Ryan Reynolds Confirms Development on Deadpool 3

We all knew it was coming, but Ryan Reynolds has confirmed that Marvel Studios is currently developing a third Deadpool film with Reynolds involved. The actor discussed the film with Kelly Ripa and Ryan Seacrest on Live with Kelly and Ryan.

Kevin Feige was recently promoted to a position where he will oversee all Marvel properties, both in and out of the MCU, and the question is still unanswered as to whether Deadpool will be a part of the MCU or stay in his own universe.

The first two Deadpool films have been incredibly successful, bringing the idea of R-rated superheroes back into public knowledge. With the sale of Fox, questions have been raised about how Disney will handle Deadpool as a character and franchise.

I am very happy to hear the news that development has begun. Now, this whole thing could still fall apart so this isn’t a confirmation that Deadpool 3 is being released, but it’s still a good sign that development is happening.

So what do you think? Is this a good sign for the Deadpool franchise, and will Deadpool stay in his own universe or join the MCU? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

Sony and Disney Save Spider-Man! Third Film Announced!

Last month, we learned that Disney and Sony had parted ways over the Spider-Man/MCU deal that they had previously reached. As reported, the original deal ended with Spider-Man: Far From Home earlier this year. Talks were taking place to continue that deal, but they ended with the two parting ways.

Now, it’s been reported that indeed a deal has been reached between the two companies to continue with one more installment, for now, to be released July 16, 2021. Part of the new deal is a Spider-Man appearance to be made at a later date (I’m guessing Avengers 5 or some variation of the Avengers series like Young Avengers or something).

This is a save-face move as well as a best possible situation for both companies, which were feeling the burn of fan hatred everywhere. I’m wondering what the number was that was reached, but I doubt we will hear about it. With all that, I’m wondering if that means that Spider-Man will still be appearing in Venom 2 as we all assumed (something that MCU supposedly put an end to), or if that was part of the deal reached.

There’s still a lot to learn about all this, but it is still huge and unexpected news nonetheless.

What do you think? Is this a good move? Wait, of course it is! Let me know anyway.

 

-Kyle A. Goethe

Kevin Feige Twists the Knife: “It Was Never Meant to Last Forever”

Kevin Feige has further broken our hearts on this Spider-Man situation, stating that he is glad for what Disney and Sony were able to do with Spider-Man but that “it was never meant to last forever.”

Early last week, it was Deadline that reported talking breaking down to continue the deal for Spider-Man in the MCU. The biggest detail that Deadline has repeatedly stuck to is that Disney wanted a 50/50 deal for co-financing the next several films with Spider-Man, something that Sony was smart to reject.

Feige’s stance on this seems to be coming from a place of covering for Disney’s overly-aggressive negotiations, and I can respect that, but it just seems to solidify that, at least for now, the deal will not be reached. It’s saddening because I’ve really enjoyed the flavor that Spider-Man and Tom Holland have brought to the MCU and I cannot wait to see where it goes next.

But I don’t think that this spells the end for Spider-Man in the MCU. I guarantee that this deal, which has been very lucrative for both companies, will not find some way to continue, even if that continuation is not immediate or takes longer than it already has. Not to mention, I don’t think that Tom Holland’s Peter Parker will be rebooted again, especially after Spider-Man: Far From Home became the highest-grossing Spider-Man film and the highest-grossing film in Sony’s history. There’s some spoilery places that Far From Home goes, and I think Sony will continue on with that story without the MCU. In fact, there’s already kind of a good setup for Spider-Man not being in the MCU within the finale of Far From Home.

So, no. I don’t think this is the last we’ve seen of Tom Holland’s MCU appearances or his take on Spider-Man, but it does hurt that, at least for the moment, it seems like negotiations have completely stopped. Here’s hoping one day they can make his deal work for both parties again.

So what do you think? Is Spider-Man better off outside the MCU, and do you think we will see Tom Holland as Peter Parker again? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

Stuber (2019)

or “A less-comedic version of Collateral”

Director: Michael Dowse

Cast: Kumail Nanjiani, Dave Bautista, Iko Uwais, Natalie Morales, Betty Gilpin, Jimmy Tatro, Mira Sorvino, Karen Gillan

Screenplay: Tripper Clancy

93 mins. Rated R for violence and language throughout, some sexual references and brief graphic nudity.

 

Yeah, I finally caught Stuber. I was invited to numerous press screenings for this film for months and something always came up. Then, I was available to go to one, and for some reason, I just didn’t. After having seen it, I understand Past Kyle’s decision.

LAPD detective Vic Manning (Dave Bautista, Guardians of the Galaxy, Escape Plan: The Extractors) has just learned that drug lord Oka Tedjo (Iko Uwais, The Raid 2, Mile 22) is planning on doing a drop, but he’s just finished with laser eye surgery and cannot drive. He enlists Uber driver Stu (Kumail Nanjiani, The Big Sick, Men in Black: International) to drive him around the city as he hunts for clues as to Tedjo’s whereabouts. The two quickly learn that they are nothing alike, and Stu desperately wants out of this situation, something that Manning is not willing to do. Shenanigans ensue.

There’s some suspension of disbelief in the action of Stuber, and in comedy, that’s something that can actually work, but the comedy needs to be there to heighten the surreal world, and that’s unfortunately something that Stuber is painfully low on. The only good laughable moments come from Nanjiani, and many of them are featured in the trailer, so you can save yourself about 90 minutes by just watching that. Nanjiani has great comedic timing, and he’s doing his best, but there’s a lot of time in Stuber wasted on funny scenes that aren’t funny and action scenes that aren’t enthralling.

Bautista is trying his best with the screenplay as well, but he doesn’t have the comedic training of Nanjiani nor does he have the acting chops to play ball here. At least not yet. I’ve been very impressed with Dave Bautista’s work in the MCU and Blade Runner 2049 and Spectre, but he’s just not working with a director that can pull that performance from him and he’s holding a lot of this film on his shoulders. They’re big shoulders, but he’s just not ready to do that yet. He’ll get there, but it isn’t in this film.

Stuber has an interesting premise, one that seems topical and could be mined for some great comedy and action, almost like a Lethal Weapon-type buddy-cop film. That’s what I was hoping for, but it just didn’t work. The writing isn’t clever, and the story was very simple (most of the “twists and turns” were easy to see coming or nonsensical), and there’s no flare to the film. It’s very one-note.

Stuber is, sadly, not good enough for its premise and doesn’t make good use of its leads. It’s a film that fundamentally doesn’t work very well and every funny moment was in the three-minute trailers. I really wanted to like it, and it just didn’t follow-through on its premise. This is one to skip.

 

2/5

-Kyle A. Goethe

Far From Home Becomes First Spider-Man Film to Hit Billion-Dollar Club

Spider-Man: Far From Home is officially the first and only Spider-Man film to earn a billion dollars at the worldwide box office. This is a major achievement for Sony, as Spider-Man is really its biggest franchise, and it’s also further proof of the power of this cinematic friendship between Sony and Marvel.

If I’m correct, Far From Home marks the end of the Sony/Marvel deal that started a few years ago, and renegotiations are probably underway already or have been discussed. I’m guessing that once a deal is struck (and I would assume a deal will be struck after the successes of Far From Home and Avengers: Endgame), we will likely see a Spider-Man 3 in Phase 4. Sony will not want to sit on this, and it would make sense not to see anything of a third Spider-Man film mentioned at the Comic-Con panel until all the signatures are in place.

There’s a couple reasons this Spider-Man was finally the one to do it. First, the Tom Holland Spider-Man has been very popular, and Far From Home is his fifth appearance in the MCU, so we’ve been with him awhile. The reviews for Far From Home have been quite good, and are coming off a successful Homecoming and a Best Animated Feature Oscar for Spider-Man: Into the Spider-Verse, so the brand name is strong.

Then there’s the Avengers: Endgame hanging over it all. A film like Endgame left us wanting to know what comes next, and it was handled quite well in Far From Home.

So yes, here’s hoping that we will see more Spider-Man in the MCU after this major achievement. So what do you think? Have you seen Spider-Man: Far From Home? What did you think? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[SPOILER CHAT!] Spider-Man: Far From Home (2019)

Hey Hey!

We are here to talk a few of the Spoilers for Spider-Man: Far From Home. If you came here by accident, click here to see my Spider-Man: Far From Home non-spoiler review.

Okay, you’ve been warned.

SPOILERS BELOW!

 

IRON MAN DEEP CUT

It’s great to see Peter Billingsley (of A Christmas Story) pop up again after appearing in an incredibly-small capacity in the first Iron Man. What I enjoy is how they were able to use a pre-existing character in a way that forever changes the way we will watch Iron Man, and that’s pretty damn cool.

 

BARF

So BARF was featured in Civil War as a system designed to use drone technology to create visual planes that one could interact with. I’m excited to rewatch Civil War to see how it plays into Quentin Beck’s master plan, which was a great reveal. I would have liked to have seen an interaction between Stark and Beck, but I get it. I love when films do this, using created lore to build upon. It seems that many of Spider-Man’s villains are tied to Tony Stark, furthering the mentor motif with the sins of the Father being visited upon by the Son.

 

AVENGERS TOWER

So there is a blink-and-you’ll-miss-it shot of Avengers Tower, which has apparently been sold, seen at the end of the film that has a sign on it saying “We Can’t Wait to Show You What Comes Next” with the numbers “1-2-3-?” on it. Many have speculated at the fun of this nod to Phase 4, but part of me questions if Phase 4 is all that they’ve been hinting at here. Who bought the building? There’s two ideas that come to mind.

I don’t recall seeing any reference to OsCorp yet in this Spider-Man iteration, so could it have been Norman Osborn. Let’s question why we haven’t seen Harry Osborn yet. Was he not Blipped and aged 5 years right into Peter’s class and we just haven’t been introduced to him yet?

On the other hand, what if it becomes The Baxter Building, thus introducing us to the Fantastic 4. I know that Kevin Feige has said we won’t see them in the MCU for some time, but what if this was thrown in real quick as a sly introduction. “1-2-3-?” could be referencing them. Even if it takes years to see them introduced, this would be a fun little send-up.

Whoever bought Avengers Tower would have to have a lot of money at their disposal, and it was purchased years before we saw it in Far From Home, so anything could be possible.

 

NO STAN

I figured we would get some Stan Lee overt reference, but no such luck. I’ve been claiming for a while that they would find a way to insert some Stan Lee material in each future MCU film, even as simple as a picture in the background, and maybe no one caught it, but I didn’t see anything either. That’s too bad, and hopefully they find a way to correct that in future films.

 

MID-CREDITS SCENE

Alright, so the mid-credits scene is literally the end of the movie, and it’s a pretty important ending that forever changes the way that Spider-Man’s story will be told.

So essentially, MJ and Peter and finishing their web-slinging date, and then, a news report comes on from none other than The Daily Bugle, in the MCU a podcast/internet radio show similar to Alex Jones apparently. J. Jonah Jameson appears, played once again by the legendary J.K. Simmons. There really is no one else to play him. He announces that Spider-Man is a killer and he has proof from Mysterio’s video feed. He also lets the video feed announce to the world that Spider-Man is PETER PARKER!

It’s an insane reveal that trumps the Aunt May reveal from Homecoming in every way. I’m not even sure how they will pick up the pieces of this moment going into Phase 4.

What’s crazy about this whole thing, too, is that J.K. Simmons is playing Jameson again. That’s the first time that has happened in the MCU, so it’s a big deal. What worries me is that it seemingly was done at the last second, so hopefully there’s more to the Jameson reveal than just the shock of it.

 

POST-CREDITS SCENE

The post-credits scene is probably the most shocking reveal of the whole movie and may confirm some of the theories about Avengers: Endgame, or it may not.

So, the scene begins with Nick Fury and Maria Hill discussing the events they’ve just been through, and then, all of a sudden, they both morph back into Talos and Soren from Captain Marvel. They’ve been Skrulls for who knows how long.

Fury is then revealed to be on a ship somewhere out in the galaxy, working with the Skrulls.

Now, let’s take this a piece at a time. In Captain Marvel, Fury is quoted as saying he doesn’t cut his sandwiches diagonally, something he later ends up doing in Avengers: Age of Ultron. Now, this could be a little continuity error, but why would anyone bring up sandwiches twice with a character like Fury. How often would Nick Fury eating a sandwich just happen to come up? That’s what makes it so interesting. I’m assuming that Talos has been Fury at least that far back.

Now, in Avengers: Endgame, many fans claimed to have seen Talos posing as a teacher in the background at the end of the film when Peter goes back to school. Now, I’ve looked at this footage in slow-mo, and I don’t think that’s Ben Mendelsohn. To back it up, IMDb has confirmed on their site of his appearance in Far From Home, even uncredited, but they have not done the same for Endgame. That doesn’t mean too much, but it is curious.

Going back to Infinity War, when Fury and Hill were dusted, does that mean it was Talos and Soren that got dusted? If so, did the real Fury and Hill survive The Blip, and will we see any of that time if they did?

During Far From Home, Fury/Talos is involved in a conversation concerning Kree sleeper cells on Earth, so does that have anything to do with why Talos is posing as Fury? There’s not much more to go on at this point, but it is interesting nonetheless.

Now, going to the second part of this reveal, where is Fury? It appears to be a ship or installation out in space working with the Skrulls. The question here is what would give Fury the ability to help the Skrulls and Talos the ability to help the humans. Outside of being cool, why wouldn’t Talos and Soren be on the ship and Fury be on Earth? What are they gaining by swapping?

Now, I’ve read some online about the installation being S.W.O.R.D., a command post operated as a space-version of S.H.I.E.L.D., which sounds cool, but forgive me if I have no idea what I’m talking about.

That sounds cool, and it kind of reaffirms the general belief that Phase 4 is going cosmic. If Fury is already out there, then it would stand that’s what is happening. Looking at the Avengers as they stand right now, there is Ant-Man, a character who can go subatomic, Doctor Strange, who can get all trippy, the Guardians, who exist out in space, Thor, who is out there with them presumably, and Captain Marvel, who is essentially a space cop. We also have Black Panther and Spider-Man, who I would assume would lead Earth-led stories, but who knows, and then there’s all the new characters we could potentially see. If makes a lot of sense.

 

These are my thoughts on Spider-Man: Far From Home. If you want my full review, just click here!

 

-Kyle A. Goethe

Spider-Man: Far From Home (2019)

Director: Jon Watts

Cast: Tom Holland, Samuel L. Jackson, Jake Gyllenhaal, Zendaya, Cobie Smulders, Jon Favreau, J.B. Smoove, Jacob Batalon, Martin Starr, Marisa Tomei

Screenplay: Chris McKenna, Erik Sommers

129 mins. Rated PG-13 for sci-fi action violence, some language and brief suggestive content.

 

Well, Endgame is all done. We’ve culminated the MCU to our hearts’ content. There isn’t anything else to say, right? Oh, there’s another one already? Oh. Hey, everyone! Spider-Man is alive!

It’s been eight months since The Blip was reversed, and Peter Parker (Tom Holland, The Impossible, Pilgrimage) is still reeling from the death of his mentor and friend, Tony Stark. He’s been in the spotlight more and more since that time, scrutinized and studied, with reporters and people everywhere asking who will be the next Iron Man. Peter is more than happy to be leaving the country on a class trip to Europe for the summer, as it will give him a break from Spider-Man and allow him to have some more time with MJ (Zendaya, The Greatest Showman, Duck Duck Goose). Peter quickly discovers that he cannot escape his responsibilities as Spider-Man, though, when Nick Fury (Samuel L. Jackson, Pulp Fiction, The Hitman’s Bodyguard) comes looking for him. Fury has a mission for him: to team up with Quentin Beck (Jake Gyllenhaal, Nightcrawler, Velvet Buzzsaw), a hero from another universe that was destroyed by the Elementals, which have now found their way to our Earth. Can Peter juggle his class trip with his duties as an Avenger?

Kevin Feige was right when he called Far From Home the finale of Phase 3. In a lot of ways, it ties up a lot of the threads hanging on from Endgame in its own interesting way. It’s a more lighthearted finale to Phase 3 while also forever changing the MCU going forward. As a coda to The Infinity Saga, it is a powerful one, and it is a more MCU-centric film than a straightforward Spider-Man adventure.

Tom Holland is amazing as ever, this being his fifth outing as the web-slinger. He truly is the best version of Peter Parker I’ve seen. He embodies all that teenage high-school Peter Parker should, and yet, he is wise in some ways beyond his years because of all the things he’s been through in his short time as Spider-Man.

Jake Gyllenhaal’s work as Mysterio didn’t completely work in the movie. There were times I liked what he was doing and times I really didn’t. I think it boils down to the way his character was written because it did jump around a bit. I liked the way Mysterio translated from the comics to the film but I would have liked to dive into his character a lot more. It would have made his arc all the more powerful.

Zendaya’s version of MJ is much more fleshed out this time around and it works really well for the film, especially with how the possible relationship elements with Peter play out. She isn’t weird and quirky for the sake of it but just she finds interest in some of the more morbid elements of history and society. It’s a nerves thing, and you could call it out if you want, but there’s enough subtlety to give her a fascinating arc.

What’s so great about the film is how each character, major and minor, seemingly gets an arc in the film. It’s not extremely fleshed out, but there’s a lot going on and many of the minor characters get some sort of growth throughout the film.

I will say this. There are two post-credits scenes in the film and you have to see both. The first one is very important to Spider-Man’s story (it just should have been the end of the film and not a post-credits scene), and the other is major in the overall MCU story. You cannot miss these scenes!

Spider-Man: Far From Home juggles a lot of elements, and it works pretty well in that way. It does feel like it is cleaning up a lot of plot threads instead of focusing on Peter as much as I would have liked, but it does a great job with the classic Peter-doesn’t-want-to-be-Spider-Man story that all of the second installment Spider-Man films have done. I would have liked a better written Mysterio and a little tighter focus on Peter and company, but overall, this was an exhilarating sendoff to Phase 3, one very worth seeing.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Joe Johnston’s Captain America: The First Avenger, click here.

For my review of Anna Boden & Ryan Fleck’s Captain Marvel, click here.

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Leythum’s A Funny Thing Happened on the Way to Thor’s Hammer, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

For my review of Anthony & Joe Russo’s Avengers: Infinity War, click here.

For my review of Anthony & Joe Russo’s Avengers: Endgame, click here.

Godzilla: King of the Monsters (2019)

Director: Michael Dougherty

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Straithairn, Ken Watanabe, Ziyi Zhang

Screenplay: Michael Dougherty, Zach Shields

132 mins. Rated PG-13 for sequences of monster action violence and destruction, and for some language.

 

The MonsterVerse is one of the more successful cinematic universe to rise out of the shadow of Marvel, probably the fourth best one after the MCU, the DCEU, and The Conjuring Universe. It’s also the one that feels more easily connected, but it also feels like if has nowhere to go after next year’s Godzilla vs. King Kong. That is, until King of the Monsters blew open the floodgates for franchise expansion.

It’s been five years since Godzilla faced off against the MUTOs, and the world has been trying to recover, until a group of eco-terrorists under the command of Alan Jonah (Charles Dance, Gosford Park, Johnny English Strikes Again) kidnap Dr. Emma Russell (Vera Farmiga, Up in the Air, Annabelle Comes Home) and her daughter Madison (Millie Bobby Brown, TV’s Stranger Things) with the intention of using them to help wake up the numerous Titans slumbering all around the world. Now, Emma’s ex-husband Mark (Kyle Chandler, Argo, First Man) has been tasked by MONARCH to help track them down, but he wants nothing to do with Titans after the death of his son during the attacks of 2014. He is forced to come to terms with his hatred for Godzilla as the Titans keep waking up, from the fiery Rodan to the great alien beast King Ghidorah, in order to stop them and save the human race from possible extinction at the hands of the kaiju.

Godzilla 2014 had a problem with the handling of the title creature. Godzilla movies actually do not feature a lot of the great kaiju, but when he is used, it is wonderful. The way Godzilla was hidden for a bulk of the film didn’t work all that well for me, so I’m glad to report that King of the Monsters puts those kaiju on display from the opening scene to the epic finale. In fact, while I liked the previous Godzilla film, it seems like all the problems of the last film are somewhat corrected or at least bettered by King of the Monsters.

The human characters are nothing really special in the sequel, but compared to the human story of the first film, I prefer this rag-tag group of monster hunters trying to track the kaiju awakenings around the work. From Chandler’s Mark to returning favorites Dr. Vivienne Graham (Sally Hawkins, The Shape of Water, Paddington 2) and Dr. Ishiro Serizawa (Ken Watanabe, The Last Samurai, Pokemon: Detective Pikachu). I at least generally liked this group of humans, and I wanted to see them succeed, with one exception.

The way Emma’s character is written is downright terrible. It would be nearly impossible for her character arc to work well given the arc she is given, and Farmiga does what she can in the role, but the character just flat-out doesn’t work, and it takes a lot out of the film given that she’s one of our human leads.

Thankfully, though, this Godzilla movie is about the kaiju, and that’s what really matters. Looking back at the mission statement of this site, to look at what a film is trying to accomplish, King of the Monsters is about the kaiju, and for that, the films works quite well. Godzilla has a fully realized arc, and he is most definitely the king and star of the film. Where director Michael Dougherty (Trick ‘r Treat, Krampus) shines here is that he gives great attention and love to the lore of the Godzilla expanded franchise. He picks his versions of each of the kaiju quite well, especially where he takes on Mothra. Mothra can be a trickier kaiju to stay grounded with because of all the mythos of the character, but Doughtery showcases his love of this world with his incredible attention to detail.

Dougherty’s favorite kaiju is Rodan, and he takes the opportunity to include the famed creature in his film. The only problem is that Rodan has such a rich history and stands as a kaiju I really love, and I don’t think it has any purpose in this film. For a character with such an interesting background, Rodan could be a film’s main antagonist, but in this film, it stands as just another lackey of Ghidorah, and I didn’t like the way it was put in the film. It could’ve been replaced with just about any other kaiju and the film would feel the exact same.

The director and his co-screenwriter Zach Shields had to expand upon this world, and in that way, the world feels extremely well expanded for future films. There are so many kaiju in the film, and they are merely cameos or introductions to monsters we may see in future films, but the groundwork has been laid quite well. I can see a lot of possibilities for the future of this cinematic universe, using both established characters or the new ones created in this film. It even nicely lays the groundwork for the next film in the franchise without forcing it by introducing the idea that MONARCH has been following Kong’s life since Skull Island. This is a problem tackled in this film that many fledgling cinematic universes can’t get past. BvS and Iron Man 2 tried to shoehorn a cinematic universe together with references and connections abound, and it could have buried their universe. The Mummy tried to do all that in the first film and killed its franchise. What needs to be done is to make a fun and entertaining experience first, and give blink-and-you’ll-miss-it details next while using your credits to set up the future. That’s why I never understood the aversion to post-credits scenes after the success of the MCU. It’s like a teaser for what comes next without ending every film on a cliffhanger. King of the Monsters is one of the most successful universe-building installments ever.

Dougherty has fun with the film because he understands the tone of his stories, and that’s what has made him such a fun storyteller to watch, from his work on Trick ‘r Treat to Krampus, he’s just a blast of a filmmaker. He finally used the Blue Oyster Cult song Godzilla, and he used it well!

Godzilla: King of the Monsters is a better film than its predecessor, and while it doesn’t perfect the art of kaiju films with its occasionally flawed characters and reliance on spectacle over story, it’s a damn fun movie, one that kept me looking on with childhood glee and praising its visual sense and creative creature design. This is a fun movie, done.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Jordan Vogt-Roberts’s Kong: Skull Island, click here.

For my review of Gareth Edwards’s Godzilla, click here.

Feige Talks the Disney/Fox Deal and How to Incorporate the New Properties

I’m sure Kevin Feige is done talking about the Fantastic Four and the X-Men, but during an event for the upcoming Spider-Man: Far From Home, he took some time to talk again about it. So let’s unpack a few things he said.

First, he kept to his statement about taking his time, saying that he was in no real rush to add these characters to the MCU. This is still a smart statement for many reasons. First, we should point out that Kevin Feige makes a plan and usually sticks to it pretty close. Notice how his initial Phase 3 announcement compares to what we’ve see play out. The only major changes, to my memory, are the inclusion of Spider-Man, which didn’t need as much work and didn’t wrinkle the plan too much, and the movement of the Inhumans to a series from a movie, a move that you can say either worked out well for him or didn’t. The jury is still out on what an Inhumans movie would have looked like. Now, think about the reactionary approach to a DCEU or even The Dark Universe. A plan was made and then seemingly thrown out the window. He also has to come to terms with the failure of Dark Phoenix, which will leave a stain on the X-Men for a bit. Add that to the stain of a major Fantastic Four failure from a couple years back and Feige will have to play this one carefully.

He also stated that, while he is in no rush, he has been working on this possibility for a while now. Years, he states. He’s been playing though plans that have included and excluded the X-Men, Fantastic Four, and Spider-Man for years now, and that’s how Spider-Man: Homecoming was able to come together so quick in time to open up Phase 3.

It’s important to note that Phase 4 has been kept pretty secret for some time, but I would imagine, based on some of the statements from Kevin Feige over the years, that he has had some form of Phase 4 in his head for a long time. He stated a couple years back that he had storylines planned out through 2028. Now, this was back when Marvel was releasing 2 films a year, and maybe that changed when they moved to 3, but I have to imagine he’s had a future beyond Thanos and the Infinity Stones.

He shared that some character introductions work better in their own films and some, like Spider-Man and Black Panther, worked better in someone else’s story. It’s true, and the more I’ve thought about this, the more it has made sense. I would take that as a possibility that we could see a non-powered Reed Richards appear in someone else’s film in the MCU before the Fantastic Four get a solo movie. I could even believe that perhaps a Hank McCoy/Beast or a Professor X might get an appearance before an X-Men Proper film. These properties have fan expectations, so this one will be a tough inclusion process that might aid them to have an appearance elsewhere first.

So what do you think? When and how will we see the Fantastic Four and X-Men appear in the MCU, if at all? Let me know/Leave a comment below!

 

-Kyle A. Goethe

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