Iron Man 2 (2010)

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Director: Jon Favreau

Cast: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Mickey Rourke, Sam Rockwell, Samuel L. Jackson

Screenplay: Justin Theroux

124 mins. Rated PG-13 for sequences of intense sci-fi action and violence, and some language.

  • Academy Award Nominee: Best Achievement in Visual Effects

 

Remember way back when the MCU just had a few films and we were shocked to find that there was already a sequel? Oh wait, we were still shocked that there was a cinematic universe…

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Iron Man 2 picks up six months after the first film (running somewhat concurrently to The Incredible Hulk) as Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef) opens the Stark Expo to continue his father’s legacy to create new technology to change the world, but he is facing an internal problem: the palladium core in Tony’s arc reactor is slowly killing him. As Stark places Pepper Potts (Gwyneth Paltrow, Se7en, Mortdecai) in the role of CEO for Stark Industries, he is also faced with vengeance from a new villain: Ivan Vanko (Mickey Rourke, The Wrestler, Sin City: A Dame to Kill For), the son of a man wronged by Howard Stark, who has taken on the moniker Whiplash, to punish Tony for the sins of his father. To put it short, Tony Stark is having a rough time.

Iron Man 2 gets a lot of flack for being a lesser film than its predecessor, but I prefer it. Tony Stark is faced with a lot of conflicts in the film and it gives him the opportunity to be a good person, something he wasn’t given the ability to do in Iron Man. I enjoyed the villains in the film (again, something that others didn’t care for), and I really liked how it set up the rest of Phase 1 of the MCU. It’s strange, that same tactic was unimpressive in Avengers: Age of Ultron, but here it really worked for me.

Iron Man 2 adds so much to the mythology with new heroes Rhodey (Don Cheadle, TV’s House of Lies, Crash) becoming War Machine and Scarlett Johansson (Lost in Translation, Hail, Caesar!) showing up as Natalie Rushman. There’s the building up of SHIELD and the references to upcoming installments Thor and Captain America: The First Avenger.

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Iron Man 2 has detractors (the film hasn’t aged well), but overall its a pretty damn fun time, and while it was mostly a transitional film for the MCU as it found its footing. I liked it a lot, but I can kind of see what others don’t like.

 

4/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of Jon Favreau’s Chef, click here.

 

Sin City: A Dame to Kill For (2014)

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Director: Frank Miller, Robert Rodriguez

Cast: Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt, Rosario Dawson, Bruce Willis, Eva Green, Powers Boothe, Dennis Haysbert, Ray Liotta, Jaime King, Christopher Lloyd, Jamie Chung, Jeremy Piven, Christopher Meloni, Juno Temple

Screenplay: Frank Miller

102 mins. Rated R for strong brutal stylized violence throughout, sexual content, nudity, and brief drug use.

 

Sin City is back and at it again with four new tales of brutality and violence.

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In “Just Another Saturday Night”, Marv (Mickey Rourke, The Wrestler, Immortals) wakes up with little memory of last night’s events and tries to piece it all back together. In “The Long Bad Night”, Johnny (Joseph Gordon-Levitt, Inception, The Wind Rises), a gambler on a winning streak, attempts to win it all from Senator Roark (TV’s Nashville, The Avengers), at any cost. In “A Dame to Kill For”, Dwight McCarthy (Josh Brolin, W., Inherent Vice) gets involved with former flame Ava (Eva Green, TV’s Penny Dreadful, Casino Royale) who is in deep with the wrong people. Finally, in “Nancy’s Last Dance”, Nancy Callahan (Jessica Alba, Fantastic Four, Stretch) is still reeling from the loss of her beloved Hartigan (Bruce Willis, The Sixth Sense, Vice) and wants revenge of the men who caused his death.

Sin City: A Dame to Kill For isn’t as good as the original film. The story selection here is a lot of similar fare. Still, it is a gorgeous looking piece of noir cinema. “Just Another Saturday Night” is a great, albeit short, character piece that brings back fan favorite Marv, who appears a lot in this collection. “The Long Bad Night” is mostly entertaining even if it doesn’t really go anywhere, but I don’t agree with the decision to cut the story in two halves which appear separately in the film. “A Dame to Kill For” isn’t the least worthy piece in the film, but it doesn’t have the strength it should and doesn’t make the connection to the original film it should. Finally, “Nancy’s Last Dance” feels like it is missing something. All in all, these stories  are mostly entertaining, but they don’t weave like they should.

The performances are mostly awesome, with notable exceptions being Jamie Chung (Big Hero 6, 7500) taking over as Miho and Jeremy Piven (TV’s Entourage, The Pirates! Band of Misfits) as Bob. Both characters were previously played by Devon Aoki and Michael Madsen, and the originals were much better. Dennis Haysbert (TV’s 24, Dead Rising: Watchtower), on the other hand, takes over for deceased Michael Clarke Duncan as Manute and does well at giving the character something new while not forgetting the work put in by his predecessor.

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Sin City: A Dame to Kill For looks great and feels good, and while not being as powerful as the original film, it is still a ton of fun.

 

4/5

-Kyle A. Goethe

 

For my review of Frank Miller and Robert Rodriguez’s Sin City, click here.

[Happy 10th Birthday!] Sin City (2005)

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Director: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cast: Bruce Willis, Mickey Rourke, Clive Owen, Benicio Del Toro, Jessica Alba, Brittany Murphy, Elijah Wood

Screenplay: Frank Miller

124 mins. Rated R for sustained strong stylized violence, nudity, and sexual content including dialogue.

 

It’s pretty insane that no one decided to completely adapt a graphic novel until 2005, when co-directors Frank Miller and Robert Rodriguez released Sin City, an adaptation of the series of the same name.

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Sin City tells three main stories. In “The Hard Goodbye”, we meet Marv (Mickey Rourke, The Wrestler, Immortals), a beast of a man who has just enjoyed the best night of his life due to a beautiful blonde named Goldie. When he wakes up, she’s not breathing and he’s out for vengeance. In “The Big Fat Kill”, Dwight (Clive Owen, TV’s The Knick, Children of Men) is out to stop the dangerous drunk Jackie Boy (Benicio Del Toro, Snatch, Inherent Vice) and his friends who are on a bender in old town, where the women are in charge and the cops stay out of the way. In “That Yellow Bastard”, police officer John Hartigan (Bruce Willis, The Sixth Sense, Vice) has been paying for a crime he didn’t commit for far too long, but he has just one last mission: to protect Nancy Callahan (Jessica Alba, Fantastic Four, Stretch) from the vicious hands of a murdering, raping psychopath.

The look of this film is one-of-a-kind (or was, it has since been reproduced in several other stylized films), filmed practically frame-for-frame from the source material. For a film mostly on green screen, the film just oozes noir. Rodriguez took some extreme risks to get the film he wanted, including creating a scene on his dime to prove that it could be done. He even brought Frank Miller in as a co-director along with colleague and frequent collaborator Quentin Tarantino as a special guest director (he helped with the score to Kill Bill in exchange).

The performances are exactly where they need to be. They are gritty and goofy with a slight hint of madness, exactly what this film needed. The whole movie just works when it really shouldn’t, and it is that accidental (or genius) combination that makes this movie just perfect.

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Sin City is a film that is exactly what it needs to be, and it has survived and only looked better in the ten years since its release. The performances and visual beauty of the film could not have existed so flawlessly under a lesser director, but Robert Rodriguez had a vision, one that he shared with original creator Frank Miller, and it shines through here.

 

5/5

-Kyle A. Goethe

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