[#2017oscardeathrace] Arrival (2016)

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Director: Denis Villeneuve

Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma

Screenplay: Eric Heisserer

116 mins. Rated PG-13 for brief strong language.

  • Academy Award Nominee: Best Motion Picture of the Year [Pending]
  • Academy Award Nominee: Best Achievement in Directing [Pending]
  • Academy Award Nominee: Best Adapted Screenplay [Pending]
  • Academy Award Nominee: Best Achievement in Cinematography [Pending]
  • Academy Award Nominee: Best Achievement in Film Editing [Pending]
  • Academy Award Nominee: Best Achievement in Production Design [Pending]
  • Academy Award Nominee: Best Achievement in Sound Mixing [Pending]
  • Academy Award Nominee: Best Achievement in Sound Editing [Pending]

IMDb Top 250: #143 (as of 1/24/2017)

 

Denis Villeneuve (Prisoners, Sicario) is essentially on one hell of a streak as a director. He has, time and time again, come to the table with an excellent film, the latest being last year’s Arrival.

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Louise Banks (Amy Adams, Man of Steel, Nocturnal Animals) remembers exactly where she was when they arrived. Large ships at several strategic points around the globe have come to a stop, floating a few stories off the ground. Louise is asked by Colonel Weber (Forest Whitaker, Platoon, Rogue One: A Star Wars Story) to come aboard a team tasked with establishing first contact with the extraterrestrials. She is brought to Montana and meets Ian Donnelly (Jeremy Renner, The Hurt Locker, Captain America: Civil War), a theoretical physicist. As tensions arise from other groups stationed around the world, Louise and Ian must work quickly to ascertain why the beings have come to Earth while also avoiding putting the planet’s safety in further jeopardy.

It’s hard to talk too much about Arrival without coming across spoilers, but I’ll try my best. Simply put, Arrival is the best science fiction film of the year and one of the best of all time, but it’s also much more than that. Arrival is the story a mother. It’s the story of a relationship between a mother and her daughter. Yes, there are aliens, and yes, there’s a lot to breathe in, but thanks to Villeneuve’s masterful work behind the camera and Adams’ affecting and powerful work in front of it, Arrival stands as one of the more captivating experiences you are likely to see.

The visuals of the film are incredible, due in no small part to Director of Photography Bradford Young, a name many in the film community have come to love after this and other previous work. His upcoming work on the Han Solo Star Wars film have put many a fanboy at ease on the shaky project. Coupled with the excellent sound design for the film, Arrival’s merits come to much more than just acting but rather a true cinematic experience.

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I don’t want to spoil it for you, but Arrival is absolutely incredible from start to finish. If you missed this film in theaters, it is coming out on home video soon so do not hesitate this time. Arrival stands as a simple tale of love and family while also being a complex and weaving story that doesn’t dumb itself down for its audiences, trusting them to come to the incredible revelations it offers. The one flaw I had was that I came to the conclusion perhaps before I was supposed to, but it didn’t hamper my experience too much to come out breathless. See this film before it is ruined for you.

 

4.5/5

-Kyle A. Goethe

Kyle’s Top Ten Most Anticipated Films of 2017

 

Okay, folks, I’m a little late on this one, as I’ve already seen a few of 2017’s early films. But don’t worry, I made this list almost a month ago and am just now getting the chance to write it up for you. So, let’s start off with a point.

  • This list is most anticipated, not what I think will be the best by any stretch. These are the films I’m most looking forward to at the beginning of the year, so there will be a lot of bigger blockbustery films because that’s Sundance is just now happening and the other big Oscary films haven’t premiered yet. So with that being said…

 

NOTE: THIS IS NOT A COUNTDOWN BUT A LIST.

 

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Star Wars Episode VIII

  • Whatever the title may be, I’m so excited to pick up with the further adventures of Rey, Finn, Poe, BB-8, Luke, and Leia in Star Wars Episode VIII. It’s also a bittersweet film for me personally as it is the last time fans will see Carrie Fisher as their general. It means so much for fans to have that connection, one that many have felt since 1977. But there are many things to be excited for in Episode VIII. More revelations about Snoke, seeing Luke back in action, and new characters played by Benicio del Toro and Laura Dern. What’s not to love? Have I even mentioned director Rian Johnson? So excited!

 

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Alien: Covenant

  • I may find myself in the minority here, but I really enjoyed Prometheus. I had issues with some of the plot points, but the film made me yearn for more from this universe, and this year, we get it in full force with Alien: Covenant. I reported years ago about the then-titled Prometheus 2 having no Xenomorphs. I’m glad that director Ridley Scott changed his mind on that are we are getting Alien proper. Add in Katherine Waterston, Danny McBride, Billy Crudup, James Franco, and a return from Michael Fassbender as android David and you have a recipe for one hell of a film. At least…I hope.

 

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War for the Planet of the Apes

  • I really enjoyed Rise of the Planet of the Apes, but I absolutely loved Dawn of the Planet of the Apes. Talk about a film that services fans both big and small. Dawn of the Planet of the Apes was one of the best films of 2014 and remains a powerful work of art. Director Matt Reeves returns to helm War for the Planet of the Apes, and after Dawn, Cloverfield, and his remake Let Me In, I’m overjoyed to see what he does with this franchise next. Add in the extremely underrated Woody Harrelson to match the mo-cap performance of Andy Serkis as Caesar. This is an opening night kind of movie.

 

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Kong: Skull Island

  • The fact that Skull Island is actually happening is pretty impressive. The fact that the trailers look amazing is even more so. Director Jordan Vogt-Roberts adds some lovely flair to this story of 1970s-set Kong tale with John Goodman, Samuel L. Jackson, Brie Larson, and Tom Hiddleston. I only hope that the focus is on Kong and not set-up for the eventual match between the King of Skull Island and the King of Monsters, Godzilla in a few years. I’m thankful this one is coming out around my birthday so I have an excuse to drag everyone I know to this movie with me.

 

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It

  • As sad as I am to be missing Will Poulter as the titular creature and Cary Fukunaga behind the camera, I’m still very excited to see this new R-rated take on Stephen King’s classic story. It is a fascinating look at fear itself as a beast targeting children. Splitting it into two films scares me only for the concern that we may not get the conclusion we want if the first isn’t successful. Thanks to Stranger Things from last year, I do not believe that to be the case, but hopefully a trailer drops soon to help convince film-goers to spend their money.

 

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The Dark Tower

  • While we are on the subject of Stephen King, the long-gestating adaptation of his behemoth series The Dark Tower is almost upon us. Starring Idris Elba as the gunslinger Roland and Matthew McConaughey as the Man in Black, there has been a lot of confusing information being thrown around about what the film is actually going to concern itself with. With producer Ron Howard helping shepherd the film, I trust that it will be a hell of an experience, but I hope it will also bring in casual moviegoers with its marketing campaign. I’ll be there opening night, and I hope you join me.

 

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The Mummy

  • Cinematic universes are such a big thing right now that many fail to realize the first universe created was the Universal Monsters universe with films like Frankenstein Meets the Wolf Man and House of Dracula. Universal hopes to ignite a new fire in their monsters with The Mummy, the first in a series of monster movies aimed at bringing these creatures out from the darkness. After the first attempted failure of Dracula Untold, write Alex Kurtzman took directing duties with powerhouse producer and star Tom Cruise set to introduce the female mummy played by Sofia Boutella to the world. Aided by Russell Crowe’s Dr. Henry Jekyll, Cruise’s Nick Morton must save the world from an ancient and malevolent princess recently awakened. Count me in.

 

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Thor: Ragnarok

  • I’m only picking one Marvel film this year and that’s because I really love Thor. I love Chris Hemsworth. I love the Hulk. I love Mark Ruffalo. I love director Taika Waititi. I just love everything I’ve heard coming out of this film. I cannot wait until November to see how this all plays out. Yes, I get it. Guardians of the Galaxy vol. 2 will be pretty great. Spider-Man: Homecoming has a lot riding on it. But Thor…Thor is my favorite film of the Marvel Cinematic Universe and I’m just dying to see him suited up, especially after that [SPOILER ALERT] post-credits scene in Doctor Strange.

 

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Blade Runner 2049

  • I’m pretty late to the Blade Runner game, having only recently falling in love with the original film from Ridley Scott (Final Cut for the win!), but with Denis Villeneuve (Sicario, Prisoners, Arrival, need I say more?) behind the camera and original scribe Hampton Fancher’s screenplay, Blade Runner 2049 looks to be serving up some excitement heading towards its October release. It’ll be exciting to see original star Harrison Ford back in the fold with Ryan Gosling joining him. Another situation here of what’s not to love about this movie? Much in the way of The Force Awakens, there’s just so much to be excited about after being absent from these characters for over 30 years.

 

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God Particle

  • Lastly, we get to the strangest entry in this list. God Particle is apparently the third installment of the Cloverfield series, and after only last year discovering that there is a Cloverfield series, its safe to say that something interesting is happening here. Now, the film was pushed back to October for reasons, and the IMDb page has updated with the title Untitled Cloverfield Anthology Movie (2017), I can only wonder when news will come of this tale featuring Gugu Mbatha-Raw, Daniel Bruhl, Chris O’Dowd, John Ortiz, and David Oyelowo. One thing I can say: J.J. Abrams is insane.

 

SO there you have it. What film are you most excited for in 2017? Let me know/Drop a comment below.

 

-Kyle A. Goethe

Kyle’s Top Ten Films of 2016

 

Hey folks, sorry this is coming in a bit late but I’ve not been feeling well and it’s given me the opportunity to catch some of the films I’d missed in 2016 and I wanted to see as much as I could before delivering this list to you.

Just a couple notes before we get into all this:

  • These are my personal top ten films of the year from the many I have seen. Not all of them are Oscar-y in nature because I still haven’t gotten the chance to see a lot of the late releases of the year. On that note…
  • I haven’t seen all the movies released in 2016. If you read this list and find that something is missing, let me know, drop a comment, and I’ll get to it.
  • This is a tentative listing of the films. I tend to do a final ranking after the Academy Awards every year, but enjoy what I have so far.
  • Lastly, this isn’t a ranking of my best reviewed films of the year. These are the films that, to me, were exactly what they were supposed to be. SO here we go…

I present to you, my Top Ten Films of 2016.

 

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  1. 10 Cloverfield Lane

-When the trailer for 10 Cloverfield Lane dropped just weeks before it’s theatrical release, it blew me away. How was this film connected to Matt Reeves’ Cloverfield? What’s John Goodman doing in this? Why isn’t it found-footage? After seeing the film, I still don’t really have answers, but one thing I do know is that 10 Cloverfield Lane was one of the most tense and shocking thrillers in recent memory. Carried by strong performances from its leads and the standout chilling work from Goodman, 10 Cloverfield Lane does a lot with a little, adding to this unique franchise and making me look forward to God Particle, the next film in the Clover-verse coming later this year.

 

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  1. Captain America: Civil War

-This is the kind of film that shouldn’t work. A big budget superhero blockbuster based around themes that are so important today. With the cast of somewhere 124 leads comes a showdown between Steve Rogers and Tony Stark over the damage that superheroes do just to save lives. It is full of rich fully-realized character development and action scenes so insanely busy but perfectly captured that it seems an impossible feat and yet, the Russo brothers made one of the best superhero movies of all time with the odds so dangerously stacked against them.

 

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  1. Rogue One: A Star Wars Story

-When Disney purchased the Lucasfilm brand and immediately started work on a new Star Wars film, I was hesitant, but here we are with the second film released since the acquisition, and it is even more impressive than The Force Awakens. How director Gareth Edwards wrote a love letter to the Star Wars saga and turned it into one of the best films in the entire series is beyond me. Rogue One seamlessly blends with A New Hope and creates such an amazing story out of one paragraph of the opening crawl from the original movie. Great work from Ben Mendelsohn, Felicity Jones, and Alan Tudyk carry this incredible story that is really for the fans who have been there since the very beginning, Rogue One is much more than just a Thank You.

 

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  1. Hunt for the Wilderpeople

-I actually came across this film because it was a 99 cent rental on Amazon, and I’m so thankful I did. Hunt for the Wilderpeople didn’t really get me with its trailers, I probably would’ve passed it by, but since I have now seen it, all I can say is, why haven’t you? This was a gorgeously shot and humorously-injected coming-of-age story with the two most unlikely heroes this year. The story of Ricky Baker, a foul-mouthed troublemaker, and his “Uncle” Hector as they get lost and get wild in the Bush of New Zealand is fun and heartwarming. The two are hunted by authorities after Hector is seen as possibly unfit to raise Ricky. The movie is equal parts fun and touching. See it.

 

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  1. Green Room

-I was blessed to be able to see Green Room before its initial release and I was blown away by the visceral survival thriller featuring the late Anton Yelchin. My skin crawled and I leapt out of my chair more than once in the painfully captivating tale of a rock band attempting to escape a Neo-Nazi bar after witnessing a murder. Green Room isn’t a film for anyone (and I don’t say that often, but this is often very difficult to watch) but it’s also one of the most fun experiences I had in a theater all year.

 

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  1. The Conjuring 2

-Another shockingly great movie from 2016 was the hotly-anticipated sequel to the classified horror classic from 2013, The Conjuring. Director James Wan returned to helm the sequel which hopped across the pond to Enfield to see Ed and Lorraine Warren face their most difficult case to date. This movie is a rare horror film with as much heart as horrors, and I was absolutely floored by both the creepy and inventive techniques behind the camera and also the emotionally-charged beats in front of it. For me, this is the rare horror sequel that actually surpasses the original.

 

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  1. Kubo and the Two Strings

-Why? Why haven’t you seen this film? Kubo and the Two Strings, the newest film from Laika, virtually disappeared from theaters after kind of dudding upon release. It’s tragic, as the film is their best stop-motion film to date. An animated film that is just as much for adults as for children, Kubo and the Two Strings takes on strikingly adult subject matter in this beautifully crafted journey of a boy’s journey to defeat the terrifying Moon King using his magical shamisen. Influences from classic Kurosawa and spaghetti westerns infused with intelligent characters are what makes Kubo and the Two Strings an instant classic.

 

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  1. Don’t Breathe

-Wow, I did not see this coming. Don’t Breathe, from director Fede Alvarez, is another exemplary horror film from a terrific year for the genre.  In it, three thieves break into a blind war vet’s home to claim his fortune for themselves when they discover their victim has skills and secrets that none of them expected, and they may not survive the heist. Don’t Breathe played a surrealist approach to the escape room subgenre in a different way that Green Room did earlier in the year. Instead, it made us fear for our antiheroes and dread the terrifying Blind Man, played excellently by Stephen Lang. Don’t Breathe is visually stunning as well relentlessly disturbing, and it’s a must-see for fans of the genre.

 

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  1. Arrival

Arrival is just proof that Denis Villeneuve can do whatever he damn well pleases. You want a sequel to Blade Runner? Sure, whatever you want! After Prisoners and Sicario and Enemy, to hit it out of the park yet again with Arrival is almost unprecedented. Villeneuve is quickly becoming a household name, even if most Americans butcher the pronunciation. Arrival, starring Amy Adams and Jeremy Renner, accomplishes the rare task of being a genre film that isn’t really about aliens. Sure, that’s been said a lot, and if you’ve seen the film, you know what I mean. But in all fairness, it’s just really nice to see a complex and interesting story that isn’t dumbed down to suit audiences.

 

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  1. The Nice Guys

-Another sad bomb from this past year, I saw The Nice Guys while waiting to board my plane leaving Hawaii. I had just gotten engaged, so you might play off my enjoyment with the film to that, but I revisited the film a few times since then, and I love it more and more each time. A sendup to 70s cinema and hard-boiled detective stories as well the classic buddy-cop subgenre that director Shane Black continues to wring perfection from (I’m talking to you Lethal Weapon), The Nice Guys is just a perfect damn movie that excites and entertains and makes the unlovable people the most fun to spend time with.

 

Honorable Mentions: Swiss Army Man, Fantastic Beasts and Where to Find Them, and Deadpool.

 

Well, there you have it. These are my favorite films of the year. I’m excited for #2017oscardeathrace to begin, and I may see a few favorites get knocked off, but overall, 2016 was a great year for movies, just not a great year for most anything else. Well see you in 2017 (which is kind of now).

 

-Kyle A. Goethe

First Trailer for Arrival…well, Arrives

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I don’t know about you, but I have grown quite fond of Denis Villenueve. I was captured by Prisoners and found Sicario slowly winning me over, not to mention the upcoming Blade Runner sequel that has, apparently, cast every known actor. Well, now, seemingly out of nowhere, comes Arrival, Villenueve’s latest cinematic goodie. I had heard about Arrival only in brief snippets of info, but nothing had really taken my interest…yet.

Well, consider me interested.

The trailer, which you can find below, outlines the film quite nicely, showcasing what seems to be some very interesting performances from Amy Adams, Jeremy Renner, and Forest Whitaker. Again, I cannot fail to talk about the striking imagery and gorgeous cinematography that Villenueve’s films are often noted for.

The best part of this trailer is the fact that, from my best guesses, the trailer hasn’t given away too much. It grazes the notion of too much, but I don’t feel like it crosses that barrier. With it, my interested has peaked. I’m excruciatingly excited to see this film.

So what did you think of the trailer? Are you excited for Arrival? And what’s your favorite first contact alien film?

Arrival makes its way to theaters November 11.

 

-Kyle A. Goethe

Secret in Their Eyes (2015)

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Director: Billy Ray

Cast: Chiwetel Ejiofor, Nicole Kidman, Julia Roberts, Dean Norris, Michael Kelly, Joe Cole, Alfred Molina

Screenplay: Billy Ray

111 mins. Rated PG-13 for thematic material including disturbing violent content, language and some sexual references.

 

Secret in Their Eyes is an American remake of a 2009 Oscar-winning foreign language film. The original 2009 film is a celebrated masterpiece (honestly, this writer has not seen the original film, but hey, I just watched the remake), and the remake stars three big players in the acting world. What could go wrong?

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Ray Kasten (Chiwetel Ejiofor, 12 Years a Slave, Triple 9) and fellow investigator Jessica Cobb (Julia Roberts, Notting Hill, The Normal Heart) respond to a report of a body found near a mosque they are monitoring back in 2002, three months after 9/11. When the body found is Cobb’s daughter, their lives are forever strained and torn as Ray finds his allegiance to a counter-terrorism task force pulling him away from uncovering the truth about the murder. He is further tormented by the love he has for superior Claire Sloane (Nicole Kidman, Moulin Rouge!, Before I Go to Sleep). Years later, Ray’s lust for answers brings him back to the case and a shocking realization he isn’t quite ready for.

Secret in Their Eyes starts out interestingly enough. I really wanted to uncover the truth after a fantastic scene where Julia Roberts becomes hysterical at the sight of her daughter’s body. After that powerful sequences, the film comes to a crashing halt as the film seemingly goes nowhere for the next ninety minutes. Damn, it got boring real fast.

Ejiofor and Kidman are barely awake in their roles, and Roberts bounds between incredible performance and out-of-tune dialogue that she cannot latch onto. It would seem that Secret in Their Eyes has everything going for it, and yet nothing here works. Writer-director Billy Ray (Shattered Glass, Breach) has a poor screenplay and cannot seem to handle his actors, even while maintaining moments of sheer beauty in the cinematography and the occasional gripping sequence.

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Overall, Secret in Their Eyes struggles to find a purpose, even after having tailored itself to a tragic period in recent American history. The film scours for reason and just cannot find it. Everything that it tries to accomplish is outdone by a similar film Prisoners, which came out back in 2013. The performances are bland and the story goes nowhere. A true disappointment.

 

1.5/5

-Kyle A. Goethe

[Oscar Madness] Iron Man (2008)

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Director: Jon Favreau

Cast: Robert Downey Jr., Terrence Howard, Jeff Bridges, Shaun Toub, Gwyneth Paltrow

Screenplay: Mark Fergus, Hawk Ostby, Art Marcum, Matt Holiday

126 mins. Rated PG-13 for some intense sequences of sci-fi action and adventure, and brief suggestive content.

  • Academy Award Nominee: Best Achievement in Sound Editing
  • Academy Award Nominee: Best Achievement in Visual Effects

So, let’s talk Iron Man, Marvel Studios’ first, and arguably biggest, gamble.

IRON MAN

Tony Stark (Robert Downey Jr., Sherlock Holmes, The Judge) is a billionaire genius, a more asshole-ish version of Bruce Wayne. He is the ultimate playboy, in charge of his father’s company, Stark Industries, maker of weapons of all sorts. But when a routine weapon demonstration in Afghanistan leads to Tony’s being taken captive, Tony must use all his cunning and a little bit of luck to escape. He builds a suit of metal to make this escape, and in the process, Tony Stark becomes Iron Man.

Was there ever a doubt in my mind that Robert Downey Jr was the right man to play Tony Stark. He is the perfect embodiment of this character and just understands it to the extreme. His relationship with Pepper Potts (Gwyneth Paltrow, Se7en,  Mortdecai) is one of general endearment, complete sweetness. Jeff Bridges (The Big Lebowski, Seventh Son) gives a slightly over-the-top yet wholly understandable performance as Obadiah Stane, mentor and friend to Tony, a man who is out to protect Stark Industries from all threats.

Then there’s Terrence Howard (TV’s Empire, Prisoners). I don’t think Terrence Howard understands this movie, or in fact, this role. I just don’t think he gets that this is a good time at the movies. He’s far too serious at all the wrong time.

Jon Favreau (Chef, Cowboys & Aliens) directs this film with some perfect flair. Were I the heads at Marvel Studious (I’m looking at you Kevin Feige), I wouldn’t have trusted someone like Favreau to make or break my company with this picture, but that’s why I’m not making the big bucks. Jon Favreau gives this film a big style, everything here is crazily over-the-top, and the funny thing is how much it works.

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Now, the film does run on a bit, and Tony Stark is rather annoying for a bulk of the film, but this is still one of the funnest (that’s right, I said it) times at the movies. It isn’t my favorite of the Iron Man films, but the first in Marvel’s Cinematic Universe is a great place to start.

4/5

-Kyle A. Goethe

For my review of Louis Letterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here

For my review of Jon Favreau’s Chef, click here.

X-Men: The Last Stand (2006)

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Director: Brett Ratner

Cast: Hugh Jackman, Halle Berry, Ian McKellan, Famke Janssen, Anna Paquin, Kelsey Grammer, James Marsden, Rebecca Romijn, Shawn Ashmore, Aaron Stanford, Vinnie Jones, Patrick Stewart

Screenplay: Simon Kinberg, Zak Penn

104 mins. Rated PG-13 for intense sequences of action violence, some sexual content and language.

 

After X2: X-Men United, the superhero series was invigorated and raring to go again. Bryan Singer left to direct Superman Returns, so Brett Ratner took over the chair and creative control of the franchise. This has often been seen as a bad idea. Brett Ratner, not to be blunt, is terrible.

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It’s the story of the mutants dealing with the death of Jean Grey (Famke Janssen, GoldenEye, Taken 3) in the previous film. Logan (Hugh Jackman, The Prestige, Prisoners) appears on the surface to have gotten over her death and has taken on a more important role within the school alongside Ororo Munroe (Halle Berry, TV’s Extant, Cloud Atlas). Meanwhile, Eric Lensherr (Ian McKellan, The Lord of the Rings: The Fellowship of the Ring, The Golden Compass) has been recruiting new mutants to join The Brotherhood in the fight against the government, which has created a new treatment or “cure” for mutants. Rogue (Anna Paquin, TV’s True Blood, The Piano) is interested in the cure, but her boyfriend Bobby (Shawn Ashmore, TV’s The Following, Frozen).

There a lot of moving plot points in this movie, but the script is far too weak to fully explore them all. There are multiple times when dialogue is unreal, too much exposition is given (or sometimes, not enough), and characters are doing things that betray their character traits.

The actors are trying to perform to a weak script, and most of them do as well as they can, but Brett Ratner focuses too much on trying to be a spectacle, often sacrificing character moments under piles of action. Now, the action is good, and leads to a solid climax which is handled nicely, but we have a conflict of style. On one hand, we have the previous film, which establishes a seriousness and a stake in what happens. On the other hand, we have a goofy style which pushes against and a more-comic-booky look to the film, something that was handled much better in the prequel X-Men: First Class.

While the climax is handled nicely, Ratner chooses to play down the denouement, which, considering this was supposed to be a closing of the trilogy, is what really kills this movie. We have so many plot threads untreated and ultimately unthreaded that it set the series up for several films of trying to fix the damage, before finally X-Men: Days of Future Past was able to do.

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This isn’t the worst X-Men movie of all time. That honor is currently held by X-Men Origins: Wolverine, but that doesn’t mean that this wasn’t an epic letdown from X2, and served to topple the franchise for a couple years.

 

2/5

-Kyle A. Goethe

 

For my review of X-Men, click here.

For my review of X-Men Origins: Wolverine, click here.

For my review of X-Men: First Class, click here.

For my review of The Wolverine, click here.

For my review of X-Men: Days of Future Past, click here.

X2: X-Men United (2003)

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Director: Bryan Singer

Cast: Patrick Stewart, Hugh Jackman, Ian McKellan, Halle Berry, Famke Janssen, James Marsden, Rebecca Romijn-Stamos, Brian Cox, Alan Cumming, Bruce Davison, Anna Paquin

Screenplay: Michael Dougherty, Dan Harris, David Hayter

134 mins. Rated PG-13 for sci-fi action/violence, some sexuality and brief language.

 

X-Men was a very popular comic book adaptation, especially for the time period, when those movies hadn’t really been doing well. I originally wasn’t a major fan of the original X-Men, but I honestly don’t think I got it. I didn’t really know the X-Men mythos, so when X2: X-Men United came into the fold, and I saw the trailer, featuring a creature I would come to know as Nightcrawler (Alan Cumming, TV’s The Good Wife, The Smurfs 2) trying to assassinate the President, that I knew I had to see this movie.

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X2: X-Men United continues the story six months after the original film, and follows the mutants as they deal with a mutant attack on the President. Logan (Hugh Jackman, The Prestige, Prisoners) is looking for his origins in Alaska. Professor Charles Xavier (Patrick Stewart, TV’s Star Trek: The Next Generation, Legends of Oz: Dorothy’s Return) has continued to teach at his school, and spends free time playing chess with imprisoned Magneto (Ian McKellan, The Lord of the Rings: The Fellowship of the Ring, The Golden Compass). Meanwhile, William Stryker (Brian Cox, Troy, Her) has taken the attack in the White House personally, and chooses to round up the mutant children at Xavier’s school and keep them imprisoned, and Wolverine finds that he may have more connections to Stryker than he knows.

If X-Men woke up the superhero genre, X2 proved that superhero movies can actually be about something while also being great films in general. Without X2, we may not have had the Marvel Cinematic Universe or any of Christopher Nolan’s Dark Knight series.

It also proved that people can perform as superheroes. Patrick Stewart and Ian McKellan carry this film and drive its story nicely as two friends with very different compasses who must unite against a common enemy in Brian Cox’s Stryker, who also lends his seasoned expertise to the film. Hugh Jackman has also honed his skills as a performer with Wolverine.

Singer’s directing and the film’s editing give us multiple branched out storylines that all come together very well for a powerful and shocking climax that creates ripples for the series for several films to come.

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X2: X-Men United was the best film in the series up until this year’s X-Men: Days of Future Past, and it has aged very well, becoming one of the most notable superhero films ever.

 

5/5

-Kyle A. Goethe

 

For my review of X-Men, click here.

For my review of X-Men Origins: Wolverine, click here.

For my review of X-Men: First Class, click here.

For my review of The Wolverine, click here.

For my review of X-Men: Days of Future Past, click here.

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