Oscar Isaac-Led The Card Counter Rounds Out Its Cast

The upcoming casino revenge film The Card Counter, which is set to star Oscar Isaac and directed by Paul Schrader, has added three big names to its cast. According to Deadline, the thriller has added Tiffany Haddish, Tye Sheridan, and Willem Dafoe to the principal cast.

The film stars Isaac as the titular card counter who is tasked by Sheridan’s character to seek revenge on a military man, played by Dafoe. Haddish will play a gambling financier who backs the two men.

Let’s break these additions down piece-by-piece, starting with Willem Dafoe. There is no world where the addition of Dafoe is a bad idea. This performer has consistently done great, most predominantly in recent years with award-worthy work in The Florida Project, At Eternity’s Gate, and especially The Lighthouse. I can’t recall the last time he turned in a performance that hasn’t uplifted the film he’s in, so I got no problems here. Hell, he already worked with Isaac on At Eternity’s Gate so the chemistry is there.

Sheridan is an interesting addition. He’s a pretty subtle performer who has done solid but perhaps forgettable work in Ready Player One and the newer X-Men films, and while his is not a name that comes up in discussions for who should play what character in what film, he’s not a detractor.

Now, let’s get to Haddish. I can’t think of a film with Haddish that has worked since Girls Trip, and I’m getting a little tired of her. She was solid but forgettable in Keanu, and I found her quite funny in Girls Trip, but since that time, I haven’t really found her to be entertaining at all. She’s in a rut similar to Steve Carell’s earlier career where she keeps playing the same character over and over again to diminishing returns. The more I’ve thought about it, I didn’t really like her in The Kitchen, and I really hated Like a Boss from earlier this year, so I’m not feeling this addition to the cast. Hopefully she can surprise me, but I’m not on board with this one yet.

So what do you all think of these casting adds? Is The Card Counter turning into a most-anticipated film for you? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

The Nominees for the 91st Academy Awards

Hey everyone! We officially have our nominees for the 91st Annual Academy Awards. Over the next few weeks, I’ll be going through as many of the nominations as I can, so join me on this journey using #2019oscardeathrace and share your count on our way to 52!

The nominees are:

Best Picture:

 

Best Director:

  • Spike Lee – BlacKkKlansman
  • Pawel Pawlikowski – Cold War
  • Yorgos Lanthimos – The Favourite
  • Alfonso Cuaron – Roma
  • Adam McKay – Vice

 

Best Actor:

 

Best Actress:

 

Best Supporting Actor:

 

Best Supporting Actress:

 

Best Original Screenplay:

 

Best Adapted Screenplay:

 

Best Animated Feature Film:

 

Best Foreign Language Film:

  • Capernaum
  • Cold War
  • Never Look Away
  • Roma
  • Shoplifters

 

Best Documentary Feature:

  • Free Solo
  • Hale County This Morning, This Evening
  • Minding the Gap
  • Of Fathers and Sons
  • RBG

 

Best Documentary Short:

  • Black Sheep
  • End Game
  • Lifeboat
  • A Night at the Garden
  • Period. End of Sentence

 

Best Live Action Short:

  • Detainment
  • Fauve
  • Marguerite
  • Mother
  • Skin

 

Best Animated Short Film:

  • Animal Behaviour
  • Bao
  • Late Afternoon
  • One Small Step
  • Weekends

 

Best Original Score:

 

Best Original Song:

  • “All the Stars” – Black Panther
  • “I’ll Fight” – RBG
  • “The Place Where Lost Things Go” – Mary Poppins Returns
  • “Shallow” – A Star is Born
  • “When a Cowboy Trades His Spurs for Wings” – The Ballad of Buster Scruggs

 

Best Sound Editing:

 

Best Sound Mixing:

 

Best Production Design:

 

Best Cinematography:

 

Best Makeup and Hairstyling:

  • Border
  • Mary Queen of Scots
  • Vice

 

Best Costume Design:

  • The Ballad of Buster Scruggs
  • Black Panther
  • The Favourite
  • Mary Poppins Returns
  • Mary Queen of Scots

 

Best Film Editing:

 

Best Visual Effects:

 

So there you have it. It’s going to be a hell of a month and I’m looking forward to it. Be sure to join me on this adventure and share your thoughts on these nominees.

#2019oscardeathrace

 

-Kyle A. Goethe

Ralph Breaks the Internet (2018)

Director: Phil Johnston, Rich Moore

Cast: John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Jack McBrayer, Jane Lynch, Alan Tudyk, Alfred Molina, Ed O’Neill

Screenplay: Phil Johnston, Pamela Ribon

112 mins. Rated PG for some action and rude humor.

 

I was not the biggest fan of Wreck-It Ralph. I had a number of different reasons for my opinion, but I will also say that, at the time, I was carrying a bias about Disney films. After all, Disney is a machine, and like any machine, it has to function similarly at all times. I found the first film to be overly reliant upon video game and arcade nostalgia that bogged it down. I was also much more interested in Ralph’s (John C. Reilly, Chicago, Holmes & Watson) journey and felt it was less interesting when he got involved with Vanellope (Sarah Silverman, Battle of the Sexes, TV’s The Sarah Silverman Program). Wreck-It Ralph was a hit, though (everyone I knew loved it), and while it took six years for a sequel, I was still excited for the wild ride that is Ralph Breaks the Internet.

Ralph and Vanellope are celebrating six awesome years as best friends, and while Ralph is fine with the way his days go, Vanellope wants more. She is tired of the predictability of her game, so Ralph sets out to help her. When his plan fails spectacularly, causing Sugar Rush to break down, it seems like as though Ralph may have inadvertently doomed Vanellope. Fortunately, they find that the replacement part for Sugar Rush is available on the internet, and the two set out to bring it back. Through their adventure, Ralph is forced to face his greatest fear: change.

There’s good and bad to the direction of this Wreck-It Ralph follow-up. It’s similar at times to the story of the first film with video game nostalgia traded out for social media addiction. That being said, the way the social media and internet references work in the film is to force Ralph and Vanellope to examine their lives and change, for good or bad. I think the sequel is more successful in creating real relationships amongst these arcade characters. There’s also a tendency to fall back on Disney properties in the film, a decision opposite to Spielberg’s choice in Ready Player One to seemingly eliminate as many references as possible to his films. Again, though, the Disney Princess scene is absolutely worth the price of admission. As I said, good and bad to these creative choices.

Ralph is a more interesting character this time out. His internal conflict with himself and Vanellope’s choices are so strong and real and accessible. It’s really powerful character direction, something for its viewers to register with as they grow older. I also like how Vanellope is struggling in the sequel, knowing she has a good life but wanting more than that. It makes her more than a cutesy sidekick.

Ralph Breaks the Internet is a good outing from Disney, though not their best. I think it’s a better film than Wreck-It Ralph, and I think the conflict in the film resonates rather nicely. The film falls back on Disney wanting to sell toys, but there’s some good in there too made by strong characters and a strong story arc. It just gets muddled sometimes.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Rich Moore, Byron Howard, and Jared Bush’s Zootopia, click here.

 

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Kyle’s Top Ten Films of 2018

 

Hey there everyone!

What a year 2018 has been, both personally and in the world of movies! Now, as the year draws to a close, I’m ready to take a look back and see which films made the cut of my personal Best of 2018.

Now for some stipulations and notes:

-I did not see every film to come out in 2018. I tried my best, but I was very busy this year and some films just flat out were missed. So if you don’t see something on this list, it doesn’t mean it doesn’t belong. It just means I may have missed it…or it doesn’t belong.

-This is my personal selection of films from the year. These are not predictions for Best Picture at the Oscars or anything like that. Some films may have different placings than they would if I just ordered them by score, and some of them may have been flawed, but I just enjoyed them enough to look past it.

-Lastly, this is one of the first years in a while that my list feels so fluid. Don’t take my rankings too harshly as just about any one of these films could potentially have been a #1 film. It was a good year. Not a great year…a good year.

 

Alright, without further fluff, let’s dive right in…

 

  1. First Man

-Damien Chazelle knocks it out of the park again in this biopic of Neil Armstrong and the NASA Space Program leading up to that fabled first step on the moon’s surface. It’s a long movie covering many of the trials and tribulations of the race to space, but it spends most of its time with Armstrong, played brilliantly by Ryan Gosling. It’s a subtle nuanced performance that isn’t acting larger-than-life but stays true to its subject. The film spends some time asking the questions of value and cost in this race to the moon, and everything is a lens through which to understand our lead. We get great supporting work from Claire Foy, Jason Clarke, and Corey Stoll who plays to Buzz Aldrin’s particular brand of sarcastic wit quite nicely. For those of you that missed this one in IMAX, I feel very sorry for you, because the scenes on the moon’s surface took my damn breath away.

 

  1. If Beale Street Could Talk

-I loved Moonlight when it came out. I was so swept away in the style and simplicity of the story. Director Barry Jenkins has done it again with his character drama If Beale Street Could Talk. While not as strong as his previous outing, this is still top-notch filmmaking and incredible character-driven storytelling. The love story between Fonny and Tish is so emotional, and the performances from Stephan James and newcomer Kiki Layne bring that love out in such a beautiful way. The film is filled with terrific performances from Regina King, Colman Domingo, Michael Beach, Aunjanue Ellis, and so many more. The ending left me frustrated but not with the filmmaker for he did craft an ending meant to make you talk and get the conversation going. It’s a beautiful character piece.

 

  1. Green Book

-If there’s one thing to say about Green Book, it’s that the film from Peter Farrelly is wholly enjoyable throughout. That’s not a normal way to describe the story of two men from different races touring the Deep South in the 1960s, but it works. You can call it surface-level enjoyment if you wish but I call it great character-driven storytelling. Much like If Beale Street Could Talk, the performances are where this film thrives, particularly from its lead actors, Viggo Mortensen and Mahershala Ali. They are both flawed humans with real fears and desires who come together with great chemistry to create a lasting friendship in this heartwarming tale. This is a movie that will make you think while it entertains you.

 

  1. Ready Player One

-Look, Ready Player One is perhaps more flawed than the previous films on this list, but it didn’t take away from my overall enjoyment with the film. It continues to grow on me the more I watch it and I find myself going back to it a lot in 2018. It’s a fun adventure dipped in nostalgia. This film is Steven Spielberg making a sundae and putting all the toppings on. The most important factor in the film is that it is just a damn fun time that captures the spirit of the source novel while going to some wildly different places. I enjoyed both the book and film as two sides of the same coin. Ready Player One leaves me with a big damn smile on my face every time I watch it.

 

  1. A Quiet Place

-I’m starting to see a theme in many of these films for my Top Ten. Character. Yes, there’s some high-concept in some, and A Quiet Place definitely has high-concept, but it’s all there to serve character and story. The family dynamic in A Quiet Place works so well, it would make the film watchable even if the sci-fi/horror aspects of the film did not. Thankfully, this is not the case. This is a tense film with real situations set against an impossible world, but it’s because I care about this family that A Quiet Place brings out just as many tears and shrieks. John Krasinski should be given for his terrific direction in addition to his work as male lead.

 

  1. A Star is Born

-There’s something magical to A Star is Born. We are looking at the fourth official version of this tale, and yet somehow this incarnation has connected with the audience in such a special way. Maybe it’s Bradley Cooper’s strong first outing as a director, or maybe it’s his hauntingly powerful performance as Jackson Mayne, a struggling fading star, or maybe it’s Lady Gaga’s powerhouse work as Ally, a rising star. You can give me all the crap for praising Gaga’s acting in this film, and you can say that she plays herself, but I heard a colleague point out that she gets on the stage to perform her first song and she’s absolutely terrified, something that Gaga would not be or likely hasn’t been in some time. She’s acting her ass off here, and it shows. Yes, the film finds itself in a lot of the same familiar beats we’ve seen before, but it’s been said many times that all stories have been told and what matters is how you tell it. I love how this story is told.

 

  1. Annihilation

-Alex Garland’s follow-up to Ex Machina is a sci-fi/horror masterpiece. It’s a beautiful striking moving painting filled with horrific and dazzling imagery. The story, about a group of scientists exploring a strange area called The Shimmer where biology, chemistry, and physics are unlike anything known to human understanding. This is a thinker of a movie, but it haunted me for days and I couldn’t stop telling people to see this movie. It likely isn’t for everyone, but I would encourage you to seek it out and give it a try. This is a What-The-Fuck movie experience for the ages that I haven’t seen since 2001: A Space Odyssey.

 

  1. Hereditary

-You know something? Screw anyone who says there isn’t enough great horror these days. Horror is on such an incredible ride in recent years, and there’s probably enough good horror for its own Top 10 list for 2018, and Hereditary would be at the top. Led by a career-best performance from Toni Collette, Hereditary is a shocking and disturbing story of loss, grief, and madness, all centered around a family caught in something out of their control. Beyond the shock of some of the film’s more frightening moments, there are some truly horrific moments of character development. This movie’s strengths cannot be understated and it is truly sad that Collette’s more of a long shot to the Best Actress Nomination this year because she without a doubt deserves. The only tiny complaint I have with the film is that it over-explains itself at the end, but it is merely a nitpick and actually saved a friend’s enjoyment of the film, so what do I know?

 

  1. Won’t You Be My Neighbor?

-As I’ve said before, the movies that will likely be most remembered in 2018 are the Feel-Goods, and Won’t You Be My Neighbor? is at the top of that list. This documentary about the life of Fred Rogers is stunningly heartfelt and masterfully executed. It is a viewpoint of the man’s life, his beliefs, his goals, and his dreams, and it brought me back to moments in my childhood, memories that I shared with someone through a television set. I welled up with tears at several points in the narrative and connected with the film on so many levels. What makes this film stand out from others this year is that it asks its audience to take part in it near the end, asking us how we can be more like Fred, and I think it connects us with an incredible human being on a personal level, a touching tribute to a beloved neighbor.

 

  1. BlacKkKlansman

-Spike Lee is the best he’s ever been with BlacKkKlansman. You heard me. The best he’s ever been. I loved Do the Right Thing, but this film just barely edges it out for so many reasons. It’s an incredible well-acted film, especially from John David Washington, Adam Driver, and Topher Grace. The screenplay and editing have turned this so-crazy-it’s-true story into something even more timely given the current state of the country. Lee makes it quite known what he wants his film to evoke and the finale of the film left my jaw on the floor. As soon as I left the theater, I wanted to turn back around and see it again. Spike Lee knows his craft so well that he is able to fuse lighthearted comedy into the shocking tale of a black cop infiltrating the Ku Klux Klan, and this film is his masterpiece. It’s the best movie of 2018.

 

So there you have it. These are my favorite films of the year. I’m looking forward to the #2019oscardeathrace to begin, and the list may change a bit once that happens. No one sees everything. What is your Top Ten of 2018? I’d love to hear it! Thanks again for a great 2018, and we will see you in 2019 (which is right now).

 

-Kyle A. Goethe

 

 

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Ben Mendelsohn to Lead The Outsider for HBO

HBO has officially ordered a series adaptation of Stephen King’s novel The Outsider. Ben Mendelsohn (Ready Player One) has been tapped to the lead the series for the network.

The novel features an investigation around the murder of a local boy which turns into something far more shocking and supernatural.

The show’s first two episodes will be directed by actor/director Jason Bateman, who will also executive produce the series with Mendelsohn.

As a regular self-proclaimed fan of King, this is an exciting project coming together for HBO. The network is likely looking down several avenues to replace Game of Thrones when it wraps in 2019, one of them being a Game of Thrones prequel series. There’s also a Watchmen adaptation in the works. It’s a pretty exciting upcoming slate for HBO.

The news of Mendelsohn joining is also really exciting to me. Mendelsohn is a terrific actor in a number of different capacities, but most recently he’s been featured heavily in villainous roles, so seeing him as a lead will be a welcome sight.

To my knowledge, there is no release date for the series yet, but I’m very excited with all the news I’ve gotten so far.

What do you think? Are you excited for a Ben Mendelsohn-led Stephen King series? Let me know/drop a comment below!

 

-Kyle A. Goethe

 

 

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[#2018oscardeathrace] The Post (2017)

Director: Steven Spielberg

Cast: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys

Screenplay: Liz Hannah, Josh Singer

116 mins. Rated PG-13 for language and brief war violence.

  • Academy Award Nominee: Best Motion Picture of the Year [Pending]
  • Academy Award Nominee: Best Performance by an Actress in a Leading Role [Meryl Streep] [Pending]

 

Only Steven Spielberg (Saving Private Ryan, The BFG) could accomplish The Post in the time that he did. The film went through Production, Post-Production, and Release just in the Post-Production of his Ready Player One, the other film he was working on. Not only that, but to have that film go on to be nominated for Best Picture is exemplary.

The Post is the story of Kay Graham (Meryl Streep, The Iron Lady, Florence Foster Jenkins), the owner and publisher of The Washington Post, and Ben Bradlee (Tom Hanks, Forrest Gump, Toy Story 3), the editor-in-chief as they come to a decision on how to proceed with the publishing of sensitive materials pertaining to a cover-up spanning four U.S. Presidents. As the weight of the decision falls on Kay, she is met with arguments on both sides and mounting tensions that could send multiple colleagues to prison for treason or ruin The Post’s reputation permanently.

For the most part, The Post is exactly what it needs to be, and it works very well. I really like the usage of Nixon’s actual audio in his portrayal. I loved how it leads right up to the opening of All the President’s Men, which almost makes The Post an unofficial prequel.

But the best part of The Post is its performances. Meryl Streep and Tom Hanks are amazing, but its supporting players are equally strong. I would have loved to see Bob Odenkirk (Girlfriend’s Day, TV’s Better Call Saul) nab an Oscar nomination for his work as Ben Bagdikian. The same should be said of Bruce Greenwood (Star Trek, Batman: Gotham by Gaslight) as Robert McNamara.

The script is mostly strong and Spielberg has restrained and calm direction to give the floor to his performers which works. One sequence that doesn’t work is the opening. The film begins in Vietnam with an action sequence that feels very out of place. Perhaps it would work better somewhere else in the film as a flashback because it feels unneeded and very disconnected from the rest of the film.

Overall, The Post is a fine film and very important to the political landscape we are currently in. Is it a Best Picture? I’m not so sure. That being said, Spielberg’s film is very worthy of a lot of its credit. This is a need-to-see film.

 

4/5

-Kyle A. Goethe

 

 

For my review of Steven Spielberg’s Close Encounters of the Third Kind, click here.

For my review of Steven Spielberg’s Jurassic Park, click here.

For my review of Steven Spielberg’s War of the Worlds, click here.

 

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Kyle’s Top Ten Most Anticipated Films of 2018

 

Since I’ve already seen one of 2018’s releases, I’m probably a little late on presenting my most anticipated list for 2018. Don’t worry, it hasn’t changed much. Let’s start off with a note:

  • This list is more anticipated, not what I think will be the best by any stretch. These are the films I’m most looking forward to as of right now, so there will be more blockbusters than indies because that’s just how it plays out. So, with that being said…

 

NOTE: THIS IS NOT A COUNTDOWN BUT A LIST.

 

Annihilation

-I thoroughly enjoyed director Alex Garland’s Ex Machina from 2015, and on that film alone, I cannot wait to see Annihilation. Garland has had a run of pretty solid work in the last few years, and getting top talent like Natalie Portman and Oscar Isaac involved is only making this more hyped for me. I don’t know much about the film’s plot outside of the lone trailer I’ve seen, but getting a chance to see a great storytelling weave a yarn in his own sandbox is always a great thing.

 

Pacific Rim: Uprising

-I’m very sad that Guillermo del Toro isn’t returning to helm the sequel to his underappreciated Pacific Rim, but that’s what it took to get The Shape of Water, so what can you do? At least he is staying on in a producer role and the franchise is continuing. I’m not sure how to feel about Uprising as the film looks drastically different from the original, but John Boyega playing Idris Elba’s son looks interesting enough, and genre favorite Steven S. DeKnight behind the camera is setting the film up for success. I’m very excited to see an expanding of this mythology and more Jaeger/Kaiju action.

 

Ready Player One

-I’m just starting the book right now, and the trailers for Steven Spielberg’s Ready Player One have been fascinating. I just don’t know how to feel but the film looks bonkers. There is absolutely no reason not to be excited for more Spielberg but this one feels so familiar and yet so different from what we’ve seen recently from the director. As long as there are enough weird Easter Eggs, I guess I will keep plenty busy at this one.

 

God Particle

-Yeah, this one was on my list for 2017, but it got bumped back. God Particle is all but confirmed to be the next Cloververse film after Cloverfield and 10 Cloverfield Lane. Since I loved both of its predecessors and I enjoy dissecting theories about this quasi-anthology, God Particle should be a fun and interesting ride.

 

Avengers: Infinity War

-What do I say that hasn’t already been said? Almost 20 films in and we are getting this massive film. I have no words. I doubted that this franchise could or would work, and I was wrong. Pop in Black Panther and Ant-Man & the Wasp (I didn’t want to have more than one franchise installment on this list but I’m stoked for all three) and this should prove to be another exciting year for the MCU.

 

Solo: A Star Wars Story

-All the drama behind-the-scenes has made me rather nervous for Solo, but I trust the minds at Lucasfilm because I’ve enjoyed all three Star Wars adventures since their acquisition by Disney, so I trust that they acted at the right time installing Ron Howard as the new director to fix this anthology film. What does make me nervous, though, is the lack of the trailer with only four months to go.

 

Deadpool 2

-I elected to pick Deadpool 2 over The New Mutants and Dark Phoenix because of how surprising the original Deadpool was in 2016. With the shuffling around behind the camera, the exit of Tim Miller, and the addition of David Leitch, it is interesting to see how this one plays out. If the teaser or short that were released are any indication, I think we are in good hands here.

 

The Predator

-Trust me when I say that all of my excitement for this film is riding on Shane Black. I always love a new Predator film, but Shane Black is the reason this is on the list. I love Black’s storytelling sensibilities from his writing of the greatest action film of all time (yeah, I’m calling it for Lethal Weapon) but also his work as a director with Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys. Some people aren’t aware that Black even co-starred in the original Predator, so he has a good tie to this series.

 

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts and Where to Find Them was quite a surprise. I love Harry Potter, but the idea to expand the mythology with an adaptation of a textbook was weird. Turns out, J.K. Rowling has a few more stories to tell. The flaw with the first film, though, was Johnny Depp’s cameo as Gellert Grindelwald. I didn’t like his appearance and I don’t have as much faith in him as an actor, so seeing him take on the second-biggest villain in the Harry Potter universe was an odd choice. With The Crimes of Grindelwald, Depp will be taking on a much larger role, so I’m interesting if a little nervous to see what comes of it.

 

Mortal Engines

-Though the trailer didn’t have much to offer (as the film is still about a year out), seeing Peter Jackson’s name onscreen again is always a welcome sight. He’s taking on a producer and screenwriter role this time with Mortal Engines, an adaptation of the novel series by Philip Reeve. Jackson and his team are incredible writers, so a nice foundation to this film is enough to spark my interest. We will have to wait for another trailer to see how it is all shaping up, but Mortal Engines has a lot on its plate.

 

So there it is. What film are you most excited for in 2018? Let me know/drop a comment below.

 

-Kyle A. Goethe

 

 

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First Trailer for The Post Showcases Spielberg’s Incredible Leading Duo

So let’s talk The Post for a second. The Post is Steven Spielberg’s newest film, and it hits cinemas later this year with an Oscar-Contender release date. Well, a few months ago, this movie didn’t exist. Spielberg was in post-production for Ready Player One, and during that post-production, he took on a new project: The Post. The film was cast, shot, and edited during the post-production on Ready Player One and it is now poised to hit cinemas.

The first trailer just dropped.

The trailer doesn’t highlight a lot of plot details but instead focuses on its leading duo Meryl Streep and Tom Hanks. We get small glimpses of the supporting players as well, and the fact that Spielberg and his production were able to throw together such an exemplary cast and crew so quickly is just another sign of his prowess in the film community.

And the trailer looks good. With flavor reminiscent of Spotlight from a couple years back and a visual aesthetic that reminded me of All the President’s Men, The Post feels like a 1970s political thriller, something Spielberg could do very well if everything falls into place like it should.

As it stands right now, The Post feels like a solid Oscar contender and a great newspaper drama, something we as film fans don’t see a lot of anymore.

So what do you think? Are you excited to see The Post? Or are you just screaming for Ready Player One? Let me know/drop a comment below!

 

-Kyle A. Goethe

 

 

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[Comic-Con] Ready Player One Trailer is Nostalgic Insanity!

Okay, so the biggies of Comic-Con definitely didn’t disappoint, but I want to take a minute to discuss Steven Spielberg’s new film Ready Player One, based on the novel from Ernest Cline.

I had zero expectation for the film outside of Spielberg’s name. I’ve never read the novel. I have no knowledge to go on for excitement level.

Then, the trailer happened.

What?

The?

Fuck?

This thing is crazy. I don’t even really know what to think except that I saw a DeLorean, Freddy Krueger, and The Iron Giant, who apparently plays a big part in the film. It’s one big nostalgic love letter to creatives, and I don’t understand it. Yet.

In the capable hands of Spielberg, I feel comfortable and ecstatic. The film, due out in March, follows Wade Watts, a kid searching for a big prize hidden in a MMO video game, and it sounds to be full of action, twists and turns, and hopefully some heart given what we’ve seen from the initial trailer. I’m really stoked.

Check out the trailer below and let me know what you think? Are you excited for Ready Player One? What sort of nostalgia do you think will pop up? Let me know/drop a comment below!

-Kyle A. Goethe

 

 

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