Avengers: Endgame (2019)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Josh Brolin, Benedict Wong, Jon Favreau, Gwyneth Paltrow

Screenplay: Christopher Markus, Stephen McFeely

181 mins. Rated PG-13 for sequences of sci-fi violence and action, and some language.

 

Well, here it is. I’m going to try not to use the word culmination like everyone else has, but I cannot make any promises. This is the end of The Infinity Saga, the twenty-second film in the Marvel Cinematic Universe. The culmination-dammit…

Tony Stark (Robert Downey Jr., Sherlock Holmes, Chef) is drifting through space with Nebula (Karen Gillan, Jumanji: Welcome to the Jungle, TV’s Selfie). On Earth, what’s left of the Avengers have collected at the compound, unsure of what to do next. Thanos (Josh Brolin, No Country for Old Men, Deadpool 2) succeeded in his plan, obliterating half of the universe in a single snap of his fingers. As they each come to terms with the enormous loss that they and the universe have incurred, an old ally appears with an idea, a crazy crackpot idea that has no chance of working. Well, almost no chance. The Avengers, or what’s left of them, assemble on one final attempt to fix everything, and if they fail, they’ll do that together.

I’M TRYING TO AVOID AS MANY SPOILERS AS I CAN, BUT BE WARNED THAT  A REVIEW LIKE THIS WILL ALWAYS HAVE SOME SPOILERS. SEE THE FILM FIRST IF IT CONCERNS YOU.

THIS IS YOUR SPOILER WARNING.

Avengers: Infinity War set up an almost impossible task. Let’s give the villain his own movie and test out characters like they’ve never been tested before. I think that’s the importance of the Avengers franchise of the MCU. Much like any team-up movie, I think it’s important to have the team tested in a unique way, and they should almost always come out of the film with more people on the team or less, because that’s one of the only ways to change the story trajectory. Well, Infinity War had tested the Avengers, and they certainly came out of the film with less characters, but it was also an even bigger test for Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) as well as the writing team of Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain), who now had to bring in the fourth Avengers film on a solid landing and end the story. We knew that they had to do something to save some of the dusted Avengers. Hell, there was a Spider-Man trailer out weeks before the film’s release, and even though we joked about it possibly set before Endgame, everyone knew that Sony would not let Marvel kill their most popular character. Certainly, Black Panther’s story would not end after one solo film, but how was this all going to happen, and what’s the cost?

So let’s start with that impossible task. Knowing all the things that had to happen in the follow-up, it’s incredible how the Russos and the writing team actually pulled it off and made it captivating, exciting, and heartbreaking. From the shocking opening of the film to the final act, a dauntingly epic ending that takes up a large chunk of the film’s three-hour runtime, Avengers: Endgame just cruises on by. In a lot of ways, it’s the flipside of Infinity War’s coin, and it’s a good thing that they changed the titles from Infinity War Part 1 and 2 because as much as they rely on each other, Endgame is a completely different film, and that’s why it works so well. Infinity War was a film that gave each of its characters at least one moment to shine, and Endgame does that too, but Endgame even gives each film before it time to shine. There’s references to Iron Man 3 in this film and Thor: The Dark World, two films that don’t even end up in the upper 80% of most MCU fan rankings of the franchise (full disclosure, though, I love Iron Man 3). It’s a love letter to the 11 years of this franchise and the fans that stuck with it for so long.

The performances from the entire cast are solid, but I want to discuss the ones that I think deserve to be discussed, good or bad. Let’s start with Robert Downey Jr. His performance here is a series best (quite a feat for the actor that has not beaten Hugh Jackman for most appearances as a superhero in a franchise), even better than Tony Stark struggling with PTSD in Iron Man 3 (see, I love that one). There, he’s dealing with the knowledge he obtained in The Avengers that Earth is not alone in the universe, and now, he’s dealing with the failure in saving billions or trillions of lives. He becomes weak, and he cannot hold blame. He keeps going back to wanting to put a suit of armor around the world with Ultron. He’s beaten and broken and still hasn’t forgiven Steve Rogers (Chris Evans, Gifted, Before We Go) for abandoning him even though he is just as responsible. He’s also dealing with the loss of Peter Parker on Titan. Tony needs some hard truth at this point on his journey, and he gets it in Endgame.

Steve Rogers watched many of his friends die right in front of him. He’s a man who fell out of time into a confusing one and did the best he could, but he comes to realize that his failure to stop Thanos has hit him just as hard as Tony, but in a different way. He’s running a group that helps people to cope with the loss, and he’s going just as much for himself as anyone else. Chris Evans consistently does the impossible with Steve Rogers/Captain America; he makes this superhero a human. He makes the goody-goody Rogers an actual human being, with plenty of flaws and pain. This is the story that tests him and his need for hope, and there’s no one I’ve seen outside of Christopher Reeves playing Superman that embodies that struggle for hope so well.

Natasha Romanoff (Scarlett Johansson, Her, Sing) has taken control of the remaining Avengers, and she’s stopped taking care of herself. She’s dealing with the loss by diving into work, hunting down a rogue Avenger who needs her help, but she’s sputtering on exhausted wheels. She’s just looking to make right on a career filled with wrongs. All the bad things she has done before finding her home with the Avengers have led her here, and she couldn’t do anything about it.

This is a film that gives Mark Ruffalo (The Kids Are All Right, Now You See Me 2) so much to do with the Hulk character, probably the most unique shift for the character in the MCU, and he does a spectacular job with it. It isn’t what I would have done, but I admire the character arc he takes.

One character that doesn’t get much to do is Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong). This is a man who lost his father still very recently, his brother died in front of him, and half of his people are slaughtered after losing their home. He’s another hero dealing with failure. He should have aimed for the head. He came so close to saving everyone and then he didn’t. He should be dealing with the most pain of anyone in the story. Instead, he is used more so for comic relief than anything else. I get it, Chris Hemsworth is really funny, but I know he can play to drama as well. He just doesn’t get the emotional beats that I wanted him to have. It’s similar to what is done with him in Infinity War, where he just doesn’t get the time to develop his trauma. His alcoholism in Endgame could have some serious consequences and bearing on him, but it just doesn’t.

Lastly, I want to talk about Karen Gillan’s performance as Nebula. I’ve never been a big fan of the character, either the way she’s written or the performance. Nebula always reminded me of a fly that comes in the window in the middle of the night when you’re trying to sleep. You swat and swat and just can’t get rid of her. In Endgame, though, her character is expanded upon so much more because of how we see her and the presentation of how far she has come as a character since we saw her in Guardians of the Galaxy vol. 2. People forget that vol. 2 takes place just a few months after the first one, so it’s been a long time since we’ve really seen Nebula in the MCU, and Gillan’s subtle broken performance is terrific.

From behind the lens, the Russos directed the hell out of this thing, and there’s a lot to be said about the strength of their storytelling as it has evolved over the years. Their cinematography is so clean, especially when it needs to be, in some of the heavier action set pieces. It’s safe to say that there’s a lot going on in this film; there has to be, but the way the Russos keep the focus on where it needs to be to progress the story is great, and the way they handle the set pieces are very focused and strongly laid out. There’s a heavy possibility, especially in the third act, to lose sight of what’s going on and where we’re at from a narrative perspective, but they never let the film lose sight of its goal, a tremendous feat.

With that visual storytelling comes the editing, which is very strong. The film never feels long. It’s the enjoyment factor, no doubt, but clocking in at just over three hours, the film almost should feel long, but it doesn’t. Not once. After seeing it twice, I can say with certainty that there’s only one scene I would cut earlier in the film to tighten it more, and it probably would only save 30 seconds or so.

No offense to Danny Elfman, but I’m really happy to hear Alan Silvestri’s score here after being absent from Age of Ultron. Silvestri’s score takes notes from The Avengers and especially from the ending of Infinity War, but it dives deeper into the depression, loss, and hope that permeates the film, and his score has a note of finality to it. If this is indeed the last time we’ll see some of our favorite heroes, Silvestri sends them out on a high note.

Avengers: Endgame accomplishes the most difficult task assigned to it. It has an ending. This is the end of a big part of this franchise without feeling the need to really set anything else up. For the most part, there isn’t an MCU film that hasn’t had the need to at least set up something in the end credits, but not Endgame, and that’s a strong and restrained decision because the film should speak for itself and everything that comes before it, and boy does it have a lot to speak on. This is an absolute cinematic achievement, and barring a few small hiccups, it comes off without a hitch. The ending raises some questions that we won’t really have answered until Spider-Man: Far From Home (the true last film in Phase 3), but beyond all that, I loved watching this movie and cannot wait to see it again, if only to catch some more of the blink-and-you’ll-miss-it moments. If you haven’t yet, then seriously, why not?

#ThanosDemandsYourSilence #Don’tSpoilTheEndgame

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Joe Johnston’s Captain America: The First Avenger, click here.

For my review of Anna Boden and Ryan Fleck’s Captain Marvel, click here.

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Leythum’s A Funny Thing Happened on the Way to Thor’s Hammer, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

For my review of Anthony and Joe Russo’s Avengers: Infinity War, click here.

Deadpool 2 (2018)

Director: David Leitch

Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy

Screenplay: Rhett Reese, Paul Wernick, Ryan Reynolds

119 mins. Rated R for strong violence and language throughout, sexual references and brief drug material.

 

When Deadpool hit cinemas back in 2016, it was something of a surprise juggernaut, claiming a ton of box office and terrific critical reviews in the process, something that I think shocked just about everyone from the cast, crew and studio as well as fans and filmgoers everywhere. That’s not to say that they didn’t work hard to get the film as right as possible, but the original Deadpool ends up on many lists of Best Superhero Films of all Time just two years after coming out. People loved it.

So Deadpool 2 had a lot to live up to. With the loss of original director Tim Miller, David Leitch (Atomic Blonde) stepped in and took over. With all that, how did the movie end up?

Rest assured that Deadpool 2, despite horrific deplorable violence and naughty words, is a family movie. Kind of. Wade Wilson (Ryan Reynolds, Buried, The Hitman’s Bodyguard) has been busy taking out the baddies every day and spending his nights with the love of his life, Vanessa (Morena Baccarin, Serenity, TV’s Gotham). But when Wade’s life drastically changes, he is forced to search for meaning. A time-traveling soldier named Cable (Josh Brolin, No Country for Old Men, Avengers: Infinity War) comes back from the future to kill a kid who calls himself Firefist (Julian Dennison, Hunt for the Wilderpeople, Paper Planes), Wade assembles a team of heroes, the X-Force, to stop him.

There’s so much happening in Deadpool 2 that its pacing slows down at times and not every sequence works, but the biggest problem of the film comes from its inciting incident. There’s a lot of time in the original Deadpool devoted to Wade’s driving force and motivation. In fact, it’s one of the areas where the original film even avoids lampooning itself. There’s some events early on in Deadpool 2 that essentially throw the whole first film out in some ways, cheapening it. Now, without getting spoilery, it’s tough to dive too much in. What I will say is that these issues lessen on multiple viewings, especially so in the Super-Duper Cut of the film, but on initial viewing, it’s a little rockier of a film.

The new additions to the cast, especially Brolin’s Cable and Zazie Beetz (Geostorm, Slice) as the lucky mutant Domino, steal a lot of scenes. Cable gets to drive the mythology really well, and I was someone who wasn’t really for Brolin in the role. Don’t get me wrong, I thought he’d be fine, but he wasn’t my first choice. I’m happy to say that I was wrong and Brolin was perfect for both the role and the chemistry he has with the others in the film.

Domino is another character that I didn’t really know would work until I saw the film. From the moment she appears, though, Beetz’s portrayal as an almost sisterly ball-breaking of Wade is phenomenal. Her action sequences are so much fun to watch as well, way better than I had anticipated.

We should talk about the X-Force stuff. I went into this movie knowing that the next adventure for Deadpool (not counting Once Upon a Deadpool) would be X-Force, and there was probably going to be some buildup in this film for it, but the way X-Force is used is amazing and unexpected. Wade even hires a normal man named Peter who has no special powers but he does have a damned good LinkedIn page (which actually exists, by the way) is really funny.

The style of the film is a little less-restrained than the original (if the first film could be called restrained) but the usage of little bits like bringing in Celine Dion to sing the theme song “Ashes” and treating the opening of the film like a James Bond film is really special and memorable. The most important aspect of the Deadpool films has been the laughter and comedy and these are areas where Leitch and Reynolds pull the most out of the screenplay.

I think Deadpool 2 has more flaws than the first film. There’s some story choices and some tonal choices that don’t work as well as I would have liked. The ending is a little underwhelming and predictable. That’s true, but the rest of the film is exemplary. The way it subverts expectations is a lot of fun, and the chemistry between Reynolds, Brolin, and Beetz is the central win of the film. If you missed Deadpool 2 earlier this year, give it a go. It’s a worthy sequel.

 

4/5

-Kyle A. Goethe

 

 

For my review of Gavin Hood’s X-Men Origins: Wolverine, click here.

For my review of Matthew Vaughn’s X-Men: First Class, click here.

For my review of Bryan Singer’s X-Men, click here.

For my review of Bryan Singer’s X2: X-Men United, click here.

For my review of Brett Ratner’s X-Men: The Last Stand, click here.

For my review of James Mangold’s The Wolverine, click here.

For my review of Bryan Singer’s X-Men: Days of Future Past, click here.

For my review of Bryan Singer’s X-Men: Apocalypse, click here.

For my review of Tim Miller’s Deadpool, click here.

For my review of James Mangold’s Logan, click here.

For my review of David Leitch’s Atomic Blonde, click here.

 

For more Almighty Goatman,

Avengers: Infinity War (2018)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwich Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Screenplay: Christopher Markus, Stephen McFeely

149 mins. Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

IMDb Top 250: #37 (as of 9/1/2018)

 

Well, it happened. I almost cannot believe it, but it happened. After 10 years and numerous storylines, everything in the Marvel Cinematic Universe has culminated in this.

Let me say that word again: culminated. I like that word.

So a lot has happened. I’ll try to sum it up as quick as I can.

Thanos (Josh Brolin, No Country for Old Men, Sicario: Day of the Soldado) has one goal driving his very being: to collect all six Infinity Stones. He already has one, but to get the others, he will have to go through the Avengers, Earth’s Mightiest Heroes. The Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) and Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong) are quickly dispatched, Thanos sends his minions, The Black Order, to Earth to search for the remaining Earthbound stones while he finds himself facing off with his daughter Gamora (Zoe Saldana, Avatar, My Little Pony: The Movie). Now, it’s a fight to protect the stones from the increasingly more dangerous Thanos as the Avengers team up with the Guardians of the Galaxy, Doctor Strange (Benedict Cumberbatch, The Imitation Game, The Child in Time), Spider-Man (Tom Holland, The Impossible, Pilgrimage), Black Panther (Chadwick Boseman, 42, Marshall), and others, but do they even stand a chance?

Avengers: Infinity War almost needs to be looked at differently than other films. My goal here and in all my reviews is to look at each within the context that it exists. When I watch a horror film, I look to be scared, thrilled, or shocked. When I watch a comedy, I look to laugh or smile. When I watch a Uwe Boll film, I look to hate myself at the end. Context.

So Avengers: Infinity War needs to be looked at on its own terms as well as how the film changes and shapes the characters in this universe. It’s a season finale of sorts, and it does an incredible job of juggling so many character arcs and stories that have existed within the confines of ten years of storytelling.

Let’s start with the most important arc in the film: Thanos’s. Josh Brolin does the performance capture justice in his work as the Mad Titan. We spend more time with Brolin’s character than anyone else in the film, and for that reason, this is very much Thanos’s film. He’s the protagonist. He is the one with the goal who initiates the action, and our heroes are only trying to stop that mission. He is a believably insane tyrant who moves from planet to planet wiping half of the population out in order to restore order. It’s a crazy idea but he believes it wholeheartedly which makes him all the more frightening. He’s well-written, thoughtful and menacing. There are of course a few similarities to Kurtz from Apocalypse Now or its source novel Heart of Darkness. It’s mostly surface level but it also works pretty well and helped me to understand how his mental faculties would lead him to such a sinister mission.

The rest of the cast get mixed amounts of time, most of them only about 10 minutes onscreen with the biggest characters getting closer to 30 minutes. Thor has one of the better arcs, especially following the opening of the film. He has vengeance in his heart and a plan to stop Thanos. He joins up with Rocket Racoon and Groot to accomplish his mission and it’s an enjoyable and important set of sequences. I would have liked to see a bit more emotion from Hemsworth as the film goes on but he kind of falls back to comedy as a backup.

Mark Ruffalo also gets a lot of time with his journey, especially considering that he spends a lot of the film not being the Hulk. We see a side of both of them that I’m not sure we’ve seen before, and it’s the first time in a while that we see Banner having to deal with not turning into the Hulk.

It’s also nice to give some more time to Gamora, who has gotten some development in the Guardians of the Galaxy films but always as a companion to the others. Now, she has a really interesting relationship with father Thanos. I just wish more time would have been given to further develop the two.

Directors Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) and screenwriters Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain) developed what was later termed as strange alchemy, the forcing together of characters that don’t usually spend any time together. This idea works really well and is a large portion of what makes The Avengers films so fun and so anticipated. It’s what I’m looking forward to more than anything else for next year’s Avengers: Endgame.

The Russos did a tremendous job of weaving all of these story threads together while never once sacrificing the flavor that comes with each film. I love that they devoted time to ensure their film would not be ruined for viewers who were not there on opening night. Each of the separated groups further the problem that this team works best together but now they are caught up in different parts just trying to plug a leak, essentially, and these directors and screenwriters never let the story dry up or get stale.

Avengers: Infinity War is not a perfect movie. The ending, upon a second viewing, doesn’t really feel like it has stakes (though that may change next year), and some more character development would be much appreciated, but overall it accomplishes its goals and in context of what the film is trying to be, it succeeds in almost every way. This is an event film if there ever was one, and it is endlessly re-watchable. If you haven’t seen the film yet (and don’t kid yourself, yes you have), then what are you doing? Go. Now. Watch it.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russos’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

 

For more Almighty Goatman,

[Early Review] War for the Planet of the Apes (2017)

Director: Matt Reeves

Cast: Andy Serkis, Woody Harrelson, Steve Zahn

Screenplay: Mark Bomback, Matt Reeves

140 mins. Rated PG-13.

 

War for the Planet of the Apes opens tonight, but I got a chance to catch it earlier in the week following a rewatch of the previous two installments. Rise of the Planet of the Apes is one that I enjoyed, but it has since really grown on me a lot more. Dawn of the Planet of the Apes is one I already loved but seeing it again on the big screen only increased my respect of the film. So what about War?

Matt Reeves (Let Me In, Cloverfield) returns to helm this third chapter in the rebooted Planet of the Apes franchise. In it, Caesar (Andy Serkis, The Lord of the Rings: The Fellowship of the Ring, The Adventures of Tintin) leads a vengeful rampage after his home is attacked by a team of human soldiers led by The Colonel (Woody Harrelson, No Country for Old Men, Wilson). Along the way, he comes across a mute little girl and a new ally nicknamed Bad Ape (Steve Zahn, Dallas Buyers Club, Captain Fantastic) in his mission to take out the human threat, but he underestimates the horrifying tactics the Colonel is willing to use in order to save the human race and keep Earth from becoming a Planet of Apes.

Damn. War for the Planet of the Apes is absolutely incredible. It’s so rare to find a trilogy in which each installment gets better and better, but this Caesar trilogy actually does it. Even the second and third installment, both from director Reeves, prove to be different films that each tell a different story with a different flavor. The first film is a film about the dangers of science and the mistakes of hubris. The second film is a Shakespearian tragedy about leaders trying walking a dangerous tightrope in effort to avoid conflict. With this third film, Reeves hits elements of classic Westerns while also hitting homage to Apocalypse Now and other classic war films.

The performance from Andy Serkis and Steve Zahn using motion capture is unmatched, as are the other MoCap performers, but it is the scenes Serkis shares with Harrelson that create electricity on the screen. You forget that you are watching a MoCap performance here, and it is incredibly engaging and moving.

There’s also the element of Donkeys that Reeves uses in the film. War features apes, remnants of Koba’s faction, who fight for the humans, termed Donkeys. The interesting parallels created by Reeves and co-screenwriter Mark Bomback are interesting, intense, and unlike anything I’ve seen in recent memory.

War for the Planet of the Apes is another fantastic release in 2017. It is the end of an amazing trilogy, one of the best ever put to screen. You need to see this movie for its incredible performances, the gorgeous cinematography, and the unbelievable advances in motion capture. It’s an experience I’m not likely to forget, and with the exception of a little pacing in the second act, it’s a near-perfect film.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Rupert Wyatt’s Rise of the Planet of the Apes, click here.

For my review of Matt Reeves’ Dawn of the Planet of the Apes, click here.

The Hunger Games: Mockingjay – Part 1 (2014)

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Director: Francis Lawrence

Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Julianne Moore, Philip Seymour Hoffman, Jeffrey Wright, Stanley Tucci, Donald Sutherland

Screenplay: Peter Craig, Danny Strong

123 mins. Rated PG-13 for intense sequences of violence and action, some disturbing images and thematic material.

 

Of all the young adult post-apocalyptic stories currently drowning our theaters, The Hunger Games is definitely at the top of my list. The list is of good quality work, and the list is small. At just over two hours, the newest film in the franchise, The Hunger Games: Mockingjay – Part 1, takes the series in a new direction while setting up the final climactic piece to this series, but does it work?

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Yes and no.

Katniss Everdeen (Jennifer Lawrence, Silver Linings Playbook, X-Men: Days of Future Past) has escaped from the Third Quarter Quell Hunger Games intact, and now she finds herself in the midst of a major rebellion against the Capitol and the insidious President Snow (Donald Sutherland, The Italian Job, Horrible Bosses). Her on-again-off-again real-but-also-kind-of-fake boyfriend Peeta Mellark (Josh Hutcherson, Bridge to Terabithia, Epic) has been captured and might be dead. She is joined in her quest to take down Snow by friends Gale (Liam Hemsworth, The Expendables 2, Empire State) and Haymitch (Woody Harrelson, TV’s True Detective, No Country for Old Men) as well as the rebellion leader President Alma Coin (Julianne Moore, Magnolia, Non-Stop) and her second-in-command Plutarch Heavensbee (Philip Seymour Hoffman, Capote, Doubt). Does Katniss have what it takes to be the face of a rebellion, and can she save the ones she loves from the dark and powerful Capitol?

First of all, I must say that I was in agreement about making Mockingjay into two films. Having read the book, I found that there was a lot of material to be mined from it and I couldn’t see a logical place to cut it without it feeling rushed. That being said, I felt that the area they could’ve beefed up and gone into more were not. We are thrown into the film without have a few minutes to start connecting the dots. I spoke to some views who hadn’t read the books to question their thoughts and they felt as though a little more prologue or something to bring the story into its frame of reference would’ve been appreciated. We also could have spent more time with some of our new characters and there are a lot of them, virtually all of them in this film. We could’ve developed Liam Hemsworth’s Gale as more than just a good-looking fella. There is some action for Hemsworth in this picture but it doesn’t feel as exciting because frankly we don’t know his character like we should.

Now, this movie isn’t bad, don’t think that’s where I’m going with this, but it could’ve had better pacing and more to it. We get some great work from J-Law here as Katniss, and some awesome work our second tier players Moore, Hoffman (in the last performance before he was taken from us), and Harrelson.

Director Francis Lawrence (I Am Legend, Water for Elephants) handles the material well, but I don’t think he added as much from a stylistic perspective as he could have. Think about the latter Harry Potter films, the ones directed by David Yates. Each Yates film in the series, although directed by the same man, has a different feeling and a wholly unique style. I could see a moment from Yates’ film and know which film it is. I don’t feel like F-Law has learned anything from last year’s The Hunger Games: Catching Fire, which he should have. Again, not really a flaw, just a notice.

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The problem with most of these films is that they are intended to be viewed as a whole, so when The Hunger Games: Mockingjay – Part 2 is released next year, I will take a look back at this first installment (or third, technically) and see how it holds up as a complete saga. Mockingjay – Part 1 is a strong and powerful entry in The Hunger Games saga. There are some truly great moments in this film, and we get a wide array of awesome performances and a lot of tension building for next year’s finale. It is, however, a step down from Catching Fire.

 

4/5

-Kyle A. Goethe

[Happy 5th Birthday!] 2012 (2009)

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Director: Roland Emmerich

Cast: John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Thandie Newton, Danny Glover, Woody Harrelson

Screenplay: Roland Emmerich, Harald Kloser

158 mins. Rated PG-13 for intense disaster sequences and some language.

 

So 2012 came and went. We survived. This movie is now forfeit. My review of 2012 begins now.

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Our movie starts in 2009 as Adrian Helmsley (Chiwetel Ejiofor, 12 Years a Slave, Salt) discovers solar flares that somehow mean that the world is going to come to an end (I doubt the 45 minutes of expository science boils down to much). He makes Carl Anheuser (Oliver Platt, X-Men: First Class, Chef) and President Thomas Wilson (Danny Glover, Saw, Bad Ass 2: Bad Asses) aware of the Earth’s impending doom, and a plan is set into motion to do as much as possible to begins saving lives.

Flash forward to 2012. Jackson Curtis (John Cusack, Being John Malkovitch, The Bag Man) is a failing novelist who wishes to spend the weekend with his kids at Yellowstone. There, he comes across Charlie Frost (Woody Harrelson, No Country for Old Men, The Hunger Games: Mockingjay – Part 1), a crazed conspiracy theorist who knows all about the end of the world. Then, the world starts ending.

2012 is a movie that you can get drunk with some friends and just watch things get destroyed. It is also a horrible movie signifying the death of director Roland Emmerich’s career (he had already decided to make this his last disaster movie, which leads me to the theory that he might’ve just made a list of all the shit he wanted to destroy before he quit it for good).

The effects are a true spectacle here. They are incredible. Although, I still found visual effects that created major plot holes in the sense that it seems that the Earth is hollow. This is a shitty movie. That’s all I can say here.

I like John Cusack and the rest of the cast here. I can at least see that they are having fun, and that’s all this movie really boils down to. There isn’t a lot of merit to be thrown around.

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When it comes down to it, I think 2012’s cult following will pick up soon, and people will enjoy it for what it is: a movie so bad it’s kind of fun. Not good, but fun-ish.

 

2/5

-Kyle A. Goethe

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