Jordana Brewster Drives Into Fast & Furious 9

Production is officially kicking into high gear (see what I did there?) for Fast & Furious 9, and franchise leader Vin Diesel has revealed via Instagram that Jordana Brewster, who played Diesel’s character’s sister Mia in the franchise, will be retuning for the next installment. We last saw Mia in Furious 7, as her character settled down with husband Brian, played by the late great Paul Walker, at the conclusion of the film. I didn’t expect to see Mia again outside of a potential cameo phone call scene or something of that nature. While the character was not seen in The Fate of the Furious, it now appears like we will Mia and Brewster again in the next installment.

It was a tough go of things for the studio and director James Wan on the production of Furious 7 to retool the film into a swan song for Paul Walker and his character, one of the two leads for the franchise.

Diesel’s post also indicated that a young actor had been cast to play Mia and Brian’s son, so it is expected that I was right and we will probably just get a cameo in the film. For me, I know how important this series was to Walker, and I would assume he would be happy for it to continue on in his absence, so something like a cameo to remind fans that, even though Walker is gone, Brian O’Connor is out there still, happy with a family, and I’m curious to see how they play it.

So what do you think? Are you happy to see Jordana Brewster retuning to The Fast and the Furious franchise? Let me know/Drop a comment below!

 

-Kyle A. Goethe

James Wan is Taking a Long Nap as Aquaman Wraps Post-Production

James Wan is a very busy man. It’s a wonder, with all the producing he does on films like The Nun and The Curse of La Llorona, that he has time to make a big tentpole film like the upcoming DCEU film Aquaman, but he does it.

Wan took to Instagram for the announcement, writing:

“After two years of consuming and devouring my every waking hour, this little indie movie is finally done. It was a monster undertaking. I can’t THANK enough the amazing post team of VFX/editorial/sound for working tirelessly around the clock – crazy long days, 7 days a week, for many many many weeks without a day off – towards making this a unique and beautiful film. Everyone poured their heart and soul into it, and I can’t wait to share this 21st December! In the meantime, I’m gonna go take a really long nap now.”

The first few trailers garnered some poor reviews for their CG. I personally didn’t find trouble with it, but I also understand that most trailers have unfinished CG. Wan’s film will be very CG-heavy, so it’s no coincidence that the film is just now wrapping Post-Production.

I’m very happy for James Wan. I’ve been a fan of his since the original Saw film, which he directed. I’ve traced his path through a lot of horror and seen a director that consistently grows from each experience. His last big-budget feature Furious 7 was hampered with filming troubles after the sudden death of star Paul Walker, so I know he has dealt with stress quite well and his work shows focus and determination to deliver a superior product. I haven’t been excited for a DCEU film in some times as the cinematic universe has garnered its own share of criticism since its inception back in 2013. Well, it certainly makes me excited to see James Wan’s Aquaman next month.

Aquaman surfaces in theater on December 21st.

So what do you think? Are you excited for Aquaman. Let me know/drop a comment below.

 

-Kyle A. Goethe

 

 

For more Almighty Goatman,

[Early Review] The Fate of the Furious (2017)

Director: F. Gary Gray

Cast: Vin Diesel, Jason Statham, Dwayne Johnson, Charlize Theron, Michelle Rodriguez, Tyrese Gibson, Chris Bridges, Nathalie Emmanuel, Kurt Russell, Scott Eastwood, Helen Mirren

Screenplay: Chris Morgan

136 mins. Rated PG-13 for prolonged sequences of violence and destruction, suggested content, and language.

 

Trust me, you need to understand what kind of film you are about to see.

Dom (Vin Diesel, Guardians of the Galaxy, xXx: The Return of Xander Cage) and new wife Letty (Michelle Rodriguez, Avatar, The Assignment) are enjoying their honeymoon in Cuba when a mysterious woman shows up and tells Dom that he is going to work for her. When Dom is on a mission with Hobbs (Dwayne Johnson, Moana, Journey 2: The Mysterious Island) and the rest of the crew, he turns on them, showing allegiance to the mystery woman called Cipher (Charlize Theron, Mad Max: Fury Road, Kubo and the Two Strings) and in the process, shattering his familial bonds. Now, Hobbs, aided by Mr. Nobody (Kurt Russell, The Hateful Eight, Deepwater Horizon) and forced to join up with Deckard Shaw (Jason Statham, The Transporter, Spy), must track Dom and Cipher in an effort to save their fallen brother or take him out.

As I’ve stated before, the important thing to remember about this franchise is that it is very unique. Action spectacles are no new thing in Hollywood, The Fast and the Furious, as a franchise, is a B-Movie franchise with an ever-expanding budget. That sort of thing just doesn’t really happen. What sets it apart from others is the focus on a recurring theme (family) and the set pieces that aren’t focused on realism in the slightest but instead, these action beats are asking the question: How can we make this more ridiculous? And that’s what works here.

The cast does admirable work here as the likable family members while newcomers Scott Eastwood (Gran Torino, Snowden) as Mr. Nobody’s new recruit and Charlize Theron as Cipher. There is a notable exclusion made by the absence of Brian O’Connor (played by the late Paul Walker) but I completely understand what happened and I still feel like his character is honored here in a pretty touching albeit predictable way.

Incoming director F. Gary Gray (The Italian Job, Straight Outta Compton), fresh off his recent success with the NWA biopic, teams up with previous collaborators in Diesel, Johnson, Theron, and Statham creates a kinetic energy that runs rampant through this film, creating some of the darkest plot threads of the series while also some of the most hilarious action scenes too. Gray’s direction results in a unique experience without pushing too far.

Through it all, though, there are times when The Fate of the Furious feels unusually restrained (hear me out), as if the film itself is trying to top the craziness from the superior Fast Five and Furious 7 but just can’t quite get there. I can’t quite put my finger on it, but something felt off at times throughout, and perhaps that’s due to Diesel’s character being tied up with Cipher rather than the crew we all find him more enjoyable with. I was very happy to discover that the unusual plot line of betrayal actually kind of makes sense within the larger scope of The Fast and the Furious franchise (I had been very worried when I saw the initial trailer).

I was very impressed with The Fate of the Furious. This entry in the series isn’t the best one to come along, but it definitely rest higher on the ranking. This is a franchise that isn’t trying to win over new fans (though it doesn’t seem to need that), and this newest installment only proves that this is a franchise for the fans. I enjoyed it and the numerous surprises that this film has in store. I highly suggest an opening weekend viewing.

 

4/5

-Kyle A. Goethe

 

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

For my review of F. Gary Gray’s Straight Outta Compton, click here.

Furious 7 (2015)

hr_Furious_7_20

Director: James Wan

Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Tyrese Gibson, Chris Bridges, Jordana Brewster, Djimon Hounsou, Kurt Russell, Jason Statham

Screenplay: Chris Morgan

137 mins. Rated PG-13 for prolonged frenetic sequences of violence, action and mayhem, suggestive content and brief strong language.

 

And here we are, after six films, we arrive here at Furious 7, the latest installment in the high-octane series of car action films started with The Fast and the Furious some many years back.

03-13-15-furious-7-2-820x420

In the newest adventure, Dominic Toretto (Vin Diesel, Saving Private Ryan, Guardians of the Galaxy) and his family have returned to the United States after gaining amnesty for their previous offences. As new parent Brian O’Conner (Paul Walker, Brick Mansions, Hours) adjusts to the simple life with wife Mia (Jordana Brewster, TV’s Dallas, Home Sweet Hell), he and Dom discover that Deckard Shaw (Jason Statham, The Transporter, Spy) is seeking vengeance on them for his comatose brother. When Hobbs (Dwayne Johnson, G.I. Joe: Retaliation, WrestleMania) is dispatched, the group realize that they need help. In comes a mysterious government agent (played by Kurt Russell, The Thing, Poseidon) who need them to find a piece of high-tech gadgetry that has been stolen by the villainous Jakande (Djimon Hounsou, Gladiator, Seventh Son). The deal is simple: retrieve the tech in exchange for cart blanche to defeat Shaw.

I really enjoyed Furious 7. Director James Wan (Saw, Insidious: Chapter 2), known for his abilities as a horror director, supplies the film with much-needed cheese with an incredibly exhilarating experience. The returning cast has grown so close that the chemistry here is great. Diesel’s journey of reintroduction with Letty (Michelle Rodriguez, Avatar, Machete Kills) is one of the better stories to come out of this series, and it ties into the franchise well. I had a lot of fun watching the banter between Roman (Tyrese Gibson, Transformers, Black Nativity) and Tej (Chris Bridges, New Year’s Eve, No Strings Attached). Newcomers Kurt Russell and Jason Statham provide a lot of fun to the equation. Russell’s Mr. Nobody is an interesting new character I’m excited to see further fleshed out. Statham’s Shaw comes off a bit on the cheesy side, especially with his introduction, but overall it works.

Now onto what most people are interested in hearing about: dealing with the death of Paul Walker. Did it work? Suprisingly well, actually. I expected Walker’s role to be relegated to a glorified cameo, but I was wrong. With brothers Cody and Caleb, alongside some terrific digital effects, helped to provide some resolution to Brian’s story in an appealing way. The finale of the film definitely pays tribute well with a closing musical number with a montage of Walker’s role in the franchise served to button up his story and send him off to the next place without coming off as a wasted opportunity. Wiz Khalifa’s “See You Again” works well here, too.

I like that Furious 7 helps tie the franchise back together with references to Toretto’s relationship with Letty before her “death” and the rarely-seen Race Wars from the original film. The best thing about this franchise is that the crew learns from previous mistakes to make the best film possible.

furious-7

Furious 7 isn’t the greatest film in the series (that honor lies with Fast Five), but it definitely takes a step in the right direction after a few missteps with Fast & Furious 6. It serves to provide closure to Paul Walker’s character and career well without sacrificing plot and sets the series up for further adventures which will continue with the upcoming Furious 8 (yeah, it’s happening).

 

4/5

-Kyle A. Goethe

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

 

You can follow Kyle A. Goethe on Twitter @AlmightyGoatman

Fast & Furious (2009)

fast&furious2009a

Director: Justin Lin

Cast: Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Screenplay: Chris Morgan

107 mins. Rated PG-13 for intense sequences of violence and action, some sexual content, language and drug references.

 

After the serviceable but ultimately disappointing The Fast and the Furious: Tokyo Drift, Universal had two choices: kill the franchise or put everything you have into it. They chose the latter and brought back what made the series such a powerhouse. The entire principal cast of the original film was back, and with an entertaining story and the work from director Justin Lin (Finishing the Game: The Search for a New Bruce Lee, Annapolis) and screenwriter Chris Morgan (47 Ronin, Wanted), it was a formula that actually worked.

fast&furious2009c

When fugitive Dominic Toretto (Vin Diesel, Guardians of the Galaxy, Riddick) loses everything that matters to him, he returns home to his sister Mia (Jordana Brewster, TV’s Dallas, The Texas Chainsaw Massacre: The Beginning) and crosses paths with Brian O’Conner (Paul Walker, Brick Mansions, Hours), who has earned his life back as a federal agent. The two are forced to join together to take down an elusive new villain never seen and only known as Braga.

Before we get too deep here, I would like to point out that this film is more of an interquel as opposed to a straight sequel. It takes place between 2 Fast 2 Furious and The Fast and the Furious: Tokyo Drift. It features a character, Han, who we see biting the dust in the previous film. I’m not entirely sure why this choice was made, but I like the idea of Han sticking around. He is a likable hero.

Having Diesel and Walker together again is action gold. These two worked very closely in crafting this sequel with the crew to make it not only worthwhile but also help build a gigantic franchise out of the fledgling series, and it works so well. There are elements of this franchise that owe a lot to this entry. The races and chases are incredible yet simple, the characters actually develop as the film progresses, and I could tell everyone is having fun here.

Director Lin and screenwriter Morgan have learned a lot about crafting a sequel and it shows. Lin’s directing has improved, giving equal time to emotional beats and car-bashing crazy, and Morgan’s screenplay is formulated to transform the franchise and its characters.

fast&furious2009b

Fast & Furious is the sequel fans deserved and it’s the one they finally got. It proved that a series can learn from previous mistakes and evolve, and it gives viewers some of the coolest action on the screen. It still holds onto the grindhousian insanity that made the first one enjoyable and continues the tradition onward.

 

4/5

-Kyle A. Goethe

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

2 Fast 2 Furious (2003)

2fast2furious2003a

Director: John Singleton

Cast: Paul Walker, Tyrese Gibson, Eva Mendes, Cole Hauser

Screenplay: Michael Brandt, Derek Haas

107 mins. Rated PG-13 for street racing, violence, language and some sensuality.

After Brian O’Connor (Paul Walker, Brick Mansions, Hours) walked away from his role as a cop, he was forced to betray everything he knew. Now, in Miami, he’s been caught by the feds and charged with catching the villainous Carter Verone (Cole Hauser, Good Will Hunting, Jarhead 2: Field of Fire) in return for his freedom. Brian recruits former friend and law-breaker Roman Pearce (Tyrese Gibson, Transformers, Black Nativity) to assist him in his quest.

2fast2furious2003b

Paul Walker is very similar to Hugh Jackman in that he gets slightly better as the series progresses. His acting here isn’t what it will be and not as good as he could be, but still much better than anyone else here. Gibson and Hauser come off as spooflike in their cheese factor, as does Eva Mendes (Hitch, Lost River).

2 Fast 2 Furious comes off as the bastard son of the original film. There is just so much that goes wrong here. First off, the exclusion of Vin Diesel. If nothing else, it proves that Vin Diesel understands how to make a sequel because he gets the factors that work and the factors that don’t. The editing comes off as real choppy. There are freeze frames, dissolves, and all manner of dull piecework. Director John Singleton (Four Brothers, Abduction) can’t control his races. These are bland race sequences, providing nothing cool to the aesthetic of the series. In fact, did I see a green screen 15 minutes in? Seriously? In fact, Singleton doesn’t get much right here at all. He encouraged improv from a bunch of non-improv actors. Seriously.

There are some things that work here. Roman Pearce as a character has potential (though it wouldn’t be fully realized for some time). Tej, played by Chris “Lucacris” Bridges, is another character that works much better than it would have been had not been rewritten for him. It was originally written for Ja Rule to return, but he was “too big” for the role. Seeing as how the character evolved with Bridges, the audience won here and Ja Rule lost, and the music is better with Bridges. Luda!

2fast2furious2003c

2 Fast 2 Furious wasn’t enough to kill this franchise, but it didn’t do much to keep it alive either. There are a plethora of problems with the action racing sequel, but it did some right. Not much, though. Not much at all.

2/5

-Kyle A. Goethe

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

For my review of John Singleton’s Shaft, click here.

[Short Film Sunday] Turbo Charged Prelude (2003)

turbochargedprelude2003a

Director: Philip G. Atwell

Cast: Paul Walker

Screenplay: Keith Dinielli

6 mins. Not Rated.

Hey everyone, and welcome to a brand-new column I’m doing called Short Film Sunday. Sunday is supposed to be a day of rest in many cultures, and what better way to do so than to review some short films. These are meant to be quick analysis on short films, which ones are worth it and which ones are not. We start today with a short created by Universal Pictures to bridge the gap between The Fast and the Furious and 2 Fast 2 Furious. It doesn’t really have a title, so we will go with the Turbo Charged Prelude.

turbochargedprelude2003b

Brian O’Connor (Paul Walker, Brick Mansions, Hours) is on the run from the cops. He broke a hell of a lot of laws by letting Dominic Toretto escape his grasp, and now he has nothing. He begins street racing for cash to keep himself out of the public eye while using the very thugs he was infiltrating to keep him out of trouble. His journey takes him to the streets of Miami where it leads right up to the beginning of 2 Fast 2 Furious.

This short is quite worthless to me. We see no character development for Brian which is bad since his character at the beginning of 2 Fast 2 Furious is quite different from the one we met at the end of The Fast and the Furious, but he seems to enjoy the fact that he has left his entire life behind him and essentially failed in every way in his previous mission. There is no internal conflict, though that can be blamed on the poor script utilizing no dialogue and quick images of events that don’t appeal whatsoever. Shame.

turbochargedprelude2003c

The Turbo Charged Prelude is meant to bridge the films, but it does nothing that the opening on 2 Fast 2 Furious didn’t do by itself in less time. It feels like filler meant to sell DVDs, because it is. Not worth your time.

1/5

-Kyle A. Goethe

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

The Fast and the Furious (2001)

thefastandthefurious2001a

Director: Rob Cohen

Cast: Paul Walker, Vin Diesel, Michelle Rodriguez, Jordana Brewster, Rick Yune, Chad Lindberg, Johnny Strong, Ted Levine

Screenplay: Gary Scott Thompson, Erik Bergquist, David Ayer

106 mins. Rated PG-13 for violence, sexual content and language.

 

This year, we see the release of Furious 7, the latest in the series of title-jumping action car movies. Most people see the series as essential one long chase scene, but people forget how much these films have evolved in fourteen years. Let’s look back at the original film today.

thefastandthefurious2001b

When Brian Spilner (Paul Walker, Brick Mansions, Hours) falls for Mia (Jordana Brewster, TV’s Dallas, Annapolis), the sister to the ferocious street racer Dominic (Vin Diesel, Guardians of the Galaxy, Riddick), he enters a world that he may not be able to survive within. What Dom and Mia don’t know, however, is that Brian Spilner is actually Brian O’Connor, undercover cop chasing a lead that some street racers are involved in some major electronics theft. As Brian conceals his true identity, he finds himself getting closer to the Toretto “family” of outcasts and possible outlaws.

There is a term that doesn’t get tossed around much for this film but it really deserves to be mentioned. That term is “Grindhouse.” The Fast and the Furious is fairly Grindhousian in nature. The underground “society” of racers is over-the-top in many ways as a sexier, more dangerous version of the truth. This is an exploitation piece at the most explosive level. There aren’t many films with the budget of The Fast and the Furious that it doesn’t often get associated with this genre, but it is true.

Can Rob Cohen direct the pic? Better than a lot of his other attempts. If you’ve seen The Boy Next Door, I’m sure you can see his low points. I like his stylistic choice as he tries to visual show speed on film, something he really wanted to convey with the picture.

The film is made on the shaky relationship between Brian and Mia, a gorgeous girl who exists in a dangerous world. Diesel’s Toretto is good enough to pass here, but comes off as a one-note antihero. I enjoyed Michelle Rodriguez (Avatar, InAPPropriate Comedy) as Letty, Dom’s girlfriend who might just wear the pants in the relationship. We also get a great turn from character actor Ted Levine (TV’s Monk, Little Boy) as Sergeant Tanner, Brian’s supervising officer.

thefastandthefurious2001c

The Fast and the Furious is a fun, albeit flawed, action spectacle that tries a lot of new things (even if some of them don’t work). You can put the story pieces together a lot faster than I would have liked, but once this film became a franchise, that was going to happen anyway. The script polishing by David Ayer helped this film a lot, but it is far from a masterpiece and far from the best in this series.

 

3/5

-Kyle A. Goethe

 

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

April 2015 Preview

 

Happy April! Let’s look ahead to April’s film releases, starting with…

 

Furious 7

furious72015a

In Paul Walker’s final film role, the seventh adventure in The Fast and the Furious franchise follows Dom and Brian are being hunted by Owen Shaw’s brother Deckard, played by Jason Statham. The last few films in this franchise have just gotten better and better as they embraced the auto theft story over the street race plots. It also features director James Wan diverting from his horror roots to take on an action pic, which I’m feeling good about.

 

 

Woman in Gold

womaningold2015a

Woman in Gold features Helen Mirren as Maria Altmann, a holocaust survivor who fought to retrieve a portrait taken from her during the Nazi invasion of Vienna. I enjoy Mirren’s work but I feel like this film has a supporting cast likely to fail, specifically the dreadful Katie Holmes. Ryan Reynolds too is hit or miss so I can’t guarantee anything.

 

 

The Longest Ride

thelongestride2015a

I am so sick of Nicholas Sparks movies. They are all pretty much the same and I intend for that to be a criticism in every possible way. The Notebook was pretty good, but everything since feels like a carbon copy.

 

 

Child 44

child442015a

Tom Hardy stars as an MGB agent investigating a series of child murders in the Soviet Union. I recall great things being said about the novel, and the cast here is filled with capable performers. I’m thinking yeah.

 

 

Paul Blart: Mall Cop 2

paulblartmallcop22015a

Paul Blart doesn’t deserve to be captured on film. The original film didn’t and neither does this one. It’s a shame that quality films are going to be passed over for this dreck. Please, for the love of all things sacred, skip.

 

 

Unfriended

unfriended2014a

I love a good stylistic horror film, but Unfriended, about six people connected to a high school girl’s suicide one year prior, are hunted during a Skype chat, seems like its suspension of disbelief will ask too much of me. I’m not feeling this one.

 

 

Little Boy

littleboy2015a

Does anybody think this movie looks good? It is the story of a young boy who will do whatever it takes to bring his father back from WW2. No. No. No.

 

 

The Age of Adaline

theageofadaline2015a

I’m liking the idea of a romance film with a hook. Most of these films don’t work out well, but for some reason, I think The Age of Adaline has a chance.

 

Final Tally:

Best Bets: Furious 7, Child 44

On the Bubble: Woman in Gold, Unfriended, The Age of Adaline

Likely Misses: The Longest Ride, Paul Blart: Mall Cop 2, Little Boy

 

So there you have it. See you in May!

-Kyle A. Goethe

Blog at WordPress.com.

Up ↑