Jurassic World (2015)

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Director: Colin Trevorrow

Cast: Chris Pratt, Bryce Dallas Howard, Nick Robinson, Ty Simpkins, Vincent D’Onofrio, Omar Sy, B.D. Wong, Irrfan Khan

Screenplay: Rick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly

124 mins. Rated PG-13 for intense sequences of science-fiction violence and peril.

 

It has been 22 years since the events of Jurassic Park, and now John Hammond’s vision has been fully realized. Jurassic World has been up and running for about a decade, and has been run by Claire (Bryce Dallas Howard, The Help, 50/50) to great success. Now, though, with declining numbers, the park’s owner Simon Masrani (Irrfan Khan, Life of Pi, The Amazing Spider-Man) wants something new and bigger to boost attendance. He has enlisted Dr. Henry Wu (B.D. Wong, Mulan, Focus) with the task of genetically hybridizing a new dinosaur species called the Indominus Rex, but this new species is much smarter than they could have realized, and now a raptor trainer named Owen (Chris Pratt, TV’s Parks and Recreation, Guardians of the Galaxy) must help Claire find her nephews, Nick (Nick Robinson, TV’s Melissa & Joey, The Kings of Summer) and Gray (Ty Simpkins, Insidious, Iron Man 3), who are missing in the park.

In this third sequel to the Jurassic Park franchise, we see something that has been almost promised for just as long: a fully functioning theme park, exactly what John Hammond would have wanted. It is a completely new experience for fans of the series, and it offers a cadre of new set pieces for director Colin Trevorrow (Safety Not Guaranteed) to completely destroy.

Chris Pratt gives another leading man performance that proves he has the chops to continue raking in the dough. Now Owen isn’t played as well to Pratt’s strength, and he comes off rather wooden at the beginning of the film before really finding his character beats as the film progresses. His chemistry with Bryce Dallas Howard’s Claire is pretty strong, though the developed romance between feels way contrived in the grand scheme of the story.

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The supporting players all mostly give in to the conceit of the film and perform admirably. Our child actors Robinson and Simpkins do enough to get by, though Simpkins underwhelms when compared to previous work in the Insidious franchise and the Marvel Cinematic Universe.

Vincent D’Onofrio (TV’s Law & Order: Criminal Intent, Run All Night) is great as the slimy Hoskins who wishes to use Owen’s raptor skills to train the beasts for militaristic purposes. He is matched perfectly by Irrfan Khan’s Masrani, an eccentric billionaire very similar to Hammond and who wishes to follow in his footsteps and do right by him. The term “Spare No Expense” comes to mind several times.

B.D. Wong returns to the franchise from the original film as the genius Dr. Wu, a character much expanded upon from the original source novel by Michael Crichton. In this film, Wu defends his place in the history books as the clever mind behind many of the park’s greatest attractions.

Now the dinosaurs here as missing much of the Stan Winston touch that made them so magical in the 1993 film. They still look amazing from the terrific visual effects work, and some of them, like the mighty aquatic Mosasaurus, but it is something I missed. Looking back on Steven Spielberg’s original film, I still look in wonder at the magic on the screen, whereas here I know I am seeing CGI.

Michael Giacchino’s score is also a great feature of the film, subtly using John William’s original themes while adding notes of grandeur and chaos to reinvent it. When we first see the gorgeous set pieces accompanied by the original music, it made my heart skip a beat.

Flaws? Yeah, there are several. The use of the Gyrospheres being completely controlled by the attendees? Yeah, no safety features required there…not! This film makes several of the same mistakes that we’ve seen before, making the characters seem like they paid no attention to the mistakes made in previous installments.

JURASSIC WORLD - 2015 FILM STILL - Pictured: The Indominus rex dominates all creatures in her path - Photo Credit: Universal Pictures   © 2014 Universal Studios and Amblin Entertainment, Inc. ALL RIGHTS RESERVED.

Thankfully, the film is much saved by how great the wins are. There are several faults at play, but overall this is the best film in the franchise since the original. The little pieces of homage to the T-Rex, Spinosaurus, Mr. DNA, John Hammond, and Ian Malcolm help validate this film as a strong installment in the series that holds its own and opens new avenues for the future of the story.

 

4/5

-Kyle A. Goethe

 

 

So have you seen Jurassic World? What did you think? Did this film’s life find a way or go extinct in the process? Let me know!

 

For my review of Steven Spielberg’s Jurassic Park, click here.

 

Jupiter Ascending (2015)

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Director: Andy Wachowski, Lana Wachowski

Cast: Channing Tatum, Mila Kunis, Sean Bean, Eddie Redmayne, Douglas Booth

Screenplay: Andy Wachowski, Lana Wachowski

127 mins. Rated PG-13 for some violence, sequences of sci-fi action, some suggestive content and partial nudity.

 

I have been a fan of The Wachowskis (The Matrix, Cloud Atlas) since the original Matrix film (it took three viewings for me to properly enjoy it, but it matters not). I loved the entire Matrix trilogy, and I count Speed Racer and Cloud Atlas as two of my all-time favorite films (even if the rest of the population would rather the two films not exist), but when I saw the trailer for Jupiter Ascending, I was so excited to have the sibling directors release a new film that would draw the audience back in. For some reason, moviegoers just haven’t embraced these filmmakers since their breakthrough with The Matrix, and I was hoping for Jupiter Ascending to change that.

And then it was pushed back. Whether or not a film is good or bad, pushing it back, especially to the graveyard of the late winter months, is a death sentence. When it came out, fans gave it that death sentence. I was nervous to see the film as it has so much riding on it.

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Jupiter Jones (Mila Kunis, TV’s Family Guy, Black Swan) is an illegal alien working as a janitor with her widowed mother. She lives an unlikable life. That is, until she is swept off her feet by Caine Wise (Channing Tatum, 21 Jump Street, The Book of Life), a hybrid humanoid creature made by splicing human DNA with wolf DNA. Caine informs Jupiter that she is the inheritor of the Earth which is currently being held by the Abrasax family who each want the Earth for themselves and want Jupiter out of the picture. They seek out help from Stinger Apini (Sean Bean, TV’s Legends, The Lord of the Rings: The Fellowship of the Ring), another hybrid, who recognizes Jupiter’s importance, and the three set out to lay claim to the young woman’s planet.

Channing Tatum has really grown as a performer in the years since bursting onto the scene, and his physicality and charismatic approach to Caine really give us a unique character to connect. His chemistry with Mila Kunis’ Jupiter is pretty strong as well. Kunis is a great everywoman, even if I wasn’t quite convinced that she was a janitor.

On the other side of those performances, I wasn’t all that content with Eddie Redmayne (The Theory of Everything, Les Miserables) as the eldest Abrasax, Balem. His delivery came off in shouts and whispers but never in a cohesive way. I also absolutely hated Douglas Booth (Noah, Romeo & Juliet) phoning his performance in as the youngest Abrasax, Titus, a sensual and foolish child.

I felt the notion of water throughout this entire film. From the cinematography, where the shots all flow in such a cyclical way, like liquid through the inside of a pipe, to the action sequences, played out like the spinning of a top, everything was just gorgeously mapped out.

Michael Giacchino’s score is another win here, with elements from Star Wars and The Wizard of Oz (two major influences on the film) in his score.

Now, the pacing is a bit off, some sequences rocketing from beginning to end, while others hitting a wall and staying there, but it could’ve been a lot worse.

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The Wachowski siblings are known from creating worlds, especially worlds that cause the audience to think and interpret, and many don’t like that. Nowadays, we as an audience ask for original content and then choose not to embrace it. Audiences and critics complained about a lot of the things in this film that don’t work (the bee scene with Kunis was rather strange, I’ll admit) that they forget about all the things that work so well here. The film is not perfect, and it doesn’t stand as the toppest of tiers for these filmmakers, which is sad, because Jupiter Ascending may serve as a death knell for these original artists, especially if their upcoming Netflix series Sense8 doesn’t work as well. I hope you see this film, I hope you embrace it, and I hope you like as much as I did, or more.

 

3.5/5

-Kyle A. Goethe

 

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