[#2021oscardeathrace] The Nominees for the 93rd Academy Awards

Nominations are officially out for the 93rd annual Academy Awards. This year, it almost didn’t happen, and to be true, as I’ve said before, it’s been a weird year. I’m happy to have the Oscars occurring, even with the adjusted eligibility window making it very confusing as to what is allowed and what isn’t (and I’m sure, next year, it’ll be weirder when we talk snubs only to have forgotten that snubs for next year’s awards may actually have just been nominated this year and we forgot, much like the entire fourth season of Community), but I digress. The Oscars are here, and I’m so happy to have this feeling of normalcy in a very abnormal year.

The pandemic has had a shroud of much of the film community since last year. I recall that the last group party I attended was an Oscar party. There was a lot of us having fun, laughing and yelling at the TV, and we all joined together in praise when Parasite took the top prize.

It all feels like so long ago. I haven’t been in a theater in over a year. I can’t wait to go back to some kind of normal.

And normal is coming. With it, one of my favorite events is gearing up. In fact, the nominees were announced on my birthday, an altogether strange happenstance that likely won’t happen again. So here are the nominees. I’m sure you already know them, but I’ll be using this page to link the reviews that are incoming.

I’m ready to begin the 2021 Oscar death race. It’s a term I heard many years back, referring to the attempt to see every Oscar nominee before the big night. In recent years, I’ve been rather successful, at most missing a short here or there and perhaps a foreign language film that hasn’t reached wide release in the states. If you’d like to join in the Oscar death race this year, feel free to drop the hashtag #2021oscardeathrace so I can see what you’re watching and what you think on these nominees. It’s one of the best times of the year, and I look forward to sharing it with you.

Best Picture:

  • The Father
  • Judas and the Black Messiah
  • Mank
  • Minari
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Director:

  • Lee Isaac Chung, Minari
  • Emerald Fennell, Promising Young Woman
  • David Fincher, Mank
  • Thomas Vinterberg, Another Round
  • Chloé Zhao, Nomadland

Best Actor:

  • Riz Ahmed, Sound of Metal
  • Chadwick Boseman, Ma Rainey’s Black Bottom
  • Anthony Hopkins, The Father
  • Gary Oldman, Mank
  • Steven Yeun, Minari

Best Actress:

  • Viola Davis, Ma Rainey’s Black Bottom
  • Andra Day, The United States vs. Billie Holiday
  • Vanessa Kirby, Pieces of a Woman
  • Frances McDormand, Nomadland
  • Carey Mulligan, Promising Young Woman

Best Supporting Actor:

  • Sasha Baron Cohen, The Trial of the Chicago 7
  • Daniel Kaluuya, Judas and the Black Messiah
  • Leslie Odom, Jr., One Night in Miami…
  • Paul Raci, Sound of Metal
  • Lakeith Stanfield, Judas and the Black Messiah

Best Supporting Actress:

  • Maria Bakalova, Borat Subsequent Moviefilm
  • Glenn Close, Hillbilly Elegy
  • Olivia Colman, The Father
  • Amanda Seyfried, Mank
  • Youn Yuh-jung, Minari

Best Original Screenplay:

  • Judas and the Black Messiah
  • Minari
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Adapted Screenplay:

  • Borat Subsequent Moviefilm
  • The Father
  • Nomadland
  • One Night in Miami…
  • The White Tiger

Best Animated Feature:

  • Onward
  • Over the Moon
  • A Shaun the Sheep Movie: Farmageddon
  • Soul
  • Wolfwalkers

Best International Feature Film:

  • Another Round (Denmark)
  • Better Days (Hong Kong)
  • Collective (Romania)
  • The Man Who Sold His Skin (Tunisia)
  • Quo Vadis, Aida? (Bosnia and Herzegovina)

Best Documentary Feature:

  • Collective
  • Crip Camp
  • The Mole Agent
  • My Octopus Teacher
  • Time

Best Documentary Short Subject:

  • Colette
  • A Concerto Is a Conversation
  • Do Not Split
  • Hunger Ward
  • A Love Song For Latasha

Best Live Action Short Film:

  • Feeling Through
  • The Letter Room
  • The Present
  • Two Distant Strangers
  • White Eye

Best Animated Short Film:

  • Burrow
  • Genius Loci
  • If Anything Happens I Love You
  • Opera
  • Yes-People

Best Original Score:

  • Da 5 Bloods
  • Mank
  • Minari
  • News of the World
  • Soul

Best Original Song:

  • “Fight For You” from Judas and the Black Messiah
  • “Hear My Voice” from The Trial of the Chicago 7
  • “Husavik” from Eurovision Song Contest: The Story of Fire Saga
  • “Io sì (Seen)” from The Life Ahead
  • “Speak Now” from One Night in Miami…

Best Sound:

Best Production Design:

  • The Father
  • Ma Rainey’s Black Bottom
  • Mank
  • News of the World
  • Tenet

Best Cinematography:

  • Judas and the Black Messiah
  • Mank
  • News of the World
  • Nomadland
  • The Trial of the Chicago 7

Best Makeup and Hairstyling:

  • Emma.
  • Hillbilly Elegy
  • Ma Rainey’s Black Bottom
  • Mank
  • Pinocchio

Best Costume Design:

  • Emma.
  • Ma Rainey’s Black Bottom
  • Mank
  • Mulan
  • Pinocchio

Best Film Editing:

  • The Father
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Visual Effects:

  • Love and Monsters
  • The Midnight Sky
  • Mulan
  • The One and Only Ivan
  • Tenet

So there you have it. These are the nominees for the the Oscars this year. Let the #2021oscardeathrace begin.

-Kyle A. Goethe

[31 Days of Horror 3] Day 16 – Demons (1985)

demons1985c

Director: Lamberto Bava

Cast: Urbano Barberini, Natasha Hovey, Karl Zinny

Screenplay: Dardano Sacchetti, Dario Argento, Lamberto Bava, Franco Ferrini

88 mins. Not Rated.

 

After yesterday, I think it’s time to return to the world of Dario Argento with a film he helped produce and write: Demons from director Lamberto Bava (Macabre, Delirium).

demons1985a

Student Cheryl (Natasha Hovey) receives free tickets to a screening at the Metropol cinema. She and her friend Kathy arrive to a crowded theater along with many other theatergoers. One of the other women arriving at the cinema scratches her face with a strange and unusual mask in the lobby. As the film begins playing, the woman’s scratch turns her into a horrific and monstrous demon, and she escapes into the theater, murdering others and turning them into demons as well. Cheryl and another man at the theater, George (Urbano Barberini, Casino Royale, Opera), are forced to defend themselves as the oncoming onslaught of creatures threaten to rip them apart and send the Earth into an unholy apocalypse.

This is another foray into Italian horror from the legendary Dario Argento, who put a lot of work into creating Demons. The screenplay, which he contributed to, creates a strange and mysterious mythology which drew me in as I put the pieces together.

I also want to talk about the incredibly fun heavy metal soundtrack with music from Billy Idol, Motley Crue, Rick Springfield, and Saxon. I have no idea how the music worked its way into the movie, but it does create a unique tone for the film that is unexpectedly more fun.

Now, I still don’t like the ADR voice work here. I understand it is the way that Italian horror cinema was back then, but it did pull me out this time, whereas it didn’t completely pull me out of Suspiria. I think that’s the big difference between two film: the directors. Argento’s directing of Suspiria was cold and calculated, and each drop of blood meant something. Bava (who is the son of Mario Bava, director of Twitch of the Death Nerve) doesn’t have the same experience to keep his film higher-brow, and it shows as the movie devolves into an epic splatter-fest.

I also would’ve cut out the punks driving around for half the movie and then joining the carnage. It doesn’t add anything to the movie and just pulls you out. It’s more fun to not know what’s happening in the outside world.

demons1985b

Demons has some great elements, and a lot of it worked for me, but there were definite mistakes made by an inexperienced director. Thankfully, Lamberto Bava was tutored by Argento, which elevates certain elements of the film. I think that Demons is a great starter course for these kinds of film, so check it out if you can find it. I had a lot of fun, and I think that’s what the film wants.

 

3/5

-Kyle A. Goethe

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