Green Book (2018)

Director: Peter Farrelly

Cast: Viggo Mortensen, Mahershala Ali, Linda Cardellini

Screenplay: Nick Vallelonga, Brian Hayes Currie, Peter Farrelly

130 mins. Rated PG-13 for thematic content, language including racial epithets, smoking, some violence and suggestive material.

 

Peter Farrelly (There’s Something About Mary, TV’s Loudermilk) kind of came out of nowhere with Green Book. The director, known for working with his brother on low-brow comedies (some of which are quite good), really showed up to bat on his latest film, a solo venture about two men in the 1960s who couldn’t be more different on the surface. It’s quite something.

Tony Lip (Viggo Mortensen, The Lord of the Rings: The Return of the King, Captain Fantastic) is a New York bouncer without a job after his latest club shuts down. He ends up with a job he never expected, driving Dr. Don Shirley (Mahershala Ali, Spider-Man: Into the Spider-Verse, TV’s House of Cards) on a tour of the Deep South for eight weeks. Given the racial tensions of the Deep South, this proves to be a difficult job that brings these two men closer.

Green Book is one of the most interesting and enjoyable tales of friendship put to film in recent memory. It all boils down to the relationship formed between our two central characters. Tony is a smarmy low-brow guy who cares deeply for his wife, played by Linda Cardellini (Brokeback Mountain, A Simple Favor), and only seeks to do right by her. When he takes the job with Shirley, he is able to look introspectively at himself, see his flaws, and seek to better himself. The whole film, he is looking at Shirley through racially-tinted sunglasses, seeing only what his limited, and incorrect, perception of the culture is.

Mahershala’s portrayal of Dr. Shirley is a proud man, one who sees his placement in the broken American machine, and he seeks protection on his tour of the South. What he finds is the ability to find joy in moments and appreciation for who Tony is. He also has secrets that he wishes to keep and sees those secrets as faults. He is a multi-layered character and Ali is worthy of the performance.

Outside of their relationship, Green Book is pretty straightforward. Farrelly has no bells and whistles and just lets the camera focus on the two leads, and that’s a good call. It doesn’t really delve too deeply into race of the 1960s, and I will leave that open as to whether or not it was the right call, but it doesn’t injure the film’s central focus.

Green Book is a fascinating tale of friendship set against the backdrop of a difficult time in America. It’s led to two amazing performers who consistently left me smiling with their interactions. It’s a joyful film and a thought-provoking one that left me hopeful for the future.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Peter and Bobby Farrelly’s Dumb and Dumber, click here.

For my review of Peter and Bobby Farrelly’s Fever Pitch, click here.

 

For more Almighty Goatman,

Kyle’s Top Ten Films of 2018

 

Hey there everyone!

What a year 2018 has been, both personally and in the world of movies! Now, as the year draws to a close, I’m ready to take a look back and see which films made the cut of my personal Best of 2018.

Now for some stipulations and notes:

-I did not see every film to come out in 2018. I tried my best, but I was very busy this year and some films just flat out were missed. So if you don’t see something on this list, it doesn’t mean it doesn’t belong. It just means I may have missed it…or it doesn’t belong.

-This is my personal selection of films from the year. These are not predictions for Best Picture at the Oscars or anything like that. Some films may have different placings than they would if I just ordered them by score, and some of them may have been flawed, but I just enjoyed them enough to look past it.

-Lastly, this is one of the first years in a while that my list feels so fluid. Don’t take my rankings too harshly as just about any one of these films could potentially have been a #1 film. It was a good year. Not a great year…a good year.

 

Alright, without further fluff, let’s dive right in…

 

  1. First Man

-Damien Chazelle knocks it out of the park again in this biopic of Neil Armstrong and the NASA Space Program leading up to that fabled first step on the moon’s surface. It’s a long movie covering many of the trials and tribulations of the race to space, but it spends most of its time with Armstrong, played brilliantly by Ryan Gosling. It’s a subtle nuanced performance that isn’t acting larger-than-life but stays true to its subject. The film spends some time asking the questions of value and cost in this race to the moon, and everything is a lens through which to understand our lead. We get great supporting work from Claire Foy, Jason Clarke, and Corey Stoll who plays to Buzz Aldrin’s particular brand of sarcastic wit quite nicely. For those of you that missed this one in IMAX, I feel very sorry for you, because the scenes on the moon’s surface took my damn breath away.

 

  1. If Beale Street Could Talk

-I loved Moonlight when it came out. I was so swept away in the style and simplicity of the story. Director Barry Jenkins has done it again with his character drama If Beale Street Could Talk. While not as strong as his previous outing, this is still top-notch filmmaking and incredible character-driven storytelling. The love story between Fonny and Tish is so emotional, and the performances from Stephan James and newcomer Kiki Layne bring that love out in such a beautiful way. The film is filled with terrific performances from Regina King, Colman Domingo, Michael Beach, Aunjanue Ellis, and so many more. The ending left me frustrated but not with the filmmaker for he did craft an ending meant to make you talk and get the conversation going. It’s a beautiful character piece.

 

  1. Green Book

-If there’s one thing to say about Green Book, it’s that the film from Peter Farrelly is wholly enjoyable throughout. That’s not a normal way to describe the story of two men from different races touring the Deep South in the 1960s, but it works. You can call it surface-level enjoyment if you wish but I call it great character-driven storytelling. Much like If Beale Street Could Talk, the performances are where this film thrives, particularly from its lead actors, Viggo Mortensen and Mahershala Ali. They are both flawed humans with real fears and desires who come together with great chemistry to create a lasting friendship in this heartwarming tale. This is a movie that will make you think while it entertains you.

 

  1. Ready Player One

-Look, Ready Player One is perhaps more flawed than the previous films on this list, but it didn’t take away from my overall enjoyment with the film. It continues to grow on me the more I watch it and I find myself going back to it a lot in 2018. It’s a fun adventure dipped in nostalgia. This film is Steven Spielberg making a sundae and putting all the toppings on. The most important factor in the film is that it is just a damn fun time that captures the spirit of the source novel while going to some wildly different places. I enjoyed both the book and film as two sides of the same coin. Ready Player One leaves me with a big damn smile on my face every time I watch it.

 

  1. A Quiet Place

-I’m starting to see a theme in many of these films for my Top Ten. Character. Yes, there’s some high-concept in some, and A Quiet Place definitely has high-concept, but it’s all there to serve character and story. The family dynamic in A Quiet Place works so well, it would make the film watchable even if the sci-fi/horror aspects of the film did not. Thankfully, this is not the case. This is a tense film with real situations set against an impossible world, but it’s because I care about this family that A Quiet Place brings out just as many tears and shrieks. John Krasinski should be given for his terrific direction in addition to his work as male lead.

 

  1. A Star is Born

-There’s something magical to A Star is Born. We are looking at the fourth official version of this tale, and yet somehow this incarnation has connected with the audience in such a special way. Maybe it’s Bradley Cooper’s strong first outing as a director, or maybe it’s his hauntingly powerful performance as Jackson Mayne, a struggling fading star, or maybe it’s Lady Gaga’s powerhouse work as Ally, a rising star. You can give me all the crap for praising Gaga’s acting in this film, and you can say that she plays herself, but I heard a colleague point out that she gets on the stage to perform her first song and she’s absolutely terrified, something that Gaga would not be or likely hasn’t been in some time. She’s acting her ass off here, and it shows. Yes, the film finds itself in a lot of the same familiar beats we’ve seen before, but it’s been said many times that all stories have been told and what matters is how you tell it. I love how this story is told.

 

  1. Annihilation

-Alex Garland’s follow-up to Ex Machina is a sci-fi/horror masterpiece. It’s a beautiful striking moving painting filled with horrific and dazzling imagery. The story, about a group of scientists exploring a strange area called The Shimmer where biology, chemistry, and physics are unlike anything known to human understanding. This is a thinker of a movie, but it haunted me for days and I couldn’t stop telling people to see this movie. It likely isn’t for everyone, but I would encourage you to seek it out and give it a try. This is a What-The-Fuck movie experience for the ages that I haven’t seen since 2001: A Space Odyssey.

 

  1. Hereditary

-You know something? Screw anyone who says there isn’t enough great horror these days. Horror is on such an incredible ride in recent years, and there’s probably enough good horror for its own Top 10 list for 2018, and Hereditary would be at the top. Led by a career-best performance from Toni Collette, Hereditary is a shocking and disturbing story of loss, grief, and madness, all centered around a family caught in something out of their control. Beyond the shock of some of the film’s more frightening moments, there are some truly horrific moments of character development. This movie’s strengths cannot be understated and it is truly sad that Collette’s more of a long shot to the Best Actress Nomination this year because she without a doubt deserves. The only tiny complaint I have with the film is that it over-explains itself at the end, but it is merely a nitpick and actually saved a friend’s enjoyment of the film, so what do I know?

 

  1. Won’t You Be My Neighbor?

-As I’ve said before, the movies that will likely be most remembered in 2018 are the Feel-Goods, and Won’t You Be My Neighbor? is at the top of that list. This documentary about the life of Fred Rogers is stunningly heartfelt and masterfully executed. It is a viewpoint of the man’s life, his beliefs, his goals, and his dreams, and it brought me back to moments in my childhood, memories that I shared with someone through a television set. I welled up with tears at several points in the narrative and connected with the film on so many levels. What makes this film stand out from others this year is that it asks its audience to take part in it near the end, asking us how we can be more like Fred, and I think it connects us with an incredible human being on a personal level, a touching tribute to a beloved neighbor.

 

  1. BlacKkKlansman

-Spike Lee is the best he’s ever been with BlacKkKlansman. You heard me. The best he’s ever been. I loved Do the Right Thing, but this film just barely edges it out for so many reasons. It’s an incredible well-acted film, especially from John David Washington, Adam Driver, and Topher Grace. The screenplay and editing have turned this so-crazy-it’s-true story into something even more timely given the current state of the country. Lee makes it quite known what he wants his film to evoke and the finale of the film left my jaw on the floor. As soon as I left the theater, I wanted to turn back around and see it again. Spike Lee knows his craft so well that he is able to fuse lighthearted comedy into the shocking tale of a black cop infiltrating the Ku Klux Klan, and this film is his masterpiece. It’s the best movie of 2018.

 

So there you have it. These are my favorite films of the year. I’m looking forward to the #2019oscardeathrace to begin, and the list may change a bit once that happens. No one sees everything. What is your Top Ten of 2018? I’d love to hear it! Thanks again for a great 2018, and we will see you in 2019 (which is right now).

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

 

Green Book Award People’s Choice Award at Toronto Film Festival

I didn’t know much about Green Book until I saw the trailer and found myself quite invested in it. The film recently screened at the Toronto Film Festival and was awarded the prize of People’s Choice Award. The award, which has been given to five future Best Picture winners at the Oscars, was given last year to Three Billboards Outside Ebbing, Missouri, a major Oscar contender which was nominated for Best Picture.

A lot of reviews out of Toronto have been for the chemistry between its two leads, Viggo Mortensen and Mahershala Ali, and the way these two give standout performances that never take away from each other.

As I said above, I’ve been more than a little excited for this film since seeing the trailer, and learning that Peter Farrelly of the Dumb and Dumber Farrelly brothers was behind the wheel made me more and more curious. Green Book winning the People’s Choice Award only furthers that excitement. This is such a drastic departure from what Farrelly is known for.

For me, Green Book was not in the discussion as far as major awards consideration this year. Without having seen the film, I’ve heard a lot of chatter for some acting nominations, but not much more, so having this film take an award so notable for Best Picture chatter is something that elevates it for me. Now, I may just hate the film, but all signs point to good news here.

So there you have it. Green Book has just risen on my most-anticipated list. Does the news of its winning People’s Choice at the Toronto Film Festival do anything to your excitement of this film? Don’t forget to like, comment, and subscribe for more content.

 

-Kyle A. Goethe

 

 

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[Happy 10th Birthday!] Fever Pitch (2005)

feverpitch2005a

Director: Bobby Farrelly, Peter Farrelly

Cast: Drew Barrymore, Jimmy Fallon, JoBeth Williams, KaDee Strickland

Screenplay: Lowell Ganz, Babaloo Mandel

104 mins. Rated PG-13 for crude and sexual humor, and some sensuality.

 

In Fever Pitch, from directors Bobby & Peter Farrelly (There’s Something About Mary, Dumb and Dumber To), we see a beautiful romance between Ben (Jimmy Fallon, Whip It, Bucky Larson: Born to be a Star) and a group of men known as the Boston Red Sox. Also, he falls in love with a woman named Lindsey (Drew Barrymore, Donnie Darko, Blended).  Lindsey and Ben desperately want to make things work, but Ben just can’t seem to make sacrifices for Lindsey, especially when it comes to his beloved team who hasn’t won a World Series since 1918. As Lindsey tries to balance her time with Ben with his time and the team, tempers start fueling and seek to topple the relationship.

feverpitch2005b

I enjoyed Fever Pitch, especially the timing of the film, which permanently place this film in a historic time frame for the Red Sox (it was being filmed right when the Sox won the 2004 World Series). Jimmy Fallon’s obsessed man-boy isn’t too far of an acting stretch for the comedian, while Drew Barrymore flubs around in an unlikable character. Most of her dialogue comes off as condescending when it really shouldn’t.

The Farrelly’s understand how to wield a camera and tell a fun story, though their recent efforts would persuade otherwise. Fever Pitch is slightly more in line with their earlier work, while not being as laugh-out-loud funny as There’s Something About Mary or Dumb and Dumber. Best of all, the story is accessible. I see a lot of my own frustrations in the film. I am an obsessed individual (not with the Red Sox, mind you, that is a mere fascination). I talk about film constantly. My girlfriend knows this and sometimes she puts up with it to make me happy. In return, I try not to drag to every movie I want to see in the local theater. Compromise. That’s what Fever Pitch is all about.

feverpitch2005c

And it is kind of funny. Kind of.

 

3/5

-Kyle A. Goethe

 

For my review of Peter Farrelly’s Dumb and Dumber, click here.

Dumb and Dumber (1994)

dumbanddumber1994a

Director: Peter Farrelly

Cast: Jim Carrey, Jeff Daniels, Lauren Holly, Karen Duffy, Mike Starr, Charles Rocket, Victoria Rowell, Teri Garr

Screenplay: Peter Farrelly, Bennett Yellin, Bobby Farrelly

107 mins. Rated PG-13 for off-color humor.

 

1994 was a very good year for films. I may have already discussed this, but I feel like I need to reiterate. 1994 was one of the best years for films in history. From a critical standpoint, we had such classics as Pulp Fiction, The Shawshank Redemption, and Forrest Gump. From a comedy standpoint, audiences received a hilarious turkey (or triple play) from Jim Carrey (Eternal Sunshine of the Spotless Mind, Kick-Ass 2) with Ace Ventura: Pet Detective, The Mask, and Dumb & Dumber. It was a great year.

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Dumb & Dumber is a bit of a comedy enigma. The film is far too stupid and outlandish to be good, and yet it is one of the most incredibly perfect comedies ever constructed.

Lloyd Christmas (Carrey) is an idiot. He has just fallen in love at first sight with a woman he doesn’t even know named Mary (Lauren Holly, TV’s NCIS, Spirited Away) and when he finds a briefcase she has lost in an airport terminal, he vows to return it to her. He enlists dog groomer and best friend Harry Dunne (Jeff Daniels, TV’s The Newsroom, Good Night and Good Luck) who, like Lloyd, is an idiot, to help him in his quest and make a new name for themselves in the land of opportunity, Aspen. The trouble is, Mary didn’t lose her briefcase, and Lloyd and Harry have entangled themselves in a plot more menacing than either could have anticipated.

The film is made by its performances. Everybody in this movie plays it straight to the book except Carrey and Daniels, and it is made all the more goofy than it should be. We have some incredible supporting work from Mike Starr (TV’s The Young and the Restless, GoodFellas) as a hitman trying to take our lovable morons out of the picture. There is also the terrific late actor Charles Rocket (Dances with Wolves, Hocus Pocus) who is a family friend of Mary’s.

There are some truly laugh-out-loud moments and one-liners that keep this film at the forefront of fans’ minds long after viewing for the zillionth time. I still cringe at the encounter that the dumb-dumbs have with local law enforcement after getting discovered with an open bottle. I still giggle everytime the guy in the diner yells “Kick his ass, Seabass!” and I still find a happy place every time Seabass tries to get revenge on Lloyd in the bathroom stall of a gas station.

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To make a long story short, or for that matter, a smart story dumb, Dumb and Dumber is a perfect comedy that belongs in a hall of fame alongside other greats like Tommy Boy and Animal House. It stands the test of time even after twenty years and I can see it living on another few decades.

 

5/5

-Kyle A. Goethe

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