Neil Gaiman’s Sandman May Actually Happen with Netflix and WB

News and reports of a Sandman film or TV series have ebbed and flowed around the entertainment world for so long that it seemed we would never get an adaptation, and Sandman would find itself among The Crow remake and other development hell projects, but now the possibility of a Sandman series has been reinvigorated by a new deal between Netflix and Warner Bros. Television.

Details are still sketchy, and I’m not going to confirm anything outside of hearing and rumors, but this sounds like the real deal. There is no episode count in any of the reports. What is mentioned is that the series looks to be the most expensive DC Entertainment series ever made.

The last we heard of a Sandman film was with Joseph Gordon-Levitt spearheading the project, but he left a few years back over creative differences, amounting to the fact that he believed the project would be best suited for a series with a big network push. His wish has come true apparently.

I’m very excited, even as someone who hasn’t delved into Sandman much, but it appears that I should get started reading now that we have an actual series seemingly coming together. Stay tuned for more.

So what do you think? Should there be a Sandman series at Netflix or is there a better home for the project? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Netflix Nabs Film Adaption of Ubisoft’s The Division

We’ve been hearing murmurs of a film adaption of the Tom Clancy video game The Division for a little while now, and it appears the film has found a distributor in Netflix.

The film will star Jake Gyllenhaal and Jessica Chastain and is set to be helmed by Deadpool 2 director David Leitch.

It’s exciting to see Netflix making another big play in acquiring a video game adaptation. Properties like The Division feel like an easier transition from video game to film, and I personally think that hardcore gamers who see The Division pop up on their Netflix queue would have no reason not to give it a try.

But it also has that Tom Clancy name on it, a property title all its own. Film adaptations of Clancy’s books have been profitable, so it will be interesting to see if this one can corner markets of viewers from multiple streams of entertainment. I think it’s a power play that is set to do well.

The game tells the story of a pandemic moving through New York City in which the city turns to chaos and riot. It is not known what character Chastain would be playing but Gyllenhaal will be an agent within the Strategic Homeland Division who will be working to quell the chaos and outbreak.

So what do you think? Did you play The Division? Will you be tuning in for the film on Netflix? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[31 Days of Horror Part V: A New Beginning] Day 7 – Hush (2016)

Director: Mike Flanagan

Cast: John Gallagher Jr., Kate Siegel, Michael Trucco

Screenplay: Mike Flanagan, Kate Siegel

81 mins. Rated R for strong violence/terror and some language.

 

When Maddie (Kate Siegel, Hot, Oculus), a writer working on her follow-up novel, stays in her isolated home to find solitude, she is not prepared for the horrific night that awaits her. Maddie is deaf due to a childhood illness, and she cannot hear the killer who taunts her from outside. This killer is a man looking to play a game of cat and mouse, and Maddie is his next target. Maddie must use her remaining senses to keep herself safe and stop the killer from collecting another victim.

I met Mike Flanagan (Gerald’s Game, Ouija: Origin of Evil) once at the premiere for his film Absentia, and while I’ve never shied away when I have issues with his work, I found Hush to be a very capably put together little horror/thriller. It’s concept is simple and that’s what makes it so compelling. His direction is clean and unwavering, maintaining focus on Siegel’s Maddie as often as possible. This single-setting film works very well and cruises through its tight run time.

John Gallagher Jr. (10 Cloverfield Lane, Peppermint) plays the killer quite well in a way I haven’t seen him yet. From all the work I’ve watched of his, I’ve never seen him embody menace in such a way. He is a terrifying presence. Michael Trucco (Next, The Bye Bye Man) also appears in a small but crucial role as a next-door neighbor looking for his missing spouse.

While not everything works perfectly in Hush, the film is brisk, exhilarating, painful, and enticing. Mike Flanagan uses his single-setting and small cast very nicely, never going for full-blown mayhem and instead focusing on the silence of the hunt. Maddie grows and evolves as the film’s runs along, making her a formidable foe to the masked killer.

Hush is one to watch for. If you missed it when it soft-dropped n Netflix in 2016, please take some time to check it out. The risk is minimal and you may find it quite enjoyable like I did. If you don’t, eh, it’s only 81 minutes.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Mike Flanagan’s Absentia, click here.

For my review of Mike Flanagan’s Oculus, click here.

For my review of Mike Flanagan’s Ouija: Origin of Evil, click here.

 

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Kyle’s Top Ten Films of 2017

 

Hey folks, another year has come and gone and here we sit, at the end of it, looking back on what was. 2017 had some truly great films and I’m going to count down my top ten today.

Just a couple notes before we get into all this:

  • These are my personal top ten films of the year from the many I have seen. I judge the films from my list in their success as a film in what they are trying to accomplish.
  • I haven’t seen all the movies released in 2017. If you read this list and find that something is missing, let me know, drop a comment, and start the conversation. Everyone loves a good recommendation.
  • Due to some of the heavy-hitters of Oscar season still on the way, this is a tentative list and it will change as more limited release films open up.

There, with all that out of the way, my Top Ten Films of 2017.

 

  1. Wind River

-I was not entirely excited about Wind River. That’s not to say anything wrong about the marketing, but I didn’t know anything about it and, living in an area with intense cold several months of the year, I wasn’t all that interested to see it in the summer. Thankfully, my other plans fell through and I ended up at the theater. Wind River is the powerful tale of a murder on an Native American Reservation and the unlikely duo who team up to solve the mystery. It’s been said a lot but this is Jeremy Renner’s best performance of his entire career. Screenwriter Taylor Sheridan (Hell or High Water, Sicario) jumps into the director’s chair this time around and crafts a tightly-paced and shocking look at these characters and their world. It’s emotional, exciting and thought-provoking in every stroke.

 

  1. Star Wars: The Last Jedi

The Last Jedi is an incredible new addition to the Star Wars lore for the simple fact that it surprised me. I haven’t been genuinely surprised in a Star Wars film since The Empire Strikes Back. Writer/Director Rian Johnson created a follow-up that subverts expectations while simultaneously honoring what has come before and driving forward on a new path. Not everyone loved it (someone once said that the people who hate Star Wars the most are the fans) but I enjoyed it for all the reasons that others didn’t love it. It’s exciting, emotional, and funny, and I cannot wait to see it again.

 

  1. Thor: Ragnarok

-With Thor: Ragnarok, Director Taika Waititi and Marvel Studios have given the public the closest thing to a new Flash Gordon that we are likely to get. A rollicking 80s road-trip style space movie with everyone’s favorite god of thunder and his pal the Incredible Hulk,  Ragnarok embodies the best of what the MCU has to offer, an incredibly fun and riveting blast of a film that stands on its own while contributing to a larger narrative. In Hela, we get an interesting villain with ties to Thor, and new characters like The Grandmaster, the Valkyrie, and Korg keep the thrills light and fluffy.

 

  1. Okja

Okja is one of the best films that Netflix has ever released. It is a strange tale, a unique tale, a funny-at-times tale, and a heartfelt tale. It’s the story of a girl and her superpig Okja. The company that created Okja , Mirando, has invested a lot of money in crafting a creature that is environmentally conscious with a minimal carbon footprint that tastes great, and now they plan on harvesting Okja to make billions for themselves, but Mija is not about to let the company take her friend. The film is one of the weirdest I’ve seen in a long time, but thanks to top-notch directing from Writer/Director Bong Joon-Ho from a great screenplay by him and Jon Ronson, Okja is a powerful ride from beginning to end.

 

  1. Dunkirk

Dunkirk is a film made for the theater experience. I was lucky that a colleague of mine got tickets to the 70mm/IMAX presentation and I was floored by the majesty of it all. The scenes in the air were breathtaking. The sequences on the beach were thrilling. The scenes on the boat were emotional. The whole film experience was astounding. Then, I watched it again when it hit home video. The film is still exhilarating. Even with the loss of the massive screen, this is a tightly-packed narrative that has so much going on but still feels so focused.

 

  1. Blade Runner 2049

-Who would’ve guessed that a sequel to a cult classic sci-fi thriller would be good? Blade Runner 2049 is even better than the original! How the hell did that happen? Director Denis Villeneuve (Arrival, Sicario) takes what works about the original film and crafts a companion piece that stands on its own and connects really nicely to the original film. Blade Runner and its sequel become two sides of the same coin, a breathtaking double-feature that is well worth the lengthy runtime. Harrison Ford returns as Deckard and joins Ryan Gosling’s Agent K, providing some of the best work in either of their careers.

 

  1. Lady Bird

-Greta Gerwig directs Lady Bird with such realism that it brought me back to a time in my youth when I was very much like Saoirse Ronan’s Christine. This incredible coming-of-age story feels like it’s the first of its kind in a world where dozens of similar films are released each year. The terrific chemistry between Christine and her mother is palpable and real. The film wanders through Lady Bird’s life as she encounters situations that many of us have been through in this interesting semi-autobiographical look at adolescence from a fantastic up-and-coming director.  I can’t wait to see what she does next.

 

  1. War for the Planet of the Apes

-How the hell did Planet of the Apes craft one of the best trilogies of all time? How does that happen? Matt Reeves takes on his second film in this franchise following Dawn of the Planet of the Apes, and after having seen a few times, I can honestly say that War tops it. Andy Serkis is an actor who deserves performance credit for his role as the immensely complex Caesar, and he is matched on the battlefield by the chameleon that is Woody Harrelson, a man that can be joyful in one instant and terrifying in the next. Matt Reeves should be considered one of the hottest acts in Hollywood right now for his recent track record, and I look forward to his take on The Batman (if it ever does happen).

 

  1. The Big Sick

The Big Sick has been a critical darling since it was released in early 2017. The story, based on true events, is a dramedy based on the relationship of Kumail Nanjiani and his wife Emily. The movie mixes emotion and comedy to present one of the best and truest representations of love I’ve ever seen. The performances in it are all fantastic, especially Holly Hunter and Ray Romano as Emily’s parents. The Big Sick has a lot of award consideration and I’d be more than happy to see it take away some Oscars when the time comes as it hasn’t had a wide viewing outside of the general film community, and a few statues may help with that.

 

  1. The Shape of Water

-I hadn’t even heard of The Shape of Water at the beginning of 2017. In fact, it was only during an interview for The Bye Bye Man that Doug Jones even dropped he was working on a fish romance film with Guillermo del Toro that I even knew of the film’s existence but little else. Thankfully, late last year I was able to catch a screening for the film, and I just fell in love with it. I had always said that Pan’s Labyrinth would likely be del Toro’s masterpiece, but The Shape of Water is just so personal and lovely and strange and beautiful that I couldn’t get it out of my mind long after my initial viewing. Doug Jones, like Andy Serkis, won’t garner awards recognition for his work here and that’s a shame. Thankfully, Sally Hawkins, Richard Jenkins, and Michael Shannon turn in career-topping work here and the film is getting a lot of talk now. See this movie. It’s the best film of 2017.

 

Well, there you have it. These are my favorite films of the year. I look forward to #2018oscardeathrace to begin, and I may see a few favorites get knocked off as I continue catching up on what I missed in 2017, but overall, it was another great year for films. We’ll see you in 2018 (which is like, right now).

 

-Kyle A. Goethe

 

 

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[31 Days of Horror: The Final Chapter] Day 17 – Honeymoon (2014)

Director: Leigh Janiak

Cast: Rose Leslie, Harry Treadaway, Ben Huber, Hanna Brown

Screenplay: Phil Graziadei, Leigh Janiak

87 mins. Rated R for disturbing bloody images, sexual content and language.

 

I’d been meaning to watch Honeymoon for some time now. Yes, it’s because I love Rose Leslie (The Last Witch Hunter, Morgan).

Bea (Leslie) and new husband Paul (Harry Treadaway, City of Ember, TV’s Mr. Mercedes) have rented a cabin for their honeymoon. But things quickly change direction when Paul finds Bea wandering outside one night. She becomes distant and strange in her reactions and she won’t tell Paul what’s going on. It becomes clear to Paul that something horrible happened to Bea, but what?

Honeymoon is a small little horror film, but it is an extremely effective one. Leslie and Treadaway have amazing chemistry that raises the tension very well and the finale is unexpected and odd but very unnerving. It all seems a little easy to put together at times, but Honeymoon and its director Leigh Janiak aren’t hiding anything. It just feels like there’s more to it.

Honeymoon is good fun, and it’s creepy, strange, unexplained, and memorable. But best of all, it’s on Netflix. This is worth it next time you find yourself wandering the Netflix pages looking for something, anything, worth watching. I know you do it, we all do.

 

3.5/5

-Kyle A. Goethe

 

 

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The Age of Spin: Dave Chappelle Live at the Hollywood Palladium (2017)

Director: Stan Lathan

Cast: Dave Chappelle, Morgan Freeman

Screenplay: Dave Chappelle

67 mins. Rated TV-MA.

 

Dave Chappelle (Half Baked, Chi-Raq) made his triumphant return to the stand-up special this year with two shows, the first of which we will talk about today. The Age of Spin is Dave Chappelle’s show at the Hollywood Palladium and it is a doozy. Chappelle warns his audience early by telling them to “man the fuck up” because this is Chappelle at his most unrestrained. During his time on stage, Chappelle chronicles his thoughts on LA Cops, his current standing in the black community, his feud/not feud with Kevin Hart, and his examination on Bill Cosby.

The strongest part of the show is Chappelle promising to tell his audience about all four times he met O.J. Simpson. And he delivers on that promise well. The four meetings each set up another piece of the layered puzzle of Chappelle’s life. This is a comedian who is offensive, unforgiving, and most of all, absolutely hilarious.

And yet, the entire show feels like a conversation with an old friend you haven’t seen in some time. You invite him into your home (thanks to Netflix) and he catches you up on what he’s been doing as of late. It’s like grabbing a cup of coffee with a pal. Okay, maybe a smoke and a drink.

The Age of Spin is an incredible return for Dave Chappelle. He is unapologetic and his audience is all the more thankful for it. But he is respectful in his craft, pausing at the end of his show to ask for a moment of silence for the loss of Garry Shandling which occurred the same week as the taping of the special.  This is one stand-up special that stays with you.

 

4/5

-Kyle A. Goethe

 

 

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[Early Review] Okja (2017)

Director: Bong Joon-Ho

Cast: Tilda Swinton, Paul Dano, Seo-Hyun Ahn, Byun Hee-Bong, Steven Yeun, Lily Collins, Yun Je-Mun, Shirley Henderson, Daniel Henshall, Devon Bostick, Choi Woo-Shik, Giancarlo Esposito, Jake Gyllenhaal

Screenplay: Bong Joon-Ho, Jon Ronson

118 mins. Not Rated.

 

Well, have I got a movie for you today!

Okja is the story of a young girl named Mija (Seo-Hyun Ahn, The Housemaid, Monster) who lives on a farm in South Korea with her grandfather and a unique animal, a superpig named Okja. For ten years, Mija and her grandfather have been raising Okja to win a competition against other superpig farmers around the country. Mija is overjoyed when the judge, TV personality and zoologist Dr. Johnny Wilcox (Jake Gyllenhaal, Donnie Darko, Life) selects Okja as the winner. But when she learns of what will happen to Okja upon returning to the United States and to its true owner, Mirando Corporation, she sets out to free him and, along the way, gains help from Jay (Paul Dano, Little Miss Sunshine, Swiss Army Man) and his ALF (Animal Liberation Front) team. Lucy Mirando (Tilda Swinton, We Need to Talk About Kevin, War Machine), the CEO of Mirando, will stop at nothing to use Okja for her own greedy plans in this strange and unique new film from Bong Joon-Ho (Snowpiercer, Mother).

Now, I get it. Reading that synopsis wouldn’t exactly hype me for a film, and in lesser hands, I’d believe this film to be destined for failure. But with this director, I became more and more excited to see it.

And Okja has a lot going for it. With Bong Joon-Ho’s direction  and powerful writing, the cardinal message shines clear but with enough layers to make the discussion following an important one. The use of the CG superpig allows enough separation from reality for the film to make thought-provoking statements and ask serious questions behind the guise of a science-fiction adventure.

The performances here aid in crafting the unique vision presented, specifically Tilda Swinton as Lucy Mirando, a villain with motivations and an understandable approach but one that doesn’t always have the right methods to solve her problems. Then, there’s the standout work from Jake Gyllenhaal, who steals every scene as the over-the-top Wilcox, an unhinged failing TV personality who lost his fanbase years ago. Paul Dano and Giancarlo Esposito (The Usual Suspects, The Maze Runner: The Scorch Trials) also turn in great work, the latter portraying Frank Dawson, Lucy’s right-hand man, but the work from Seo-Hyun Ahn as Mija rises up to match her fellow performers. The young actress’s ability to play to a CG superpig and hold her own in scenes with much more accomplished actors is strong in its own right.

It frustrates me that a film like Okja was booed at Cannes for having the Netflix banner in front of its opening titles. The streaming giant has more than proved itself in recent years, and Okja stands among the best of their original films. I’ll say it simple: it’s the best film I’ve seen this year so far. This is a film that balances humor with deep political satire and genuinely heartbreaking moments. I don’t care if this film changes your mind on its subject matter. It didn’t completely change mine, but I’m happy for the interesting viewpoint it offers. This is one that will stick with you. It will make you believe in a superpig.

 

4.5/5

-Kyle A. Goethe

Fan Makes Unfortunate Events Trailer Better Than Entire 2004 Film!

 aseriesofunfortunateevents2016a

So a new trailer went viral for Netflix’s A Series of Unfortunate Events, a new series based on the books by Lemony Snicket. As it turns out, this is merely a fan-made trailer and not an official trailer for upcoming Netflix Original Series.

I was sad to discover that this was fan made. I enjoyed the book series up until I saw the truly abysmal 2004 misfire starring Jim Carrey and featuring one of the only performances from Meryl Streep not to be Oscar nominated.

I’ve let a link to the trailer here, so check it out and let me know what you think? Are you excited to see Count Olaf back to his ways? Will you be binging A Series of Unfortunate Events?

 

-Kyle A. Goethe

 

 

The Interview (2014)

theinterview2014a

Director: Evan Goldberg, Seth Rogen

Cast: Seth Rogen, James Franco

Screenplay: Dan Sterling

112 mins. Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence.

 

Last year, a film was made, one that almost never saw the light of day thanks to terrorism. In the course of a few days, buzz around The Interview skyrocketed after a threats were made to Sony concerning its release. Theaters around the country pulled the film and refused to show it. It was a sad day to be an artist in America. It didn’t matter what kind of art was pulled, the fact that we were afraid to express ourselves showed more weakness than I could have imagined.

theinterview2014b

But then, Sony came to the rescue. They released the film on online platforms. You can’t bomb online platforms (well, the danger was still there). Youtube released it. Netflix released it. Then, stores put it on shelves and we proved to the evils of the world that we are not going to stand for it (cue the inspirational battle hymn). Well, anyway, that happened, and it helped cement The Interview in the annals of American film history, but there was still one unanswered question: was the film any good?

In The Interview, the new comedy from directors Evan Goldberg and Seth Rogen (This is the End), we follow Rogen as Aaron Rapaport, producer for the talk show Skylark Tonight, featuring his friend Dave Skylark (James Franco, 127 Hours, True Story). The show is a fledgling one, more of a witch hunt show searching for shock and awe rather than inspirational or interesting television. That is, until they get an interview with Kim Jong-Un after finding that the dictator is a fan of the show. The two are then enlisted by the US government to assassinate the world leader during the interview and save countless lives (that’s right, it does bleed controversy).

The performances by the two leads are goofy and a little stupid, the cinematography looks cheap and a little stupid, and the pacing is way off. It’s a little stupid. With all that, the film does have its charms, but I do struggle to remember a moment where I laughed out loud. There were a few “that’s funny” moments but no guffaws. I wanted some damn guffaws.

theinterview2014c

All in all, does The Interview deserve to be remembered the way it will be? Probably not. I found it to be a goofy somewhat comedic romp with little true substance outside its controversy.

 

2/5

-Kyle A. Goethe

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