Christoph Waltz to Return as Blofeld in Bond 25

The as-yet-untitled Bond 25 will see a familiar face joining Daniel Craig, Ralph Fiennes, Lea Seydoux, and Naomie Harris. Actor Christopher Waltz, who played the villainous Blofeld in Spectre, will return to play him in the upcoming sequel, according to The Daily Mail.

Blofeld, previously portrayed by Donald Pleasance, Telly Savalas, and Charles Gray in the main franchise, is the ultimate baddy of the Bond franchise, having appeared in a large number of installments, pulling the strings in the background of the evil Spectre.

The film is being directed by Cary Joji Fukunaga of True Detective fame and will feature many more returning faces, but I was shocked and pleased to learn that Waltz was one of them.

Spectre was not beloved by Bond fans in the same way Casino Royale and Skyfall were. I think the updates made to Blofeld in this new iteration of Bond didn’t really go over well, even though I’ve always found Waltz to be one of the most incredible performers working today, and I rather like his take on the villain. I like the idea of an antithesis to James Bond, and Blofeld is just that. Spectre did a lot of work tying the Daniel Craig saga together, and I think it would be odd to completely ignore it for the final installment of Craig’s run as the spy.

So what do you think? Should they ignore Blofeld or include him in Bond 25? Let me know/Drop a comment below!

 

-Kyle A. Goethe

More Trouble for Bond 25 as Explosion Damages Set and Injures Crew Member

Bond 25 has been having a hell of a time. Last month, star Daniel Craig had to step away from filming to have surgery on his ankle due to an injury that took place while shooting the film in Jamaica. Production was able to continue without him after some creative reshuffling, but on Tuesday, the official James Bond Twitter account reported a “controlled explosion” on the set that injured a crew member and damaged part of the shooting set. The crew member’s injury was said to be “minor” in nature, but no other injuries were reported.

Bond 25 is still untitled, but will likely be Craig’s final outing as the secret agent, where he will be facing a new villain played by recent Oscar-winner Rami Malek under the direction of True Detective veteran Cary Joji Fukunaga. The upcoming installment will also feature regulars Ralph Fiennes, Ben Whishaw, Naomie Harris, Rory Kinnear, and Jeffrey Wright.

I’m glad to hear there were no serious injuries in filming and hopefully the crew member who was injured has a speedy recovery.

Bond 25 hits theaters April 8, 2020.

 

-Kyle A. Goethe

[Box Office Report] Aladdin Grants a Memorial Day Wish for Earnings

Memorial Day weekend just ended here in the United States, and the four-day box office earnings have come out, and it looks like Disney’s newest live-action redo Aladdin has unsurprisingly taken the top spot with $112.7 million, but what is surprising is how much it made this weekend, even with trailer criticism and rumors of problems on set surfaced for months leading up to its release. The film initially garnered good reviews from critics which have somewhat middled-out since its premiere. The $112.7 was not enough to unseat Disney’s own Memorial Day weekend record of $139 million with Pirates of the Caribbean: At World’s End. It looks like people are willing to give Disney a chance on Aladdin. I personally thought the trailers looked fun, and I wasn’t going to give into trolls and critics on Will Smith’s take on the Genie because it is unfair to compare him to the late great Robin Williams and his classic vocal performance.

John Wick: Chapter 3 – Parabellum held onto #2 this weekend with $31 million. The dropoff wasn’t terrible for the Keanu Reeves action film which is celebrating its best box office run in the series still. John Wick 4 has already been officially greenlit and will open in theaters in 2021, so don’t be too concerned for the John Wick franchise. This newest installment boasts some of the most intense and gripping action ever put to film, even if the story isn’t as strong as the original’s.

Avengers: Endgame took third place this weekend with $22.3 million. The long-awaited end to the Infinity Saga edges ever closer to Avatar’s worldwide record gross, but I doubt it will have the legs to make it past the James Cameron-directed sci-fi epic. The only factor still at play for the MCU’s latest is a possible bump when Spider-Man: Far From Home drops, but will it be enough?

In fourth this weekend is Pokemon: Detective Pikachu with $17 million. I was still hoping that the first live-action Pokemon film would have performed better, but give the hesitancy to see video game movies and the juggernaut of Endgame, I think the studio should still be proud of Detective Pikachu’s run. You also have to remember that Detective Pikachu was a popular game in Japan, but I’m pretty sure it didn’t even hit stateside until 2018.

The horror-film take on the superhero myth, Brightburn, opened in fifth place this weekend with $9.5 million, below forecast. Both this film and Booksmart took in less-than-stellar hauls, but I think timing on release was a problematic factor. There’s just too much out there right now and people made decisions with their dollars.

This weekend, I didn’t get a chance to nab any of the new releases mentioned here. I was only able to catch the somewhat wider release for the Ralph Fiennes-directed The White Crow. What did you see this weekend? Did you pick with your dollars? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[St. Patrick’s Day] In Bruges (2008)

Director: Martin McDonagh

Cast: Colin Farrell, Brendan Gleeson, Ralph Fiennes, Ciaran Hinds, Clemence Poesy, Jeremie Renier

Screenplay: Martin McDonagh

107 mins. Rated R for strong bloody violence, pervasive language and some drug use.

  • Academy Award Nominee: Best Writing, Original Screenplay

 

In celebration of St. Patrick’s Day, I wanted to take a look back at a favorite film of mine from an excellent Irish writer/director, Martin McDonagh (Seven Psychopaths). The film is In Bruges.

Ray (Colin Farrell, Phone Booth, Fantastic Beasts and Where to Find Them) and his partner Ken (Brendan Gleeson, Edge of Tomorrow, Assassin’s Creed) are two hitmen hiding out in the small town of Bruges in Belgium after Ray accidentally shot and killed a child on the job. What’s wrong with Bruges? Seemingly nothing, but, as Ray points out, it’s fucking Bruges. The small peaceful town has a strange way about it, and Ray soon discovers that there is a larger reason they’ve been sent to Bruges by their boss Harry (Ralph Fiennes (The Grand Budapest Hotel, The LEGO Batman Movie) in this charming bloodbath.

In Bruges is, simply put, spectacular. From the performances of its main cast (in particular, Colin Farrell puts out the best work of his career) to the man behind the camera, everything is spot on. Farrell and Gleeson share some truly wonderful dialogue-driven scenes and when Fiennes shows up, the film only gets better and better.

McDonagh has an eye for dialogue and a visual sense of beauty in darkness, and he shows it here in his first feature (I also recommend checking out the shit-crazy Seven Psychopaths from the director if you get a chance). His focus on characters and real comedy derived from interesting experiences and moments make the film a completely unique thrill-ride.

In Bruges is just damn incredible. My love for it extends back to a screenwriting study I did on the film some years back, and I find that I continue to admire its pitch-perfect writing and tone upon each viewing. The film’s one problem, if there has to be one, is that it slogs a tiny bit in the second act, but trust me when I say that it doesn’t really hurt the film at all. I highly recommend watching In Bruges today or, hell, any day.

 

4.5/5

-Kyle A. Goethe

 

*** Just a side note, In Bruges registers 1.18 “fucks” per minutes. SO yeah, the film is rated R for language.

[Early Review] Kubo and the Two Strings (2016)

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Director: Travis Knight

Cast: Charlize Theron, Art Parkinson, Ralph Fiennes, Rooney Mara, George Takei, Matthew McConaughey

Screenplay: Marc Haimes, Chris Butler

Runtime: NA. Rated PG for thematic elements, scary images, action and peril.

 

Well, I just got out of an advance screening for the upcoming Laika film Kubo and the Two Strings. Now Kubo has been hotly anticipated as a unique and original film for the stop-motion crew at Laika and the trailers have only furthered the excitement. So how does it stack up and should you see it on August 19th?

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Kubo (Art Parkinson, TV’s Game of Thrones, Dracula Untold) is a young boy who lives on an island with his mother. Their lives are secluded and peaceful, until the vengeful Moon King (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2, Hail Caesar!), who stole Kubo’s eye as a baby, finds him once again. Kubo’s mother sends him away to find three pieces of mystical armor to defeat the Moon King and his daughters, The Sisters (both played by Rooney Mara, The Social Network, Pan). Along Kubo’s journey, he comes across companions like Monkey (Charlize Theron, Mad Max: Fury Road, The Huntsman: Winter’s War) and Beetle (Matthew McConaughey, Interstellar, Free State of Jones) who aid him in the perilous and difficult path that lies before him. But can he defeat the Moon King, the evil force who killed his father?

Kubo and the Two Strings is the fourth film from Laika, and it may just be the best work yet. This is a gorgeously animated and stunningly told story steeped in classic Japanese folklore. Each of the environments actually breathe on their own, and function as a beautifully laid out tapestry of incredible visuals.

Kubo’s story directly takes from the Hero’s Journey, and he is given an interesting and action-packed set of tests to stop him from gaining the armor in time. Thankfully, it is the chemistry between Kubo, Monkey, and Beetle that make this movie a must-see. There is heart and soul, enough to compete with the lovely imagery.

The voice work is solid from Parkinson, and he is aided nicely by Theron and McConaughey. In fact, there isn’t a whole lot to turn one away from the film.

Now, Kubo can be seen as an animated film more so than a family or kid’s movie. There are some frightening images and sequences, but I’m not trying to tell you that younger children should avoid it.

My faults with the film? Really only one. There are a few story beats near the end of the film that I didn’t see the point in. But that didn’t take the enjoyment out of the experience.

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You need to see Kubo and the Two Strings. It is breathtaking in its sights, but also wonderful in its sounds. Make sure to stay through the entire end credits. These animators put in hard work, and you get a chance to see how much. There’s also an amazing rendition of “While My Guitar Gently Weeps” by Regina Spektor. When Kubo hits your theater, take the whole family on an adventure that is original and spectacular, aided by a striking attack on the senses. Seriously, you should be standing in line for it right now.

 

4.5/5

-Kyle A. Goethe

[#2016oscardeathrace] Spectre (2015)

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Director: Sam Mendes

Cast: Daniel Craig, Christoph Waltz, Lea Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes

Screenplay: John Logan, Neal Purvis, Robert Wade, Jez Butterworth

148 mins. Rated PG-13 for intense sequences of action and violence, some disturbing images, sensuality and language.

  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures, Original Song (“Writing’s on the Wall”)

 

Well, let me assure you by saying that Spectre is the third best Bond film…featuring Daniel Craig (The Girl With the Dragon Tattoo, The Adventures of Tintin). Okay, I’m playing now.

Spectre opens with one of the single most impressive shots and sequences of the entire Bond franchise, due in large part to the masterful directing of Sam Mendes (Road to Perdition, Away We Go). Sadly, it is the film’s best moment, and while the rest of Bond 24 is exciting, it is missing something.

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James Bond has lost someone very close to him. In her place, he now has M (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2, The Invisible Woman), who has bigger fish to fry when MI6 comes under political scrutiny. While M and Moneypenny (Naomie Harris, 28 Days Later…, Southpaw) try to protect the organization, Bond is off to discover the mysterious plans of the criminal syndicate known as SPECTRE, and his connection to its apparent leader, Franz Oberhauser (Christoph Waltz, Django Unchained, Big Eyes). There are a lot of spoilers to stay away from, so I’ll just leave it at that.

Sam Mendes described Bond’s dedication to uncovering SPECTRE as a more focused passion, and if that is the intention, I did not see it. Daniel Craig feels bored in this entry.

Christoph Waltz brings a healthy dose of fear to the villainous Oberhauser, and his henchman Mr. Hinx (Dave Bautista, Guardians of the Galaxy, Riddick) feels nicely reminiscent of Oddjob from the glory days of Goldfinger, a much better version of homage than the way Die Another Day beats you over the head with it.

Fiennes, Harris, and Ben Whishaw (Perfume: The Story of a Murderer, In the Heart of the Sea) as Q do their collective day’s work nicely, but the film rests far too much on a personal story for James, and Craig’s best work is when he is being tortured.

Director Mendes gives us a gorgeous Bond film, even after losing the incredible Roger Deakins to other projects. In his place, we get Hoyte van Hoytema, who does some better than expected work but fails to properly convey his visual medium to the story correctly. It isn’t easy, and he certainly tries.

In Bond girls, we get some of the most well-crafted Bond girling from Lea Seydoux (Blue is the Warmest Color, The Grand Budapest Hotel) and some of the most underutilized work from Monica Bellucci (The Matrix Revolutions, The Sorcerer’s Apprentice).

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Maybe that’s the problem with Spectre. It’s just so uneven. There are some truly incredible sequences, and there are some snoozy moments. It just didn’t keep me the way previous entries have. Not a bad Bond film, but a step down for the franchise, its director, and Craig (who gave us better work this year in Star Wars: The Force Awakens; oh, you didn’t know that?).

 

2.5/5

-Kyle A. Goethe

 

So what did you think of Spectre? What’s your favorite James Bond movie? Let me know!

The Grand Budapest Hotel (2014)

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Director: Wes Anderson

Cast: Ralph Fiennes, F. Murray Abraham, Edward Norton, Mathieu Amalric, Saoirse Ronan, Adrien Brody, Willem Dafoe, Lea Seydoux, Jeff Goldblum, Jason Schwartzman, Jude Law, Tilda Swinton, Harvey Keitel, Tom Wilkinson, Bill Murray, Owen Wilson, Tony Revolori

Screenplay: Wes Anderson

100 mins. Rated R for language , some sexual content and violence.

 

Wes Anderson (Moonrise Kingdom, Fantastic Mr. Fox) has a style. It is easy to tell when a movie is a Wes Anderson movie. He has tells. He has a visual sense that he knows he wants. The Grand Budapest Hotel has this notable visual sense that Anderson is known for. It is told in a frame device of a frame device. In the present, a girl opens a memoir by “The Author” (Tom Wilkinson, Batman Begins, Belle) who recounts a tale of his meeting with Zero Moustapha (F. Murray Abraham, TV’s Homeland, Amadeus) who further recounts a tale of his time working as a lobby boy for M. Gustave (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2, The Invisible Woman) who is framed for murder. The entirety of the film revolves around this whodunit as Gustave claims he had nothing to do with the death of Madame D (Tilda Swinton, Adaptation, The Zero Theorem). Her family is fighting over her fortune, and one of them may be the one responsible for her death.

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This movie is all over the place. I enjoyed the central premise but I didn’t feel as though the plot stayed in one place long enough to be interesting. I prefer the more calculated Moonrise Kingdom to this piece, which just goes too far out.

Of the actors involved here, I really liked a lot of what was brought to the screen from an acting perspective. I particularly loved Ralph Fiennes as Gustave, who may be more worried about the state of his hotel than about the murder to which he is framed. F. Murray Abraham is a great narrator here. I also really like Willem Dafoe (Spider-Man, John Wick) as the hitman Jopling who has been hired to take out the leads that could link authorities to the true culprit. Jeff Goldblum (Jurassic Park, Morning Glory) steals absolutely every scene he has here, and I wish he had more screentime. The film also contains a cadre of Anderson cameos from previous collaborators.

Anderson does display a gorgeous cinematography here, the only fault being with the editing job which spends too much time dragging out too many subplots.

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I liked The Grand Budapest Hotel. I didn’t love The Grand Budapest Hotel. It was merely enjoyable but Wes Anderson has done better and can do better. I can see several actors getting nods from the Academy for this film, but you will not see this film on the list of Best Picture nominees.

 

3/5

-Kyle A. Goethe

 

What did you think of Wes Anderson’s The Grand Budapest Hotel? Did you stay for the night or check out early? Let me know!

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