We don’t need to be reminded of Uncle Ben. We don’t need an unnecessarily convoluted subplot with Peter’s parents or with Aunt May. In fact, Tomei’s portrayal of Aunt May is fresh, too. She comes off like a big sister. Ignore the origin. And don’t force Oscorp in just because it’s Spider-Man. I’m curious to see how they play Harry Osborn if they ever do it, but it would have been unneeded in this film.

Overall, Spider-Man: Homecoming is imperfect, but it does make a lot of gains for the character and franchise now that he is firmly in the MCU. I didn’t feel like every joke landed and there are some untied up plot threads I would rather see finished, but overall, this is my second favorite Spider-Man film (I really love Spider-Man 2 and Doc Ock). A worthy addition to the MCU.

 

4/5

-Kyle A. Goethe

 

 

So what did you think of Jon Watt’s Spider-Man: Homecoming? Is the MCU the right home for Peter Parker? And what’s your favorite Spider-Man film? Let me know/Drop a comment below!

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

 

 

For more Almighty Goatman,

Fresh Take on Spider-Man with Homecoming Trailer May Just Be Exactly What Peter Needs

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Well, it’s been rather nerve-wracking waiting on the first trailer for the newest incarnation of Spider-Man played by Tom Holland. Yes, I know we got a hint of the character from the recent Captain America: Civil War, but even as much as I liked Holland’s portrayal, seeing an entire film centered on him is rather different than just what amounts to a cameo appearance.

Well, the wait is over, and the first trailer is here. In it, we get a little bit of fun banter with Tony Stark (Robert Downey, Jr.), who returns in the film to shepherd Spider-Man’s abilities as an Obi-Wan type. We also get our first look at the Vulture, and I’m digging the look. Overall, though, we are getting the feeling that this is a John Hughes superhero film which was what we were promised.

To me, there just isn’t a whole lot of bad about this trailer. It’s weird because I’m searching for a flaw, but I just can’t find one. It seems like this relationship between Marvel and Sony might actually work.

 

What do you think? Are you excited for the new John Hughes-like Spider-Man: Homecoming? What’s your favorite live-action Spider-Man film? Let me know.

Iron Man 2 (2010)

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Director: Jon Favreau

Cast: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Mickey Rourke, Sam Rockwell, Samuel L. Jackson

Screenplay: Justin Theroux

124 mins. Rated PG-13 for sequences of intense sci-fi action and violence, and some language.

  • Academy Award Nominee: Best Achievement in Visual Effects

 

Remember way back when the MCU just had a few films and we were shocked to find that there was already a sequel? Oh wait, we were still shocked that there was a cinematic universe…

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Iron Man 2 picks up six months after the first film (running somewhat concurrently to The Incredible Hulk) as Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef) opens the Stark Expo to continue his father’s legacy to create new technology to change the world, but he is facing an internal problem: the palladium core in Tony’s arc reactor is slowly killing him. As Stark places Pepper Potts (Gwyneth Paltrow, Se7en, Mortdecai) in the role of CEO for Stark Industries, he is also faced with vengeance from a new villain: Ivan Vanko (Mickey Rourke, The Wrestler, Sin City: A Dame to Kill For), the son of a man wronged by Howard Stark, who has taken on the moniker Whiplash, to punish Tony for the sins of his father. To put it short, Tony Stark is having a rough time.

Iron Man 2 gets a lot of flack for being a lesser film than its predecessor, but I prefer it. Tony Stark is faced with a lot of conflicts in the film and it gives him the opportunity to be a good person, something he wasn’t given the ability to do in Iron Man. I enjoyed the villains in the film (again, something that others didn’t care for), and I really liked how it set up the rest of Phase 1 of the MCU. It’s strange, that same tactic was unimpressive in Avengers: Age of Ultron, but here it really worked for me.

Iron Man 2 adds so much to the mythology with new heroes Rhodey (Don Cheadle, TV’s House of Lies, Crash) becoming War Machine and Scarlett Johansson (Lost in Translation, Hail, Caesar!) showing up as Natalie Rushman. There’s the building up of SHIELD and the references to upcoming installments Thor and Captain America: The First Avenger.

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Iron Man 2 has detractors (the film hasn’t aged well), but overall its a pretty damn fun time, and while it was mostly a transitional film for the MCU as it found its footing. I liked it a lot, but I can kind of see what others don’t like.

 

4/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of Jon Favreau’s Chef, click here.

 

Captain America: Civil War (2016)

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Director: Anthony Russo, Joe Russo

Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Jeremy Renner, Don Cheadle, Anthony Mackie, Paul Bettany, Elizabeth Olsen, Daniel Bruhl, Chadwick Boseman, Paul Rudd, Emily van Camp, Tom Holland, Frank Grillo, William Hurt

Screenplay: Christopher Markus, Stephen McFeely

147 mins. Rated PG-13 for extended sequences of violence, action and mayhem.

IMDb Top 250: #140 (as of 6/16/2016)

 

We’ve come a long way with the Marvel Cinematic Universe in the past eight years. Phase 2 ended with last year’s Ant-Man, and now Phase 3 begins with Captain America: Civil War, the thirteenth film in this mega-franchise. How does it place? Let’s take a look.

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Steve Rogers (Chris Evans, Before We Go, Snowpiercer) has been leading the new Avengers on a mission to capture Crossbones (Frank Grillo, Warrior, The Purge: Anarchy). But when an accident causes the world to look at the Avengers as a possible liability, Secretary of State Thaddeus Ross (William Hurt, Into the Wild, Race) is brought in to introduce the Sokovia Accords, a measure to keep the superbeings in check. When Cap puts his foot down against it, he finds himself at odds with friend and fellow Avenger Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef). Now, as the superheroes are divided in their beliefs of what is right, a new villain appears: Zemo (Daniel Bruhl, Inglourious Basterds, Burnt), a man on a mission of vengeance who wishes to tear the Avengers apart from within.

Captain America: Civil War is shocking in how perfectly constructed a film it actually is. It chooses to adapt a beloved arc of Marvel lore, and it succeeds. It chooses to properly introduce two very important and very difficult heroes in Black Panther (Chadwick Boseman, 42, Gods of Egypt) and Spider-Man (Tom Holland, The Impossible, In the Heart of the Sea), and it succeeds. It chooses to show all sides of the central conflict and create believable arguments for each, and it succeeds. Just about everywhere this film could’ve failed, it succeeds. Well, almost.

Chris Evans and Robert Downey Jr share a lot of the screen here, and neither one truly drowns out the other like many had worried. Whereas Cap has seen how great power has been corrupted in the past and believes that history could repeat itself, Tony has drastically evolved as a character since 2008 when he first built an iron suit. Tony once wanted the government to keep its hands off his personal property, he now sees the mistakes he has made in the past (like Ultron) coming back to haunt him, and we find Tony to be the type of hero who carries his pain upon him, like when he suffered PTSD following the events of The Avengers.

But directors Anthony & Joe Russo (You, Me and Dupree) have dealt another master stroke by allowing arcs for just about every other character in this film. We get to see Bucky Barnes (Sebastian Stan, The Martian, Ricki and the Flash) attempt to reconcile the horrors of his past. We get to see a tortured Scarlett Witch (Elizabeth Olsen, Godzilla, I Saw the Light) trying to deal with the unique hero Vision (Paul Bettany, A Beautiful Mind, Mortdecai). We get a Wakandan prince named T’Challa searching for vengeance for the loss of a loved one. Even those without full arcs still get a signature moment for fans to chew on until the next solo film. I’m looking at you Ant-Man (Paul Rudd, TV’s Wet Hot American Summer: First Day of Camp, Role Models).

For me, the only disappointment of the film falls in its portrayals of the villains. I would have loved for Crossbones to have had more to do. I would have loved for a more cinematic incarnation of Zemo. Not that these were faults, but it felt like they were tossed to the side a bit. As it comes, Captain America: Civil War feels less perfect because of it, but only slightly.

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For a film that boasted that it wasn’t just Avengers 2.5, and on the other side being told that it could’ve been far too bloated, Captain America: Civil War comes out on top as one of the best stories in the cinematic universe. The Russo Brothers have proven that with a great script, top notch performances, and a keen set of eyes behind the camera, any amount of odds stacked against you can be toppled. Bravo, sirs.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

Finally…Civil War Drops: A Look at the First Official Trailer for Captain America 3!

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Hey everyone, I hope your holidays have gone well. Mine certainly did; a belly full of food and a new trailer drop for Captain America: Civil War. There were rumblings that this beast would drop during the opening weekend for Spectre and then for Star Wars: The Force Awakens, and then we heard that Robert Downey Jr. and Chris Evans were stopping by Jimmy Kimmel last week, and I started to think that yeah, this was it.

Was it worth it?

Simply, yes. I thought this trailer looked tremendous! After hearing all the news dropping about the overcrowded cast list and then hearing the meh reaction to the first footage shown to fans at D23, I have to say, I was a bit worried. Last Year’s Captain America: The Winter Soldier was a wonderful addition to the Marvel Cinematic Universe, and I wanted Civil War to be of the same caliber.

In the film, based on the massively popular and renowned Civil War comic, Tony Stark and Steve Rogers square off over a new registration act that may be linked to Bucky Barnes. We still don’t have all the details, and that’s okay. I don’t need to know everything.

We did get a great look at Black Panther, played by Chadwick Boseman (Civil War will be his MCU premiere). One exclusion is Tom Holland as Spider-Man, who many have rumored to make his first appearance here as well. Now, I am happy we didn’t see Spider-Man. I think that the fans don’t need to see him until the movie comes out, and I have colleagues who think the general public doesn’t know that Spider-Man is in this film and the trailer should have shown it, but I feel like it would confuse people who just had a taste of a now non-canonical The Amazing Spider-Man 2 from last year and don’t need all that info thrown at them.

If you choose to view the trailer (and we both know you will), enjoy the epic line of dialogue that Tony drops in it. You will know it when you see it (it sent shivers down my spine).

So what did you think of the new trailer? What is your anticipation level for Captain America: Civil War? Let me know!

Captain America: Civil War begins battle on May 6, 2016.

#WhoseSideAreYouOn

Avengers: Age of Ultron (2015)

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Director: Joss Whedon

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Stellan Skarsgard, James Spader, Samuel L. Jackson

Screenplay: Joss Whedon

141 mins. Rated PG-13 for intense sequences of sci-fi action, violence and destruction, and for some suggestive content.  

2012’s The Avengers was something of an anomaly. A film which combined several superhero franchises into one mega-franchise shared universe successfully…that doesn’t happen. But with writer/director Joss Whedon (TV’s Buffy the Vampire Slayer, Much Ado About Nothing) at the helm, it did. And it was good. Billion-dollars good. It jumpstarted Phase 2 of the Marvel Cinematic Universe and continued a winning franchise for years to come. Now, we see if the official sequel, Avengers: Age of Ultron, can continue that tradition.

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The Avengers have been looking for an end to the villains before they start. When billionaire genius Tony Stark (Robert Downey Jr., The Judge, Chef) and Bruce Banner (Mark Ruffalo, Shutter Island, The Normal Heart) create Ultron (James Spader, TV’s Boston Legal, Lincoln), an artificially intelligent being created to be Earth’s mightiest defense system, but Ultron quickly realizes that the biggest threats to the world are humans and decides to do away with them. Now, the Avengers must assemble to defeat Ultron, who has allied himself with two very special twins: Pietro (Aaron Taylor-Johnson, Kick-Ass, Godzilla) and Wanda Maximoff (Elizabeth Olsen, Martha May Marcy Marlene, Oldboy).

Avengers: Age of Ultron had a bunch of set-ups. The biggest flaw comes from realizing that it has very little payoff. The entire film felt like its function was to tie up the loose ends of Phase 2 and start unpacking the storylines to Phase 3. Was it entertaining? Mostly, yes. But was it good? I really don’t know. I liked a lot of this film but I was scratching my head at times wondering why certain events were kept in the film while so many other moments were kept out. The film has Whedon’s classic dialogue, and its characters are further fleshed out, but the film felt like too many puzzles pieces from too many different puzzles that just won’t fit together.

As far as performances go, the films newcomers are pretty great additions to the shared universe, specifically James Spader’s menacing Ultron and the Vision, played by Paul Bettany (A Beautiful Mind, Mortdecai) in a new role. The film also features a plethora of previously introduced characters back in the fray, like James Rhodes (Don Cheadle, TV’s House of Lies, Crash) and Sam Wilson (Anthony Mackie, Million Dollar Baby, Black or White). The returning Avengers cast have all grown closer and you can feel the comradery when needed. The Hulk and Black Widow (Scarlett Johansson, Lost in Translation, Lucy) in particular have grown much closer since we last saw them together.

There are some particularly great sequences here, such as the moment when we are introduced to mind control due to Wanda’s abilities. We get a chance to dive into these characters’ psyches a bit further Joss Whedon even plays with our expectations that this film is going to be exactly like the previous film, opting to give more important screen time to Clint Barton (Jeremy Renner, The Hurt Locker, Kill the Messenger). We also get our first look at Hulkbuster (named Project Veronica, as a play on Betty & Veronica, the Betty being Bruce’s previous love interest from The Incredible Hulk).

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Avengers: Age of Utron is the first Marvel film that absolutely cries out for an extended cut. There is just too much missing here, and its noticeable. There are numerous plot threads that don’t get the resolution they need. The film is explosively entertaining, but perhaps the most noticeably flawed Marvel film yet.  

3.5/5

-Kyle A. Goethe  

So what did you think of Avengers: Age of Ultron? Did it assemble a perfect viewing experience or leave you wanting a different Vision of the superhero team? Let me know!  

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

Chef (2014)

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Director: Jon Favreau

Cast: Jon Favreau, Sofia Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman, Robert Downey Jr., Emjay Anthony

Screenplay: Jon Favreau

114 mins. Rated R for language, including some suggestive references.

 

Jon Favreau (Iron Man, Cowboys & Aliens) has, in the last six years, exploded due to his involvement in the highly successful but extremely risky Marvel Cinematic Universe, including his directing of two installments. After leaving the directorial duties to others, Favreau chose to take on a more personal project in Chef.

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Chef is all about Carl Casper (Favreau), a famous chef capable of great things but squandered by Riva (Dustin Hoffman, TV’s Luck, Kramer vs. Kramer), an uninspired restaurant owner who is sick and tired of Casper’s ways. When Carl loses his way and his job, he and his son Percy (Emjay Anthony, It’s Complicated), along with colleague Martin (John Leguizamo, Ice Age, John Wick), open up a food truck and take it along the American roads.

This is a cute little movie and star-director-writer Favreau does well as Casper, a father who wants to earn back a little love from his son and earn back a little respect after losing it all. This film is all about the relationship between father and son, and it’s played nicely, albeit too familiarly. Favreau’s style here is nice and somewhat inspirational. There isn’t a whole lot of spectacle here, but there doesn’t really need to be. I also love that Jon Favreau learned to cook everything he cooks. He is completely believable and real as the star cook.

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Chef is a nice little character piece but makes the mistakes of being a little too familiar and a little too fairy-tale bowed. It isn’t a film to change any lives, but it is worth a viewing, just not on an empty stomach.

 

3.5/5

-Kyle A. Goethe

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