Patrick Dempsey – GOAT Film Reviews

Director: Sharon Maguire
Cast: Renee Zellweger, Colin Firth, Patrick Dempsey, Gemma Jones, Jim Broadbent, Emma Thompson
Screenplay: Helen Fielding, Dan Mazer, Emma Thompson
122 mins. Rated R for language, sex references and some nudity.

Nobody was more excited for Bridget Jones’s Baby than…my fiance. Me? Meh. While I mildly enjoyed Bridget Jones’s Diary, I had nothing but bad things to say about The Edge of Reason, so now, some twelve years since we last saw Bridget, was I excited? No. Did I end up enjoying it? Perhaps.

Bridget Jones (Renee Zellweger, Chicago, Case 39) has finally reached her ideal weight, but that doesn’t seem to be solving any of her other problems, especially in her love life. So when a work friend drags Bridget to an outdoor music festival, she meets and spends the night with Jack (Patrick Dempsey, TV’s Grey’s Anatomy, Transformers: Dark of the Moon). A week later, she reunites with her ex Mark Darcy (Colin Firth, The King’s Speech, Kingsman: The Secret Service). Then, the shocker: Bridget Jones is pregnant, but she has no idea who the daddy is or what to do with the two men who now want her heart.

I can’t believe I’m about to say this: I actually enjoyed Bridget Jones’s Baby. Way more than I thought I would. I found Jack Qwant to be a much more interesting foil to Mark Darcy. I like that Hugh Grant’s Daniel Cleaver is dealt with in an interesting way that allows his absence to not halter the film’s progression. I even enjoyed the surprising celebrity cameo.

Now, I had plenty of problems with the film. I felt like the first act of the film takes way too long to get going. You know the film is called Bridget Jones’s Baby, so you know she is having a baby, but it takes so long to set it up that it does lose focus. The finale also has the opportunity to take a few risks but instead the plot takes a safe route and the film suffers for it.

Some of the best moments from Bridget Jones’s Baby had me laughing out loud in the theater and they were scenes that featured in the trailer but worked so much better in the finished film. The cast all know their characters well by now and the new additions like Dempsey and Emma Thompson (Love Actually, A Walk in the Woods) as Dr. Rawlings fit in nicely. Altogether, it’s a fitting conclusion to this trilogy of sorts that should work for fans of the original.

3.5/5
-Kyle A. Goethe

Director: Michael Bay

Cast: Shia LaBeouf, Josh Duhamel, John Turturro, Tyrese Gibson, Rosie Huntington-Whiteley, Patrick Dempsey, Kevin Dunn, Julie White, Ken Jeong, John Malkovitch, Frances McDormand

Screenplay: Ehren Kruger

154 mins. Rated PG-13 for intense prolonged sequences of sci-fi action violence, mayhem and destruction, and for language, some sexuality and innuendo.

Academy Award Nominee: Best Achievement in Sound Mixing
Academy Award Nominee: Best Achievement in Sound Editing
Academy Award Nominee: Best Achievement in Visual Effects

C’mon, people. Robots are fighting. Things are blowing up. Of course it is a Michael Bay (Armageddon, Pain & Gain) movie!

Sam Witwicky (Shia LaBeouf, Lawless, Fury) is now finished with college and trying to make a life for himself. His only claim to fame is saving the world twice, which he isn’t allowed to mention (even though I’m pretty sure that he is called out in the previous film by name over the television airwaves, so I imagine he wouldn’t have to hide it). He has a new girlfriend, Carly (Rosie Huntington-Whiteley, Mad Max: Fury Road) and a new home, but no job until he meets Bruce Brazos (John Malkovitch, TV’s Crossbones, Dangerous Liaisons) who grants him one. Meanwhile, the Autobots and NEST are coming under heavy fire from Charlotte Mearing (Frances McDormand, Fargo, Promised Land) who believes that NEST should be restructured or disassembled. The Autobots have been busy trying to uncover the mystery of an Autobot ship that crashed on the moon and caused the space race.

Screenwriter Ehren Kruger (The Ring, Blood & Chocolate) seems to have learned from the mistakes made in the previous installment. The basic plot structure of this film has reeled it back to where it becomes very simplistic. In fact, the finale of the film is the entire last half. Now, I will admit that there are definite pacing issues. So much of the minutia of the first hour feels unimportant until the major event about halfway through, involving an invasion of Chicago. Once that happens, there are a lot of Chicago set pieces. A lot. I mean it. The film could’ve chopped a few scenes off. Two and a half hours long is reaching for a Transformers movie until they learn about how plot and character development work.

The actors and actresses seem better in this film when compared to the previous installment. Patrick Dempsey (TV’s Grey’s Anatomy, Valentine’s Day) is one notable exception as Dylan, Carly’s boss who helps Sam get his job but has some secrets of his own. He is absolutely awful, and I like him normally. Rosie Huntington-Whiteley actually succeeds at performing worse than Megan Fox did. I don’t know how, but she did.

We get a lot of awesome battles, specifically a few involving Shockwave, a massive beast of a Decepticon who can take down skyscrapers with ease. The visual effects continue to impress in this series.

Transformers: Dark of the Moon doesn’t get nearly as much right as the original film, but is more of an achievement than Revenge of the Fallen was. It gets a lot more on track, but it still comes down to likable trash. Worth a see, but still mostly for major fans.

3/5

-Kyle A. Goethe

Tag: Patrick Dempsey

[Early Review] Bridget Jones’s Baby (2016)

Transformers: Dark of the Moon (2011)